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ON FREE PUBLIC VIEW 


AT THE AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH, NEW YORK 


BEGINNING FRIDAY, FEBRUARY 7, 1913 
AND CONTINUING UNTIL THE DATE OF SALE 


THE VALUABLE LIBRARY 


OF THE LATE 


M. C. D. BORDEN, Esa. 


iN 
TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY ORDER OF THE EXECUTORS 


ON MONDAY EVENING, FEBRUARY 17th, 1913 
AT 8.15 O’CLOCK, AND FOLLOWING DAYS AT 2.30 anp 8.15 O’CLOCK P.M. 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


Crh 


Be EP 


CATALOGUE 
OF THE 


VALUABLE LIBRARY 


FORMED BY THE LATE 


M. C. D. BORDEN, Eso. 


TO BE SOLD 
AT UNRESTRICTED PUBLIC SALE 
BY ORDER OF THE EXECUTORS 


AT THE 


AMERICAN ART GALLERIES 


4 TO 6 EAST TWENTY-THIRD STREET 
MADISON SQUARE SOUTH 


ON THE DATES HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 


MR. THOMAS E. KIRBY 
OF 


THE AMERICAN ART ASSOCIATION, MANAGERS 
NEW YORK 
1913 


CONDITIONS OF SALE 


1. The highest bidder to be the Buyer, and if any dispute arises 
between two or more Bidders, the Lot so in dispute shall be immediately 
put up again and re-sold. 

2. The Auctioneer reserves the right to reject any bid which is 
merely a nominal or fractional advance, and therefore, in his judgment, 
likely to affect the Sale injuriously. 

3. The Purchasers to give their names and addresses, and to pay 
down a cash deposit, or the whole of the Purchase-money, if required, 
in default of which the Lot or Lots so purchased to be immediately put 
up again and re-sold. 

4. The Lots to be taken away at the Buyer’s Expense and Risk 
within twenty-four hours from the conclusion of the Sale, unless other- 
wise specified by the Auctioneer or Managers previous to or at the time 
of Sale, and the remainder of the Purchase-money to be absolutely paid, 
or otherwise settled for to the satisfaction of the Auctioneer, on or 
before delivery; in default of which the undersigned will not hold them: 
selves responsibie if the lots be lost, stolen, damaged, or destroyed, but 
they will be left at the sole risk of the purchaser. 

5. While the undersigned will not hold themselves responsible for 
the correctness of the description, genuineness, or authenticity of, or 
any fault or defect in, any Lot, and make no Warranty whatever, they 
will, upon receiving previous to date of Sale trustworthy expert opinion 
in writing that any Painting or other Work of Art is not what it is rep- 
resented to be, use every effort on their part to furnish proof to the 
contrary ; failing in which, the object or objects in question will be sold 
subject to the declaration of the aforesaid expert, he being liable to the 
Owner or Owners thereof for damage or injury occasioned thereby. 

6. To prevent inaccuracy in delivery and inconvenience in the 
settlement of the Purchases, no Lot can, on any account, be removed 
during the Sale. 

7. Upon failure to comply with the above conditions, the money 
deposited in part payment shall be forfeited; all Lots uncleared within 
one day from conclusion of Sale (unless otherwise specified as above) 
shall be re-sold by public or private sale, without further notice, and the 
deficiency (if any) attending such re-sale shall be made good by the de- 
faulter at this Sale, together with all charges attending the same. This 
Condition is without prejudice to the right of the. Auctioneer to enforce 
the contract made at this Sale, without such re-sale, if he thinks fit. 

8. The Undersigned are in no manner connected with the bust- 
ness of the cartage or packing and shipping of purchases, and although 
they will afford to purchasers every facility for employing careful 
carriers and packers, they will not hold themselves responsible for the 
acts and charges of the parties engaged for such services. 


Tue AMERICAN ART ASSOCIATION, Manacers. 
THOMAS E. KIRBY, Auctioneer. 


a 


“ss 


THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


ORDER OF SALE 


MONDAY EVENING, FEBRUARY 171TH 
BEGINNING AT 8.15 O'CLOCK 
CATALOGUE Nos. 1 To 179 INCLUSIVE 


TUESDAY AFTERNOON, FEBRUARY 18TH. 
BEGINNING AT 2.80 O'CLOCK 
CATALOGUE Nos. 180 ro 367 INCLUSIVE 


TUESDAY EVENING, FEBRUARY 18TH 
BEGINNING AT 8.15 O'CLOCK 
CATALOGUE Nos. 368 to 522 INCLUSIVE 


WEDNESDAY AFTERNOON, FEBRUARY 19TH 
BEGINNING AT 2.30 O'CLOCK 
CATALOGUE Nos. 5283 ro 690 INCLUSIVE 


WEDNESDAY EVENING, FEBRUARY 19TH. 
BEGINNING AT 8.15 O'CLOCK 
CATALOGUE Nos. 691 To 888 INCLUSIVE 


* 


NOTE: These books are all in splendid condition, 
such minor defects as exist being due to the general 


effects of time; such as the dulling of the gilding or the 
slight discoloration of delicate shades of leather. As the 
extraordinary number of beautiful bindings is a special 
feature of this collection, it has been thought desirable 
to describe them with greater elaboration than is usual, 
following the privately printed catalogue as closely as 


practicable. 


In every volume will be found one of the two sizes 
of the book-plate engraved by E. D. French for Mr. 
Borden. 


The Daly-Borden collection of views of New York 
City and the plates in the extra-illustrated Life of 
Washington have been catalogued by Mr. Robert 
Fridenberg. 


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UNRESTRICTED PUBLIC SALE BY ORDER OF THE EXECUTORS 


ON MONDAY EVENING, FEBRUARY 17th, 1913 
AT 8.15 O’CLOCK, AND FOLLOWING DAYS AT 2.30 AND 8.15 O’CLOCK P.M. 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


IN ACCORDANCE WITH THE ‘‘ ORDER OF SALE’’ PAGE 


1A BECKETT, Gitpert ABportt. 


Tue Comic History or Eneianp. With ten colored 
etchings, and one hundred and twenty wood-cuts, by John 
Leech. 8vo. Published at the Punch Office, 85, Fleet 


Street. 1847. Two Volumes. 


THe Comic History or Rome. Illustrated by 
John Leech. 8vo. Published by Bradbury and Evans, 11, 
Bouverie Street, Whitefriars. [London.| [1851.] 


Together, 3 volumes. 


Bound from the original parts, with the green pictorial paper 
wrappers preserved. 

Full dark green crushed levant morocco, with an outside border 
of gold-tooling, panels of inlaid blue levant in the corners, gold- 
tooled, and in the center of both covers a figure from the book 
inlaid in blue, white, pink, yellow, red and brown levant, doublure 
of blue levant with a heavily gold-tooléd diaper, flies of red watered- 
silk, gilt top, uncut, by Riviere. 


2 ACKERMANN, R. 


THE Microcosm oF Lonpon; or, London in Miniature. 
4to. R. Ackermann’s Repository of Arts. No. 101, 
Strand. [1808.] 

Three Volumes. 


With the plates by Rowlandson and Pugin, engraved by Har- 
raden, Bluck, Stadler, Hill, Sunderland, and Sutherland; all being 
splendid impressions, colored by hand. 

Full red crushed levant morocco, with simple fillets on the 
edges of covers, doublure and flies of dark green watered-silk, gilt 
edges, by Riviére. 


3 ACKERMANN, R. 


TuHeE History oF THE ABBEY CHURCH OF ST. PETER’s, 
WESTMINSTER, Its Antiquities and Monuments.  4to. 
London: Printed for R. Ackermann. 1812. 

Two Volumes. 


With the plates by Pugin, Mackenzie, White, Villiers, 
Thompson, Unwins, and Shepherd; and engraved by Bluck, Mitan, 
Sutherland, Hamble, Lewis, and others; all being splendid im- 
pressions, colored by hand. 

Full red crushed levant morc.¢co, with simple fillets on the 
edges of covers, doublure and flies of dark green watered-silk, gilt 
edges, by Riviere. 


4 ACKERMANN, R. 


A History oF THE UNIVERSITY OF OxrorD, Its Col- 
leges, Halls, and Public Buildings. 4to. London: Printed 
for R. Ackermann. 1814. 

Two Volumes. 


With the plates by Pugin, Nash, Mackenzie, and Westall; and 
engraved by Bluck, Lewis, Havell, Reeve, Sutherland, Hill, Stad- 
ler, and Bennett; also a series of costume plates drawn by Unwins 
and engraved by Agar; all being splendid impressions, colored 
by hand. | 

Full red crushed levant morocco, with simple fillets on the 
edges of covers, doublure and flies of dark green watered-silk, gilt 
edges, by Riviere. 


5 ACKERMANN, R. 


A History oF THE UNIVERSITY OF CAMBRIDGE, Its Col- 
leges, Halls, and Public Buildings. 4to. London: Printed 
for R. Ackermann. 1815. 


Two Volumes. 


With the plates by Westall, Pugin, and Mackenzie; and en- 
graved by Stadler, Havell, and Bluck; also a series of costume 


plates drawn by Unwins and engraved by Agar; all being colored 
by hand. 


Full red crushed levant morocco, with simple fillets on the 


edges of covers, doublure and flies of dark green watered-silk, gilt 
edges, by Riviére. 


6 ACKERMANN, R. 


THe History oF THE COLLEGES OF WINCHESTER, 
ETON AND WESTMINSTER; with the Charter-House, the 
Schools of St. Paul’s, Merchant Taylors, Harrow and 
Rugby, and the Free-School of Christ’s Hospital. 4to. 
London: Printed for and published by R. Ackermann. 
1816. 


With the plates drawn by Westall, Mackenzie, Pugin, and 
Gendall; and engraved by Havell, Stadler, and Bennett; also a 
series of costume plates drawn by Unwins and engraved by Agar; 
all being splendid impressions, colored by hand. 

Full red crushed levant morocco, with simple fillets on the 
edges of covers, doublure and flies of dark green watered-silk, gilt 
edges, by Riviére. 


7 ACKERMANN, R. 


A History oF THE UNIVERSITY OF OxrForD, Its Col- 


leges, Halls, and Public Buildings. 4to. London: 
Printed for R. Ackermann, 1814. 


Two Volumes. 


This work contains 81 colored plates by Westall, Mackenzie, 
Pugin, Nash, etc., and portraits from the Bodleian Library. A 
very fine, clean copy in a contemporary binding. 

Bound in full russia, marbled edges. 


gs AEKRONAUTICA. 


A REMARKABLE AND EXTENSIVE COLLECTION OF 808 
Prints, ArticLes, Portraits, Views, ADVERTISEMENTS, 
Brits, Posters, Music, CARicaTuRES, etc., all relating to 
BALLOONS AND BALLOONING, comprising illustrations of the 
Flying Ship, the Chavalant or Kite Carriage, the Aérial 
Ship, Globe Aérostatique, Ascent of MM. Charles et Ro- 
bert, Départ de MM. Charles et Robert, Jardin des 
Tuileries, Machine Aérostatique de Messrs. L. Abbé Midan 
et Janninet, Mr. Lunardi ascending from the Artillery 
Ground, Moorfields, Ascent of Mr. Blanchard from Chel- 
sea, The Perilous Situation of Major Money, Ascent of 
Mr. Sadler at Oxford, The Fortress in the Green Park 
with Balloon Ascent, The Pagoda and Bridge in St. J ames’ 
Park with Balloon Ascent, The First Balloon within the 
Arctic Circle, Descent of Mr. Livingstone on the Coast of 
the County Dublin, Opening of New London Bridge with 
Balloon Ascent, The Vauxhall Royal Balloon, The Great 
Montgolfier Balloon, Mr. Graham’s Ascent at the Opening 
of New Hungerford Market, The Flying Steamship 
(Pocket Handkerchief), The Century of Invention 
(Pocket Handkerchief); BILLS AND POSTERS of 
Mr. Green’s Ascents from various places throughout the 
Country, of Ascents at Vauxhall Gardens, of Balloon 
Races, and of Ascents from the Surrey Zodlogical Gardens; 
PORTRAITS of V. Lunardi, J. P. Blanchard, F'. Pilatre 
de Rozier, Mr. Sadler, J. M. Hobart, Monsieur Garnerin, 
John Hampton, &c.; PRINTS of Balloons, VIEWS, 
Part of Mr. Green’s Balloon, AUTOGRAPH LET- 
TERS of Montgolfier (4), etc., all neatly mounted, or 
inlaid where necessary, with specially designed title-pages, 
and indices. Foho. 


Two Volumes. 


Full black crushed levant morocco, sides and back tooled in 
gold, doublure of red crushed levant, tooled in dentelle, gilt edges. 


9 AINSWORTH, Wiu14am Harrison. 
Works. A COLLECTED SET OF THE First ILLUSTRATED 
Enirions; as follows: 


Rooxwoop: A Romance. The Fourth Edition. 
Complete in one volume, with Illustrations by George 
Cruikshank. Crown 8vo. London. 1838. 


Etched extra-title, with original cover preserved. Portrait. 


JACK SHEPPARD: A RomANcE. With Illustra- 
tions by George Cruikshank. 8vo. London. 1839. 


Three Volumes. 


With portrait. Original covers preserved. 


THE Tower oF Lonpon: A Histroricat Ro- 
MANCE. Illustrated by George Cruikshank. Crown 8vo. 
London. 1840. 


Guy FawkEs: or, THE GUNPOWDER TREASON. 
An Historical Romance. With Illustrations by George 
Cruikshank. 8vo. London. 1841. 


Three Volumes. 


Original covers preserved. 


THE Miser’s Daucuter: A Tate. With Iillus- 
trations by George Cruikshank. 8vo. London. 1842. 


Three Volumes. 


Original covers preserved. 


Winpsor CasTLE. AN HisToricAL ROMANCE. 
New Edition. Illustrated by George Cruikshank and 
Tony Johannot. With designs on wood, by W. Alfred- 
Delamotte. Crown 8vo. London. 1842. 


_ With portrait and engraved extra-title. Original covers pre- 
served. 


[9 Continued | 


SAIntT JAMEs’s: oR, THE Court OF QUEEN 
ANNE. An Historical Romance. With Illustrations by 
George Cruikshank. 8vo. London. 1844. 


Three Volumes. 


AURIOL: oR, THE Exrxir oF Lire. Being “Rev- 
elations of London; First Series.” Illustrations by “Phiz.” 
Crown 8vo. London. 1845. 


Portrait inserted, and original wrappers preserved. 


Oxvp Sarnt Pauw’s: A TALE OF THE PLAGUE 
AND THE Fire. New Edition. With Illustrations by 
John Franklin and H. K. Browne. Crown 8vo. Lon- 
don. 1847. 


Etched extra-title, and original covers preserved. 
Cricuoton. Third Edition, Revised. With Il- 


lustrations by Hablot K. Browne. Crown 8vo. London. 
1849. 


Etched extra-title, and original covers preserved. — 


JAMES THE SECOND: oR, THE REVOLUTION OF 
1688. An Historical Romance. 12mo. London. 1849. 


Three Volumes. 


Illustration by S. W. Buss. 


THE F.itcH oF Bacon: or, THE Custom or 
Dunmow. A Tale of English Home. With Illustrations 
by John Gilbert. 12mo. London. 1854. 


Original covers preserved. 


THe LANCASHIRE WircHEs: A ROMANCE OF 
PENDLE Forest. Third Edition. Illustrated by John Gil- 
bert. Crown 8vo. London. 1854. 


Original covers preserved. 


[9 Continued | 


Bawuuaps: RomMANTIC, FANTASTICAL, AND Hvu- 
morous. Illustrated by John Gilbert. 12mo. London. 
1855. 


Original covers preserved. 


Tue SrenpTHRiFT: A Tare. With Illustra- 
tions by Hablot K. Browne. Crown 8vo. London. 1857. 


Original covers preserved. 


THe StTar-CHAMBER: AN Historica Ro- 
MANCE. Illustrated by “Phiz.” Crown 8vo. London. 
1857. 


Original covers preserved. 


Mervyn CuirHeror. Illustrated by Hablot K. 
Browne. Crown 8vo. London. 1858. 


Original covers preserved. 


OvINGDEAN GRANGE: A TALE OF THE SOUTH 
Downs. Illustrated by Hablot K. Browne. Crown 8vo. 
London. 1860. 


Original covers preserved. 


THE CONSTABLE OF THE TowER: AN HistTor- 
1cAL Romance. Illustrated by John Gilbert. 12mo. 
London. 1861. 


Three Volumes. 


Original covers preserved. 


Tue Lorp Mayor or Lonpon: or, City LIFE 
IN THE Last CentTURY. 12mo. London. 1862. 


Three Volumes. 


Original covers preserved. 


[9 Continued] 
CARDINAL PoLe: or, THE Days oF PHILIP AND 
Mary. An Historical Romance. 12mo. London. 1868. 


Three Volumes. 


Original covers preserved. 


JOHN Law: THE PROJECTOR. 12mo. Lon- 
don. 1864. 


Three Volumes. 
Original covers preserved. 


THE SPANISH MatTcH: oR, CHARLES STUART AT 
Mapripv. 12mo. London. 1865. 


Three Volumes. 
Original covers preserved. 


THE CONSTABLE DE BouRBON. 12mo. London. 


1866. 


Three Volumes. 
Original covers preserved. . 


Oxp Court. A Nove. 12mo. London. 1867. 


Three Volumes. 


Original covers preserved. 


MyppLETON PomFret. A NovEut. 12mo0. Lon- 
don. 1868. 


Three Volumes. 


Original covers preserved. 


Hiuary St. Ives. A Novet. 12mo. London. 


1870. 
Three Volumes. 


Original covers preserved. 


BoscoBE.: or, THE Royau Oak. A Tale of the . 
Year 1651. Lllustrated by I. H. Rimbault. 12mo. Lon- : 
don. 1872. 
Three Volumes. | 


Original covers preserved. 


[9 Continued | 


Tur Goop OLp Times: THE Story OF THE 
MANCHESTER REBELS OF *45. 12mo. London. 1873. 


Three Volumes. 


Original covers preserved. 


Merry ENGLAND: oR, NOBLES AND SERFS. 
12mo. London. 1874. 


Three Volumes. 
Original covers preserved. 


Preston Ficut: or, THE INSURRECTION OF 
1715. A Tale. 12mo. London. 1875. 


Three Volumes. 


Original covers preserved. 


THe GowupsmitH’s Wire. A Tale. 12mo. 
London. 1875. 
Three Volumes. 


Original covers preserved. 


Tuer LEAGUER OF LAatHOM: A TALE OF THE 
Crvit WAR IN LANCASHIRE. 12mo. London. 1876. 


Three Volumes. 


Original covers preserved. 


Tue Fatt or SomMeERSET. 12mo. London. 


1877. 
Three volumes. 


Original covers preserved. 


BEATRICE TYLDESLEY. 12mo. London. 1878. 


Three Volumes. 


Breau Nasu: or, Bato IN THE EIGHTEENTH 
CrenTurRY. 12mo. London. [1879.] 


Three Volumes. 


Original covers preserved. 


[9 Continued | 


10 


STANLEY BrerRETON. 12mo. London. [1881.] 
Three Volumes. 


Original covers preserved. 


Together, 85 volumes. London: v. d., v. s. 


Full red crushed levant morocco, with a floriated design 
gold-tooled on backs, inside edges in dentelle, gilt top, uncut, by 


Riviere. 
ALBUM. 


AUTOGRAPH LETTERS FROM THE EMPRESS JOSEPHINE 
AND QUEEN HorTENSE, ali addressed to MONSIEUR LE 
CoMTE DE LAVALETTE. With numerous rare Portraits, and 
other interesting historical matter. Folio. 


This Unique collection contains 11 autograph letters, 6 
portraits, etc., etc. Enclosed is a certificate vouching for the 
authenticity of the autographs and writings from the French ex- 
pert on autographs, Noel Charavay, dated May 31, 1900. In- 
cluded are the following: 

Portrait of Bonaparte, in color. 

A. L. S. of Napoleon I to tke “Ministre de la Guerre,” dated 
Paris, le 21 frimaire an XII de la République Frangaise. Signed 
“Bonaparte.” 

A. L. S. of Napoleon I to Monsieur le Duc de Cavour [ Mon- 
sieur Méneval, his secretary}, dated April 20, 1812. ‘Signed 
AIPA SEG 

Portraits of the Empress Josephine, in color; one by Isa- 
bey. (2) 

A. L. S. from the Empress Josephine to le Comte de Lavalette, 
with an addressed envelope and seal. Signed “Josephine.” ‘(5) 

Original Bills of Josephine, dated 1809. (4) 

An engraved portrait of “‘la Reine Hortense.” 

A. L. S. of Queen Hortense, to le Comte de Lavalette, dated 
1821, 1824, 1827, 1829. Signed “Hortense.” (4) 

A. L. S. of Eugéne Beauharnais, dated Dec. 18, 1815. Signed 
“Pr. Eugene.” 

An Engraving of a Seal, bearing the Imperial arms and like- 
nesses of Napoleon and Josephine. 

Full dark green crushed levant morocco, with gold-tooled 
borders, doublure of wine-colored leather, richly decorated in gold 


. 
| 
; 


[10 Continued | 


11 


in the Empire style, with wreaths bearing the initial J, the 
Napoleonic bee, etc., flies of green brocaded-silk, gilt edges, by 
Chambolle-Duru. 


ALBUM. 


Berry, DucHEss DE. ALBUM; ONCE BELONGING TO THE 
DucuHess DE Berry; containing 36 Autograph Letters, 
Signed Documents, Official Communications, etc., etc., of 
the Kings and Queens of France from Francis I to Henry, 
Comte de Chambord, the heir to the throne after the estab- 
lishment of the Republic. Also, 7 rare prints illustrating 
events during the period, and 42 beautiful folio engraved 
portraits, exceedingly rare and choice, of French royal 
personages. All mounted on heavy paper with protecting 
flies. Oblong folio. 


This unique volume contains letters and prints in absolutely 
perfect condition. The authenticity of these writings 1s vouched 
for by Noel Charavay, the French expert in autographs, who ex- 
amined them in 1899, and gives his certificate, which is enclosed, 
dated May 31, 1900, of their genuineness. 

A list of the documents, autographs, and prints follows: 

A. L. S. of Francois I** a Leo X, dated April, 1518, with 
seal. Signed “Francois.” 

A. L. S. of Alienor d’Autriche, femme de Francois I**, dated 
March 28, 1530. Vellum. Signed with a monogram. 

A. L. S. of Henry II, dated July 22, 1551, with seal. Signed 
“Henry.” 

A. L. S. of Catherine de Medicis, dated August, 1587. Signed 
“Catherine.” 

A. L. S. of Francois II, dated 1559, on parchment. Signed 
“Francois.” 

A. L. S. of Charles IX, dated January, 1568, to the Duc 
d’Anjou, with seal. Signed “Charles.” 

A. L. S. of Isabelle, femme de Charles IX, dated February, 
1582. Signed “Jsabelle.” 

A. L. S. of Henri ITI, dated Paris, March 10, 1585. Signed 
“Henri.” 

A. L. S. of Louise de Piedmont, femme de Henri III, with 
seal, dated September, 1594. Signed with a monogram. 


[11 Continued | 

A. L. S. of Henry IV, dated July, 1577. Signed “Henry.” 

A. L. S. of Marguerite de Valois, I*** femme de Henry IV. 
Signed “Marguerite.” ; 

A. L. S. of Marie de Medicis. Signed “Marie.” 

A. L. S. of Gabrielle d’Estrees, Duchesse de Beaufort. Signed 
“Gabrielle d’Estrees.” 

A. L. S. of Louis XIII & M. de Montbazon, dated August, 
1627, signed “Louis”; and another D. S. dated 1606, signed 
“Louis.” An official document. 

A. L. S. of Anne of Austria, femme de Louis XIII, dated 
December 6, 1657. Signed “Anne.” 

A. L. 8. of Cardinal Richelieu, with seal. Signed “Ecard de 
Richelieu.” 

A. L. S. of Louis XIV & son cousin Prince Rogolzi, dated 
June, 1707, with seal. Signed “Louis.” 

A. L. S. of Marie Thérése d’Autriche, a “Nostre Tressainct 
Pere le Pape,” dated April, 1661, with seals. Signed “Marie 
Zevege.” 

A. L. S. of Marquise de Maintenon. Signed “Maintenon.” 

A. L. S. of Olimpe de Mancini, Comtesse de Soissons, dated 
January 31, 1676. . Signed “‘Olimpe de Mancini, Comtesse de 
Sotssons.”’ : 

A. L. 8. of Cardinal Mazarin, dated July 3, 1649. With seal. 
Signed “Ecard Mazarini.” 

A. L. S. of Messire Nicholas Foucquet. Signed “Foucquet.” 

A. L. S. of Marie, Princesse de Pologne, Reine de France et 
de Navarre, on parchment, dated April, 1766. Signed “Marie.” 

A. L. S. of Marquise de Pompadour a le Duc Daiguillon, 
with seal. 

A. L. S. of la Comtesse du Barry, dated 1779. Signed “La 
Comtesse du Barry.” ; | 

D. S. of Louis XVI, dated April, 1788. An official document. | 
Signed “Louis.” 

A. L. 8. of Marie Antoinette, dated 1783. Signed “Marie 
Antoinette.” 

A. L. S. of Louis XVIII 4 son Frére, dated February 16, 
1820. Signed “Louis.” 

A. L. S. of Marie Josephine Louise de Savoie, femme de 
Louis XVIII, dated June 24, 1780. Signed “Marie Josephine 


Louise.”’ 


[11 Continued | 

D. S. of Charles X, dated Feb. 10, 1792. An official printed 
document on parchment. Signed “Charles Philippe.” 

D. S. of Marie Therese, Princess de Savoie, Comtesse 
d’Artois, dated 1786, with seal. An official document, on parch- 
ment. Signed “Marie Louise.” 

A. L. S. of Louis Philippe 4 le Comte Davous, dated Nov. 
20, 1836. Signed “Louis Philippe.” 

A. L. S. of Marie Amélie, reine de Louis Philippe, dated 
April, 1835. 

A. L. S. of Marie Caroline, Duchesse de Berri, dated April 
25, 1843. Signed “Marie Caroline.” 

A. L. S. of Henry, Comte de Chambord, and heir to the French 
throne. Dated June 28, 1844. 

Portraits; Rare Engravings, Lithographs, and Colored Prints, 
mostly in folio, of Francois I, Alienor, Henry II, Catherine de 
Medicis, Francois II, Charles IX, Henry III, Queen Louise, 
Henry IV, Marguerite de Valois, Marie de Medicis, d’Estrees, 
Louis XIII, Queen Anne, Cardinals Richelieu and Mazarin, Louis 
XIV, Marie Therese, Maintenon, Olimpe de Mancini, Foucquet, 
Queen Marie, Marquise de Pompadour, Comtesse du Barry, Ludwig 
XV, Caroline Ferdinande Louise, Diane de Poitiers, Mary Queen of 
Scots, Frederick of Denmark and Norway, Louise de Lorraine, 
Christophile de Thou, Ludwig XIII, Nell Gwynne, Frederic, Louis 
XVII, Marie Antoinette, Louis XVI, Louis XVIII, Marie Jose- 
phine, Charles X, Marie Therese, Louis Philippe, Marie Amélie, 
Marie Caroline, and Henry :—all being rare engraved portraits by 
Lefevre, Lignon, Dupin, Cathelin, Legrand, Louvion, Bartolozzi, 
Morin, Falck, Petit, Wille, Tardieu, Baudemont, Gudin, Chasteau, 
Edelinck, Montague, De Leu, l’Armessin, Porbus, Halbeeck, L. 
Gaultier, Mafne, Lubin, Moncornet, Littret, Le Beau, Giffart, 
and Nanteuil; after paintings by Marilly, Schénan, Van Loo, 
Francois, Van Mot, Janet, Gosse, Hesse, Bonet, Dumont, Parrocel, 
Lely, Zuccheri, Drouais, Holl, Gerard, and Winterhalter. 

Among the rarer prints are: “The Procession of the League 
against Henry IV,” 1593; “Massacre de Henry le Grand,” 1610; 
“La Joye de la France,” 1638; “Les Trésors de la Paix’; “Repré- 
sentation exacte du Grand Collier en Brillants des S’S Boohmer 
et Bassenge’ (Diamond Necklace) ; “T'u Réves en Lua,” etc., by 
Janet, Gasp, Falck, etc., etc. 

Full purple crushed morocco, with borders of inlaid panels in 
yellow, red, and green leathers, center panel of cream-colored 


[11 Continued] 


12 


13 


leather with the portico of the Pantheon inlaid in green, red, and 
brown, and gold-tooled, doublure and flies of green watered-silk, 
edges gilt on the rough, by Simier. 

ALBUM. 

ALBUM ARTISTIQUE DE LA REINE HortTeENsE [ Kugénie 
de Beauharnais]. Livre d’Art de la Reine Hortense. Une 
Visite 4 Augsburg, Esquisse Biographique, Lettres, Des- 
sins et Musique. Paris: Hengel & Cie, Editeurs. Ob- 
long 4to. 

Uniaue. Exrri-Intustrratep by the insertion of numerous 
choice and beautiful plates; chromolithographs, etchings, litho- 
graphs, and engravings, many in color; of Hortense, Napoleon I, 
Josephine, Louis Napoleon, Alexander I, etc., by Adam, Bazin, 
Morinet, Lignon, Thibault, Giroux, Ruet; after Meissonier, Lemer- 
cier, Zimermann, Gérard, Scheffer, Vigneron, Lethiére, and others ; 
two Autograph Letters of Louis Napoleon, one of Hortense; the 
Hopwood colored plates of the court dress of the period, etc., etc., 
each mounted on a hinge, with borders of gold and black. 

Full light green crushed levant morocco, panels tooled with the 
Napoleonic bee; and the H and Crown, doublure of levant, with 
purple borders and cream-colored panels, with the bee, the H and 
Crown, and violets tooled in gold, flies of brocaded-silk, gilt edges, 
by Ritter. 


ALBUM. 

Marie-Louise [or Austria], IMPERATRICE DES FRAN- 
CAIS, 2 FEMME DE NApoLrEon [®8, Précieuse Correspon- 
dance de Marie-Louise 4 Marie-Amélie, alors duchesse 
d’Orléans; Colorno, Parme, 1816-1821. 20 pages in 8vo. 
Mounted on heavy paper. With 6 exceedingly rare por- 
traits (1 in color) ; of Napoleon I, Marie Louise (8) and 
Le Duc de Reichstadt (2), by Mécon, Martinet, Auber, 
Schiavoni, and Isabey. 

This uniqvE collection also contains an A. L. S. of Napoleon 
I to Monsieur Perregaux, signed “Napoleon,” dated at “Milan le 
20 floréal an 13,” with the envelope and seal. 

Full red morocco, with clusters of roses in center, and borders 
of flowers and scroll designs, doublure and flies of green watered- 
silk, with the Napoleonic arms, gilt edges, by Oliviert. 


- ate 


14 ALBUM. 

Napo.rEon I“ Et Son Temps. Autographes et Gravures. 
Containing 63 Autograph Letters, 205 portraits (mostly 
colored), 13 plates illustrative of Napoleon’s Life, etc., ete. 
Oblong Ato. 


These unique and original historical documents are vouched 
for by the autograph expert, Noel Charavay, of Paris, to whom 
they were submitted for examination. His certificate is enclosed. 

Included in this collection are the following: 

A. L. S. of Cardinal Fesch, dated Rome, 26 Germinal an 12, 
to General Hédonville. Signed “Le Cardinal Fesch.” 

A. L. S$. of Joseph Bonaparte, dated Philadelphia, Feb. 15, 
1818. Signed “Joseph.” 

A. L. S$. of Lucien Bonaparte 4 Le Ministre de ]’Intérieur, 
dated Paris, le 29 Thermidor an 8. Signed “L. Bonaparte.” 

A. L. S. of Louis Napoleon a Monsieur Gaudin, dated Sept. 
17, 1807. Signed “Louts.” 

A. L. S. of Queen Hortense, dated May, 1832. Signed “Hor- 
tense.” 

A. L. S. of Caroline Murat, dated March 28, 1820. 

Also a 2-page sheet in the boyish handwriting of Frang¢ois, 
the Duc de Reichstadt; the autographs in letters and official docu- 
ments of Louis Napoleon, Marie Julie, la femme de Lucien Bona- 
parte, Jérdme Bonaparte, Marie Anne Elisa, Pauline Bonaparte, 
Murat, Eugéne, Auguste Amélie, Ney, Beurnonville, Macdonald, 
Lefebre, Suchet, Junot, Soult, Talleyrand, Bessiéres, Rapp, Kel- 
lermann, Bertrand, Les Cases, Bourrienne, Gourgaud, Montholon, 
Marchand, and twenty-nine others. 

Also rare portraits, some proof impressions, and many in 
color: of Napoleon I, Charles and Laetitia Bonaparte, Cardinal 
Fesch, Josephine, Hortense, Joseph Napoleon, Fran¢ois, Duc de 
Reichstadt, Marie Julie, Lucien and Jéréme Bonaparte, Catherine, 
Louis Napoleon, Pauline Bonaparte, Caroline Murat, Murat, Les 
Cases, Talleyrand, Bertrand, Marie Louise, EKugéne de Beau- 
harnais, all of Napoleon’s Marshals and Generals, etc., etc. En- 
graved by Hopwood, Sevius, Pigeot, Gottschik, Bosselman, Bovinet, 
Mecon, Steinmiiller, Pound, Benoist, Lunt, Wolffe, Chollet, Huot, 
Giroux, Delpech, Charlet, Manduison, Menul, Geoffroy, Doherty, 
Portman, Pedretti, Fromentin, Desjardins, Goutiére, Fournier, 
Bulland, etc., etc., after paintings by Girodet, Gérard, Isabey, 


[14 Continued] 


15 


Sandoz, Lefevre, Desnoyers, Girard, Marcke, Boudon, Rittner, 
Waltner, Gihant, Vautier, Bordes, Ender, Delorme, Elmérich, 
Gouband, Millet, Philippoteaux, etc., etc. 

Also 18 plates illustrative of Napoleon’s Life; including 
“Entrée des Francais dans Milan, Moskow, Vienne, Berlin,” etc., by 
Vernet, Compte, Couché, and Swebach; “Predilection de la Famille 
Bonaparte,” by Raffet; “Le Couronnement,” by Marchais; etc., 
etc., by David, Gérard, Couché, and others. 

Also a printed Original Proclamation from Napoleon to his 
Army (4 pp.) dated March, 1815. 

Full dark green crushed levant morocco, with the Napoleonic 
arms in gold in center of covers, with Grecian borders, doublure 
of cream-colored crushed levant morocco, with gold-tooled bees 
and inlaid violets in mosaic, wide bands of lilac morocco, gold- 
tooled flies of pink silk, gilt edges, by David. 


ALDINE POETS. 


Tue ALDINE EpITION oF THE BritisH Poets. A col- 
lected set of First Editions, viz.: 


—— AKENSIDE. London. 1835. 
BEatTtTiz. London. 1881. 
Burns. London. 1839. 


Three Volumes. 
Butter. London. 1835. 


Two Volumes. 


CuHaucer. London. 1845. 
Six Volumes. 


CuHurcHILL. London. 1844. 
| Three Volumes. 


Coutuins. London. 1830. 
Cowrer. London. 1830. 


Three Volumes. 
Drypen. London. 1832. 


Four Volumes. 


[15 Continued] 
Fatconer. London. 1836. 


GoutpsmitH. London. 1881. 
Gray. London. 1847. 


— Mitton. London. 18382. 
Three Volumes. 


ParRNELL. London. 18383. 


Port. London. 1831. 
Three Volumes. 


Prior. London. 1835. 
Two Volumes. 


SHAKESPEARE. London. 18382. 


SPENSER. London. 1839. 


Five Volumes. 


SurREY. London. 1831. 


— _ Swirt. London. 1833. 
Three Volumes. 


TuHomson. London. 18380. 


Two Volumes. 
—— Wuiter. London. 1830. 
—— Wratt. London. 1881. 


Younc. London. 1884. 


Two Volumes. 


Together, 58 volumes. 16mo. With the vignette. 
London: William Pickering. v. d. 


Full polished calf, with the Aldine device gold-tooled on the 
sides, titles on inlaid blue morocco, gilt edges, by Zaehnsdorf. 


16 


17 


ALEXANDER, Witiiam. [Earu or STreuine. | 

A PAR2NESIS TO THE Prince. By William Alexander 
of Menstrie. 4to. London: Printed by Richard Field for 
Edward Blount. 1604. 


First Epirion of a very rare book. 

Full crimson crushed levant morocco, with a wide border on 
sides in square compartments of inlaid orange and brown morocco 
upon which are tooled delicate scroll and geometrical figures with 
background in pointillé, title in center panel, edges gilt on the 
rough, by Riviere. 


AMERICAN SPORTSMAN’S LIBRARY, THE. 
Tur AMERICAN SporTsMAN’S Lisrary. Edited by Cas- 

par Whitney. 

Tue Deer Famity. By Theodore Roosevelt, 

T. S. Van Dyke, D. G. Elliott, and A. J. Stone. Lllus- 

trated by Carl Rungius and others. New York. 1902. 


——-— Upianp Game Birps. By Edwin Sandys and 
T. S. Van Dyke. Illustrated. New York. 1902. 


SALMON AND Trout. By Dean Sage, C. H. 
Townsend, H. M. Smith, and William C. Harris. Illus- 
trated. New York. 1902. 


THE WATERFOWL Famizty. By L. C. Sanford, 
L. B. Bishop, and T. S. Van Dyke. New York. 1903. 


Bass, P1xkrE, PERcH AND OTHERS. By James A. 


Henshall, M.D., author of “Book of the Black-Bass,” 


New York. 19038. 
With many illustrations by Martin Justice and others. 


Tue Bic GAME FIsHEs OF THE UNITED STATES. 
By Charles Frederick Holder. New York. 1908. 

With many illustrations by C. F. W. Mielatz. 
THE Sportinc Doc. By Joseph A. Graham. 
With many illustrations. New York. 1904. 


ey, a a 


[17 Continued | 


Musxk-ox, Bison, SHEEP AND Goat. By Caspar 
Whitney, George Bird Grinnell, and Owen Wister. New 
York. 1904. 


With many illustrations by Carl Rungius. 


AMERICAN YACHTING. By W. P. Stephens. 
New York. 1904. 


With many illustrations by E. A. Schell and Carlton T. 
Chapman. 


Tuer TROTTING AND THE PaAcinG HorsE IN 
AmeERICA. By Hamilton Busbey. New York. 1904. 


With many illustrations from photographs. 


Guns, AMMUNITION, AND TackLE. By Cap- 
tain R. W. Money, Horace Kephart, W. KE. Carlin, A. L. 
A. Himmelwright, and John Harrington Keene. With 
many illustrations. New York. 1904. 


Lawn Tennis. Its Past, Present and Future. 
By J. Parmly Paret. To which is added a chapter on La- 
crosse by William Harvey Maddren. With many illus- 
trations. New York. 1904. 


PHOTOGRAPHY FOR THE SPORTSMAN NATURAL- 
Ist. By L. W. Brownell. New York. 1904. 


With numerous illustrations from photographs. 


THe AMERICAN THOROUGHBRED. By Charles 
EK. Trevathan. New York. 1905. 


With many illustrations from photographs. 


Rmw1ine AND Drivine. Rivine. By Edward L. 
Anderson. Dkrivine. Hints on the History, Housing, 
Harnessing and Handling of the Horse. By Price Col- 
lier. New York. 1905. 

With 138 illustrations. 


[17 Continued | 


18 


19 


20 


Rowine and TrAcK ATHLETICS. Rowine by 
Samuel Crowther. Track ATHLETICS by Arthur Ruhl. 
New York. 1905. 


Together, 16 volumes, v. d. 8vo. 


EDITION-DE-LUXE, limited to 100 copies on hand-made paper, 
of which this is No. 20. 
_ Full dark green crushed levant morocco, gilt top, uncut, by 
Stikeman. 


AMHERST, Tue Hon. Atictia. 
A History oF GARDENING IN ENGLAND. By the Hon. 


Alicia Amherst. Second edition. 8vo. London. 1896. 


With 68 illustrations. ; 

Full dark green crushed levant morocco, with the front cover 
gold-tooled with flowing flower-sprays and leaves, a similar scroll 
on the back cover, doublure and flies of light green silk, gilt edges, 
by Zaehnsdorf. 


ANDERSEN, Hans CuristTIAn. 

Fairy Tates. By Hans Christian Andersen. Newly 
translated by H. L. Brekstad, with an Introduction by 
Edmund Gosse. Illustrated by Hans Tegner. Large 
8vo. London. 1900. 

Two Volumes. 
Full blue crushed levant morocco, with an open panel on the 
front cover containing conventionalized flowers, inlaid in white 
levant in the top and bottom borders, doublure and flies of blue 
silk, gilt edges, by Zaehnsdorf. | 


ANDERSEN, Hans CHuristTIAn. 
Farry Tares. Illustrated by Hans Tegner. Another 
copy. Large 8vo. London. 1900. 
Two Volumes. 


Full blue crushed levant morocco, gold-tooled, doublure and 
flies of blue silk, gilt edges, by Zaehnsdorf. 


e 41 


— 22 


23 


ANDERSON, Mary. 
A Few Memories. By Mary Anderson (Mme. de 
Navarro). With Portraits. 8vo. New York. 1896. 
Three Volumes. 


ExtTra-ILLusTraTED, and extended to 3 volumes by the inser- 
tion of 250 plates, with extra titles, and index to the plates, includ- 
ing: portraits of Mary Anderson in all her character réles, numer- 
ous photographs, some in color; portaits of celebrities and persons 
mentioned in the “Memories,” among whom are Kean, Mrs. Bovers, 
Pator Anton, Booth, Macklin, Charlotte Cushman, Vandenhoff, de 
Bar, M’Cullough, Salvini, Terriss, Ellen Terry, Irving, Garrick, 
Mme. Ristori, Sarah Bernhardt, Fanny Kemble, Lerick, Macready, 
etc., etc.; numerous play bilis; Spy’s caricatures in color of Glad- 
stone and the Prince of Wales; engravings by Finden, Tardieu, 
Roffe, Fournier, and others; newspaper clippings; pictures of 
places and scenes visited by Mary Anderson; also, an Autograph 
Letter; Clarke’s Sonnets to Mary Anderson, 1884; the “Cincin- 
nati Festival Souvenir, 1883,” in color, etc., etc. 

Half dark blue crushed levant, gilt top, uncut, by Stikeman. 


ANDREWS, Wituiam Lorine. 


JEAN GROLIER DE SERVIER, VISCOUNT D’ AGUISY. Some 
Account of His Life and of His Famous Library. With 
14 plates in color. 8vo. New York: The De Vinne Press. 
1892. 

One of 140 copies printed on hand-made paper. 

Full crimson crushed levant morocco, decorated in a Grolier 
design of intertwining ribbons of inlaid black, red, and green. 
leathers, with gold lines and segments, doublure and flies of the 
same colored morocco, with borders of rose leaves, with the original 
covers preserved, gilt top, uncut, by Zaehnsdorf. 


ANDREWS, Wiu1Am Lorine. 

Rocer Payne AnD His Art. A Short Account of His 
Life and Work as a Binder. Illustrated with 11 colored 
plates. 8vo. New York: Printed at the De Vinne Press. 
1892. 


JAPAN-PAPER Copy. One of 10 copies on Japan paper; a 
presentation copy to William Matthews, to whom the book is dedi- 


[23 Continued] 


24 


25 


cated, with an autograph letter of W. L. Andrews dated Feb. 7, 
1892, inserted. 

Full green crushed levant morocco, tooled in gold in a Roger 
Payne design, inside borders gold-tooled, gilt top, uncut, by Stike- 
man. 


ANDREWS, Wiu114mM Lorine. 


THE Braprorp Mar. The City of New York at the 
Time of the Granting of the Montgomerie Charter. A 
description thereof compiled by William Loring Andrews. 
To accompany a facsimile of an actual survey made by 
James Lyne, and printed by William Bradford in 1781. 
Small 4to. New York: Printed at the De Vinne Press. 
1893. 

One of 142 copies printed on plate paper. With 51 illustra- 
tions taken from rare prints of old New York. 

Full dark green crushed levant morocco, with borders of fil- 
Jeted, mitered, and dotted lines, broken on the sides by a design of 
acanthus leaves, doublure of red crushed levant morocco, with den- 


telle borders, flies of red watered-silk, edges gilt on the rough, with 


the original cloth covers preserved, by the Club Bindery. 


ANDREWS, Wurm Lorine. 


“Amonea My Books.” [Verses by Samuel Minturn 
Peck.] 8vo. Printed for William Loring Andrews at the 
De Vinne Press. New York. 1894. 


The illustrations consist of 4 colored reproductions of bind- 
ings, 9 artotype illustrations, and 14 black-and-white engravings. 
There is also added a proof on vellum of the author’s book-plate 
engraved (and signed) by E. D. French. 

Vetium Copy, No. 1 of 2 copies so printed. The entire edi- 
tion consisted of two copies on vellum, ten copies on Japan paper, 
and thirty-eight copies on Holland paper. 

Full dark blue crushed levant morocco, with an elaborate 
Oriental design on the covers, consisting of an outside border of 
inlaid red levant gold-tooled, corner-pieces of inlaid yellow levant, 
and a large center-piece of inlaid red levant, with small flowers in- 
laid in yellow, red, and green morocco, the whole decorated with 
Le Gascon gold-tooling, doublure and flies of white vellum, edges 
gilt on the rough, by the Club Bindery. 


ao 


26 ANDREWS, Wuu14m Lorna. 


27 


28 


A STRAY LEAF FROM THE CORRESPONDENCE OF WAsH- 
INGTON IRVING AND CuHarLEs Dickens. By William Lor- 
ing Andrews. Square 12mo. Printed at the De Vinne 
Press, New York. 1894. [Vignettes on title.] And em- 
bellished with engravings on copper and zinc. 


With seven illustrations, two of which are engravings by E. D. 
French. No. 59 of an edition of 77 copies, all on Japan paper. 

Full brown crushed levant morocco, with an open panel inlaid 
in olive green levant and gold-tooled, doublure of olive green 
levant with a diaper of small gold-tooled flowers, flies of olive green 
ribbed-silk, edges gilt on the rough, with the original cloth covers 
preserved, by the Club Bindery. 


ANDREWS, Witiiam Lorine. 


THE Op BooxsEtLers or NEw York AND OTHER Pa- 
PERS. By William Loring Andrews. [WDevice.] 8vo. 
1895. 

JAPAN-PAPER copy. One of ten copies printed on Imperial 
Japan paper, with an additional proof of each plate before letters. 

Full dark blue crushed levant, with beautifully decorated backs 
and sides after the style of Le Gascon, inside edges in dentelle, 
doublure and flies of red watered-silk, with the original cloth covers 
preserved, by the Club Bindery. 


ANDREWS, Witu14Am Lorine. 


A SuHort Historica, SKETCH OF THE ART OF BooK- 
BINDING by William L. Andrews. With a Description of 
the Prominent Styles by William Matthews. Square 12mo. 
New York. 1895. 


With 6 illustrations of bindings. The edition consisted of 50 
copies on Japan paper. : 

Full dark green crushed levant morocco, with a wide border of 
inlaid bands of yellow levant decorated with gold-tooling, doub- 
lure of dark red crushed levant with a simple gold-tooled border, 
flies of dark red ribbed-silk, edges gilt on the rough, by the Club 
Bindery. 


34 


35 


36 


37 


ANDREWS, Wiut11AmM Lorine. 

FRAGMENTS OF AMERICAN History, Etc. A Holland 
paper copy. 12mo. Privately printed for William Loring 
Andrews. New York. 1898. 

One of 80 copies printed on hand-made paper. 

Full brown crushed levant morocco, with border of filleted and 
pointillé lines, doublure of dark blue levant morocco, tooled cor- 
ners and edges, brocaded-silk flies, edges gilt on the rough, by 
the Club Bindery. 


ANDREWS, Witu1am Lorine. 

A Trio or KIGHTEENTH CENTURY FRENCH ENGRAVERS 
oF Portraits IN Miniature. Ficquet—Savart—Grate- 
loup. William Loring Andrews. 8vo. New York. 1898. 

One of 161 copies on Imperial Japan paper. Illustrated with 
28 plates. Engraved title by E. D. French. 

Full dark blue crushed levant morocco, with richly tooled bor- 
ders of scrolls, roses, doves, flaming torches, etc., 4 la Déréme, 
doublure and flies of red watered-silk, edges gilt on the rough, with 
the original covers preserved, by Lortic. 


ANDREWS, Wuiuu1Am Lorine. 
SEXTODECIMos ET INFRA. William Loring Andrews. 
8vo. New York. 1899. 

No. 114 of 140 copies printed on English hand-made plate 
paper. Illustrated with 25 full-page plates in color. 

Full red crushed levant morocco, Janseniste, doublure of red 
crushed levant morocco, with an Aldine border, flies of red watered- 
silk, edges gilt on the rough, with the original covers preserved, by 
Meunier. 


ANDREWS, Wiu1Am Lorine. 
Gossip ABouT Boox-CotLEctTine. By William Loring 
Andrews. 12mo. New York. 1900. 
Two Volumes. 


JAPAN-PAPER COPY, one of thirty-two copies on Imperial Japan 
paper; the entire edition consisting of 125 copies on Holland paper 
and 32 copies on Imperial Japan paper. 


a a a 


[387 Continued | 


38 


39 


40 


The illustrations consist of 3 engravings on copper, by Sidney 
L. Smith, 6 reproductions in color by the Bierstadt process of old 
bindings and manuscripts, and 3 facsimiles of title-pages. 

Full brown crushed levant morocco, with an inlaid border of a 
band of dark blue levant morocco with Aldine tooling, backs deco- 
rated with inlaid ornaments and gold-tooling, doublure of blue 
crushed levant morocco, with a paneled border tooled with straight 
lines and Aldine ornaments, flies of light brown watered-silk, gilt 
top, uncut, with the original paper covers preserved, by Taffin. 


ANDREWS, Wiu11Am Lorine. 


JAMES LyNE’s SuRvEy; or, As it is more commonly 
known, The Bradford Map. A Plan of the City of New 
York at the Time of the Granting of the Montgomery 
Charter in 1731. 8vo. New York. 1900. 


One of 170 copies printed on Holland paper. With three fold- 
ing plates, being reproductions of the map in reduced size. 

Full dark blue crushed levant morocco, with borders of filleted, 
mitered, and dotted lines, broken on sides by a design of acanthus 
leaves, doublure of red crushed levant morocco, with dentelle bor-. 
ders, with acanthus flowers in the corners, flies of red watered-silk, 
edges gilt on the rough, with the original cloth covers preserved, 
by the Club Bindery. 


ANDREWS, Wiutui1Am Lorine. 


THE ICONOGRAPHY OF THE BATTERY AND CASTLE GAR- 
DEN. By William Loring Andrews. [Vignette.] 8vo. 
New York: Charles Scribner's Sons. 1901. 


JAPAN-PAPER copy. One of 32 copies printed on Imperial 
Japan paper. Illustrated by 20 plates, including a frontispiece 
in color, of plans and views of the Battery and Castle Garden. 

Full dark green crushed levant morocco, with border of com- 
partments of lines and dots, enclosing sprays of leaves, with shields 
bearing the arms of New Amsterdam in the corners, doublure of 
red crushed levant morocco, with gold-tooled borders, flies of green 
watered-silk, edges gilt on the rough, by the Club Bindery. 


ANDREWS, Wiutu1Am LorineG. 


Pav REVERE AND His ENGRAVING. By William Loring 
Andrews. 8vo. New York: Charles Scribner’s Sons. 1901. 


[45 Continued ] 


46 


AT 


levant, and decorated with delicate gold-tooling, doublure of red 
crushed levant, flies of dark red watered-silk, edges gilt on the 
rough, with the original covers preserved, by the Club Bindery. 


ANGLO-SAXON REVIEW, Tue. 


THE ANGLO-Saxon Review. A Quarterly Miscellany. 
Edited by Lady Randolph Spencer Churchill (Mrs. George 
Cornwallis-West). Volumes I - LX, inclusive. June, 1899- 
September, 1901, being all the numbers published. 4to. 
Volume I- Vol. VI. John Lane, London and New York. 
1899-1900. Vol. VII- Vol. TX. London: Mrs. George 
Cornwallis-W est. 1900-1901. 


Together, 10 volumes. 4to. v. d. 


A complete set of this magazine. 

Each part is in the original cover as issued, each number hay- 
ing been bound in facsimile of some beautiful example of a famous 
binder’s work. 


ANTHOLOGY. 


Tue Universat ANtTHoLocy. A Collection of the Best 
Literature, Ancient, Medizval, and Modern. With Bio- 
graphical and Explanatory Notes. Edited by Richard 
Garnett, Keeper of Printed Books at the British Museum, 
London, 1851-1899; Léon Vallée, Librarian at the Biblio- 
théque Nationale, Paris, since 1871; Alois Brandl, Pro- 
fessor of Literature in the Imperial University of Berlin. 
Large 8vo. London and New York. [1899.] 


Thirty-three Volumes. 


Author’s autograph edition in English, limited to 100 sets, 
of which this is No. 51. Inscribed on the fly-leaf: “M. C. D. Borden, 
Esq., New York. With the compliments of Richard Garnett. Aug. 
6, 1901.” 

With 197 illustrations, including 27 frontispieces and plates 
in color, and a duplicate set of the photogravure plates. 

Full dark green morocco, gilt top, uncut. 


48 


49 


APPERLEY, CuHartes JAMES. 


MeEmorrs oF THE LIFE oF THE LATE Joun Myton, 
Ksq., of Halston, Shropshire, formerly M.P. for Shrews- 
bury. With Notices of His Hunting, Shooting, Driving, 
Racing, Eccentric and Extravagant Exploits. By Nimrod. 
With 20 illustrations by Henry Alken. New Edition. 
With a Memoir of Nimrod. By R. S. Surtees. 4to. Lon- 
don. 1899. 


No. 27 of 50 copies printed on Large Paper. 

Full red crushed levant morocco, with filleted borders on sides, 
and backs decorated with a horse-head, fox-head, horse-shoe and 
whip, and bit, gilt top, uncut, with the original covers preserved. 


ARABIAN NIGHTS. 


THE ARABIAN Nicuts. In Five Volumes. Translated 
by The Reverend Edward Forster. With engravings from 
Pictures by Robert Smirke, R.A. 4to. London: Printed 
for William Miller, Old Bond-Street. 1802. 


Five Volumes extended to Twelve. 


Extra-InuustraTeD, and extended from 5 to 12 volumes, by 
the insertion of 842 plates, being illustrations to the “Nights,” por- 
traits, vignettes, views, head-and-tail pieces, etc.; Etchings, Photo- 
gravures, Lithographs, Engravings, etc. 

Among the rarer illustrations are: “The Supper,” “Jewish 
Physician,” “The Hunchback,” “Christian Merchant,” ‘The Pur- 
veyor,” “Merchant’s Story,” “Officious Barber,” ‘“Taylor’s Story,” 
“Physician’s Story,” “Purveyor’s Story,” “Bacbouc,” ‘‘Bacbarah,” 
“Backbac,” ‘“Alcouz,” ‘“Alnaschar,” ‘Recovery of Hunchback,” 
“‘Schacabac,” all by Smirke, and engraved in stipple by Daniel; a 
Lithograph Portrait of Capt. Sir Richard F. Burton, with proof 
of same; Portrait of Galland, by Rigaud, engraved by Morel; 
another Portrait of Galland, by Cazon; Illustrations to the 
“Arabian Nights” in series: by Ford, in the Burton Edition; by 
Wattier, proof impressions; by Stothard, proof impressions; by 
Courtin, proof impressions; by Westall, with a duplicate set of 
proof impressions; by Lalauze, artists’ proofs; by Letchford, in 
photogravure, with an enlarged set in duplicate of artists’ proofs, 


[49 Continued | 


50 


51 


in tint; and the woodcut titles, vignettes, and illustrations to the 
Knight Edition of the “Arabian Nights.” 

Also: Views, by Thomas, after Callow; the illustrations con- 
tained in the Lane Edition; and a series of modern illustrations, 
signed “A. R.,”? proofs on Japan paper. 

Also: Illustrations, in series, to the “Arabian Nights,” by or 
after Brangwyn, Dalziel, Ford, Gavarni, Harvey, Houghton, La- 
lauze, Millais, Pinwell, Smirke, Tenniel, Watson, Westall, Wattier, 
Wood, Corbould, Gavarni, Burney, Chastelat, David, Heath, Parker, 
Landells, Outhewaite, Finden, Neagle, Nargeot, Fittler, Angus, 
Williams, Warren, Delannoy, Colin, Green, Raimbach, Walker, 
Geoffroy, Armstrong, Watt, Taylor, Robinson, Fauchery, Sortier, 
Smith, and Pigeot. 

Full light blue crushed levant morocco, with filleted borders on 
sides, inside edges in dentelle, gilt top, uncut, by Riviére. 


ARIOSTO, Lupovico, | 

OrLANDO Furioso. In English Heroical Verse, by Sr. 
John Harington of Bathe, Knight. Now thirdly revised 
and amended, with the Addition of the Author’s Epigrams. 
8vo. London: Printed by G. Miller for J. Parker. 1684. 


First English version, with finely engraved title, containing 
a portrait of Harington, and with 46 copper-plate engravings. 

Full brown crushed levant morocco, with two large leaves en- 
closing an oval panel with the title on a dotted background inlaid 
in green morocco, each corner containing large flowering sprays 
with blossoms in red and leaves in green morocco, gilt edges, by 
Riviére. 


ARIOSTO, Lupovico. 

OrtANvo Furioso. By Ludovico Ariosto. In Italian 
and English. [Vignette portrait of Ariosto. Quotation. ] 
4to. London: Printed for the Editor, in Rupert-Street. 
1775. 

Two Volumes. 
Illustrated with numerous choice and beautiful engravings, by 


Bartolozzi, De Launay, Ponce, Ghendt, Simonet, Massard, Hen- 
riquez, Prevost, Lingée, Figuet, Martini, Morceau, and Duclos; 


[51 Continued] 


52 


53 


after designs by Eisen, Cipriani, Cochin, Monnet, Moreau, and 
Greuze. 

Full red crushed levant morocco, with floriated designs on 
backs and corners, inside edges in dentelle, gilt edges, by Riviére. 


ARMSTRONG, Sm Wa tter. 


Sir Henry Rarsurn. By Sir Walter Armstrong, Di- 
rector of the National Gallery, Ireland. With an Intro- 
duction by R. A. M. Stevenson and a Biographical and 
Descriptive Catalogue by J. L. Caw. 4to. London. 1901. 


Three Volumes. 


Epitrion-pE-Granp-Lvuxe, of which only 30 copies were printed, 
with duplicate sets of the 61 full-page plates on Japanese vellum 
and on India paper, the Japanese vellum and India proof illustra- 
tions each being bound in separate volumes; making three volumes 
in all. 

Full blue crushed levant morocco, with border of filleted lines, 
with interlaced and mitered corners, and with an interior panel of 
elaborately interlaced bands in gold, with a background of scroll 
tooling and conventionalized flowers, doublure of crimson levant 
morocco, tooled in the style of Derome, flies of crimson watered-silk, 
gilt top, uncut, by Morrell. 


ARMSTRONG, Sir WALTER. 


Turner. By Sir Walter Armstrong, Director of the 
National Gallery of Ireland. 4to. London. 1902. 


Two Volumes. 


EpiTion-pE-Luxe in two volumes. No. 275 of 350 copies 
printed on Japan paper. With a duplicate set of the illustrations. 

Full red crushed levant morocco, with an elaborate decoration 
on covers of conventionalized jonquils with curving stems, doublure 
of light green crushed levant with a border of geometrical tooling, 
inside border of red levant, gold-tooled, flies of green watered-silk, 
gilt top, uncut, by Morrell. 


ARNOLD, Matruew, 
Poems. Vol. I. Early Poems, Narrative Poems, and 
Sonnets. Vol. II. Lyric and Elegiac Poems. Vol III. 


[54 Continued] 


35 


56 


Dramatic and Later Poems. 12mo. London. 1888-1890. 
Three Volumes. 


Full red crushed levant morocco, gold-tooled with a design of 
clover leaves and roses, gilt edges, by the Doves Bindery. 


ART. 


MuskeE DE PEINTURE ET DE SCULPTURE; ou, Recueil des 
Principaux Tableaux, Statues et Bas-Reliefs des Collec- 
tions Publiques et Particuliéres de ?Europe. Dessiné et 
Gravé & l’eau forte par Réveil; avec des Notices Descrip- 
tives, Critiques et Historiques, par Duchesne Ainé. Paris: 
Audot, Editeur; and London. 1829. 

Seventeen Volumes. 


GALERIE DES ARTISTES ANGLAIS; depuis Hogarth 
jusqu’a Nos Jours: ou, Suite de 288 Gravures de leurs Pro- 
ductions les plus estimées, soigneusement gravées au trait 
sur acier. Choisie, mise en ordre et accompagnée de Notes, 
descriptions et explicatives en Anglais et en Francais. Par 
G. Hamilton. Paris: Baudry, Librairie Européenne. 1837. 
Four Volumes. 
Together, 21 volumes. 12mo. Text in French and Eng- 
lish. Paris and London. 1829-1837. 
Half red crushed levant morocco, gilt top, uncut, by Worsfold. 
ART. : 
L’Art. Revue Hebdomadaire Illustrée. Folio. Paris: 
Librairie de L’ Art. 1875. 
| Three Volumes. 


This work covers the whole range of Art, and is profusely 


illustrated with lithographs, chromo-lithographs, etchings, engrav- _ 


ings, and woodcuts, with many proofs on India paper. 

Full brown crushed levant morocco, with a border of wide 
bands of inlaid light brown levant with entwined clusters of flowers, 
leaves and buds in red and orange leathers; on center panel, the 
title on a ribbon of inlaid leather, all inlaid in colored leathers, 
inside borders blind-tooled, doublure and flies of brocaded-silk, gilt 
edges, by Marius Michel. 


Se 


57 


58 


ART. 


FRENCH ArT FROM WaTTEAU TO PRuD’HON. Together 
with an Introduction and Some Studies in the Social His- 
tory of the Period by Various Authors. Edited by J. J. 
Foster, F.S.A. Illustrated by a great number of Fine 
Photogravure Plates from Pictures in the Collections of 
His Majesty the King, H. I. M. The German Emperor, 
and others. Representing the Finest Work of the Principal 
Painters of the Eighteenth Century in France. Folio. 
Dickinsons. London. 1905-1907. 

| Three Volumes. 


Eprrion Royatz, No. 1 of 35 copies on Japanese paper. 

Full red crushed levant morocco, with a border gold-tooled in 
outline with conventionalized fleurs-de-lis in the corners, and a large 
fleur-de-lis gold-tooled in outline in the center of the covers, dou- 
blure and flies of dark blue crushed levant morocco, gilt top, uncut, 
by Morrell. 


ART. 


THE RoyaL CoLLECTION oF PAINTINGS AT BUCKING- 
HAM PaLACE AND Winpsor CastTLE. Vol. I. Bucking- 
ham Palace. One hundred Photogravures. With an In- 
troduction and Descriptive Text by Lionel Cust, M.V.O., 
Surveyor of the King’s Pictures and Works of Art. Pub- 
lished by Command of His Majesty King Edward VII. 
By the Fine Arts Publishing Company. London. 1905. 


THE Royat CoLLEcTION oF PAINTINGS AT 
BucKINGHAM PaLacE AND Winpsor CastieE. Vol. II. 
Windsor Castle. Eighty Photogravures. With an Intro- 
duction and Descriptive Text by Lionel Cust. Folio. By 
the Fine Arts Publishing Company. London. 1906. 


Two Volumes. 


Full red crushed levant morocco, with a design gold-tooled on 
the covers of panels of reticulated lines, ornamented with gold- 
tooled roses and rose-leaves and curving lines, inside edges gold- 
tooled, gilt top, uncut, by Morrell. 


59 


60 


ART. 

GRANDS PEINTRES FRANCAIS ET EXTRANGERS, OUVRAGE 
DART. Publié avec le concours artistique de Maitres. 
Texte par les principaux critiques d’Art. Folio. Paris. 
1884, 

Two Volumes in One. 


JAPAN-PAPER Copy, only 25 so made, with plates in two states. 
The artists mentioned in Vol. I are: W. Bouguereau, Josef Israels, 
Jules Breton, J. P. Laurens, E. Van Marcke, F. A. Bridgman, 
Jules Lefebvre, Joseph de Nittis, H. W. Mesdag, J. L. Géréme, M. 
Munkacsy, Charles Jacque. In Vol. II, Paul Baudry, J. J. Henner, 
Hubert Herkomer, Louis Knaus, Léon Bonnat, Alma-Tadema, E. 
Meissonier, G. Boulanger, Puvis de Chavannes, Rosa Bonheur, R. 
de Madrazo, J. E. Millais. Among the writers and critics may be 
mentioned Jules Claretie, E. Montrosier, Ph. Zicken, Helen Zim- 
mern, and others. 

Full green crushed levant morocco, with a border of filleted 
lines, and gold-tooled decorations in the panel, doublure and flies of 
red watered-silk, gilt top, uncut. 


ART. : 
ENGLIsH ART IN THE PUBLIC GALLERIES OF LONDON. 
Folio. London: Boussod, Valadon and Co. 1888. 


One of 25 copies, the plates printed on satin, text on Japan 
paper. English Art in the Public Galleries of London: The Na- 
tional Gallery, The South Kensington Museum, The National Por- 
trait Gallery. Illustrated with more than 100 Photogravures [131] 
by Goupil & Co. Published under the direction of Thomas 
Humphry Ward, M.A., with the assistance of Walter Armstrong, 
G. H. Boughton, A.R.A., Austin Dobson, A. W. Hunt, W. B. Rich- 
mond, F. Mabel Robinson, Frances Sitwell, and T. Woolner, R.A. 

Among the 43 English artists represented are: Hogarth, 
Reynolds, Gainsborough, Romney, Hoppner, Raeburn, Lawrence, 
Stothard, Blake, Morland, Turner, Wilson, Nasmyth, Caldecott, 
Constable, Wilkie, Mulready, Maclise, Landseer, Rossetti, Barry, 
Beechey, Jackson, Etty, Ward, Ibbetson, Loutherbourg, Crome, 
Cotman, Stark, Good, Collins, Leslie, Lance, Newton, Linnell, 
de Wint, Miiller, Chalon, Stanfield, Cooke, Bonington, and Walker. 


[60 Continued | 


61 


62 


63 


Full red crushed levant morocco, with a gold-tooled design on 
the covers of conventionalized flowers and leaves, and curving lines, 
doublure and flies of dark green watered-silk, gilt top, uncut, by 
Morrell. 


ART. 


NOTEWORTHY PAINTINGS IN AMERICAN PRIVATE COL- 
LECTIONS. Edited by John La Farge and August F. Jac- 
caci. Folio. New York. 1907. Volume I. 


With 51 photogravure illustrations. 

Copy No. 16 of 125 copies on Rives paper. 

This sumptuous volume contains descriptive and critical essays 
on the pictures in the collections of Mrs. John Lowell Gardner, Mr. 
Alfred Atmore Pope, Hon. John Hay, Mr. Albert A. Sprague, and 
Mr. Herbert L. Terrell. 

Full white vellum, with a fifteenth century French design 
stamped in relief on the covers, gilt edges. 


ART. 

PORTFOLIO OF THE NATIONAL GALLERY OF SCOTLAND. 
With a Preface by His Grace the Duke of Argyll. Folio. 
London: Edward Arnold. 1903. 

With 40 full-page photogravure plates on Japanese vellum 
after paintings by Gainsborough, Hals, Greuze, Watteau, Raeburn, 
Crome, Rembrandt, Van Dyck, Ruisdael, Nasmyth, Ramsay, and 
others. 

Edition limited to 350 copies. 

Full dark blue crushed levant morocco, with a large ornament 
of delicate gold-tooling in the center of covers, gilt top, uncut, by 
Zaehnsdorf. 


ASHTON, Joun. 

THE Dawn oF THE XI XTH CENTURY IN ENGLAND. A 
Social Sketch of the Times. By John Ashton. With 116 
Illustrations drawn by the Author from Contemporary 
Engravings. 8vo. London. 1886. 

Four Volumes. 


Exrra-Iniustratep by the insertion of 267 rare plates; in- 
cluding many colored caricatures by Starck, Rowlandson, Gillray, 


[63 Continued | 


64 


65 


Cruikshank, Pugin, Woodward, Malcolm, Brocas, and others; rare 
play-bills, street scenes, costumes, etc., rare portraits after engray- 
ings by Scriven, Condi, Finden, Hopwood, Ridley, and others; 
pictures of cities, Old London buildings, streets, and gatherings; 
scenes after paintings, etc., etc. Also A. L. S. of Hadfield, Wind- 
ham, Wilberforce, Lawrence, Wilkie, Bentham, Godwin, Banks, and 
Faraday. 

Full dark brown crushed levant morocco, borders of filleted 
lines, gold-tooled inside edges, gilt top, uncut, by Riviére. 


AUCASSIN AND NICOLETTE. 


TuHis 1s oF AuUCASSIN AND NicoLtEetTe. Translated by 
M. S. Henry and versified by Edward W. Thomson. 
[Colophon.] Of this edition of Aucassin and Nicolette, 
an Old-French Song-Tale, 25 copies are printed on Japan- 
ese Vellum in the Month of June, 1902, by Turnbull and 
Spears, for Otto Schulze and Company, Edinburgh. This 
is No. 10. Ato. 


Full citron crushed levant morocco, with the sides completely 
covered with many inlays (350 in all) of red, brown, blue, olive, and 
yellow morocco, elaborately tooled with (3,500 impressions of) a 
small leaf in gold, arranged in concentric circles, the leaves radiat- 
ing from the center in every direction, doublure of blue crushed 
levant, with a large diamond-shaped panel filled with small blind- 
tooled circles, flies of white vellum, gilt top, uncut, by the Hamp- 
stead Bindery (signed E. de R.). 


AUDSLEY, G. A. 


THE ORNAMENTAL ARTS OF JAPAN. By George Ash- 
down Audsley. Folio. New York. 1888. | 


Two Volumes. 


Copy No. 325 of 500 copies printed for American subscribers. 
Most sumptuously illustrated with woodcuts and beautifully colored 
lithographs by MM. Lemercier, of Paris. 

Full black crushed morocco, with a Japanese decoration of 
bands, bamboos, cranes, and rosettes, inlaid in red and white mo- 
rocco, doublure and flies of dark blue watered-silk, gilt edges. 


66 


67 


AUDUBON, Joun JAmeEs. 

THE Birps oF America, from Drawings made in the 
United States and their Territories. By John James Au- 
dubon, F.R. S.S. L. & E., ete. 8vo. New York: Pub- 
lished by J. J. Audubon. Philadelphia: J. B. Chevalier. 
1840-1844. 

Seven Volumes. 


THE QuUADRUPEDS OF NortH America. By 
John James Audubon, F.R.S., etc., etc., and the Rev. John 
Bachman, D.D., etc. 8vo. New York: Published by V.G. 
Audubon. 1849-1854. 
Three Volumes. 
Together, 10 volumes, 8vo. 


Tue First Ocravo Epition. This set has been bound from the 
original parts, and has all the paper wrappers preserved. The 
“Birds” was issued in 100 parts; the “Quadrupeds” in 81 parts. 

The illustrations, which are without the tinted backgrounds 
added in the later editions, consist of 500 full-page plates in the 
“Birds,” and 155 full-page plates in the “Quadrupeds.” The il- 
lustrations are all from colored drawings by John James Audubon, 
and are lithographs with the high colors put in by hand. 

Full light brown crushed levant morocco, with a central panel 
framed by inlaid bands of blue and dark red levant with inlaid and 
gold-tooled ornaments in the corners, and in the center of the panel 
on the front cover an inlaid cartouche containing the figure of a 
bird inlaid in the proper colors (each volume containing a different 
bird taken in each case from the volume on which it appears), 
doublure of reddish-brown crushed levant, flies of light-brown 
ribbed-silk, edges gilt on the rough, by the Club Bindery. 

The binding on the “Quadrupeds” is similar in design, but 
with transposed colors; the broad border on the covers being of 
light blue in the place of red; and with a doublure of light blue 
levant ; the figures on the front covers being of animals taken from 
each volume. 


AUDUBON, Joun JAMEs. 
Tue Birps oF America, from Drawings made in the 
United States and their Territories. By John James Au- 


[67 Continued] 


68 


dubon, F.R.S., ete. 8vo. New York: V. G. Audubon. 
1856. 
Seven Volumes. 


THE QuaDRUPEDS OF NortH AMERICA. By 
John James Audubon and the Rev. John Bachman, D.D. 
8vo. New York: V.G. Audubon. 1856. 
Three Volumes. 
Together, 19 volumes, 8vo. 
Full brown stamped morocco, gilt edges. 


AYMON. 


THE RIGHT PLEASAUNT AND GOODLY HIsTORIE OF THE 
FOURE SONNES OF AIMON, the which for the excellent endy- 
tyng of it, and for the notable Prowes and great vertues 
that were in them: is no les pleasaunt to rede, then worthy 
to be knowen of all estates bothe hyghe and lowe. [Wood- 
cut of the four sons riding on one horse.] [Colophon. | 
Here finissheth the hystory of the noble & valiaunt knyght 
Reynawde of Mountawban, and his three brethren. Folio. 
Imprinted at London, by Wynkyn de Worde, the vin. daye 
of Maye, and ye yere of our lorde MCCCCCiiii, at the 
request and commaundement of the noble and puissaunt 
erle, the Erle of Oxenforde, And now Emprinted in the 
yere of our Lorde M. CCCCC. L iii. the vt. daye of Maye 


By Wylliam Copland, for Thomas Petet. [1554.] 


An excellent copy of an exceedingly rare edition, printed in 


. Black Letter, two columns of 42 lines, with woodcut title and 37 


woodcuts. This is the Jersey copy, afterward owned by William 
Morris, and is the only perfect one offered for sale for nearly a 


century: 


This is the most popular French romance. From these 
legends, which date back to Charlemagne, the brothers appear in 
Tasso’s “Jerusalem Delivered,” and Ariosto’s “Orlando Furioso.” 
Written in a chanson de geste of the thirteenth century and first 
published in 1493. : 

Full brown crushed levant morocco, with an antique border and 
oval panel upon which is tooled the four sons of Aymon, in armor, 


[68 Continued | 


69 


70 


71 


riding upon the steel Bayard, the gift of Charlemagne, inlaid with 
brown, blue, green, red, and white moroccos, titles on sides, with 
decorations and filleted borders in gold, edges gilt on the rough, 
by Riviere. 


AYMON. 


HIsTOIRE DES QuaATRE Fits AymMon: Trés Nobles et trés 
Vaillans Chevaliers. Dlustrée de compositions en couleurs 
par Eugene Grasset. Gravure et Impression par Charles 
Gillot. Introduction et Notes par Charles Marcilly. Ato. 
Paris. 1883. 

No. 157 de 200 sur papier de Chine. 

Full brown crushed levant morocco, with an antique border and 
panels on the sides in blind-tooling, gilt edges, original covers 
preserved, by Chambolle-Duru. 


AYRES, PHILIP. 


Lyric Pores, made in Imitation of the Italians, Of which 
many are Translations from other Languages. [Latin 
Quotation.| By Philip Ayres, Esq.: Licensed R. L. S. 
With frontispiece. 12mo. London: Printed by J. M. for 
Jos. Knight and F.. Saunders at the Blue Anchor in the 
Lower Walk of the New-Eachange. 1687. 

First Epirion. 
Full brown crushed levant morocco, with bands of inlaid white 


morocco, and elaborate designs and borders in an antique style, 
gilt edges, by Riviere. 


AYTOUN, Wir114AmM EDMONDSTOUNE. 


LAYS OF THE SCOTTISH CAVALIERS: and Other Poems. 
By William Edmondstoune Aytoun. With Llustrations 
by Joseph Noel Paton, R.S.A., and Waller H. Paton. 
Ato. Edinburgh and London. 1865. 

Full red crushed levant morocco, with the royal arms of Scot- 
land in center and the arms of “Douglas,” “Angus,” “Montrose,” 
and “Grahame” at each corner, inlaid in red, white, blue, and 
yellow morocco, and gold, borders of blue stars, and powdered with 


[71 Continued] 


12 


73 


74 


golden thistles, doublure and flies of blue watered-silk, gilt edges, 
by Ramage. 

This book was exhibited as a specimen of fine binding at the 
Paris exhibition in 1867. 


[AYTOUN, Wurm E., and MARTIN, THeEopokre. | 


THE Book or Bawwaps: Edited by Bon Gaultier and 
Illustrated by Alfred Crowquill. 16mo. London. 1845. 


First Epirion. 

Full blue crushed levant morocco, with gold-tooled roses, leaves. 
and scrolls, doublure and flies of blue silk, gilt edges, by Zaehns- 
dorf. 


BADMINTON LIBRARY, THE. 


THE Bapminton Liprary oF SPoRTSs AND PASTIMES. 
Edited by His Grace the Duke of Beaufort, assisted by 
Alfred E. T. Watson. 

Together, 31 volumes. 8vo. Profusely illustrated. Lon- 
don: Longmans, Green, and Co. v. d. 


Half blue crushed levant morocco, with emblematic gold- - 
tooling on backs, gilt edges. 


BADMINTON LIBRARY, Tue. 

Drivinc. By His Grace the (Eighth) Duke of Beau- 
fort, K.G. With contributions by other authorities. II- 
lustrated by G. D. Giles and John Sturgess. Square 8vo. 
London. 1889. 

LarcE-PaPer copy, No. 242 of 250 copies. 


With the original drawings by Sturgess for 15 illustrations 
(2 of which are unpublished) inserted, neatly mounted and inlaid. 


Huntine. By His Grace the Duke of Beaufort, 
K.G., and Mowbray Morris. With contributions by the 
Earl of Suffolk and Berkshire, Rev. E. W. L. Davies, 
Digby Collins, Alfred E. T. Watson, Sir Marteine Lloyd, 
George H. Longman, and J. T. Gibbons. With illustra- 


[74 Continued | 


75 


76 


tions by J. Sturgess, J. Charlton, G. D. Giles, and R. C. 
Sealy. Square 8vo. London: Longmans, Green, and Co. 
1885. 

LarGE-PAPER copy, No. 60 of 250 copies. 


With the original drawings by Sturgess for 28 of the illus- 
trations inserted. 


RACING AND STEEPLE-CHASING. By the (Eigh- 
teenth) Earl of Suffolk and Berkshire and W. G. Craven. 
With a contribution by the Hon. F. Lawley. STEepie- 
Cuasine. By Arthur Coventry and Alfred E. T. Watson. 
Numerous illustrations by J. Sturgess. Square 8vo. Long- 
mans, Green, and Co. 1886. 

LarGE-PAPER copy, No. 25 of 250 copies. 

With the original drawings by Sturgess for 53 illustrations 
inserted, neatly mounted and inlaid. 

Together, 3 volumes. Square 8vo. London, v. d. 

The rare Larce-PaPer edition, limited to 250 numbered copies. 
The 96 original drawings by J. Sturgess are finely finished and 
neatly inlaid. 

Full red crushed levant morocco, with an mite border of 
heavily gold-tooled horseshoes, with the arms of the Duke of 
Beaufort tooled in gold in the center of the covers, back with em- 
blematic gold-tooling, gilt top, uncut, by Riviere. 

[BARHAM, Ricuarp Harris. ] 

THE INGOoLDsBy LEGENDs: or, MirtH AND Marvets. By 
Thomas Ingoldsby, Esquire. 8vo. London: Richard 
Bentley. 1840, 1842, 1847. 

Three Volumes. 

First Epitions. With 19 engraved illustrations and engraved 
extra-titles and frontispieces, by John Leech. 

Full light blue crushed levant morocco, gilt top, uncut, 
original covers preserved, by Bedford. 


BARRINGTON, Mrs. RvussE tu. 
Tue Lire, LETTERS, AND WorK OF FREDERIC LEIGHTON. 
By Mrs. Russell Barrington. 4to. London. 1906. 
Two Volumes. 


[76 Continued | 


17 


78 


79 


LarcE-PAPER copy, No. 60 of 60 copies on hand-made paper. 

Full red crushed levant morocco, gold-tooled outside border 
inlaid with narrow bands of dark green levant, in the center of 
the covers a wreath of leaves inlaid in dark green levant with the 
title lettered in gold in the center of the wreath, and the masks 
of comedy and tragedy inlaid in white levant and gold-tooled, 
doublure of green levant with a wide conventionalized border inlaid 
in red, dark green, and gold-tooled, flies of green watered-silk, gilt 
top, uncut, by Riviére.| 


‘BARTON, Ross. 


Faminiak Lonpon. Painted by Rose Barton. Square 
8vo. London. 1904. 


EpITION-DE-LUXE, limited to 300 copies, of which this is No. 
74. Signed by the artist. With 61 full-page illustrations in colors. 

Full green crushed levant morocco, with a wide architectural 
border on the covers inlaid in purple, yellow, pink, green, and light 
brown morocco, and gold-tooled; in the central panel the arms 
of London inlaid in brown, green, yellow, and red levant, doublure 
of an elaborate formal design inlaid in a mosaic of brown, light 
blue, pink, yellow, green, and light brown levant, with a border 
with acorns inlaid in dark red, flies of brown crushed levant, gilt» 
top, uncut, by Morrell. 


BEAUMARCHAIS, Pierre pe. 


BEauMARCHAIs AND His Times. Sketches of French 
Society in the EHighteenth Century from Unpublished 
Documents. By Louis de Loménie. Translated by Henry 
S. Edwards. 8vo. London. 1856. 

Four Volumes. 
First Epition. Exrra-Iuuustratep with 75 portraits, by 
Vanloo, Duplessis, and others, engraved by St. Aubin, Renouard, 
Langlois, and others, many being in scarce states. 


Full red crushed levant morocco, with filleted border, gilt top, 
uncut, by Affolter. 


BEAUMONT, Francis. 


Poems, by Francis Beaumont, Gent. Viz.: The Her- 
maphrodite——The Remedy of Love.—Elegies.—Sonnets, 


[79 Continued | 


80 


81 


82 


with other Poems. 12mo. London: Printed for William 
Hope, at the signe of the blew Anchor on the North-side of 
the Old Exchange. 1653. 

First CoLttectep Epirion. 

Full light brown crushed levant morocco, decorated with panels 
of antique design inlaid in red and green morocco, with Le Gascon 


tooling, each panel surrounded with festoons of flowers in gold, gilt 
edges, by Riviére. 


BEAUMONT, Francis, and FLETCHER, Joun. 


CoMEDIES AND TraGepies. Written by Francis Beau- 
mont and John Fletcher, Gentlemen. Never printed be- 
fore, and now published by the Authours Originall Copies. 
[Latin Quotation.] Folio. London: Printed for Hum- 
phrey Robinson, at the three Pidgeons, and for Humphrey 
Moseley at the Princes Armes in St. Pauls Church-yard. 
1647. | 

First Eprition, containing the frontispiece portrait of John 
Fletcher, by Marshall. 
Full olive green crushed levant morocco, with gold-tooled 


center-pieces, and ornaments in gold, with blind-tooling, gilt edges, 
by Riviere. 


BEAUTY. 


Tue Boox or Beauty. (Late Victorian Era.) A Col- 
lection of Beautiful Portraits, with Literary, Artistic, and 
Musical Contributions by Men and Women of the Day. 
Edited and arranged by Mrs. F. Harcourt Williamson. 
Folio. London. 1896. 

Full blue crushed levant morocco, with wide dentelle borders, 
gold-tooled roses in mosaic in center, vase with flowers in corners, 


flies of pink watered-silk, gilt edges, with the original covers pre- 
served as doublures, by Zaehnsdorf. 


BEAUX AND BELLES OF ENGLAND. 


A Set oF Famous MEmorrs OF THE BEAUX AND BELLES 
oF ENGLAND; as follows: 


[82 Continued | . 
Count DE Grammont. Written by Anthony 


Hamilton. London. n. d. 


THE SHERIDANS. Written by Percy Fitzgerald. 
London. n. d. | 


Two Volumes. 


Lorp CHESTERFIELD. Written by W. Ernst. 


London. n. d. 
Two Volumes. 


Lapy BuiEsstneton. Written by J. Fitzgerald 
Molloy. London. n. d. 

Mrs. Mary Rosinson. Written by Herself. 
With the Lives of the Duchesses of Gordon and Devon- 
shire, by Grace and Philip Wharton. London. n. d. 

Mrs. SaraH Sippons. Written by James Boa- 
den. London. n. d. 


Two Volumes. 


Lapy HamILTon AND Lorp NEtson. Written 
by John Cordy Jeaffreson. London. n. d. ’ 
Two Volumes. 

NELL Gwyn. Written by Peter Cunningham. 
Together with Mrs. Jameson’s Lives of the Duchesses of 
Portsmouth and Cleveland. London. n. d. 

Breau BruMMEL. Written by Captain Jesse. 
London. n, d, 


Two Volumes. 


Together, 14 volumes. 8vo. London. v. d. 


Epition Maeniriauz, on Japan paper, limited to twenty-six 
copies, for England and America. Illustrated by B. Wesley Rand, 
and with reproductions of old engravings, portraits, etc., each 
plate being in three states: Japan-paper impression, proof on 
India-paper, and hand-colored on water-color paper. 

Full blue crushed Jevant morocco, with roses inlaid in the 
corners of covers, doublure of white morocco, gilt top, uncut. 


83 


84 


85 


BERALDI, Henk. 


EsTAMPES ET Livres, 1871-1872. Par Henri Beraldi. 
4to. Paris: Conquet. 1892. 


No. 197 de 390 exemplaires numérotés. With illustrations 
in heliogravure and color. 

Full red crushed levant morocco, with borders of filleted lines, 
a book with flowers in each corner, gold-tooled inside edges, edges 
gilt on the rough, by David. 


BERALDI, Henz1. 


Les Graveurs pu XIX* Srzciz. Guide de |) Amateur 
d’Estampes Modernes. Par Henri Beraldi. 8vo. Paris: 
Conquet. 1885-1892, 

Twelve Volumes. 


Unieve Copy. Exrra-Iniustratep by the insertion of over 
175 original etchings, by Appian, Bénaissit, Bollini, Bartolozzi, 
Bracquemond, Champollion, Chollet, Caron, Coindre, Daumont, 
Daubigny, Detaille, De Launoy, Devéria, Edwards, Feyen-Perin, 
Goeneuble, de Goncourt, Flameng, Gaillard, Guérard, Gravesandé, 
Hedonin, Jacque, Jacquemart, Lalauze, Lefort, Legros, Le Rat, 
Los-Rios, Morin, Méryon, Meissonier, Millet, Monjies, Rajon, 
Robida, Somm, Unger, etc., etc. 

Half dark brown crushed levant morocco, uncut, by Bretault. 


BERRY, Miss Mary. 

EXTRACTS OF THE JOURNALS AND CORRESPONDENCE OF 
Miss Berry. From the year 1783 to 1852. Edited by 
Lady Theresa Lewis. 8vo. London. 1865. 


Six Volumes. 


First Epirion. 

Exrra-ILLusTraTED, and extended to 6 volumes, by the in- 
sertion of 154 plates; including etchings, rare portraits of celebri- 
ties, prints, lithographic portraits of famous English statesmen, 
many colored plates, scarce engravings, Cruikshank caricatures, 
Nash’s illustrative scenes, all proof impressions; engravings by 
Bromley, Eisen, Scriven, Finden, Audinet, Picart, Goodall, Chap- 
man, Dupuis, Van den Bergh, Mackenzie, Cooper, Barlow, etc. 

Full calf, gilt top, uncut, by Morrell. 


86 


87 


88 


89 


BINDING. | 

Tue WHOLE Duty or Man. Necessary for all Families. 
8vo. London. 1677. With engraved title and armorial 
frontispiece. 


Full black morocco, with a design in the style of Samuel 
Mearne on the covers, gold-tooled and painted. A fine example of 
seventeenth century English binding. In a morocco solander case. 


BINDING. 


NEU-ENTSPRUNGENE WaAssER. Quelle vor Gotteserge- 
bene und Geistlich-durstige Seelen. 18mo. Niéirnberg. 
1686. With copper-plate engravings. 

In a beautifully. carved silver binding of contemporary Ger- 


man workmanship, with large flowers and leaves in relief, gilt and 
gauffered edges, with old silver clasps. 


BINGHAM, Captain. 


THE MaRRIAGE OF THE Bourpons. By Captain the Hon. 
D. Bingham. Illustrated with 8 photogravures. 8vo. -Lon- 
don. 1890. 

Four Volumes. 

Extra-ILLustraTED, and extended to 4 volumes, by the inser- 
tion of 130 fine portraits, some proofs on India paper, including 
Frederick II by Mayer, Charles V and Charles de Lorraine by Mon- 
cornet, Cardinal Guido by Pyr, after Vandyke;—also engravings 
by Delpech, Scriven, Flameng, Basan, Vivien, Groizier, Desrochers, 
Hopwood, Chapman, etc. 

Full dark blue crushed levant morocco, with a border of fillets, 
in the corners the fleur-de-lis, center panel with Bourbon arms, gilt 
top, uncut, by Ritter. 


BLAKE, Wiru14M. 


DEsiens To A SERIES OF BAuuaps, written by William 
Hayley, Esq.: and founded on Anecdotes Relating to 
Animals, Drawn, Engraved, and Published by William 
Blake. With the Ballads annexed, by the Author’s Per- 
mission. 4to. Chichester: Printed by J. Seagrave, and 


[89 Continued | 


90 


91 


sold by him and P. Humphrey; and by R. H. Evans, Pall- 
Mall, London, for W. Blake, Felpham. 1802. 


First Epirion. Extremely rare, only a few copies being known. 
A perfect copy. 

This book contains 6 large and 8 small plates on copper. The 
intimate but erratic friendship of Blake for Hayley was Dee 
about through aid given to him by Hayley at Felpham. 

Full red crushed levant morocco, gilt edges, by Riviere. 


BLAKE, WiuraM. 


Tue Book oF THEL. SONGS OF INNOCENCE, AND SONGS 
OF ExprrieNce. [Colophon.] Here ends the Book of 
Thel, Songs of Innocence and Songs of Experience. By 
William Blake. With Decorations designed and cut on the 
wood by Charles Rickets. London. 1897. 


Poetical SKETCHES. [Colophon.| Here ends 
this edition of Poetical Sketches by William Blake, with 
Decorations designed and cut on the wood by Charles 
Ricketts. London. 1899. 


Together, 2 volumes. 12mo. London. v. d. 


‘Vale Press” publications. The edition consisted of 210 copies. 

Full dark brown crushed levant morocco, sides and backs elab- 
orately tooled with branches, with background of pointillé, gold- 
tooled inside edges, gilt top, uncut, by Riviere. 


BLAKE, Wit. 

Tue Works oF WILLIAM B1iAkE: Poetic, Symbolic, and 
Critical. Edited, with lithographs of the illustrated “Pro- 
phetic Books,” and a Memoir and Interpretation. By Ed- 
win John Ellis and William Butler Yeats. Portraits and 
reproductions. Large 8vo. London. 1898. 

Three Volumes. 


Half mottled calf, with figures taken from Blake’s drawings in 
relief on the backs, gilt top, uncut, by Cedric Chivers. 


92 


93 


94 


[BLUNT, Wirrm Scawen.] : 
THE Love Sonnets oF Prorevus. With frontispiece 
by the Author. 16mo. London. 1881. 


First Epirion. 
Full yellow crushed levant morocco, with a diaper of hearts in 
gold and stars in blind-tooling, gilt edges, by Miss Prideaux. 


BODE, WILHELM. 3 | 
Tue CompLeTe WorkK OF REMBRANDT. History, De- 


‘scription, and MHeliographic Reproduction of all the 
Master’s Pictures. With a Study of his Life and his Art. 


The Text by Wilhelm Bode, Director of the Royal Gallery, 
Berlin. Assisted by C. Hofstede de Groot, Director of the 
Print Room, Amsterdam Museum. From the German by 
Florence Simmonds. Folio. Paris: Charles Sedelmeyer. 
1897-1906. 

_ Eight Volumes. 

EDITION-DE-LUXE. No. 17 of an edition of 75 copies on Japan 
paper. 

With 595 photogravure reproductions of all of Rembrandt’s 
known paintings, and 21 reproductions of engravings after pictures 
of Rembrandt no longer existing, or unknown. 

Full dark brown crushed levant morocco, with a panel of filleted 
lines, with corner-pieces gold-tooled on the covers, gilt edges, by 
Ruban. 


[BODENHAM, Joxn.] 

THE GARDEN OF THE MusEs. Quem referent Mus a 
vivet dum robor a tellus, Dum coelum stellas, dum vehet 
amnis aquas. 82mo. [Ornament.] Printed at London by 


_E. A. for John Tap, and are to be sold at his shop at Saint 


Magnus corner. 1610. 


SEeconp EpiTiIon: very rare. 

The earliest anthology of English poetry known. This volume 
was first issued in 1600 with the title ““Belvedére, or the Garden of 
the Muses,” and in the next issue of 1610 the word “Belvedére” 
was omitted. There are eleven poets included, who are not found 
in ““England’s Parnassus.” 


[94 Continued | 


95 


- 96 


97 


Full brown crushed levant morocco, with roses and other 
flowers inlaid in colored morocco, borders of green levant morocco, 
in a seventeenth century design, edges gilt on the rough, by 
Riviere. | 


BOILEAU-DESPREAUX, Nicto as. 


Tue Works or Monsieur BortEau. Made English 
from the Last Paris Edition, by Several Hands. To which 
is prefixed His Life, Written to Joseph Addison, Esq. By 
Mr. Des Maizeaux. Adorn’d with cuts. 12mo. London: 
Printed for E.. Sanger at the Post-House, and E. Curll at 
the Dial and Bible, both in Fleet Street. 1712. 


Two Volumes. 
First Eprrion in English. 
Extra-InLustraTep by the addition of many rare proofs and 
plates designed by Moreau, Desenne, St. Aubin, and others. 
Full green crushed levant morocco, with a gold-tooled panel 
on the sides, gilt top, uncut, by Thierry. 


BOOK OF GEMS, Tue. 


THE PoEts AND ARTISTS OF GREAT Britain. Edited by 
S. C. Hall. Illustrated with 150 exquisite engravings on 
steel after Turner, Stanfield, Eastlake, Mulready, Law- 
rence, Reynolds, Stothard, and others; by Finden, Great- 
bach, Simmons, and others. 8vo. London. 1836-1837. 


Three Volumes. 


First Eptrion. 

Full blue crushed levant morocco, with a border on sides, gold- 
tooled, doublure of red levant morocco covered with lilies, silk flies, 
gilt top, uncut, by Ritter. 


BORROW, GEorcE. 


A CoLLECTED SET IN THE First EDITIONS OF THE 
Works oF GEORGE Borrow, as follows: 


THE Zincaut; or, An Account of the Gypsies of 
Spain. With an Original Collection of their Songs and 


[97 Continued] 
Poetry, and a Copious Dictionary of their Language. 
12mo. London. 1841. | 

Two Volumes. 


Tue Bris_E In Spain; or, The Journeys, Ad- 
ventures, and Imprisonments of an Englishman, in an 
Attempt to Circulate the Scriptures in the Peninsula. 
12mo. London. 1848. 

Three Volumes. 


Lavenero; The Scholar—The Gypsy—The 
Priest. 12mo. London. 1851. 


Three Volumes. 


With an engraved portrait of George Borrow. 


THe Romany Rye; A sequel to “Tavengro.” 
12mo. London. 1857. 


Two Volumes. 


THE SLEEPING Barp; or, Visions of the World, 
Death, and Hell, by Elis Wyn. Translated from the 
Cambrian British. 12mo. London. 1860. ( 


Wiup Wats; Its People, Language, and Scen- 
ery. 12mo. London. 1862. 
Three Volumes. 


Faustus; His Life, Death, and Doom. A 
Romance in Prose. Translated from the German. 12mo. 
London. 1864. 


Romano Lavo-Lit: Word-Book of the Ro- 
many; or, English Gypsy Language. 12mo. London. 
1874. 


THE TuRKIsH JESTER; or, The Pleasantries of 
Gogia Nasr Eddin Effendi. Translated from the Turk- 
ish by George Borrow. 12mo. Ipswich. 1884. 

One of 150 copies. : 


[97 Continued | 


98 


THE DEATH OF BaLvER. From the Danish of 
Johannes Ewald. (1778.) Translated by George Borrow. 
12mo. London. 1889. 


GEORGE Borrow IN East Anocuia. By William 
A. Dutt. 12mo. London. 1896. 


LIFE, WRITINGS, AND CORRESPONDENCE OF 
GEORGE Borrow. Derived from Official and Other Au- 
thentic Sources. By William I. Knapp, Ph.D., LL.D., 
etc. With Portrait and Illustrations. 8vo. London. 
1899. 
Two Volumes. 
Together 21 volumes, v.d., v.p. 


Half maroon crushed levant morocco, gilt top, uncut, by 


Zaehnsdorf. 


BOSWELL, James. 


THE Lire oF SAMUEL JoHNsSON, LL.D. Comprehend- 
ing an Account of His Studies, and Numerous Works, in 
Chronological Order; a Series of His Epistolary Corre- 
spondence and Conversations with Many Eminent Persons; 
and Various Original Pieces:of His Composition, never 
before Published. The Whole Exhibiting a View of Liter- 
ature and Literary Men in Great-Britain, for near Half a 
Century, During which he Flourished. By James Bos- 
well, Esq. 4to. London: Printed by Henry Baldwin, for 
Charles Dilly, in the Poultry. 1791. 

Two Volumes. 
First Enpirion, large, clean, uncut copies of both volumes. 
With an autograph letter of Dr. Johnson, and a copy of a letter 
from Dr. Sam Johnson to Charles O’Conor, Esq.; also a 4-page 
4to A. L. S. of James Boswell; also a 3-page 4to A. L. S. of Mrs. 
Thrale (Piozzi). 
With a frontispiece portrait of Samuel Johnson by Sir Joshua 


Reynolds. 
Full brown crushed levant morocco, gilt top, uncut, by Zaehns- 


dorf. 


99 BOURGEOIS, Emu. 


100 


101 


FRANCE UNDER Lovis XIV (Lz Granp Sricrz). Its 


Arts—Its Ideas. From the French of Emile Bourgeois, by 
Mrs. Cashel Hoey. Folio. New York. 1897. 

Illustrated with 22 portraits engraved on copper, 35 full-page 
photogravure plates, and 472 text illustrations. 

Full dark blue crushed levant morocco, with a gold-tooled 
Derome border, gilt edges, by the Club Bindery. 


BOURRIENNHE, Louis ANTOINE DE. . 


Memoirs oF NAPOLEON Bonaparte. By Louis Antoine 
Fauvelet de Bourrienne, his Private Secretary. To which 
are added, An Account of the Important Events of the 
Hundred Days, of Napoleon’s Surrender to the English, 
and of his Residence and Death at St. Helena. Edited by 
R. W. Phipps. New and Revised edition. With numer- 
ous illustrations on steel. 8vo. London. 1885. : 


Three Volumes. 


Full dark blue crushed levant morocco, with an oval miniature 
inset in both front and back covers of each volume, and surrounded 
by a gold-tooled laurel wreath, and with the crowned N, bees and 
violets tooled in gold, gilt top, uncut, by Riviére. 

The miniatures on volume 1 are of Napoleon and Josephine; 
on volume 2, of Napoleon and Marie Louise; on volume 3, of 
Napoleon and the King of Rome. 


BOYDELL, JoHN anp JosiIAH. 


A COLLECTION OF PRINTs, FROM PiIcTURES PAINTED FOR 
THE PURPOSE OF ILLUSTRATING THE DRAMATIC WoRKS OF 
SHAKSPEARE, by the Artists of Great-Britain. Atlas folio. 
London: Published by John and Josiah Boydell, Shak- 
speare Gallery. 1808. 


Two Volumes. 


A VERY FINE copy, the plates all being in proof state, with the 
titles in open letters and before the descriptive quotations were en- 
graved on the plates. This set includes 87 etchings (an unusually 


[101 Continued] 


102 


103 


large number) and has two plates by Bartolozzi (proofs before 


letters) added. 

This magnificent copy formerly belonged to Mr. Wynne Ellis, 
the picture collector, who left 402 pictures to the English Nation, 
of which 44 were placed in the National Gallery. 

Full olive straight-grained morocco, with panels of gold-tooled 
and blind-tooled borders on the covers, inside edges gold-tooled, gilt 
edges. 


[BOYLE, Hon. Mrs. ] 


Ros Rosarum Ex HoRTO PoETAaRuM. Dew of the Ever- 
Living Rose Gathered from The Poets’ Gardens of Many 
Lands. By E. V. B. Second Edition. 12mo. London. 
1896. 

Full green crushed levant morocco, with borders of filleted lines 
with gold-tooled roses, doublure of red crushed levant morocco, with 


filleted lines and a border of a rose vine in gold, edges gilt on the 
rough, by Mercier. 


[BRADLEY, Rev. Epwarp.] BEDE, Curusert. 


THe ADVENTURES OF Mr. VERDANT GREEN, an Oxford 
Freshman. By Cuthbert Bede, B.A. With numerous II- 
lustrations, designed and drawn on the wood by the author. 
London. 1853.—THE FurTHER ADVENTURES OF MR. 
VERDANT GREEN, An Oxford Under-Graduate. By 
Cuthbert Bede, B.A. With numerous Illustrations, de- 
signed and drawn on the wood by the author. London. 
1854.—Mr. VERDANT GREEN MarriepD AND DONE For: 
Being the Third and Concluding Part of the Adventures 
of Mr. Verdant Green, an Oxford Freshman. By Cuth- 
bert Bede, B.A. 8vo. London. 1857. 

Together, 3 volumes. 

First Enittons of all three volumes. 
Full dark green crushed levant morocco, with simple ornamen- 
tation of blind tooling and gold-tooled stright lines, in a Gothic 


pattern, gilt edges, with the original covers and advertisements pre- 
served, by the Club Bindery. 


104 


105 


106 


[BRADLEY, Rev. Epwaprp. | 

THE ADVENTURES OF Mr. VERDANT GREEN, an Oxford 
Freshman. By Cuthbert Bede, B.A. With numerous 
Illustrations, designed and drawn on the wood by the 
author. London. 18538. Vol. Il. THe FurtTHER 
ADVENTURES OF Mr. VERDANT GREEN, etc. London. 1854. 
Vol. III. Mr. Verpant GREEN MARRIED AND 
Done For, etc. London. 1857. 

Together, 3 volumes bound in one. 12mo. London. v. d. 


First Enpitions of each volume, with an A. L. S. (3 pp.) of 
the author to Mr. Tinsley, dated Nov. 5th, 1873, inserted. 

Full dark green crushed levant morocco, gilt top, uncut, with all 
the original picture covers, and advertisements bound in, by Zaehns- 


dorf. 


[BRATHWAITE, RicuHarp. | 
NATURE’S EMBASSIE: OR, THE WILDE-MANs MEASURES: 
Danced naked by twelve Satyres, with sundry others con- 
tinued in the next Section. 
‘“Wilde men may dance wise measures ; Come thou ho, 
Though I be wilde, my measures are not so.” 


[London:]| Printed for Richard Whitaker. 16mo. 1621. 


First Enpition of a very rare work. With an illustrated wood- 
cut border on title. 

At page 73 is another title ‘““The Second Section of Divine and 
Morall Satyres’”; at page 173 “The Shepheard’s Tales”; at page 
215 “Omphale, or, the Inconstant Shepheardesse”; at page 237 
““His Odes: or, Philomels Teares.” 

Full orange crushed levant morocco, with three line fillets on 
sides, gold-tooled back and inside edges, gilt top, uncut, by Brad- 
street’s. 


BRETON, JwLgEs. 
JULES BRETON. Par Marius Vachon. 4to. Paris. 1899. 
Exemplaire No. 33, avee 20 planches et 72 gravures hors texte, 
et 18 gravures dans le texte. 


Extra-ILLustratTeD, by the insertion of an A. L. S. of Jules 
Breton; a portrait, having beneath it an original pencil sketch of a 


[106 Continued | 


107 


108 


boy with wheat, signed “Jules Breton, 2-8th, 1898,” and with 70 
reproductions of drawings by Jules Breton. 

Full wine-colored crushed levant morocco, Janseniste, inside 
edges gold-tooled, gilt top, uncut, by Taffin. 


BRISTOL, Franx Mitton. 


THe Ministry or Art. By Frank Milton Bristol. 
With half-tone illustrations. 8vo. Cincinnati. 1897. 
Extra-ILLustTrATeED by the insertion of over 50 plates, includ- 
ing etchings, engraved portraits and pictures, after Ipse, Meis- 
sonier, Hogarth, Reynolds, and others; by Miiller, Maroni, and 
others, some being proofs on India paper. 
Half yellow morocco, gilt top, uncut, by Blackwell. 


BRITISH CLASSICS. 


A Untirorm SET OF THE BritisH C.iassics in Sharpe’s 
Elegant Edition, as follows: 


THE Spectator. London: Printed by C. Whit- 
tingham, Dean Str. Published by John Sharpe, Piccadilly. 
1803-1812. 


Eight Volumes. 


Tue Tatier. London: Printed by C. Whit- 
tingham, Dean Street. Published by John Sharpe, Picca- 
dilly. 1804. 


Four Volumes. 


THE GuarDIAN. London: Printed by C. Whit- 
tingham, Dean Str. Published by John Sharpe, Piccadilly. 
1804. 


Two Volumes. 


THE ADVENTURER. London: Printed by C. 
Whittingham, Dean Street. Published by John Sharpe, 
Piccadilly. 1806-1809. 

Four Volumes. 


[108 Continued] 


109 


Tue Ramsier. London: Published by W. 
Suttaby, Stationers Court. 1809. Whittingham, Printer. 
Four Volumes. 


THE Inter. London: Published by W. Suttaby, 
Stationers Court. 1810. Whittingham, Printer. 
Two Volumes. 


Together, 24 volumes. 8vo. London. v. d. 


Larce-Parer EpiTion. With frontispiece portraits, engraved 
title-pages, and many illustrations by Westall, Smirke, Stothard, 
Singleton, Thomson, Fuseli, Opie, Tresham, de Loutherbourg, 
Thurston, and others, and engraved by Fittler, Schiavonetti, 
Anker Smith, Neagle, Landseer, Tomkins, Cromek, Bromley, Arm- 
strong, Heath, Raimbach, and others. 

Full crimson straight-grained morocco, with a panel of gold- 
tooled lines on the covers, doublure and flies of red silk, gilt top, 
uncut, by Zaehnsdorf. 


BRONTE, ANNE, CHARLOTTE, and EmILy. 
A COLLECTED SET oF First EDITIONS OF THE WORKS OF 
THE BRONTE SIsTERS; as follows: 


Poems. By Currer, Ellis, and Acton Bell. Small 
8vo. London: Smith, Elder & Co., 65, Cornhill. 1846. 

Only two copies of this book were sold in the first year of 
publication. 


JANE Eyre. An AvtTosrocRaPHy. Edited by 
Currer Bell. 12mo. London. 1847. 
Three Volumes. 
With the Preface and Note to the third edition, April 13, 


1848, inserted. The dedication to W. M. Thackeray appeared in 
the second edition. 


WUuTHERING Heicuts: A Novel. By Ellis Bell. 
12mo. London. 1847. 


Three Volumes. 


[109 Continued] 
AGnrEs Grey: A NovEL. By Acton Bell. Vol. 


III [of Wuthering Heights, 2 volumes.] 12mo. London: 
1847. 


THE TENANT oF WiLDFELL Hatt. By Acton 
Bell. 12mo. London. 1848. 


Three Volumes. 


SHIRLEY. A Tate. By Currer Bell, Author of 
“Jane Eyre.” 12mo. London. 1849. 
Three Volumes. 


VILLETTE. By Currer Bell, Author of “Jane 
Eyre,” “Shirley,” ete. 12mo. London. 1858. 


Three Volumes. 


THE Proressor, A Tate. By Currer Bell, Au- 
thor of “Jane Eyre,” “Shirley,” “Villette,” etc. 12mo. 
London. 1857. 

Two Volumes. 


THe Lire oF CHARLOTTE BrontéE. By E. C. 
Gaskell. [Portraits.] 8vo. London. 1857. 


Two Volumes. 


A NoTE oN CHARLOTTE BrontéE, By Algernon 
Charles Swinburne. 12mo. London. 1877. 


THE ADVENTURES OF ERNEST ALEMBERT,. A 
Fairy Tale. By Charlotte Bronté. Now first printed 
from the Original Manuscript. Edited by Thomas J. Wise. 
Small 4to. London: Printed for Private Circulation Only. 
1896. 
Of this book only thirty copies were printed. 
Together, 22 volumes. London. v. d., v. 8. 


Full green crushed levant morocco, with a gold-tooled border, 
gilt top, uncut, by Riviére. 


110 BROWNE, Hastot Knicnt. 


1il 


112 


113 


Home Pictures, SIXTEEN Domestic SCENES OF CHILD- 
HOOD. Drawn and Etched by Hablot Knight Browne. 
(Phiz.) 4to. London. 1851. | 


With etched title-page in color, and each drawing in color. 
Full calf, gilt top, uncut, with the original blue cloth covers 
preserved, by Riviere. 
[BROWNE, Sir THomas. | 
Reuicio Mepici. Printed for Andrew Crooke. 1642. 
(190 pp.) 
Re.icio Mepici. Another Copy. 1642. (159 


PP-) 
Together, 2 volumes. 12mo. [London. | 
The First Two issues of the unauthorized First Eprtion. 
Engraved titles by William Marshall. The first mentioned is sup- 
posed, by Dr. Greenhill, to be the first issue. ‘They were both issued 
the same year. They have variations, and each has been claimed 
by bibliographers to be the true first edition. 


Full brown crushed levant morocco, the design being taken 
from an enameled Elizabethan binding, the enamel being re- 
produced with colored leathers inlaid in a graceful design, titles 
on center panels, and background of fine gold-tooled lines, gilt 
edges, by Riviére. 


BROWNE, Sir THomas. 

Siz THomas Browne’s Works: Including His Life and 
Correspondence. Edited by Simon Wilkin, F.L.S. 8vo. 
London: Wilham Pickering. 1885-1836. 

Four Volumes. 


Full red crushed levant morocco, inside edges in dentelle, 
gilt edges, by Chambolle-Duru. 


BROWNELL, WitiiaM Crary. 

FReNcH ArT. Classic and Contemporary Painting and 
Sculpture. New and Enlarged Edition. With forty-eight 
illustrations. 8vo. New York. 1901. 


[113 Continued | 


114 


115 


116 


117 


Full dark blue crushed Ievant morocco, with two interlacing 
bands of red levant morocco inlaid in a Grolier pattern on front and 
back covers, gilt top, uncut, by Bretault. 


BROWNING, EuizasetH BaRReETT. 


Casa GuipI Winpows. A Poem. By Elizabeth Barrett 
Browning. 16mo. London: Chapman & Hall, 1938, Picca- 
dilly. 1851. 

First Epirion. 


Full red crushed levant morocco, with back and corners of sides 
gold-tooled with tulips and leaves, gilt edges, by the Doves Bindery. 


BROWNING, Rosert. 

Poems By Rosert Browninc. With Introduction by 
Richard Garnett, LL.D., and Illustrations by Byam Shaw. 
8vo. London. 1897. 

No. 73 of 125 copies on Japanese vellum. 
Full green crushed levant morocco, with the poppy, full blown, 


in half bloom and in bud, all in inlaid leathers, doublure and flies 
of brocaded-silk, edges gilt on the rough, by Meunier. 


BRYCH, James. 
THE AMERICAN COMMONWEALTH. By James Bryce. 
8vo. London. 1888. 
Three Volumes. 


The First Enition, containing the chapter afterward sup- 
pressed. 
Half blue crushed morocco, gilt top, uncut, by Roach. 


BULLEN, ArtHur HEnry. 


A CoLLECTED SET OF THE ANTHOLOGIES AND ELIza- 
BETHAN PoEMs EDITED By A. H. BULLEN, as follows: 


A Curistmas GARLAND. Carols and Poems 
from the Fifteenth Century to the Present Time. Edited 
by A. H. Bullen. With Seven Illustrations newly de- 


‘signed by Henry G. Wells. 8vo. London. 1885. 


Edition limited to 150 copies, of which this is No. 1. 


[117 Continued] 

ENcGLAND’s Heticon. A Collection of Lyrical 
and Pastoral Poems: Published in 1600. Edited by A. H. 
Bullen. 8vo. London. 1887. 


Edition limited to 250 copies on Large Paper. 


Lyrics From THE SonG-Booxks oF THE Eiza- 
BETHAN AGE: Edited by A. H. Bullen. 8vo. London. 
1887. : 


Edition limited to 250 copies on Large Paper. 


More Lyrics FROM THE SONG-BOOKS OF THE 
ELIZABETHAN AGE: Edited by A. H. Bullen. 8vo. Lon- 
don. 1888. 


Edition limited to 250 copies on Large Paper. 


Lyrics FROM THE DRAMATISTS OF THE ELIZA- 
BETHAN AGE: Edited by A. H. Bullen. 8vo. London. 
1889. 


Edition limited to 260 copies on Large Paper. 


THE Works oF Dr. THomas CAMPION, Edited 
by A. H. Bullen. 8vo. London: Privately Printed at the 
Chiswick Press. 1889. 


Edition limited to 120 copies on Large Paper. 


Musa Proterva: Love-Poems of the Restora- 
tion. Edited by A. H. Bullen. Square 8vo. London: 
Privately Printed. 1889. 


Edition limited to 780 copies for England and America. 


SPECULUM AMANTIS: Love-Poems from Rare 
Song-Books and Miscellanies of the Seventeenth Century. 
Edited by A. H, Bullen. Square 8vo. London: Privately 
Printed. 1889. 


Edition limited to 500 copies. 


[117 Continued | 


118 


119 


PoEMS, CHIEFLY LyRiIcAL, FRomM RoMANCES AND 
ProsE-TRACTS OF THE ELIZABETHAN AGE: with Chosen 
Poems of Nicholas Breton. Edited by A. H. Bullen. 8vo. 
London. 1890. | 

Edition limited to 260 copies on Large Paper. 

Together, 9 volumes. London. v. d., v. p. 
EDITION-DE-LUXE of each volume, each copy being No. 1. 
Full crushed levant morocco, each volume being bound in a dif- 


ferent color, sides with a border of fillets, gilt top, uncut, by Zaehns- 
dorf. 7 


BULLEN, ArtHuur HEnry. 


SPECULUM AMANTIS: Love-Poems from Rare Song- 
Books and Miscellanies of the Seventeenth Century. 
Edited by A. H. Bullen. London: Privately Printed. 


Musa Prorerva: Love-Poems of the Restora- 
tion. Edited by A. H. Bullen. London: Privately Printed. 
Together, 2 volumes. Square 8vo. London. 1889. 
No. 448 of 780 copies printed. 
Full dark green crushed levant morocco, gold-tooled in mosaic 
with turtle-doves and wine cups, dark green silk flies and doublure, 
gilt top, uncut, by Zaehnsdorf. 


BUNYAN, Joun. 

THE Pinerim’s PRoGREss FROM THIS WORLD TO THAT 
WHICH Is TO ComE. Delivered under the Similitude of a 
Dream, Wherein is Discovered the Manner of His Setting 
Out; His Dangerous Journey; and Safe Arrival at the 
Desired Country. Illustrated by William Strang. 8vo. 
London. 1895. 
| Two Volumes. 

Exrra-ILLustraTEeD, and extended to two volumes, with spe- 
cially printed title-pages, and containing, in addition to the 14 
etched illustrations by W. Strang, 97 extra plates inserted, being 
the series of illustrations to The Pilgrim’s Progress drawn by T. 
Stothard, C. H. Bennett, and J. Martin; and engraved by Strutt, 
Mitchell, Goodall, Stocks, Wilson, Smith, Sangster, Engleheart, 


[119 Continued | 


120 


121 


122 


Graves, Watt, and Grundy, many being proofs before letters ; Abe 
portraits of Bunyan, engraved by Strutt and Woodman after 
Stothard, by Watt after Sadler, and an etched frontispiece portrait 
by W. Strang. 

Full blue crushed levant morocco, Janseniste, with a doublure 
of red crushed levant morocco, with a large cross tooled in outline, 
surrounded by a golden halo, and encircled by a design of a con- 
ventionalized rose-vine, flies of red watered-silk, gilt top, uncut. 


BURNEY, Fanny. 


EVELINA; oR, THE History oF A YounGc Lapy’s En- 
TRANCE INTO THE WorxLD. By Fanny Burney. With an 
Introduction by Austin Dobson and Illustrations by Hugh 
Thomson. 12mo. London. 1908. 

Full blue crushed levant morocco, the cover divided into com- 
partments by gold-tooled lines, with a miniature portrait inset in 
the front cover, doublure and flies of red silk, gilt edges, by 
Riviére. 


BURNS, Rosert. 


POEMS, CHIEFLY IN THE SCOTTISH D1ALEcT, by Robert 
Burns. [Quotation.] 8vo. Kilmarnock: Printed by John 
Wilson. 1786. 

First Epirion. A fine clean copy. One of the rarest of Eng- 
lish books, there being only 60 in the original issue, and very few 
now in existence. The Huth copy in the original tree calf binding 
fetched £730 at Sotheby’s in Nov., 1911, while the Hoe copy, bound 
by Bedford and with 2 A. L. S. of Burns inserted, brought $5,800 
and was held at $7,000 by a New York bookseller. 


Full black morocco, with gold-tooling on sides in dentelle, 
gilt edges. 


BURNS, Rosert. 

THE Works OF RosBert Burns. Illustrated with numer- 
ous portraits, scenes connected with the life of Burns, and 
illustrations to his works, vignettes, facsimiles of letters and 


¥ 
WR 


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Bes 


Me Oho ore ee 
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CHIEFLY IN THE : 
PSCOTTISH DIALECT, 
iy" 


Beo2D EOR 7 BUR NS. 


i hl Oi | i Oi Bi 1 iO bo Gi Gee 
THE Simple Bard, unbroke by rules of Art, 

He pours the wild effufions of the heart : 

And if infpit’d, "tis Nafire’s pow’rs infpire ;. 

Her’s all the melting thrill, and her’s the kindling fire. 


O44 6G GOO E OOO 4 OGG OEE EGG C26 OO OOO 1G G8 6 20H 710 OO OG 4G G4 PEG 


ANONYMOUS, 


G1 hh i hi i i i BG 1 Oi Ge | 0 BQ Eng PY ay am arr ee ay cy te te 


KILMARNOCK: 


PRINTED BY JOHN WILSON. 
——————————————————— 
M,DCC,LXXXVI. 


5 EONS: a th agi ts aie te a i lt ih ASTI 


SO <n Aen Oe Grn nd er ter Sk ee | 


121. Tue “Kitmarnock” Burns 


ve 


[122 Continued | 
MSS. Together, 7 volumes. 4to. Hdinburgh, William 
Paterson. 1877-1878. 
Thirteen Volumes. 


UNIQUE COPY. Exrra-Ivuustratep, and extended to 13 
volumes by the insertion of two duplicate sets of the illustrations, 
both proofs on India paper, and in two states; one suppressed 
plate (of which only 6 were printed), a set of colored prints show- 
ing Scotch costumes; colored pencil drawings; rare prints; beau- 
tiful etchings; numerous portraits of all the personages associated 
with Burns; «ll the well-known engraved illustrations to Burns’s 
works; many pictures of Scotch scenery and historical places, 
many of the “Waverley” illustrations; title-pages; proofs of the 
Stothard plates, and also of the Nasmyth plates; water-color 
sketches ; numerous original drawings, etc., etc. Also with etchings 
and engravings by Middiman, Schmolze, Cromek, etc., after Hone, 
Hearne, and others. 

Also: ORIGINAL MSS. and Avtrocrarny Letters; including 
the MSS. of “Bonnie Dundee,” “The Five Carlins,” “Elegy on the 
death of Captain Matthew Henderson,” “It Was a@ For Our 
Rightfw’ King,” “Why should na poor people?” etc.; ORIGINAL 
AUTOGRAPH LETTERS from Robert Burns to Mr. Robert 
Cleghorn, Mr. Gilbert Burns, Mr. William Stewart, Mrs. Riddel, 
and (2) to Dr. Maxwell; from Walter Scott to John Ball; from 
Miss Davies to Robert Burns (1793), and to Dr. Currie; from 
Gilbert Burns to Wm. Thomson (2), and to Dr. Maxwell (2); 
from Dr. Currie to Mr. Lyme (3), and to Dr. Maxwell; from Miss 
Isabella Bigg to R. Maxwell; a page of a dairy kept by Burns; 
and many other interesting autograph letters regarding Burns’s 
death and the disposition of his property. Also: the letterpress 
of William Wordsworth’s “A Letter to a Friend of Robert Burns, 
London, 1816,” inserted. 

On the inside panel of Volume VII is encased under glass a 
lock of Robert Burns’s dark brown hair, tied with a bow of blue 
ribbon. 

The MSS. enclosed are extremely valuable and interesting. On 
July 23, 1790, Burns sent “‘a first fair copy” of the “Elegy on 
Captain Matthew Henderson” to Robert Cleghorn, to whom he 
stated that Henderson was a man he “much regarded.” On 
August 2d, he sent a copy to John M’Murdo, of Drumlanrig, with 
the word, “You knew Henderson. I have not flattered his memory.” 


[122 Continued | | 


123 


124 


125 


And in enclosing a copy to Dr. Moore, he described the Elegy as 
“a tribute to the memory of a man I much loved.” Henderson was 
a friend of James Boswell. 

The MS. “Bonnie Dundee” is the original draft sent to Cleg- 
horn. The poem is a fragment of folk ballad. With it was en- 
closed a note, “Dear Cleghorn—you will see by the above that I 
have added a stanza to Bonny Dundee. If you think it will do you 
may set it agoing upon a ten-stringed instrument and on the 
psaltery.—R. B.” si, 

Full red crushed levant morocco, gilt top, uncut, by Brad- 
street’s. 


BURTON, Joun HI. 


THE Boox-Hunter, ete. By John Hill Burton. A 
New Edition with a Memoir of the Author. Small 4to. 
Edinburgh and London. 1882. 

With etched frontispiece portrait by W. B. Hole. Woodcut 
border around title. 

Full dark blue crushed levant morocco with title on sides, an 
elaborate tracery, gold-tooled, upon a background of pointillé, 


doublure and flies of brown watered-silk, gilt top, uncut, by the 
Guild of Women Bookbinders. 


BURY, RicHarp DE. 


THE PHILOBIBLON OF RicHARD DE Bury; Bishop of 
Durham, Treasurer and Chancellor of Edward III. 
Edited and Translated by Ernest C. Thomas. 4to. Lon- 
don. 1888. 

No. 46 of 50 copies on Large-paper. 
Full brown crushed levant morocco, with panels on back and 
sides in gold and blind-tooling, gilt top, uncut, by Zaehnsdorf. 


BUSHELL, S. W. 


ORIENTAL CERAMIC ArT. Illustrated by examples from 
the Collection of W. T. Walters. With one hundred and 
sixteen plates in colors, and over four hundred reproduc- 


[125 Continued | 


126 


127 


tions in black and white. Text and notes by S. W. Bushell, 
M.D. Folio. New York: D. Appleton and Company. 
1897. 

Two Volumes. 

EDITION-DE-LUXE, limited to five hundred numbered copies of 
which this is No. 5. With 116 superb plates in lithographic 
reproduction after objects from Mr. Walters’ collection. With an 
etched portrait of W. T. Walters by Rajon as frontispiece. 

Full imperial yellow crushed levant morocco, with a great 
Chinese dragon on the covers inlaid in four shades of green sur- 
rounded by floating clouds and flying bats inlaid in green on 
a yellow ground, and all elaborately gold-tooled in a Chinese 
design; doublure of light blue crushed levant with an inlaid figure 
of one of the divinities of the Taoist cult standing on a band of 
floating clouds and holding a jar in her hands, the whole inlaid in 
blue, purple, green, red, black, brown, yellow, and white morocco, 
and gold-tooled, flies of yellow Oriental silk with a Chinese design 
of an adjutant bird and peony flowers and leaves beautifully em- 
broidered in most brilliantly colored silks, gilt top, uncut, by 
Riviere. 

BUTLER, SAMUEL. 

Houpripras, by Samuel Butler. With Dr. Grey’s Anno- 
tations. A New Edition, Corrected and Enlarged. 8vo. 
London. 1819. 

Three Volumes. 

With 68 illustrations, mostly portraits, engraved by Cooper 
and others; and engraved extra titles. 

Full red crushed levant morocco, gilt edges, by Morrell. 


BYRON, Lorn. 

THe Works oF Lorp Byron: With His Letters and 
Journals, and His Life. By Thomas Moore, Esq. 16mo. 
London: John Murray. 1832-1833. 

Seventeen Volumes. 


First CompLtete Coiitectep Enpition. With numerous illus- 
trations, including portraits and steel engravings by Finden, and 
engraved extra title-pages. 

Full red crushed levant morocco, back tooled with Tudor roses 
in gold, gilt edges, by the Doves Bindery. 


128 


129 


130 


CAMPAN, MapameE., . 
Memoirs OF THE Court oF Marie ANTOINETTE. By 
Madame Campan. Illustrated. 8vo. London. 1895. 
Two Volumes. 
One of 5 copies printed on Japanese vellum. 
Full white vellum, doublure of blue crushed levant morocco, 
with scrolls and floriated figures, gilt top, uncut. 


CAMPION, THomas. 


Firry Sones By THomas Campion. [Colophon.] Here 
ends this edition of Fifty Songs by Thomas Campion, 
chosen by John Gray. The border and decorations have 
been designed and engraved by Charles Ricketts. 8vo. 
London. 1896. 

“Vale Press” publication. 

Full maroon crushed levant morocco, with beautifully tooled 
scrolls inlaid in red morocco, doublure and flies of gray silk, gilt 
top, uncut, by Zaehnsdorf. 


CAREY, Davn. 


LIFE IN Paris; comprising the Rambles, Sprees, and 
Amours, of Dick Wildfire, of Corinthian Celebrity, and his 
Bang-up Companions, Squire Jenkins and Captain 


O’Shuffleton: with the Whimsical Adventures of the Hali- 


but Family. By David Carey. Embellished with 21 
Colored Plates, representing Scenes from Real Life, De- 
signed and Engraved by Mr. George Cruikshank, En- 
riched also with 22 engravings on wood, drawn by the same 
Artist, and executed by Mr. White. Large 8vo, London: 
Printed for John Fairburn, Broadway, Ludgate-Hill. 
1822. 

Tue First Epition, with an A. L. S. from Pierce Egan to 
W. Simpson, written on the inside and back of an 1838 playbill 
of the Theatre Royal, Dublin, inserted. 

Full green crushed levant morocco, gold-tooled back and in- 
side edges, gilt top, uncut, original covers preserved, by Riviére. 


131 


132 


CAREY, Davi. 

Lire In Paris; Comprising the Rambles, Sprees, and 
Amours of Dick Wildfire, of Corinthian Celebrity, and his 
Bang-up Companions, Squire Jenkins and Captain 
O’Shuffleton; with the Whimsical Adventures of the Hali- 
but Family. By David Carey. Embellished with 21 
Colored Plates, representing Scenes from Real Life, de- 
signed and engraved by Mr. George Cruikshank. En- 
riched also with 22 Engravings on Wood drawn by the 
same Artist, and executed by Mr, White. Large 8vo. 
London: Printed for John Fairburn, Broadway, Ludgate- 
Hill. 1822. 

First Eprtion. Very rare, and a splendid copy. 

Full red crushed levant morocco, in the center of both covers 
dancing figures gold-tooled, and in the corners of sides and on the 
back, bottles, cards, and dancing girls, tooled in gold, doublure 
and flies of bright green silk, gilt top, uncut. 


CARLYLE, Tuomas. 


Works. A Co.uiEcTeD SET; being the First Library 
Edition of his works, and First Editions of the Muiscel- 
lanies, as follows: 


Sartor Resartus: The Life and Opinions of 
Herr Teufelsdréckh. In Three Books. 8vo. London. 
1869. 


With an engraved frontispiece portrait. 


Tue FrencH Revotution: A History. 8vo. 
London. 1869. 


Three Volumes. 


— Tue Lire or FriepricH SCHILLER: Compre- 
hending an Examination of his Works. 8vo. London. 
1869. | 

With portrait. 


[182 Continued | 
CRITICAL AND MIscELLANEOUS EssAys: Col- 
lected and Republished. 8vo. London. 1869. 

Six Volumes. 


With portrait. 


On Heroes, HEro-WorsHIP, AND THE HEROIC 
IN History. 8vo. London. 1870. 
With photographic portrait. 


Past AND PRESENT. 8vo. London. 1870. 
With photograph. 
OLIVER CROMWELL’S LETTERS AND SPEECHES: 


With Elucidations. 8vo. London. 1870. 
Five Volumes. 


With frontispiece portraits. 


LatTer-D:y PamMPHuEts. Edited by Thomas 
Carlyle. 8vo. London. 1870. 
THE Lire oF JOHN STERLING. 8vo. London. 


1870. 
With a portrait of Sterling. 


History oF F'R1eEpRicH II or Prussia: Called 
Frederick the Great. 8vo. London. 1870. 
Ten Volumes. 


With frontispiece portraits. 


WILHELM MEISTER’S APPRENTICESHIP AND 
TRAVELS. Translated from the German of Goethe. 8vo. 
London. 1871. 


Two Volumes. 


TRANSLATIONS FROM THE GERMAN. (Vol. III.) 
Museus, Tieck, Richter. 8vo. London. 1871. 


InpDEx. A general Index to the Library Edition 
of the Collected Works of Thomas Carlyle in 30 volumes. 
8vo. London. 1871. 


[132 Continued | 
REMINISCENCES. By Thomas Carlyle. Edited 
by James Anthony Froude. 12mo. London. 1881. 


Two Volumes. 


Mermorrs oF THE LIFE AND WRITINGS OF 
THomas CarLyLE. With Personal Reminiscences and Se- 
lections from his Private Letters to Numerous Correspond- 
ents. 1795-1881. Edited by Richard Herne Shepherd, 
assisted by Charles N. Williamson. 12mo. London. 


Two Volumes. 


REMINISCENCES OF My IrRisH JOURNEY IN 1849. 
By Thomas Carlyle. 12mo. London. 1882. 


THomaAs CARLYLE: A History of the First Forty 
Years of His Life. 1795-1885. By James Anthony 
Froude. With Portraits and Etchings. 8vo. London. 
1882. 

Two Volumes. 


THE CORRESPONDENCE OF THOMAS CARLYLE 
AND RatpH Wawpo Emerson. 1834-1872. With Por- 
traits. 12mo. London. 1883. 

Two Volumes. 


LETTERS AND MEMORIALS OF JANE WELSH 
CARLYLE. Prepared for Publication by Thomas Carlyle. 
Edited by James Anthony Froude. 8vo. London. 1883. 
Three Volumes. 
Tuomas CARLYLE: A History oF His Lire 1n 
Lonpon. 1834-1881. By James Anthony Froude, M.A. 
With Portrait engraved on steel. 8vo. London. 1884. 
Two Volumes. 


Earty LETTERS oF THomas CARLYLE. Edited 
by Charles Eliot Norton. 12mo. 1814-1826. London. 
1886. 

With portraits. 


[132 Continued | 
— CARLYLE, AND THE OPEN SECRET OF His LIFE. 
By Henry Larkin. 8vo. London. 1886. 


CORRESPONDENCE BETWEEN GOETHE AND CAR- 
LYLE. Edited by Charles Eliot Norton. 12mo. London. 
1887. 


LETTERS oF THomAS CARLYLE: 1826-1836 
Edited by Charles Eliot Norton. 12mo. London. [1889. | 


Two Volumes. 


With frontispieces. 


EARLY LETTERS OF JANE WELSH CARLYLE. To- 
gether with a few of later years, and some of Thomas 
Carlyle. All Hitherto Unpublished. Edited by David G. 
Ritchie, M.A. 8vo. London. 1889. 

With portrait. 


Last Worps oF THOMAS CARLYLE. 12mo. Lon- 
don. 1892. 


LECTURES ON THE History or LITERATURE, De- 
livered by Thomas Carlyle, April to July, 18388. Now 
printed for the first time. Edited, with Preface and Notes, 
by Professor J. Reay Greene. 12mo. London. 1892. 


Tuomas CaruyLE. By John Nichol. 12mo. 
London. 1892. 


CONVERSATIONS WITH CARLYLE. By Sir Charles 
Gavan Duffy. 12mo. London. 1892. 
With portraits. 


Together, 59 volumes. London. v. p., 0. d., 0. 8. 


Half brown crushed levant morocco, with gold and blind-tool- 
ing, gilt top, uncut, by Zaehnsdorf. 


133 


134 


135 


136 


CARLYLE, Tuomas. 


THe FrencH ReEvotutTion: A History. By Thomas 
Carlyle. With 61 illustrations. 8vo. Philadelphia. n. d. 


Three Volumes. 

Larce-paPer Epition. No. 137 of 250 copies printed. 

Extra-ILuLustratep, by the insertion of 160 scarce portraits 
and plates, including proofs of masterpieces by Raffet; the revo- 
lutionary portraits by Bonneville; “Mirabeaw” engraved in color 
by Mathieu; “Marat,” by Flameng; engravings by St. Aubin, Bos- 
selman, etc., etc. 

Full red crushed levant morocco, covers and back gold-tooled 
with a diaper of Phrygian liberty caps, inside edges gold-tooled, gilt 
top, uncut, by Rousselle. 


CARROLL, Lewis. 


ALICE’s ADVENTURES IN WONDERLAND. By Lewis Car- 
roll. With 42 Illustrations by John Tenniel. 12mo. Lon- 
don: Macmillan & Co. 1866. 

First Epition. A very rare book. 
Full red crushed levant morocco, with roses and hearts gold- 


tooled in diamond-shaped compartments, gold-tooled inside edges, 
gilt edges, by the Doves Bindery. 


CARROLL, LEwis. 


ALIcE’s ADVENTURES IN WONDERLAND. By Lewis Car- 
roll. Illustrated by Arthur Rackham. With a poem by 
Austin Dobson. Square 12mo. London. [1907.] 

With 13 plates, after drawings by Arthur Rackham repro- 
duced in colors and numerous text-illustrations. 

Full blue crushed levant morocco, gilt top, uncut, with the 
original covers and end-papers preserved, by Riviere. 


CASTIGLIONE, Count BALDEsar. 


Tue Book orf THE CourTIER. By Count Baldesar Cas- 
tiglione (1528). Translated from the Italian and An- 
notated by Leonard Eckstein Opdycke. With seventy-one 


[186 Continued | 


137 


138 


139 


portraits and fifteen autographs reproduced by Edward 
Bierstadt. 4to. New York. 1901. 

The edition consisted of five hundred numbered copies, of 
which this is No. 191. 

Full light brown crushed levant morocco, with a bold conven- 
tionalized design inlaid in black, green, yellow, and red morocco, 
doublure of blue levant with an inlaid panel of a conventional de- 
sign inlaid in brown, blue, red, and yellow morocco, flies of dark 
blue silk, gilt top, uncut, by Riviere. 


CATHEDRALS. 

A SET oF Murray’s HANDBOOKS TO THE ENGLISH 
CATHEDRALS. With illustrations. Together, 9 volumes, 
8vo. London: John Murray. v. d. fa 

Full polished calf, gilt top, uncut, by Zaehnsdorf. 


CATULLUS. 

THE ATTIs oF Catus VALERIUS CATULLUS. Translated 
into English verse, with Dissertations on the Myth of At- 
tis, on the Origin of Tree-Worship, and on the Galliambic 
Metre; by Grant Allen. 12mo. London. 1892. 


One of 500 copies. 

Full dark brown crushed levant morocco, with borders of nap 
tooled leaves, and blind dotted tooling, gilt and gauffered edges, 
by Miss Prideaux. 


CELLINI, BENVENUTO. 

THE TREATISES OF BENVENUTO CELLINI ON GOLDSMITH- 
ING AND SCULPTURE. [Colophon.] Here end the Treatises 
of Benvenuto Cellini on Metal Work and Sculpture, made 
into English from the Italian of the Marcian Codex by C. 
R. Ashbee, and Printed by Him at the Guild’s Press at 
Essex House. 4to. 1898. | 

Edition limited to 600 numbered copies, of which this is No. 
5738. 3 | | 

Full dark green crushed levant morocco, elaborately tooled on 
front and back covers with a conventionalized spray of flowers, 
framed by a geometrical border, and studded with conventionalized 
pinks, inside edges gold-tooled, gilt top, uncut, by Birdsall. 


140 


141 


142 


CERVANTES, MIGuEL DE. 


Don QUIXOTE DE LA Mancua. ‘Translated from the 
Spanish of Miguel de Cervantes Saavedra. Embellished 
with engravings from pictures painted by Robert Smirke, 
Esq., R.A. 4to. London. 1818. 

Four Volumes. 
Larce-Paper Copy, with engraved portraits of Cervantes and 
Smirke inserted; also an extra set of proof impressions of the 74 
plates. 


Full light brown straight-grained morocco, gold-tooled borders, 
gilt edges, by Bedford. 


CERVANTES, MIGUEL DE. 


THe History oF THE INGENIOUS GENTLEMAN Don 
QuIXxoTE oF La Mancua. Translated from the Spanish 
by P. A. Motteux. Illustrated with 2 portraits and 36 
etchings designed by Ad. Lalauze. 8vo. Edinburgh: Will- 
tam Paterson. 1879. 

Four Volumes. 


Edition limited to 50 copies on Whatman paper, of which this 
is No. 45. 

Extra-ILtustratep, by the insertion of over 250 extremely 
valuable and rare plates, including a set of the Coypel illustra- 
tions to Cervantes, etched by Schley (1744), also the same in two 
states; the Stothard plates, many in four states, some in aqua- 
tint; the Smirke illustrations, engraved by Heath and others; the 
de Los Rios etchings, with a duplicate set of artist’s proof impres- 
sions; a set of the Clark drawings in color; a map; 2 portraits; 
and numerous illustrations to Don Quixote by Hayman, Dupont, 
Deveria, Sisco, Lignon, etc., etc. A clipping giving an account of 
Cervantes at Valladolid is also inserted. 

Full red crushed levant morocco, with a scroll design in the 
center of sides, gold-tooled inside edges, gilt edges, by Bradstreet’s. 


CHATTERTON, Tuomas. 
THE Rowtey Poems or THomMaAs CHATTERTON. [Colo- 


phon.| The end of the second volume of the Rowley 
Poems of T. Chatterton, Edited by Robert Steele, and 


[142 Continued | 


143 


144 


145 


Decorated with Woodcut Border and Initials engraved by 
Charles Ricketts. 8vo. London. 1898. 
Two Volumes. 
“Vale Press” publication. Only 210 copies printed. 
Full dark green crushed levant morocco, with dotted back- 
ground, and flowers in corners, inside edges gold-tooled, gilt edges, 
by Miss Preston. 


CICERO, Marcus Tutuivs. 

M. T. Cicrero’s Cato Masor: or, His Discourse of Old- 
Age. With Explanatory Notes. 8vo. Philadelphia: 
Printed and Sold by B. Franklin. MDCCXLIV. 

This rare volume was considered by Franklin the chef- 
d’auvre of his press. The translator of this classic was Judge 
James Logan, of Philadelphia, and Franklin in “The Printer to the 
Reader” describes the volume as “‘the first translation of a classic 
in this Western World.” : 

Full olive green crushed levant morocco, with decorative 
borders of shriveled twigs and dots, gold-tooled and inlaid, doub- 
lure of green watered-silk, gilt top, uncut, by Riviere. 


CICERO, Marcus Tut.tvs. 
M. T. Cicrero’s Cato Masor, Etc. Another copy. 8vo. 


Philadelphia: Printed and Sold by B. Franklin. 


MDCCXLIV. 


In the original paper wrapper, as issued. In a red morocco 
solander case. 


CLARKE, Mary Cowven-. 


My Lone Lire: An Autobiographical Sketch. By Mary 
Cowden-Clarke. With Illustrations. 12mo. London. 
1896. 


Extra-Inuustratep, by the insertion of 33 plates, including 
portraits of the most interesting dramatic and musical characters, 
also portraits of Leopold, Shelley, Novello, Miss Stephens, Mrs. 
Kemble, Coleridge, Dickens, Moore, Augusta, Devrient, Handel, 
etc., etc. 

Half blue crushed levant morocco, gilt top, uncut, by Wood. 


146° CLASSICS. 


A SET OF THE Works PUBLISHED By ArtHuR L. Hum- 
PHREYS AND Known As “THE HumpHREY CLASSICS.”’ 


Marcus AvRELIUS ANTONINUS. Square 8vo. 
London. 1896. 


First Epition. Exceedingly scarce and valuable. 


A Kempis. Square 8vo. London. 1897. 


Eipicretus. Square 8vo. London. 1897. 
Two Volumes. 


Pato. Square 8vo. London. 1898. 
Two Volumes. 


EMERSON. Square 8vo. London. 1899. 
Two Volumes. 


Bacon. Square 8vo. London. 1900. 


— Macavutay. Square 8vo. London. 1901. 


PracticaL Wispom. Square 16mo. London. 


1901. 


— ARISTOTLE. Square 8vo. London. 1902. 
Two Volumes. 


Cicero. Square 8vo. London. 1902. 


Maximes. La RocHEFoucavuLp. Square 16mo. 
London. 1902. 


A Kempis. Square 16mo. London. 1902. 


Marcus Avretius. Square 16mo. London. 


1905. 


This is a different translation from the larger volume in this 
series. 


Bacon. Square16mo. London. 1903. 
Contains *“*Thé Essays.” 


[146 Continued | 


147 


Maximes. NApoLeon. Square 16mo. London, 
1908. 


Maximes. VAUVENARGUES. Square 16mo. 
London. 1908. 
Two Volumes. 


Buppua. [By Hermann Oldenberg.] Square 
8vo. London. 1904. 


SEBASTIAN MEtmotH. [Oscar Wilde.|] Square 
16mo. London. 1905. 


Bauzac. Maximes. Square 16mo. London. 
1905. 


BEACONSFIELD. Maxims. Square 16mo. Lon- 
don. 1905. 

Together, 25 volumes. London: Arthur L. Humphreys, 
v. d. 


Full brown crushed levant morocco, gold-tooled on the backs 
with a lily design upon a heart-shaped background of pointillé, 
gilt top, uncut, by Riviere. 


COACHING AND DRIVING. 


A COLLECTED SET oF Books oN COACHING AND DRIVING 
BY STANLEY Harris, JAMES JOHN HiIssEY, AND CHARLES 
G. Harper, as follows: 


Oxtp Coacuine Days. By Stanley Harris (“An 
Old Stager”’). ILllustrated by John Sturgess. London. 
1882. 


AN OLp-FASHIONED JOURNEY THROUGH ENG- 
LAND AND WALES. By James John Hissey. London. 1884. 


THE CoacHine AcE. By Stanley Harris (“An 
Old Stager’’), Author of “Old Coaching Days.” Illus- 
trated by John Sturgess. London. 1885. 


i ™ 


[147 Continued | 

A Drive THroucH ENGLAND, or, a Thousand 
Miles of Road Travel. By James John Hissey. With 
twenty full-page illustrations by the Author. London. 
1885. 


ON THE Box SEAT. From London to Land’s 
End. By James John Hissey. With sixteen full-page 
illustrations by the Author. London. 1886. 


A. Hoxipay on THE Roap. An Artist’s Wan- 
derings in Kent, Sussex, and Surrey. By James John 
Hissey. With fourteen full-page and numerous other il- 
lustrations by the Author. London. 1887. 


A Tour IN A PHAETON THROUGH THE EASTERN 
Countirs. By James John Hissey.. With sixteen full- 
page illustrations by the Author, and a map. London. 
1889. 


Across ENGLAND IN A Doc-Cart, from Lon- 
don to St. Davids and Back. By James John Hissey. 
With sixteen full-page (and some smaller) illustrations by 
the Author, and a map of the route. London. 1891. 


Tue BricHtTon Roap. Old Times and New on 
a Classic Highway. By Charles G. Harper. With ninety 
illustrations by the Author, and from Old-Time Pictures 
and Engravings. London. 1892. 


From PappINGTON To PENZANCE. The Record 
of a Summer Tramp from London to the Land’s End. By 
Charles G. Harper. Illustrated by the Author with one 
hundred and four drawings. London. 1893. 


THe Marcues or WatEs. Notes and Impres- 
sions on the Welsh Borders, from the Severn Sea to the 
Sands 0’ Dee. By Charles G. Harper. With One Hun- 
dred and Fourteen Illustrations, from Sketches by the Au- 
thor and from Old-Time Portraits. London. 1894. 


[147 Continued | 


| TuroucH TEN ENcLIsH Counties. By James 
John Hissey. With sixteen full-page illustrations by the 
Author, and a map of the route. London. 1894. 


Tuer PortsMOUTH RoAD AND ITS TRIBUTARIES: 
To-day and In Days of Old. By Charles G. Harper. II- 
lustrated by the Author, and from Old-time Prints and 
Pictures. London. 1895. 


THE DovER Roan. Annals of an Ancient Turn- 
pike. By Charles G. Harper. Illustrated by the Author, 
and from Old Prints and Portraits. London. 1895. 


On SouTHERN EneuisH Roaps. By James 
John Hissey. With sixteen full-page illustrations by the 
Author, and a plan of the route. London. 1896. 


Over FEN AND WoLp. By James John Hissey. 
With fourteen full-page (and some smaller) illustrations 
by the Author, and a map of the route. London. 1898. 


THE Batu Roap. History, Fashion, & Friv- 
olity on an Old Highway. By Charles G. Harper. Il- 
lustrated by the Author, and from Old Prints and Pic- 
tures. London. 1899. 


Tue Exeter Roan. The Story of the West of 
England Highway. By Charles G. Harper. Illustrated 
by the Author, and from Old-Time Prints and Pictures. 
London. 1899. 


Tue Norwicu Roap: an East Anglian High- 
way. By Charles G. Harper. Illustrated by the Author, 
and from Old-Time Prints and Pictures. London. 1901. 


THE GREAT NortH Roap. The Old Mail Road 
to Scotland. By Charles G. Harper. Illustrated by the 
Author, and from Old-Time Prints and Pictures. Zon- 
don. 1901. | 


Two Volumes. 


ey 


[147 Continued | 
THE HontyHeEeap Roap: The Mail-Coach Road 
to Dublin. By Charles G. Harper. Illustrated by the 
Author, and from Old-Time Prints and Pictures. Lon- 
don. 1902. 


Two Volumes. 


THE CAMBRIDGE, ELY, AND Kinc’s Lynn Roan. 
The Great Fenland Highway. By Charles G. Harper. 
Illustrated by the Author, and from Old-Time Prints and 
Pictures. London. 1902. 


STAGE-CoacH AND Matt In Days oF Yore. A 
Picturesque History of the Coaching Age. By Charles G. 
Harper. Illustrated from Old-Time Prints and Pictures. 
London. 1908. 


Two Volumes. 


7 THe NEwMARKET, Bury, THETFORD, AND 
CromMER Roap. Sport and History on an East Anglian 
Turnpike. By Charles G. Harper. Illustrated by the 
Author, and from Old-Time Prints and Pictures. Lon- 
don. 1904. 


THE OxrForD, GLOUCESTER, AND MILForD 
Haven Roap. The Ready Way to South Wales. By 
Charles G. Harper. Illustrated by the Author, and from 
Old-Time Prints and Pictures. London. 1905. 

Two Volumes. 


Tue Dorset Coast. By Charles G. Harper. 
London. 1905. 


Tue Oxwp Inns oF OLp ENGLAND. A Pictur- 
esque Account of the Ancient and Storied Hostelries of 
Our Own Country. By Charles G. Harper. Illustrated 
chiefly by the Author, and from Prints and Photographs. 
London. 1906. 


Two Volumes. 


[147 Continued] 


148 


Tre Hastines Roan, and The “Happy Springs 
of Tunbridge.” By Charles G. Harper. Illustrated by 
the Author. London. 1906. 


THE MANCHESTER AND Giascow Roap. This 
Way to Gretna Green. By Charles G. Harper. Llus- 
trated by the Author, and from Old-Time Prints and 
Pictures. London. 1907. 


Two Volumes. 


Tue SoutH Devon Coast. By Charles G. 
Harper. London. 1907. 


Haur-Hovurs witH THE HigHWAYMEN. Pic- 
turesque Biographies and Traditions of the “Knights of 
the Road.” By Charles G. Harper. Illustrated by Paul 
Hardy and by the Author, and from Old Prints. London. 
1908. 


Two Volumes. 


THe NortH Devon Coast. By Charles G. 
Harper. London. 1908. 


Tue Somerset Coast. By Charles G. Harper. 
London. 1909. : 


THE Smuac.ers. Picturesque Chapters in the 
story of an Ancient Craft. Illustrated by Paul Hardy, by 
the Author, and from Old-Time Prints and Photographs. 
London. 1909. 
Together, 40 volumes. 8vo. London. v. p., v. d. 
Full red crushed levant morocco, gilt top, uncut, by Riviére. 


COBDEN-SANDERSON, T. J. 
THE IpEAL Boox, ok Book Beautirut. A Tract on 


Calligraphy, Printing and Illustration and on the Book 
Beautiful as a Whole. By T. J. Cobden-Sanderson. 8vo. 


[148 Continued | 


149 


Written out by Edward Johnston in London & finished 
2 Apr., 1901. 


Unieve Manuscript of 26 pages, one of 2 copies, the other 
being in the possession of the author, T. J. Cobden-Sanderson. 
Beautifully written in black ink in uncial characters on vellum 
throughout, the division headings and paragraph initials being 
illuminated in gold. 

Full dark blue crushed levant morocco, with an elaborate de- 
sign consisting of alternating tulip cups and small circles connected 
by a network of curving lines, gilt edges, by the Doves Bindery. 


COCKTON, HeEnry. 


A COLLECTED SET OF THE F'rrst ILLUSTRATED EDITIONS 
OF THE Works oF HENRy CockToN; as follows: 


THe Lire AND ADVENTURES OF VALENTINE 
Vox; The Ventriloquist. With sixty illustrations by 
Thomas Onwhyn. 8vo. London. 1840. 


First Epirion, with etched extra-title. Originally issued in 
20 monthly parts. 


Grorce St. GrorcE JULIAN, the Prince. With 

25 full-page etchings by T. Onwhyn. 8vo. London. 1841. 
First Epit1on, with an etched extra-title, and portrait of the 

author. 

SYLVESTER SouND: The Somnambulist. With 

44 full-page etchings by T. Onwhyn. 8vo. London. 1844. 


First Enprrion, with etched extra-title, and a portrait of the 
author. 


STANLEY THORN. With 15 illustrations. 8vo. 
London. 1844. 


Three Volumes. 
With etched extra-title, and very spirited etchings by George 
Cruikshank (3), John Leech (8), and Alfred Crowquill (4). 
THE Love Matcu. With 22 full-page illustra- 
tions by T. Onwhyn. 8vo. London. 1845. 


First Epirion, with etched extra-title, and a portrait of the 
author. 


[149 Continued | 


150 


151 


Tur Stewarp: A Romance of Real Life. With 
22 illustrations on steel by T. Onwny 8vo. London. 
1850. 


First Eprrion, with etched extra-title. 


Tue Sisters: or, The Fatal Marriages. With 
80 illustrations by Thomas Onwhyn, Kenny Meadows, and 
Alfred Crowquill. 8vo. London. 1851. 


The Second Edition, but the first with the 22 etchings by T 
Onwhyn. 


Lapy Frnicta: A Novel. 8vo. London. 1851. 


Percy Errincuam: or, the Germ of the World’s 
Esteem. 8vo. London. 18538. 


Three Volumes. 
Together, 13 volumes. London. v. p. v. d. 
Full dark blue crushed levant morocco, gilt top, uncut, by 
Riviere. 


COLERIDGE, Samvuet Taytor. 


Porms CHOSEN OUT OF THE WORKS OF SAMUEL TAYLOR | 


CoLeripGE. [Colophon.] Edited by F. S. Ellis, and 
printed by me, William Morris, at the Kelmscott Press, 
Upper Mall, Hammersmith, and finished on the 5th day 
of February, 1896. 8vo. Sold by William Morris at the 
Kelmscott Press. 

Golden type. One of 300 copies on hand-made paper. 

Full white pigskin, with title on sides, decorated with a design 
of entwining clover leaves on a background in pointillé, beautifully 


gold-tooled, gilt edges, by the Doves Bindery. 


COLERIDGE, Samvuet Taytor. 

THE RIME oF THE ANCIENT Mariner. In Seven Parts. 
[Colophon.] The End of the Ancient Mariner, by S. T. 
Coleridge. Decorated by Charles Ricketts. 8vo. London. 
1899. 


“Vale Press” ane 


a 


[151 Continued | 


152 


153 


Full dark green crushed levant morocco, with an angel playing 
a harp, a star, clouds, seagulls, etc., on front cover, and entwined 
sea-horses with star on the back cover, all inlaid in colored leathers, 
doublure of mauve-colored morocco, brocaded-silk flies, edges gilt 
on the rough, by Bretault. 


COLERIDGE, Samuet Taytor [AND CHarRLEs Lams]. 


Poems on Various Sussects. By S. T. Coleridge, late 
of Jesus College, Cambridge. [Latin Quotation.] 16mo. 
London: Printed for G. G. Robinsons and J. Cottle, Book- 
seller, Bristol, 1796. 

Tue First Epition. The volume contained 4 sonnets signed 
C. L., and Coleridge’s Preface announced that they “were written 
by Mr. Charles Lamb of the India House.” 


Full red crushed levant morocco, gold-tooled, gilt edges, by 
Bradstreet’s. 


[COMBE, Wim. | 

THE Tour oF Doctor SyNTAX, IN SEARCH OF THE 
P-I-C-turesque. [Vignette.] A Poem. Published 1st 
May, 1812, at R. Ackermann’s Repository of Arts, 101, 
Strand, London. 


THe Srconp Tour oF Doctor Syntax, IN 
SEARCH OF ConsoLATION. A Poem. Published by R. 
Ackermann, at the Repository of Arts, 101, Strand, Lon- 
don. 1820. 


Tue Tuirp Tour or Doctor SYNTAX, IN 
SrarcH oF A Wire. A Poem. London: Published at R. 
Ackermann’s Repository of Arts, 101, Strand. n. d. 
[1821.] 


Together, 3 volumes. 8vo. London. v. d. 


First Epirions, with 79 full-page etchings by Rowlandson, 
colored by hand. 

Full green crushed levant morocco with flowers tooled on backs 
and inside edges, gilt top, original labels preserved, by Riviere. 


154 


155 


156 


[COMBE, Wuu1a.] 


THE EncuisH DANcE oF DEatH. From the designs of 
Thomas Rowlandson, with Metrical [llustrations. By the 
Author of “Doctor Syntax.” 8vo. London: Published at 
R. Ackermann’s epoetary of Arts, 101, Strand. 1815. 

Two Volumes. 
With ilivetrated extra-titles, and all the 74 plates in color. 
Full brown crushed levant morocco, with floriated backs and 
inside edges, tooled in gold, gilt edges, by Riviere. 


[COMBE, Wiu14M. | 

THE Lire oF NAPOLEON, a Hudibrastic Poem in Fifteen 
Cantos, by Doctor Syntax, embellished with Thirty En- 
eravings, by G. Cruikshank. 8vo. London: Printed for 
T’. Tegg, 111, Cheapside. 1815. 

With an engraved title-page and 29 full-page illustrations by 
George Cruikshank in 2 states (plain and colored). 

Full dark green crushed levant morocco, with a border of 
parallel and filleted lines, and with Napoleon’s arms gold-tooled in 
the center of the covers, doublure of cream-colored levant with a 
diaper of gold-tooled bees and violets inlaid in purple levant and 
surrounded by a wide gold-tooled border of pink levant, flies of 
white and green brocaded-silk, edges gilt on the rough, by Canapé. 


[COMBE, Wiu14M. | 

Tue Wars or WELLINGTON, A Narrative Poem; in Fif- 
teen Cantos. Embellished with Six Engravings; colored 
from the Original Paintings. By Dr. Syntax. 4to. Lon- 


don. 1821. Two Volumes. 


Extra-ILLustTRaTED, and extended to 2 volumes, by the addi- 
tion of 112 extra-plates, mostly colored, including some of Cruik- 
shank’s etchings—‘‘Portraits of the General Officers,” as frontis- 
piece to Vol. I; the title-page of “An Historical Account of the 
Battle of Waterloo,” as frontispiece to Vol. II; and the “Flight of 
Buonaparte”’; all in color; 31 of Heath’s etchings of battle scenes, 
in color; the 24 Bertoux engravings of battles; the Rouse plan of 
of Battle of Waterloo; 23 Rouse plates in color; the rare Freeman 


[156 Continued | 


157 


158 


159 


engraving of Soult; rare portraits of Suchet, Massena, William, 
Frederick, Wellington, engravings of Wellington’s Generals, etc. 

Full red crushed levant morocco, with filleted lines on the sides, 
gilt top, uncut, by Riviére. 


CONSTABLE, Henry. 


THE POEMS AND SONNETS OF HENRY ConstaB_eE. [Colo- 
phon.] Here ends this Edition of Poems and Sonnets by 
Henry Constable, edited from early editions and manu- 
scripts by John Gray, with woodcut border and decora- 
tions executed by Charles Ricketts. 8vo. London. 1897. 

*“Vale Press” publication. One of 210 copies only. 


Full red crushed levant morocco, with borders of lilies and lily- 
pads, and pointillé, gilt top, uncut, by Riviere. 


CONWAY, Siz Winw1aAm Martin. 


THE Axps. Described by W. Martin Conway. Painted 
by A. D. McCormick. Square 8vo. London. 1904. 

EDITION-DE-LUXE, limited to 300 copies, of which this is No. 
129. With 70 full-page illustrations reproduced in colors. 

Full dark green crushed levant morocco, with the sides covered 
with an elaborate inlaid design, the central panel representing a 
snow-clad mountain-peak inlaid in brown, blue, white and green 
morocco, and with a wide border of grape-leaves inlaid in green and 
bunches of grapes in the corners inlaid in light green and gold- 
tooled, doublure of orange crushed levant with a border of roses 
inlaid in white levant and leaves in green and gold-tooled, flies of 
orange crushed levant, gilt top, uncut, by Morrell. 


COOPER, JAmEs FENIMORE. 
A COLLECTED SET OF THE WokRKS OF, IN First ENGLISH 
EDITIONS, AS FOLLOWS: 
Precaution. A Novel. 16mo. London. 1821. 
Three Volumes. 
Tuer Spy: A Tale of The Neutral Ground, re- 


ferring to Some Particular Occurrences during The Amer- 
ican War. 16mo. London. 1822. 


Three Volumes. 


[159 Continued | 

THE PIONEERS: or the Sources of the Susque- 
hanna. A Descriptive Tale. By the Author of “The 
Spy.’ 16mo. London. 1823. 


Three Volumes. 


THE Pitot: A Tale of the Sea. By the Au- 
thor of “The Spy,” “Pioneers,” etc. 16mo. London. 1824. 
Three Volumes. 


LionEL Lincotn: or, the Leaguer of Boston. 
By the Author of “The Spy,” “Pioneers,” “Pilot,” ete. 
16mo, London. 1825. 

Three Volumes. 


Tue Last oF THE Monicans: A Narrative of 
1757. By the Author of “The Spy,” etc. 16mo. London. 
1826. 


Three Volumes. 


THE Prairie: A Tale. By the Author of “The 
Spy,” ete. 16mo. London. 1827. 


Three Volumes. 


THE Rep Rover: A Tare. By the Author of 
“The Spy,” ete. 16mo. London. 1828. 
Three Volumes. 


NOTIONS OF THE AMERICANS: Picked up by a 
Traveling Bachelor. 8vo. London. 1828. | 
Three Volumes. 


Tue Borverers: A Tare. By the Author of 
“The Spy,” etc. 12mo. London. 1829. 
Three Volumes. 


THe Water WitcH: or, The Skimmer of the 
Seas. A Tale. By the Author of “The Borderers,” etc. 
12mo. London. 1880. 

Three Volumes. 


[159 Continued | : 
THE Bravo. A Venetian Story. By the author 
of “The Pilot,” ete. 12mo. London. 1881. 


Three Volumes. 


THE HemEenMAvER: or, The Benedictines. By 
the Author of “The Pilot,” ete. 12mo. London. 1882. 


Three Volumes. 


Tue Heapsman: or, The Abbaye des Vignerons. 
A Tale. By the Author of “The Bravo,” etc. 12mo. Lon- 
don. 1833. 


Three Volumes. 


THE Monixins. A Tale. By the Author of 
“The Spy,” etc. 12mo. London. 1835. 
Three Volumes. 


E;XXCURSIONS IN SWITZERLAND. By J. Fenimore 
Cooper, Esq. 12mo. London. 1886. 


Two Volumes. 


A. RESIDENCE IN FRANCE; with an Excursion up 
the Rhine, and a Second Visit to Switzerland. By J. Feni- 
more Cooper, Esq. 12mo. London. 1836. 


Two Volumes. 


RECOLLECTIONS OF Eurore. By J. Fenimore 
Cooper, Esq. 12mo. London. 1887. 
Two Volumes. 


ENGLAND. With Sketches of Society in The Me- 
tropolis. By J. Fenimore Cooper, Esq. 12mo. London. 
1837. 


Three Volumes. 


Eve Errincuam; or, Home. By J. Fenimore 
Cooper, Esq. 12mo. London. 1838. 


Three Volumes. 


[159 Continued | 
Excursions In Itaty. By J. Fenimore Cooper, 
Esq. 12mo. London. 1838. 


Two Volumes. 


HomeEwarp Bounp; or, The Chase. A Tale of 
the Sea. By J. Fenimore Cooper, Esq. 12mo. London. 
1838. 


Three Volumes. 


THE PATHFINDER; or, The Inland Sea. By the 
Author of “The Pioneers,” etc. 12mo. London. 1840. 


Three Volumes. 


MERCEDES OF CasTILE: A Romance of the Days 
of Columbus. By J. Fenimore Cooper, Esq. 12mo. Lon- 
don. 1841. 

Three Volumes. 


THE DEERsLAYER: A Tale. By J. Fenimore 
Cooper, Esq. 12mo. London. 1841. 
Three Volumes. 


Jack Trier: or, The Florida Reef. By J. Feni- 
more Cooper. 16mo. London. [1841.] 


THE Two Apmirats: A Tale of the Sea. By J. 
Fenimore Cooper. 12mo. London. 1842. 
Three Volumes. 


THE Jack 0 LantTeERN [Le Feu-Follet]; or, 
The Privateer. By J. Fenimore Cooper, Esq. 12mo. Lon- 
don. 1842. 

Three Volumes. 


THE FRENCH GovERNEss: or, The Embroid- 
ered Handkerchief. A Romance. By J. Fenimore Cooper. 
12mo. London. 1848. 


[159 Continued | 
WyaNboTTE: or, The Hunted Knoll. By J. 
Fenimore Cooper, Esq. 12mo. London. 1843. 


Three Volumes. 


Nep Myers: or, A Life Before the Mast. Ed- 
ited by J. Fenimore Cooper. 12mo. London. 1843. 


Two Volumes. 


AFLOAT AND ASHORE: or, The Adventures of 
Miles Wallingford. By the Author of “The Pilot,” ‘etc. 
12mo. London. 1844. 


Three Volumes. 


THE CHAINBEARER: or, The Littlepage Manu- 
scripts. Edited by the Author of “The Spy,” etc. 12mo. 
London. 1845. 


Three Volumes. 


SATANSTOE: or, The Family of Littlepage. By 
J. Fenimore Cooper, Esq. 12mo. London. 1845. 


Three Volumes. 


Lucy Harpince: A Second Series of Afloat and 
Ashore. By J. Fenimore Cooper. 12mo. London. 1846. 


Three Volumes. 


RAVENSNEST: or, The Redskins. By the Author 
of ‘The Pilot,” etc. 12mo. London. 1846. 


Three Volumes. 


Tue Bee-Hunter: or, The Oak Openings. By 
the Author of ‘The Pioneers,” etc. 12mo. London. 1848. 


Three Volumes. 


Marx’s Reer: or, The Crater. By the Author 
of ‘‘The Prairie,” etc. 12mo. London. 1848. 


Three Volumes. 


[159 Continued | 


160 


Tue Sra Lions: or, The Lost Sealers. By the 
Author of “‘The Red Rover,” ete. 12mo. London. 1849. 


Three Volumes. 


CAPTAIN SPIKE: or, The Islets of the Gulf. By 
J. Fenimore Cooper, Esq. 12mo. London. 1849. 


Three Volumes. 


THE Ways or THE Hour. By J. Fenimore 
Cooper. 12mo. London. 1850. 


Three Volumes. 


Tue Heatucores: or, The Wept of Wish-ton- 
Wish. A Romance of Prairie Life. By J. Fenimore 
Cooper. 16mo. London. 1854. 
Together, 114 volumes. London. v. d., 0. p., v. 8. 
A collected set of the first English editions of Cooper is greatly 


priced by the collector because of the dignified and handsome format. 
Half dark green morocco, gilt top, uncut. 


CORREGGIO. 


ANTONIO ALLEGRI DA CorREGGIO: His Life, His Friends, 
and His Time. By Corrado Ricci. From the Italian by 
Florence Simmonds. With 37 full-page plates and 190 
text illustrations. 4to. London. 1896. 


Two Volumes. 


Extra-ILLusTRATED, and extended to 2 volumes, by the inser- 
tion of numerous engravings, etchings, and prints, from paintings, 
etc. ; including 10 original sketches by Mulinari, engraved portraits 
of Peruzzi, Charles VIII, Philippe II, Louis XII, and Carrache; a 
full-page engraving of Michael Angelo by Francois, various por- 
traits, etc., etc. 

Full brown crushed levant morocco, Janseniste, gilt top, uncut, 
with the original covers preserved, by Canapé. 


161 


162 


163 


CORREGGIO. 


ANTONIO ALLEGRI DA CorrEGGIo. Another copy. Ato. 
London. 1896. | 
Two Volumes. 


No. 40 of 100 copies on Japan paper, with a duplicate set of 
the plates inserted. 

Full green crushed levant morocco, with a wide gold-tooled 
border, gold-tooled backs and inside edges, gilt edges, by Stikeman. 


COTTON, CHar.es. 


PorEMs ON SEVERAL Occasions. Written by Charles 
Cotton, Esq. 12mo. London: Printed for Tho. Basset, at 
the George in Fleet-Street; Will. Hensman and Tho. Foz, 
in Westminster-Hall. 1689. 

Cotton was the adopted son of Izaak Walton, and made trans- 
lations of Virgil and of Lucian. 

Full brown crushed levant morocco, sides containing an inlaid 
central panel of yellow morocco with elaborately tooled ribbon de- 
sign in inlaid leathers, entwined C’s in corners, gilt edges, by 
Riviére. | 


COURT MEMOIRS anp HISTORIES. 


A CouLLEcTED SET; Comprising the Writings of GRaANT- 
LEY FE. BERKELEY, J. BERNARD BurRKE, GEORGE LILLIE 
Craik, Howarp Evans, MartHa WALKER FREER, JOHN 
LANGTON SANFORD and MeErEpITH TOWNSEND, WILLIAM 
J. THoms, and Epwarp WaA.ForpD, as follows: 


BERKELEY, Grantley Fitzhardinge. ANECDOTES OF THE 
Urprer TEN THovusanp: their Legends and their Lives. 
Second Edition. 8vo. London. 1867. 

Two Volumes. 


Burke, John Bernard. ANECDOTES OF THE ARIS- 
TOCRACY, AND EPIsopES IN ANCESTRAL STORY. 8vo. Lon- 
don. 1849. 

Two Volumes. 


[163 Continued | 
Romantic Records oF DISTINGUISHED F'Am- 
m1Es: A Second Series of Anecdotes of the Aristocracy. 
By J. Bernard Burke, Esq. Second Edition. 8vo. Lon- 
don. 1851. 


Two Volumes. 


Famity Romance; or, Episodes in the Domestic 
Annals of the Aristocracy. By J. Bernard Burke, Esq. 
8vo. London. 1853. 

Two Volumes. 


VIcIssITUDES OF Faminies. By Sir Bernard 
Burke. Remodeled Edition. 12mo. London. 1869. 


Two Volumes. 


THE RisE oF GREAT FAMILIES; Other Essays 
and Stories. By Sir Bernard Burke. Second Edition. 
8vo. London. 18738. 


REMINISCENCES: ANCESTRAL, ANECDOTAL, AND 
Historic. By Sir Bernard Burke. 8vo. London. n. d. 


Craik, George Lillie. THE ROMANCE OF THE PEERAGE; 
or, Curiosities of Family History. By George Lillie Craik. 
8vo. London. 1848-1850. 

Four Volumes. 
With engraved frontispiece. 


Evans, Howard. Our Oxvp Nosirity. By Noblesse 
Oblige [Howard Evans]. 12mo. London. 1879. 
Two Volumes. 
FREER, Martha Walker. Tuer Lire oF JEANNE D’AL- 


BRET, QUEEN OF NAVARRE. From numerous Unpublished 
Sources. By Martha Walker Freer. 8vo. London. 1855. 


Two Volumes. 
With a frontispiece. 


[168 Continued | 
THE Lire oF MARGUERITE D’ ANGOULEME, 
Queen of Navarre, Duchesse d’Alencon and de Berry, 
sister of Francis I, King of France. From numerous Un- 
published Sources. By Martha Walker Freer. Second 
Edition, Revised. 8vo. London. 1856. 

Two Volumes. 


With illustrations. 


ELIZABETH DE VALOIS, QUEEN OF SPAIN, and 
the Court of Philip II. From numerous Unpublished 
Sources. By Martha Walker Freer. 8vo. London. 1857. 


Two Volumes. 
With a frontispiece. 


Henry III, Kine or FRANCE AND POLAND: His 
Court and Times. From numerous Unpublished Sources. 
By Martha Walker Freer. 8vo. London. 1858. 


: Three Volumes. 
With frontispieces. 


History OF THE REIGN oF HENry IV, King of 
France and Navarre. Part I. Henry IV and the League. 
From numerous Unpublished Sources. By Martha Walker 
Freer. 8vo. London. 1860. 


Two Volumes. 
With frontispieces. 


Henry IV anp Marte dE Menici. Part II of 
the History of the Reign of Henry IV, King of France 
and Navarre. From numerous Unpublished Sources. By 
Martha Walker Freer. 8vo. London. 1861. 


Two Volumes. 


With frontispieces. 


Tue Last DecapE or A Giorious ReEien. Part 
eIII of the History of the Reign of Henry IV, King of 
France and’ Navarre. From numerous Unpublished 


[163 Continued | 
Sources. By Martha Walker Freer. 12mo. London. 
1863. 
Two Volumes. 
With frontispieces. 


THe Marriep Lire oF ANNE OF AUSTRIA, 
Queen of France, Mother of Louis XIV; and Don Se- 
bastian, King of Portugal. Historical Studies. By 
Martha Walker Freer. 8vo. London. 1864. 


Two Volumes. 


With a frontispiece. 


Tuer REGENCY oF ANNE OF AUSTRIA, Queen 
Regent of France, Mother of Louis XIV. From numer- 
ous Unpublished Sources. Large 8vo. London. 1866. 


Two Volumes. 


With frontispieces. 

SANFORD, John Langton; and Townsrenp, Meredith. 
THe GREAT GOVERNING F'amivies oF ENGLAND. By John 
Langton Sanford and Meredith Townsend. 8vo. EHdin- 
burgh and London. 1865. 

Two Volumes. 

Tuoms, William John. THe Book or THE Court: Ex- 
hibiting the History, Duties, and Privileges of the Several 
Ranks of the English Nobility and Gentry. By William J. 
Thoms. Second Edition. 8vo. London. 1844. 


Wa.xrorp, Edward. TAaLes or Our GREAT FAMILIES. 
By Edward Walford. 12mo. London. 1877. 


Four Volumes. 


CHAPTERS FROM F'amity CueEsts. By Edward 
Walford. 12mo. London. 1887. 

Two Volumes. 
Together, 46 volumes. Edinburgh and London. v. d., 


U. §. 
Half blue crushed levant morocco, gilt top, uncut. 


164 


165 


166 


COUSIN, CHARLEs. 


RacontTars: ILLUstTRES DUN VIEUX COLLECTIONNEUR. 
Par L’Auteur du “Voyage dans un Grenier,” Charles 
Cousin, Vice-President de la Société des Amis des Livres. 
4to. Paris: A La Librairie del Art. 1887. 


One of 150 copies printed on Imperial Japan paper, with an 
extra set of the plates. 

This volume contains accounts of rare books, pictures, draw- 
ings, faience, autographs, and bibelots, with 53 illustrations, por- 
traits, etc., comprising etchings, engravings, chromotypes, and 
photogravures, both full-page and in the text. ‘Two volumes in 
one. 

Full dark brown crushed levant morocco, the sides and back 
decorated with laurel and oak-leaf sprays entwining a trellis border, 
doublure of blue levant morocco, with roses in red in mosaic, bro- 
caded-silk flies, gilt top, uncut, by Ritter. 


COWPER, Wiu414M. 

Poems. By William Cowper, of the Inner Temple, Esq. 
[ Quotations.] Virgil. Caraccioli. London: Printed for 
J. Johnson, No. 72, St. Paul’s Church Yard. 1782. 


THe Task, A Poem, in Six Books. By William 
Cowper, of the Inner Temple, Esq. [Latin Quotation. ] 
To which are added, by the Same Author, AN EPISTLE to 
Joseph Hill, Esq. Trrocinium, or a Review of Schools, 
and the History or JoHN GiLPiIn. London: Printed for 
J. Johnson, No. 72, St. Paul’s Church Yard. 1785. 


Together, 2 volumes. 8vo. 


First Epitions of both volumes. 
Full red crushed levant morocco, gilt edges, by Riviére. 


COWPER, Wru14M. 

Porms spy WiLL1AmM Cowper, of the Inner Temple, Esq. 
[Quotations.] Virgil. Caraccioli. London: Printed for 
J. Johnson, No. 72, St. Paul’s Church Yard. 1782. 


[166 Continued] 


167 


168 


169 


THE Task, A Poem in Six Books. By William 
Cowper, of the Inner Temple, Esq. London: Printed for 
J. Johnson, No. 72, St. Paul’s Church Yard. 1785. 


Together, 2 volumes. 8vo. 


First Enitions of both volumes; tall, clean copies. 

With an AvtocrarH MS. of Cowper, 2 pages, 4to, closely 
written, being an introduction to Milton, with numerous corrections, 
and several portions of poems showing Cowper’s method of com- 
position. 

Full dark green crushed levant morocco, doublure and flies of 
yellow silk, edges gilt on the rough, by Zaehnsdorf. 


CRAIK, Mrs. Dinan Maria MvLock. 


Poems. By the Author of “John Halifax, Gentleman.” 
12mo. London. [1859.] | 
First Eprrion, with an engraved title and frontispiece by 
Sadler, after Birket Foster. 
Full green crushed levant morocco, decorated with a flower 
and leaf design, and background powdered with dots and stars, 
decorative borders of inlaid leather, gilt top, uncut, by Riviere. 


CRANE, WaAtxrTER. 


RENASCENCE: A Book of Verse. By Walter Crane. 
With title and vignettes, drawn by the Author. Small 4to. 
London. 1891. 

No. 66 of 350 copies printed for England. 
Full green crushed levant morocco, with flowers inlaid on 


covers, doublure and flies of red watered-silk, gilt top, uncut, by 
Fazakerley. 


CROMWELLIANA. 

A CHRONOLOGICAL DETAIL OF EVENTS in which Oliver 
Cromwell was engaged; from the year 1642 to his death, 
1658; with a Continuation of other Transactions to the 
Restoration. Folio. Westminster. 1810. 

Two Volumes. 
One of 250 copies printed on Large-paper. 


[169 Continued | 


170 


Extra-ILuLustraTEp, and extended to 2 volumes, by the inser- 
tion of 176 plates, including 124 portraits, many being proof im- 
pressions, engraved after Lely, Van Dyck, and others, by Bocquet, 
Fry, Bartolozzi, Aubry, Gucht, Harding, Picart, Houbraken, Owen, 
Lombart, etc., etc.; and numerous etchings; also 52 views, many in 
color, being mostly large folding plates. 

Full dark brown crushed levant morocco, gilt edges, by 
Morrell. 


CROWE, J. A., and CAVALCASELLE, G. B. 
ART Works. A COLLECTED SET, as follows: 


A New History oF PAINTING IN ITALY, from 
the Second to the Sixteenth Century. Drawn up from 
fresh materials and recent researches in the archives of 
Italy; as well as from personal inspection of the works of 
art scattered throughout Europe. London. 1864. 


Three Volumes. 


A History oF PaIntTInG IN Nort ITAty, 
Venice, Padua, Vicenza, Verona, Ferrara, Milan, Friuli, 
Brescia, from the Fourteenth to the Sixteenth Century. 
Drawn up from fresh materials, etc., ete. With illustra- 
tions. London. 1871. 
Two Volumes. 

THE EarLy FLEMIsSH PAINTERS: Notices of their 
Lives and Works. Second Edition. London. 1872. 


Tue Lire anp Times oF TiT1aAn. With some 
account of his family. With Portraits and Illustrations. 
Second Edition. London. 1881. 

| Two Volumes. 


RarPHaEL: His Lire anp Works. With par- 
ticular reference to Recently Discovered Records, and an 
exhaustive study of Extant Drawings and Pictures. Lon- 
don. 1882. 

Two Volumes. 


[170 Continued] 


171 


Together, 10 volumes. With over 170 illustrations. 8vo. 
London, v. d. | 


Full maroon crushed levant morocco, with sides and backs 
tooled in the style of Derome, gold-tooled inside edges, gilt top, 
uncut, by Zaehnsdorf. 


THE GOUGH COLLECTION OF 
THE WORKS OF GEORGE CRUIKSHANK. 


A UniquE COLLECTION OF THE Works OF GEORGE 
CrUIKSHANK. In Oils and Water Colors; with Original 
Drawings, Etchings, Woodcuts, Lithographs, Glypho- 
graphs, etc. Also inserted articles, essays, portraits, news- 
paper clippings, etc., forming the most complete collection 
of Cruikshankiana ever brought together in America. Col- 
lected by John B. Gough. 


This famous collection of the works of this renowned artist is 
the result of many years’ gathering by its original owner. Mr. 
Gough was the warm personal friend of George Cruikshank, and a 
frequent visitor at his home. He thus had every opportunity to 
secure the plates, and, besides being personally assisted by Mr. 
Cruikshank in obtaining many, received a large proportion directly 
from the artist, as gifts. Many of these were “Proofs,” and most 
were signed. There is included in this collection a very large 
number of the original drawings and water colors, forming almost 
an entire volume. Most, if not all, of these were sent by George 
Cruikshank to Mr. Gough, frequently bearing an inscription in 
Cruikshank’s own hand. 

No effort or expense was spared by Mr. Gough to make this 
collection as complete as possible, and it stands to-day, with the 
exception of a single collection in private hands in Great Britain, 
far surpassing any other. It is more extensive and complete than 
even the large collection in the British Museum. Many plates are 
here which were unknown to Reid, the authoritative Cruikshank 
cataloguer. The collection, being unique and unrivaled in its 
variety and extent, is of the highest interest and value. 

In forming this collection Mr. Gough discarded the text of 
the books which the plates illustrated, and retained only the illus- 


[171 Continued | 


trations. Each plate has been carefully inlaid in Whatman paper, 


the leaf mounted on guards, and the volumes strongly and beauti- 
fully bound. | 


A list of the volumes, containing the plates, follows: 


VoLuME 1. THackeraAy’s Essay oN “GEORGE CRUIK- 
SHANK. Illustrated with numerous specimens se- 
lected from His Works. Original issue in the West- 
minster Review, June, 1840. Inlaid. pp. 60. Extra 
title, and list of 45 books illustrated by George Cruik- 
shank. (161 pp.) 


Exrra-IutustratTep, by the addition of over 125 inserted 
plates; including many title-pages. Croquis’ sketch of Cruikshank 
seated upon a barrel, as frontispiece, the two famous drawings, 
“Breaking Up,” and “Monstrosities of 1816” in color; the “Tom 
and Jerry” series; the drawings for the “Pocket Magazine”; the 
complete drawings and text of “Stubb’s Calendar,” and “Barber 
Cox Calendar,” with a set of “Illustrations of Time’”’ with title; the 
“Jack Sheppard”’ plates; etc., etc., many in color. 


Vo.tumeE u. Boox IxLustrations: Frontispieces; Title- 
pages; Vignettes. By George Cruikshank. (150 pp.) 
Drawn title and table of contents, with a 2-page printed sketch 


of Cruikshank inserted. Photograph of George Cruikshank, by 
Maull & Polyblank, London. 158 inserted plates. 


VoLuME 11. Boox ILLustrations: Frontispieces; Title- 
pages; Vignettes. (156 pp.) 
Drawn title and table of contents. 


Portrait of George Cruikshank, engraved by Pound from a 
photograph. 182 inserted plates. 


VoutuME Iv. Boox Ixuusrrations: Frontispieces; Title- 
pages; Vignettes. (145 pp.) 
Drawn title and table of contents. 
Portrait of Cruikshank, engraved by Wagstaff, with A. S. 


“From Geo. Cruikshank to his friend James Gibbs, August 6, 1859.” 
184 plates inserted. 


[171 Continued | 
VotumME vy. Boox In.ustrations: Frontispieces; Title- 
pages; Vignettes. (151 pp.) 
Drawn title and contents. 


Portrait of Cruikshank. A woodcut taken from the “Weekly 
Record,” March 17, 1865. 190 plates inserted. 


VoLuUME vi. Boox Inuustrations: Frontispieces; Title- 

pages; Vignettes. (158 pp.) 

Drawn title and contents. 

Portrait of George Cruikshank, engraved by Wagstaff. A. S. 
“George Cruikshank to his friend J. B. Gough.” 166 plates in- 
serted. 


VoLUME vil. Book ILLustRratTIons: Frontispieces; Title- 
pages; Vignettes. (150 pp.) 
Drawn title and contents. 
Portrait of Cruikshank, drawn by Croquis. 170 plates in- 
serted. 


VoLuME vil. Boox ILLustrations: Frontispieces; Title- 
pages; Vignettes. (146 pp.) 
Drawn title and contents. , 
A photographic portrait of Cruikshank. 166 plates inserted. 


VoLuME Ix. Book Inuustrations: Frontispieces; Title- 
pages; Vignettes. (159 pp.) 
Drawn title and contents. 
A photographic portrait of Cruikshank. 177 plates inserted. 


VotuME x. Boox Ix.uustrations: Frontispieces; Title- 
pages; Vignettes. (169 pp.) 
Drawn title and contents. 
A photographic portrait of Cruikshank. 151 plates inserted. 


VoLuME xi. Book IL.ustrations: Frontispieces; Title- 
pages; Vignettes. (169 pp.) 
Drawn title and contents. 


Portrait of Cruikshank. Full-page woodcut. 205 plates. 


[171 Continued] 
VoLUME xl. Boox ILuustrations: Frontispieces; Title- 
pages; Vignettes. (160 pp.) 
Drawn title and contents. 


Portrait of Cruikshank, engraved by Pound from a photograph 
by Watkins. 154 plates. 


VoLUME xu. Boox ILuustrRations: Frontispieces; Title- 
pages; Vignettes. (164 pp.) 
Drawn title and contents. 
Portrait of Cruikshank. Aftat. 28. From a sketch by himself. 
A woodcut. 277 plates. 


VoLUME xiv. Boox ILLustrations: Frontispieces; Title- 
pages; Vignettes. (157 pp.) 
Drawn title and contents. 
Portrait of Cruikshank. tat. 76. An etching, from a photo- 
graph by Edwards & Balt. 148 plates. 


VoLuME xv. Boox IvLustrations: Frontispieces; Title- 
pages; Vignettes. (146 pp.) 
Drawn title and contents. | 
Portrait of Cruikshank. A woodcut. 156 plates. 


VoLUME xvi. Boox ILLustrations: Frontispieces; Title- 
pages; Vignettes. (173 pp.) 
Drawn title and contents. 
Portrait of Cruikshank, engraved from photograph by Taylor. 
Illustrated Review, January 1, 1872. 
Illustrated Review. Letter press. ‘T-page article on “George 
Cruikshank,” with 2 newspaper clippings [1872] on the Ainsworth- 
Cruikshank controversy. 156 plates. 


VoLUME XVII. CHARACTERS AND SCENES. (145 pp.) 


Drawn title and contents. 

Portrait of Cruikshank. An etching, as he appeared at the St. 
James Theatre, January 7, 1846, in the character of “General 
Bombastes.” 133 plates. 


[171 Continued | 


VOLUME XvilI. POLITICAL AND SATIRICAL. (152 pp.) 


Drawn title and contents. 
Portrait of Cruikshank. Hone and Cruikshank. An etching. 
106 plates. 


VoLUME xix. POLITICAL AND SATIRICAL, (243 pp.) 


Drawn title and contents. 
Portrait of Cruikshank. An etching. 149 plates. 


VoLUME xx. POLITICAL AND SATIRICAL.. (196 pp.) 


Drawn title and contents. 


Portrait of Cruikshank. 1811. Etched by P. D’Aigaille. 389 
plates. 


VOLUME xxi. POLITICAL AND SATIRICAL. (160 pp.) 


Drawn title and contents. 
Portrait of Cruikshank, etched by Taylor, with “In Memoriam” 
verses. 136 plates. 


VOLUME xxtI. ILLUSTRATIONS OF TIME AND PHRENOLOGY 
—Scrarps AND SKETCHES—MIScELLANEOUS. (175 
PP-) 

Drawn title and contents. 
Portrait of Cruikshank, etched by Gillot, as the ‘““Champion of 

Temperance.” 142 plates. 


VOLUME xxii. TEMPERANCE AND Soci4u Rerorm. (217 
PP.) 


Drawn title and contents. | 
Portrait of Cruikshank. Woodcut by “H. W. S.” 153 plates. 


VoLuME xxiv. Rare Proors. InpEx. (135 pp.) 


Portrait of Cruikshank. An etching. “The Venerable George,” 
in “The Hornet,” December, 1871. With the title and a sketch of 
George Cruikshank. 96 plates. 


‘VoLUME xxv. OricINAL Drawines. AvuTocRAPH LET- 
TERS. (243 pp.) 
Portraits of George Cruikshank in profile. Also several pencil 
drawings on both sides of the leaf. Portrait of Charles Dickens. 


en a ae ae eee 


[171 Continued | 


172 


An etching, with facsimile of Dickens’s autograph. Pencil sketch 
for above etching. Underneath is written “Age 26.” 226 plates. 


VOLUME xxvi. THE Works oF GEORGE CRUIKSHANK: 
in Oil, Water-Colors, Original Drawings, Etchings, 
Woodcuts, Lithographs, and Glyphographs. Col- 
lected by John B. Gough. With a facsimile of the 
Catalogue and 28 original drawings reproduced by 
photogravure. Boston: The Club of Odd Volumes. 
1890. 


One of 125 copies on plate paper, inlaid in Whatman hand- 
made paper. 


VoLUME xxvul. THE Works oF GEORGE CRUIKSHANK, 
Classified and Arranged. With references to Reid’s 
Catalogue, and their approximate values. By Captn. 
R. J. H. Douglas. With a frontispiece. London. 


No. 104 of an edition limited to 1,000 copies printed from type, 
inlaid to a uniform size. 


Together, 27 volumes. Folio. 


Full red crushed levant morocco, with a panel of filleted lines 
on the covers, gold-tooled flowers in the corners and on the backs, 
gilt top, uncut, by the Club Bindery. 


CRUIKSHANK, GeEorce. 


CRUIKSHANK’s WatTeER Cotors. With introduction by 
Joseph Grego. Square 8vo. London. 1903. 


EDITION-DE-LUXE, limited to 300 copies, of which this is No. 88. 
Signed by the publishers. With 67 illustrations reproduced in 
colors. 


Full green crushed levant morocco, with a central panel on the 
front cover containing a picture from the book (“The Last 
Chance’), inlaid in brown, blue, purple, green, and white morocco, 
and blind-tooled, and surrounded by a wide border containing 
elaborately interlacing scrolls of inlaid bands of yellow and green 
morocco, the back cover with a similar panel containing a picture 
from the book (‘Fagin in the Condemned Cell’’), inlaid in brown, 
black, white, blue, and drab morocco, and surrounded by interlacing 


[172 Continued] 


173 


174 


175 


scrolls of yellow and green morocco, doublure of a panel of orange 
levant with a unique decoration inlaid in light blue, and surrounded 
by swirling bands of inlaid yellow and green morocco, flies of orange 
crushed levant, gilt top, uncut, by Morrell. 


CRUIKSHANK, GEerorceE. 


THE Comic ALMANACK, FOR 1835: [—1853.] An 
Ephemeris in Jest and Earnest, containing “All Things 
Fitting for such a Work.” By Rigdum Funnidos, Gent.; 
adorned with a Dozen of “Righte Merrie” Cuts Pertaining 
to the Months, Sketched and Etched by George Cruik- 
shank. 12mo and 16mo. London. 1835-1853. 


Together, 19 volumes. London. v. d. 


The Comic Almanack “afforded Cruikshank the opportunity 
in which he always delighted, of recording in his own quaint, orig- 
inal manner, his opinions on the questions of the day.” Among these 
250 etchings by George Cruikshank “there are some of his happiest 
bits of observation, of his shrewdest exposures of folly and vice and 
cant, and of original fancy.”—Jerrold. 

Full brown crushed levant morocco, entirely uncut, with all the 
illustrative paper and linen covers, errata, etched titles, and adver- 
tisements preserved, by Zaehnsdorf. 


CRUIKSHANK, Gerorce. 

THe Lire or GEeorcE CruiksHANK: In Two Epochs. 
By Blanchard Jerrold. With Numerous Illustrations. 
12mo. London. 1882. 

Two Volumes. 


Extra-ILLustraTED, by the insertion of 100 plates, many be- 
ing proof impressions on India paper, all being reproductions taken 
from his famous caricatures (some in color), with title-pages, illus- 
trations to books, etc., etc. 

Full red crushed levant morocco, gilt top, uncut, by Morrell. 


CUNNINGHAM, PErrr. 


Tue Story or NELL Gwyn: and the Sayings of Charles: 


the Second. Related and Collected by Peter Cunningham, 


a a a 


[175 Continued | 


176 


177 


F’.S.A. Illustrated with numerous woodcuts. 12mo. Lon- 
don. 1852. 


Tue First Epirion, Extra-Ittustratep by the insertion of 
15 portraits (1 in color) of Nell Gwyn, Charles II, Miss Price, Miss 
Brooks, Miss Temple, Miss Jennings, the Countess of Chesterfield, 
etc., engraved by Scriven, Basan, Classens, Ryall, etc., after Lely 
and Harding. 

Full light brown crushed levant morocco, with initials N and C 
entwined, surmounted by a crown, tooled in gold, flies of gray silk, 
gilt top, uncut, by Zaehnsdorf. 


CUNNINGHAM, PETER. 


THE Story or NELL Gwyn: and the Sayings of Charles 
the Second. Related and collected by Peter Cunningham, 
F.S.A. 4to. New York. 1883. 


No. 29 of 100 copies printed, Extra-Inuusrratep by the in- 
sertion of the original Grant of Lands and Monies to the Earls of 
Crawford and Lindsay by King Charles II, 1682; and over 60 rare 
engraved portraits, including those of Nell Gwyn, Charles II, Anne 
of Sunderland, Pembroke, Marlborough, Miss Price, and others, en- 
graved by Harding, Drevet, Scriven, Picart, Boyd, Cook, De Blois, 
etc., after Lely, Van der Werff, Jansen, Stothard, Van Dyck, 
Reynolds, etc.; also “St. Martins,” by Rowlandson, in color, “John 
Milton,” engraved by Mariano Bovi; “Jane Shore,” in brown stipple, 
by Bartolozzi; and an A. L. S. of Peter Cunningham. 

Full green crushed levant morocco, decorated with flower 
sprays inlaid with blossoms in red morocco, doublure and flies of 


brocaded-silk, gilt top, uncut, by David. 


CUPID AND PSYCHE. 


THe Most PLEASANT AND DELECTABLE TALE OF THE 
MarriaGE oF Cupip AND PsycHE. Done into English by 
William Adlington, of University College in Oxford. 
Large 8vo. London. 1887. 

Larcr-parer Cory, with a photogravure frontispiece of 
“Psyche and Proserpina,” by W. B. Richmond, an etching “Venus 
and the Sea-gull,” by Vereker Hamilton, and a woodcut headpiece 
after Prudhon. 


[177 Continued | 


178 


179 


- Full brown crushed levant morocco, with title on side sur- 
rounded by heart-shaped leaf-sprays and with burning hearts, but- 
terflies, stars and pointillé covering sides, back, and inside borders, 
doublure and flies of red silk, gilt top, uncut, by Zaehnsdorf. 


CYCLOPEDIA OF PAINTERS AND PAINT- 
INGS. 


Edited by John Denison Champlin, Jr.; critical editor, 
Charles C. Perkins. With over 2000 illustrations. Large 
8vo. New York. 1887. 

Eight Volumes. 
Extra-ILLustraTED, and extended to 8 volumes, by the inser- 
tion of over 220 engravings, photogravures, sketches by Mulinari, 
etchings, prints, autotypes, etc., which include portraits of the 
artists and reproductions of paintings, sculptures, and places. 
Full crimson crushed levant morocco, with filleted lines on sides 
and inside edges, gilt top, uncut, by Taffin. 


CYCLOPEDIA. 


THe Century Dictionary. An Encyclopedic Lexicon 
of the English Language. Prepared under the superin- 
tendence of W. D. Whitney. 


Six Volumes. 


Tue CenTuRY CycLopepia oF Names. A Pro- 
nouncing and Etymological Dictionary of Names in 
Geography, Biography, Mythology, History, Ethnology, 
Art, Archeology, Fiction, etc., etc. Edited by Benjamin 
E. Smith. 


THe CrentTuRY ATLAS OF THE Wort. Pre- 
pared under the superintendence of Benjamin EK. Smith. 

Together, 8 volumes. 4to. New York: The Century 
Co. [1889.] 


Full red crushed levant morocco, with filleted lines on sides and 
backs, gilt top, uncut, by Roach. 


180 DALY, AvucustiIn. 


181 


182 


WorrineTton. A Tribute to the Actress and to the 
Woman. By Augustin Daly. Illustrated with 16 photo- 
gravures and engraved plates. Folio. New York: Printed 
for the Author. 1888. 


No. 54 of 150 copies printed, signed by the author. 

Full yellow crushed levant morocco, decorated in pyrography 
with a border of clover leaves; a woman playing a harp, festoons of 
drapery, trumpet, masks of tragedy and comedy and palm branches ; 
in the center panel a portrait of Augustin Daly; on the back cover, 
masks, ribbons, and a fool’s scepter, with harps, horns, trumpets, 
pipe, guitar, and tambourine, music-rolls, etc., gilt top, uncut, by 
Pfister. 


DAVENPORT, Cyrin. 

Roya EneuisH Booxsinpines. By Cyril Davenport. 
With 8 Colored Plates and 27 Illustrations in the text. 
Large 8vo. London. 1896. 


Full blue crushed levant morocco, with designs of flowers, laurel 
sprays, etc., gilt top, uncut, by Stikeman. 

This binding is a reproduction of one on a copy of “Atlfric; 
London, 1709,” which was bound for Queen Anne, and is now in the 
British Museum. 


DA VINCI, LrEonarpo. 


LEONARDO DA Vinci: Artist, Thinker, and Man of 
Science. From the French of Eugéne Mintz. With 20 
photogravure plates, 28 colored and tinted plates, and 252 
text illustrations. 4to. London. 1898. 

Four Volumes. 


Extra-ItLustraTED, and extended to 4 volumes, by the inser- 
tion of numerous etchings, engravings and prints, among which are 
the Da Vinci drawing of the “Lion and Dragon’’; the Pass colored 
etching of “Vinci”; engravings of Leonardo by Allegrini, Artaria, 
Posselwhite, and Mauraisse; 6 sketches by Mulinari; “Savonarola,” 
engraved by Odienorez; Walker’s “Death of Leonard de Vincey,” 
etc., etc. 

Full red crushed levant morocco, Janseniste, gilt top, uncut, by 
Canapé. 


183 


184 


DAWE, GEORGE. 

THe Lire oF GrEorcE Morianp. By George Dawe, 
R.A. With an Introduction and Notes by J. J. Foster. 
Illustrated by Full-page Plates from examples in the Na- 
tional and Privates Galleries. 4to. London, Dickinsons. 
1904. 

EpITIon-pE-LUXE, No. 2 of 175 copies on Japan paper, with 50 
full-page photogravure illustrations, and six plates printed in 
colors. 

Full red crushed levant morocco, with 83 miniatures (taken 
from subjects in Morland’s pictures) inset in the front cover, ar- 
ranged in concentric circles with the intervening space filled-in with 
gold-tooled lines radiating from the center, doublure and flies of 
dark green watered-silk, gilt top, uncut, by Riviére. 

[DEFOE, Dani.1. | 

THe LIFE AND STRANGE SURPRIZING ADVENTURES OF 
Rogpinson Crusor, of York, Mariner: Who Lived Eight 
and T'wenty Years all alone in an un-inhabited Island on 
the Coast of America, near the Mouth of the Great River 
of Oroonoque. Written by Himself. Volume. I. 


THE FAarTHER ADVENTURES OF ROBINSON CRU- 
soE; Being the Second and Last Part of His Life, and of 
the Strange Surprizing Accounts of his Travels Round 
three Parts of the Globe. Written by Himself. [Vign- 
ette.]| Volume II. 


SERIOUS REFLECTIONS DuRING THE LIFE AND 
SURPRISING ADVENTURES OF Rogpinson Crusoe: with his 
Vision of the Angelick World. Written by Himself. 
[ Vignette.] Volume III. 3 
Together, 3 volumes. 12mo. London: Printed for W. 

Taylor at the Ship in Pater-Noster Row. 1719. [Vol. 3. 
1720. | 

First Epirions of the three parts, with engraved frontispieces 
and a folding map and plate. 

Full green crushed levant morocco, with border of three-line 
fillets, gold-tooled centerpiece and corners, gilt edges, by Riviere. 


185 [DE FOE, Danire1.] 


THE LIFE AND STRANGE SURPRISING ADVENTURES OF 
RoBinson CRUSOE, OF YORK, MARINER. Who lived eight 
and twenty years all alone in an uninhabited Island on the 
Coast of America, near the mouth of the Great River of 
Oroonoque. Written by himself. Vol. I. [Device.] Lon- 
don: Printed for John Stockdale, Piccadilly. 1790. 


THE FARTHER ADVENTURES OF ROBINSON Crvu- 
soE; being The Second and Last Part of his Life, And of 
the Strange Surprising Account of his Travels Round three 
parts of the Globe. Written by Himself. Vol. II. [De- 
vice.] London: Printed for John Stockdale, Piccadilly. 
1790. The Life of Daniel De Foe. By George 
Chalmers, Esq. 8vo. London: Printed for John Stock- 
dale, Piccadilly. 1790. 


Seven Volumes. 


Uniaur. Exrra-Intustratep. Two volumes extended to seven 
(with specially printed title-pages to each volume) by the insertion 
of 411 extra-illustrations containing in addition to the series of 
plates designed by T. Stothard and engraved by Medland for this 
edition, illustrations by Gavarni, Deveria, Marillier, Fesquet, 
Bewick, Corbould, Allen, Jounay, Mouvilleron, Cruikshank, Brown, 
Kirk, Duviviez, Picart, and others, engraved by Rouargue, de 
Sainson, Lodge, Heath, Medland, Delvaux, Berthet, Leconte, 
Hawkins, Pasquien, Collyer, Willmann, Grainger, Godin, Alix, 
Fouchery, Delignon, Maurinet, Sixdeniers, Raddon, Walker, Le- 
villain, Grignon, Pollard, Duprell, Chapins, Le Vachez, Fox, Sartain, 
Ludlow, Warren, and others; a series of illustrations lithographed 
in colors after drawings by Coppin, Tornay, Vallet, and Mongin; 
engraved portraits of De Foe by Flameng, Ludlow, Medland, and 
Delvaux and two folding maps of the world engraved on copper. 

Full dark blue crushed levant morocco, with a design on the 
front covers of a full-rigged ship, inlaid in green, white, and red 
morocco, riding on the waves, in the upper corner the sun dispersing 
golden rays over the sea, doublure and flies of yellow watered-silk, 
gilt top, uncut. 


186 


187 


188 


[DE FOE, Danie. ] 

THE Lire and ADVENTURES OF RoBINSON CRUSOE. 
Embellished with engravings from designs by Thomas 
Stothard, Esq., R.A. 8vo. London: Printed for T’. Cadell 
and W. Davies. 1820. 

Two Volumes. 

Extra-ILLustraTeED, by the insertion of a frontispiece portrait 
of De Foe engraved by Delvaux, a proof set of the Stothard-Heath 
plates on India paper, and another set of the same plates taken 


from the French edition. 
Full dark green crushed levant morocco, with a three-line border 
on sides, edges gold-tooled, gilt top, uncut, by Chambolle-Duru. 


[DE FOE, DANrIcz1t. |] 

Tue Lire AND SURPRISING ADVENTURES OF ROBINSON 
CrusoE oF YorRK, MarinER. With Introductory Verses 
by Bernard Barton, and Illustrated with Numerous En- 
gravings from Drawings by George Cruikshank expressly 
designed for this edition. 8vo. London: Printed at the 
Shakespeare Press by W. Nicol, for John Major, Fleet 
Street. 18381. 

Two Volumes. 
Full red crushed levant morocco, with floriated designs on backs, 
and inside borders in dentelle, gilt edges, by Bedford. 


DENTON, SHERMAN. 

Morus AND BUTTERFLIES OF THE UNITED States East 
of the Rocky Mountains. With over 400 Photographic 
Illustrations in the Text and Many Transfers of Species 
from Life. 8vo. Boston. [1900.] 

Two Volumes. 
Edition limited to 500 copies, of which this is copy No. 310. 
“The colored plates, or Nature Prints, used in this work, are direct 
transfers from the insects themselves; that is to say, the scales of 
the wings of the insects are transferred to the paper while the bodies 


[188 Continued | 


189 


190 


are printed from engravings and afterward colored by hand.”— 
Preface. Of these colored illustrations there are in Vol. I (The 
Moths) 13 plates, and in Vol. It (The Butterflies) there are 44 
plates. The majority of the plates show both upper and under 
sides of the wing surfaces. 

Full dark green crushed levant morocco, with butterflies tooled 
in gold in the corners of the covers and on the back, gilt edges. 


DETAILLE, Epovarp. 


DeETAILLeE, By Marius Vachon. 4to. Paris. 1898. 


Exemplaire No. 61, with 25 full-page photogravures, and other 
illustrations, and a duplicate set of the plates, all being proof im- 
pressions. 

Extra-Inuustratep by the insertion of numerous etchings, 
engravings, and colored lithographs after the works of Detaille; 
2 proof portraits by Massard, one being a proof impression before 
letters; 2 A. L. S. of Detaille, 1 autograph card, and 1 autograph 
letter upon which are some original sketches; also a proof plate, on 
which is an original drawing of a dragoon, signed “Edouard Detaille, 
Aug. 1897.” 

Full red crushed levant morocco, Janseniste, inside edges gold- 
tooled, gilt top, uncut, by Taffin. 


DEVONSHIRE COLLECTION. 


THE MASTERPIECES IN THE DUKE OF DEVONSHIRE’S COL- 
LECTION OF Pictures. Srxty PHotTocravures. With a 
Preface by S. Arthur Strong, Librarian of the House of 
Lords. Folio. London. 1901. 

With superb photogravure reproductions of pictures in the 
collection at Devonshire House, Hardwick Hall, and Chatsworth. 

JAPANESE VELLUM EnitTion, limited to 75 copies, of which this 
is No. 44. 

Full dark green crushed levant morocco, with an arabesque cov- 
ering the entire side inlaid in red and black morocco and tooled in 
gold, doublure and flies of dark green crushed levant morocco, gold- 
tooled, gilt top, uncut, by Zaehnsdorf. 


191 


192 


193 


DEVONSHIRE HOUSE Fancy Dress Batu. 1897. 

A Collection of Portraits in Costume of some of the 
Guests. With 291 photogravure plates. 4to. Hammer- 
smith: Privately Printed for the Committee. 1899. 

The idea originated with the guests for publishing this volume 
and presenting copies to the Duke and Duchess of Devonshire. 
Subscribers only were favored in the distribution. 

Half brown pigskin, roxburghe, vellum ee gilt edges, by 
the Doves Bindery. 


DIBDIN, T. F. 

BIBLIOMANIA; OR, Book-Mapness: A Bibliographical 
Romance. Illustrated with cuts. By Thomas Frognall 
Dibdin, D.D. 8vo. London. 1842. 

Three Volumes. 

Extra-ILLusTraTED, and extended to 3 volumes, by the inser- 
tion of the plates of ‘““Physiognomical Portraits of 100 Distinguished 
Characters. London: John Major, 1823,” containing 2 titles; and 
over 118 lithographs, engravings and etchings; also 3 beautiful 
etchings after Rembrandt, including the rare “‘Christ Driving the 
Money Changers Out of the Temple,” rare portraits of Roger 
Payne and Wynken de Worde; portraits of literary celebrities en- 
graved by Rigaud, Holl, Rousselle, Basan, Sharp, Stael, de Marce- 
nay, Laderer, Ryland, Harding, Bartolozzi, St. Aubin, Scriven, 
Moncornet, Thomson, etc., after Holbein, Diirer, Tofanelli, Ho- 
garth, etc., many being proofs, and some in color. 

Full red crushed levant morocco, Janseniste, gilt top, uncut, 
by Canapé. 
DICKENS, CHar Les. 

A CoLuLEcTED SET OF First Epirions of the Works 
of Charles Dickens, including Original MSS., Original 
Drawings, and other valuable and interesting Dickensiana, 
with complete lists of all the inserted Extra Plates, etc. 

All the extra illustrations, although catalogued together, are 
distributed in the various volumes at the places they illustrate. 

The volumes of this set are as follows: 


SunpAy Unprer THREE Heaps: [woodcut] As 
It is, [woodcut] As Sabbath Bills Would Make It, [wood- 


[193 Continued | 


cut] As it might be made. By Timothy Sparks. Foolscap 
8vo. London: Chapman & Hall, 186, Strand. 1836. 
With the original wrappers inserted, and with 8 illustrations 
by “Phiz.” 
This is one of the scarcest of Dickens’s books. Some of the 
original copies have the date erased, probably by some dealer, who 


bought up the remaining copies, and hoped to sell them as a new 
publication. 


THE VILLAGE CoquETTEs: A Comic Opera. In 
two Acts. By Charles Dickens. The Music of John 
Hullah. 8vo. London: Richard Bentley, New Burlington 
Street. 1836. 


SKETCHES BY “Boz.” Illustrative of Every-Day 
Life, and Every-Day People. Llustrations by George 
Cruikshank. Post 8vo. London: John Macrone, St. James 
Square. 1836. Vol. 3. 1837. 

With the original dark green and pink cloth covers preserved. 

Containing a preface dated February, 1836. Vol. I contains 8 
illustrations, Vol. II 8 illustrations, and Vol. III 10 illustrations. 
A later edition of Vol. III contained two more illustrations, called 
“The Last Cab-Driver,” and “May-day in the Evening,” both of 
which have been inserted in this copy. 


THE STRANGE GENTLEMAN: A Comic Burletta, 
in Two Acts. By “Boz.” First Performed at The St. 
James’s Theatre, on Thursday, September 29, 1836. Post 
8vo. London: Chapman & Hall, 186, Strand. 1887. 


With a frontispiece by “Phiz.” 

With an original A. L. S. of Charles Dickens inserted, 
referring to the play, and probably addressed to I. P. Harley, the 
actor. This is one of the scarcest of Dickens’s works, and especially 
so with the frontispiece as in this copy. It was reprinted, but with 
an etched frontispiece by Pailthorpe instead of the original by 
Seize, 


[193 Continued | 43 
Tur PostHumous PAPERS OF THE PICKWICK | 


Cuus. By Charles Dickens. With 43 Illustrations, by R. 
Seymour and Phiz. 8vo. London: Chapman & Hall, 186, 
Strand. 1837. 


Two Volumes. 


Engraved extra-titles, and with all the original green wrappers 
and advertisements preserved. One volume bound in 2, bound from 
the 20 parts, including the 4 exceedingly rare reading notices of 
Dickens which appeared in Nos. 2, 3, 10, and 15. The first issue 
with the 2 plates by Buss. 

Also the following Exrra-ILLustTRaTions inserted: 

Sheet containing illustrations of 72 characters from Dickens 
printed in color. 

Original pencil drawings, 10 heads on 1 sheet. 

The Pickwick Gazette, Nos. I and III. 

With 34 original drawings by “Phiz,” and 20 original draw- 
ings by Pailthorpe, and an original drawing by Crowquill. 

Set of 32 illustrations by Onwhyn, signed “Sam Weller,” 
colored. 

Set of 20 illustrations by W. Heath, entitled “Pickwickian 
Illustrations.” 

Set of 12 illustrations by Onwhyn, the series first designed for 
the cheap edition of “Pickwick” in 1847, but not published until 
1894, with the original cover bound in. 

An additional series of 6 illustrations from original drawings 
by “Phiz,” with cover. | 

Series of 32 illustrations, colored, by Greenway and Wright, 
from drawings by John Gilbert, with all the original covers. Four 
illustrations by Crowquill. 

When Seymour shot himself in 1836, leaving the illustrations 
to Pickwick incomplete, John Leech unsuccessfully applied to 
Dickens for the opportunity to complete them. 


THE Post-Humovurous Notes or THE PIck- 
WICKIAN Cxius. Edited by “Bos.” Illustrated with 120 
engravings. 8vo. London: Printed and Published by E. 
Lloyd, 62, Broad Street, Bloomsbury. n. d. 

Two Volumes. 


Bound from the original parts, with a few of the original 
wrappers preserved. ‘Titles in picture borders. 


[193 Continued | 


PostHuUMOUS PAPERS OF THE WONDERFUL Dis- 
COVERY CLUB, formerly of Camden Town, established by 
Sir Peter Patron. Edited by Poz. With Illustrations de- 
signed by Squib, and engraved by Point. 8vo. London: 
William Mark Clark, 17, Warwick Lane: and all other 
booksellers. n. d. 


Title in picture-border. Original paper wrappers preserved. 


Sam WELLER; A Journal of Wit and Humour. 
Edited by Sam Slick. 8vo. [London.] _ n. d. 


OuivER Twist; or, the Parish Boy’s Progress. 

By “Boz.” Post 8vo. London: Richard Bentley, New 

Burlington Street. 1838. 
| Three Volumes. 

With 24 illustrations by George Cruikshank. 

With the original cloth covers and all the advertisements pre- 
served. The earliest issue with the exceedingly rare ‘Fireside 
Plate” in Volume III. 

The first two volumes were originally issued in Bentley’s Mis- 
cellany. ‘The three volumes were then published without the com- 
pletion of Volume III in the magazine. The last plate, “Rose 
Maylie and Oliver,” was suppressed and another substituted. 

Also the following Exrra-Inuustrations inserted: 

With 26 original drawings by George Cruikshank, and 20 
original drawings by Pailthorpe. 

A series of 27 fine pen-and-ink drawings, signed ‘‘M.” 

A series of 10 wood-engravings, proof impressions on India 


paper. 


SKETCHES OF YOUNG GENTLEMEN. Dedicated 
to the Young Ladies. With Six Illustrations by “Phiz.” 
12mo. London: Chapman and Hall, 186, Strand. 18838. 


With the original covers preserved. 


THe LIFE AND ADVENTURES OF OLIVER Twist, 
the Workhouse Boy. With Numerous Illustrations. 


[1938 Continued] 


[ Edited by “Bos.” ] 8vo. Tone Published by Be. Lloyd, 
for J. Graves, Printer, 30, Curtain Road, Shoreditch. 
[1838.] 


With the original wrapper to Part II preserved. The volume 
is a skit on “Oliver Twist.” 


Memorrs oF JosEPH GRrimatpI. Edited by 
“Boz.” With Portrait of Grimaldi by Raven, and 12 Illus- 
trations by George Cruikshank. 12mo. London: Richard 
Bentley, New Burlington Street. 1838. 


Two Volumes. 


With the original pink cloth covers and advertisements pre- 
served. 


This is the first issue, without the pantomimic border, ‘The © 


Last Song,” by “Crowquill,” around the plate. 


More Hints on Etiquette, for the Use of So- 
ciety at Large, and Young Gentlemen in Particular. By 
paid agogos. With Cuts by George Cruikshank. [Vign- 
ette.| 16mo. London: Charles Tilt, Fleet Street. 1838. 


With the original cover and advertisements preserved. 


THE LIFE AND ADVENTURES OF NicHoLas NICK- 
LEBY. By Charles Dickens. With [89] Illustrations by 
Phiz. 8vo. London: Chapman and Hall, 186, Strand. 
1839. 


Two Volumes. 


Bound from the original 20 parts, April, 1838, to October, 
1839; with all the green covers and advertisements preserved; also 
containing a portrait of Dickens painted by Maclise and engraved 
by Finden. With an engraved extra-colored title. Bound in 2 
volumes. 

With the following Extra-Iniustrations inserted: 

Five original drawings by Kenny Meadows. 

32 illustrations by Onwhyn, some with the pseudonym, “Peter 
Palette,” colored, as issued by E. Grattan, of Paternoster Row, in 
1839. 


A series of 14 wood-engravings, proof impressions on India 


paper. 


[193 Continued | 

THE Lovine Bauuap or Lorp Bateman. II- 
lustrated by George Cruikshank. 32mo. London: Charles 
Tilt, Fleet Street; and M ustapha Syried, Constantinople. 
1839. 


With 11 plates and a sheet of music by George Cruikshank, 
and with the original green cloth cover and advertisements pre- 
served. 

The authorship of this version of the ballad has been variously 
attributed to Dickens, Thackeray, and Cruikshank; but it is 
probable that Dickens wrote only the notes and the preface. 


SKETCHES OF YOUNG CoUuPLEs; with an Urgent 
Remonstrance to the Gentlemen of England (Being Bach- 
elors or Widowers) on the Present Alarming Crisis. By 
the author of “Sketches of Young Gentlemen.” With 6 
Illustrations by “Phiz.” 12mo. London: Chapman and 
Hall, 186, Strand. 1840. 

With the original green wrappers and the advertisements, 


which include an announcement of “Master Humphrey’s Clock,” 
preserved. 


Master Humpurey’s Crock. By Charles Dick- 
ens. With Illustrations by George Cattermole and Hablot 
Browne. 8vo. London: Chapman and Hall, 186, Strand. 
1840. 
Three Volumes. 
Bound from the original 88 weekly (white) and 20 monthly 


(green) parts, with all the covers and advertisements preserved 
(but without the 6 addresses). This volume vontains “Old Curi- 
osity Shop” and “Barnaby Rudge.” There is also one plate by 
George Cruikshank and one plate by Maclise. 

With the following Exrra-In.usrrarions inserted: 

Portrait of Dickens, a proof on India paper. 

A. L. S. of Thomas Sibson to William Bell Scott, dated 
“Batzen, 23rd May, 1843.” (4 pp.) 4to. 

Original pencil drawing of portrait of Thomas Sibson, by 
William Bell Scott. 

Original drawing by Thomas Sibson. ‘The Old Man implor- 


ing Quilp to make further advances.” 


[193 Continued] 


Original drawing by J. Clayton Clarke. “The Travelling 
Showmen.” 

Two portraits of Charles Dickens. Photographs. 

Original drawing in water-colors on blue paper, by J. Clayton 
Clarke. 

A series of 72 plates by Thomas Sibson, some inlaid, as issued 
by R. Tyas. 

A series of 8 scarce plates by “‘Phiz,” as issued in sets of four 
by Chapman and Hall. 

23 wood-engravings, from the Diamond edition, proof im- 
pressions on India paper, the only set struck off. 


THE Pic-Nic Papers. By Various Hands. 
Edited by Charles Dickens, Esq. With [14] Illustrations 
by George Cruikshank, Phiz, etc. 12mo. London: Henry 
Colburn, Publisher, Great Marlborough Street. 1841. 
Three Volumes. 
With the original cloth covers preserved. Dickens contributed 


the first story, “The Lamp-lighter,” and was the editor of the rest 
of the book. 


AMERICAN NOTES FOR GENERAL CIRCULATION. 
By Charles Dickens. 12mo. London: Chapman and Hall, 
186, Strand. 1842. 


Two Volumes. 


With the original cloth covers and advertisements preserved. 
The earliest issue, with the last page of ‘‘Contents” numbered 
“XVI,” instead of “VIII.” 


A Curistmas Caro. In Prose. Being a Ghost 

Story of Christmas. By Charles Dickens. With Illustra- 

tions by John Leech. 16mo. [Vignette.] London: Chap- 

man & Hall, 186, Strand. 1848. 3 
With the original brown cloth cover preserved. 


The earliest issue of the First Edition, with the title printed 
in red and blue, and with “Stave I” instead of “Stave One” on 
page l. 

With the following Exrra-In.ustrations inserted: 

4 colored plates and 4 woodcuts, by John Leech. 


ae. 


_—— — 


[198 Continued | 


Original drawing, in color, by John Leech, of “Scrooge and 
the Ghost.” 

Proof impression of an engraving of the above drawing. 

2 wood-engravings, proof impressions on India paper. 


EVENINGS oF A WorkKING Man: Being the Occu- 
pation of His Scanty Leisure. By John Overs. With a 
Preface Relative to the Author, by Charles Dickens. 16mo. 
London: T'. C. Newby, 72, Mortimer Street, Cavendish 
Square. 1844. 


Tue LIFE AND ADVENTURES OF MARTIN CHUZ- 
ZLEWIT. By Charles Dickens. With [40] Illustrations by 
Phiz. 8vo. London: Chapman and Hall, 186, Strand. 
1844. 


Two Volumes. 


Bound from the original 20 parts, with the green covers and 
advertisements preserved, and an engraved extra-title. Bound in 
2 volumes. é 

The earliest issue, with the sign on the guide-post reading 
*100£” instead of “£100.” Copies with this variation are exceed- 
ingly scarce. 

With the following Extra-IuLustrations inserted: 

Original drawing by “Phiz.” ‘Mr. Tapley succeeds in finding 
a jolly subject for contemplation. 

Portrait of Dickens, an India proof impression. 

Original drawing by “Phiz.” ‘The Board.” 

Original drawing by “Phiz.” ‘Easy Shaving.” 

Proof of engraving of same, differing considerably from the 
plate as finally published. 

Original drawing by “Phiz.” ‘Mysterious installation of 
Mr. Pinch.” 

A series of 16 wood-engravings, being proof impressions on 
India paper. 


THe Cuimes: A Goblin Story of Some Bells 
that Rang an Old Year Out and a New Year In. By 
Charles Dickens. 16mo. London: Chapman and Hall, 
186, Strand. 1845. 


[193 Continued | | 

With 2 full-page illustrations. ‘This is the earliest issue of 
the First Epirion, with the publishers’ name engraved on the plate 
of the engraved title. With frontispiece, engraved title, and 11 
woodcuts by John Leech, Richard Doyle, and others. 

A Presentation Cory from Charles Dickens to the Countess 
of Blessington, with an inscription inserted, “Private, Countess of 
Blessington, Charles Dickens,” in his autograph, and a portrait 
of the Countess of Blessington inserted. ‘This volume is believed 
to be unIQvE in this uncut state. A newspaper clipping giving an 
account of its purchase at a sale at Sotheby’s, is inserted; also, 
one woodcut inserted, a proof impression on India paper. 


THE CRICKET ON THE HeEartH. A Fairy Tale 
of Home. By Charles Dickens. 16mo. London: Printed 
and published for the Author by Bradbury & Evans, 90, 
Fleet Street, and Whitefriars. 1846. 

With the original red cloth covers preserved. 

With a frontispiece, an engraved extra-title, and numerous 
engravings on wood by John Leech, Richard Doyle, and others. 
With 2 wood-engravings, proof impressions on India paper in- 
serted. 
PicturEs FrRoM ITaty. By Charles Dickens. 
The Vignette Illustrations on Wood, by Samuel Palmer. 
[Vignette.] 16mo. London: Published for the Author,by — 
Bradbury & Evans, Whitefriars. 1846. 

With the original blue cloth cover preserved. 


— THe Battie or Lire: A Love Story. By 
Charles Dickens. 16mo. London: Bradbury & Evans, 


Whuitefriars. 1846. 

With the original red cloth covers preserved, and with a 
frontispiece, an engraved extra-title, and numerous engravings on 
wood by John Leech, Richard Doyle, Clarkson Stanfield, and Daniel 
Maclise. The third issue of the First Edition, with the scroll “A 
Love Story” supported by a Cupid. 

Also containing the following Extrra-ILLustrartions inserted: 

Original drawing by John Leech. “Snitchey and Craggs.” 

Original drawing by John Leech. “The Night of the Re- 
turn. | 

A wood-engraving, being a proof impression on India paper. 


Se ee ae ee eS ae ae eee 


A — - * *) 
gt es tae cent ee ee a i ee a = 
J ce i SEP iS crs tg i cnet Ai os! Geen 


[193 Continued | 

DomsBrEy AND Son. By Charles Dickens. With 
[40] Illustrations by H. K. Browne. 8vo. London: Brad- 
bury & Evans, 11, Bouverie Street. 1848. 


Bound from the original 20 monthly parts, with all the covers 
and advertisements preserved. Engraved extra-title. 

Exrra-ILLustraTep, with a series of 12 additional engrav- 
ings by H. K. Browne; and another series of 15 illustrations, being 
India proof impressions, inlaid, inserted. 


THe Haunted Man, and THE Guost’s Bar- 
GAIN. A Fancy for Christmas-time. By Charles Dickens. 
12mo. London: Bradbury & Evans, 11, Bowverie Street. 
1848. 


With the original red cloth covers preserved. 


THe Hauntep Man, and THe Guost’s Bar- 
GAIN. A Fancy for Christmas-time. By Charles Dickens. 
12mo. London: Bradbury & Evans, 11, Bouverie Street. 
1848. 

With a frontispiece, an engraved extra-title, and 14 engravy- 
ings on wood by John Leech, Joseph Tenniel, and others. With 


2 wood-engravings, proof impressions on India paper, inserted. 


THE BatTTLE oF Lonpon Lire; or, Boz and His 

Secretary. By Morna. With six [only 5] Designs on 
stone by George Sala. 12mo. London: George Pierce, 
310, Strand. 1849. 


Interesting for the portrait of Dickens in his study, by Mr. 
Sala, which it contains. 


THe Persona History oF DAvip COPPERFIELD. 
By Charles Dickens. With [40] Illustrations by H. K. 
Browne. 8vo. London: Bradbury & Evans, 11, Bouverie 
Street. 1850. 


Two Volumes. 


[193 Continued | 


Bound from the original 20 monthly parts with all the covers 
and advertisements preserved. With engraved extra-title. Bound 
in 2 volumes. 

Extra-ILLusTRATED, and extended to 2 volumes, by the inser- 

tion of a series of 16 wood-engravings, being proof impressions on 
India paper. 
Curistmss NuMBERS OF “HovusEHOLD Wokrps,’ 
for 1850, 1851, 1852, 1853, 1854, 1855, 1856, 1857, and 
1858; also the Curistmas NUMBERS OF “ALL THE YEAR 
Rovunp,” for 1859, 1860, 1861, 1862, 1863, 1864, 1865, 1866, 
and 1867. 4to. London: Published at the Office, No. 16, 
Wellington Street, North, Strand. Printed by Bradbury 
& Evans, Whutefriars. 


Together bound in 1 volume, from the original numbers, with 
the covers of all that were published in wrappers, and all the ad- 
vertisements preserved. ‘These are very scarce in complete form. 

Extra-ILLustratTeEp, by the insertion of the following: 

Portrait of Dickens. A photograph. 

5 wood-engravings, all proof impressions, 4 being on India 


paper. 


THE OricinaL Manuscript of “The Perils of 
Certain English Prisoners and their Treasures,’ being the 
Christmas number of “Household Words” for 1857. Chap- 
ters I and III are in the handwriting of Charles Dickens, 
and Chapter ITI in that of Wilkie Collins. The Dickens por- 
tion mounted on 51 leaves, uniform with the Collins manu- 
script of 39 leaves, the whole consisting of 90 leaves, with 
title and table of contents, and with a very interesting 
A. L. S. of Charles Dickens inserted. Also an A. L. S. 
from Wilkie Collins to Dickens; all collected in one volume. 


A Cuuitp’s History or ENeiaAnp. By Charles 
Dickens. With a Frontispiece [in each volume] by F. W. 
Fopham. Square 12mo. London: Bradbury & Evans, 11, 
Bouverie Street. 1852-3-4. 

| Three Volumes. 


With the original red cloth covers preserved. 


[193 Continued | 
— To Be Reap at Dusx. By Charles Dickens. 
8vo. London. 1852. 
This story was a contribution to “The Keepsake. 1852. 


Edited by Miss Power. With Engravings. London: David Bogue, 
1852.” 3 


— Break House. By Charles Dickens. With [40] 
Illustrations by H. K. Browne. 8vo. London: Bradbury 
& Evans, 11, Bouverie Street. 1853. 


With an engraved extra-title. Bound in 2 volumes. 

Bound from the original 20 monthly parts, beginning March, 
1852, with all the green covers and advertisements preserved. 

ExtTra-ILLustratep, by the insertion of a series of 16 wood- 
engravings, being proof impressions on India paper. 


Harp Times, For Turse Times. By Charles 
Dickens. 12mo. London: Bradbury & Evans, 11, Bou- 
verie Street. 1854. | 
With the original green cloth covers preserved. 


Extra-Iutustratep, by the insertion of a series of 6 wood- 
engravings, being proof impressions on India paper. 


— [uirttr Dorrit. By Charles Dickens. With 
[40] Illustrations by H. K. Browne. 8vo. London: Brad- 
bury & Evans, 11, Bowverie Street. 1857. 

Two Volumes. 
With an engraved extra-title. Bound from the original 20 
monthly parts, with all the green wrappers and advertisements 
preserved, including the scarce notice in No. XVI. Bound in 2 
volumes. 
Exrra-InLustraTEep, and extended to 2 volumes, by the in- 
sertion of: 
A portrait of Charles Dickens, being an India proof im- 
pression. 
A series of 18 wood-engravings, being proof impressions on 
India paper. 
Tue Poor TRAVELLER: Boots at the Holly-Tree 
Inn: and Mrs. Gamp. By Charles Dickens. 12mo. Lon- 
don: Bradbury & Evans, 11, Bowverie Street. [1858.] 


[198 Continued | 
With the original green wrappers preserved. This book was 
arranged for the author’s readings. 
Extra-ILLustraTeD, by the insertion of: 
Original pencil drawing of 2 heads, entitled “‘Nora.” 
2 wood-engravings, being proof impressions on India paper. 


Tuer Story oF Lirtte DompBey. By Charles 
Dickens. 12mo. London: Bradbury & Evans, 11, Bou- 
verte Street. 1858. 


With the original green wrappers preserved. 


A Tate oF Two Cities. By Charles Dickens. 
With [16] Illustrations by H. K. Browne. 8vo. London: 
Chapman and Hall, 198, Piccadilly, and at the office of 
All the Year Round, 11, Wellington Street, North. 1859. 

With an engraved extra-title. Bound from the 8 original 
monthly parts, June to December, 1859, with 16 illustrations, and 
with all the green covers and advertisements preserved. 

Extra-ILLustRraTED, by the insertion of: 

A series of 9 water-color drawings by Kyd. 

A series of 9 engravings on wood, being proof impressions 
before letters, on India paper. 


Mr. TuHackersay, Mr. Yates, aND THE GAR- 
rRicK Crus. The Correspondence and Facts. Stated by 
Edmund Yates. 8vo. Printed for Private Circulation. 
1859. 


1852. A Curious Dance Rounp a Curious 
Tree. By Charles Dickens. No title-page, date, or 
printer. 16mo. [London. 1860. | 


With the original purple wrappers preserved, and a descrip- 
tive letter inserted. 

This little pamphlet was supposed to have been written by 
Mr. W. H. Wills, and was originally published in “All the Year 
Round.” 

Also, the ORIGINAL MANUSCRIPT. This volume is accom- 
panied with the original manuscript in the handwriting of Charles 
Dickens, being the copy used by the printer for 217 lines out of 
the 393 of the printed text, of the first sketch which gives the title 


[193 Continued | 


to the book. Written on eleven 12mo sheets. The existence of 
this manuscript proves conclusively the falsity of the often repub- 
lished statement that Dickens had hardly anything to do with this 
pamphlet. It proves, at least, that he wrote, corrected, and re- 
corrected for the printer considerably more than half of the par- 
ticular article which gives the title to the book. 


GrEAT Expectations. By Charles Dickens. 
12mo. London: Chapman and Hall, 193, Piccadilly. 1861. 


Three Volumes. 

With the original covers preserved. 

The whole first edition of this book was absorbed by the 
libraries, and is consequently most difficult to get in a clean condi- 
tion. The book was never satisfactorily illustrated in England, 
but in 1885 Pailthorpe, through Messrs. Robson and Karslake, is- 
sued for it 21 etchings, the originals for which are inserted in 
this set. 

ExtTrA-ILLUSTRATED, by the insertion of : 

Twenty-two original drawings by F. W. Pailthorpe. 

A series of 29 original pen-and-ink drawings, each full-page, 
by Frazer. 

A series of 9 original drawings of characters, in water-color, 
by Kyd. 

A series of 8 wood-engravings, being proof impressions on 
India paper. 


THE UNcOMMERCIAL TRAVELLER. By Charles 
Dickens. 12mo. London: Chapman & Hall, 193, Picca- 
dilly. 1861. 


With the original covers and advertisements preserved. 
Exrra-Ittustratep, by the insertion of 2 wood engravings, 
being proof impressions on India paper. 


—— — Our Movrvat Frienp. By Charles Dickens. 
With [40] Illustrations by Marcus Stone. 8vo. London: 
Chapman & Hall, 198, Piccadilly. 1865. 

Two Volumes. 


Bound from the original 20 monthly parts, beginning May, 
1864, and with all the green covers and advertisements preserved. 


[193 Continued | 
Extra-InLustratep, by the insertion of: 
Forty original drawings and proofs of the drawings. 
Two beautiful steel engraved portraits of Dickens. 
Original drawing for the cover. 
Proof of design for the cover. 
5 extra drawings in pen-and-ink and pencil, inlaid. 
An additional series of 15 illustrations, being proof impres- 
sions on India paper, inlaid. 


LEGENDs AND Lyrics. By Adelaide Anne Proc- 
ter. With an Introduction by Charles Dickens. New 
Edition, with Additions. Illustrated by W. T. C. Dobson, 
Samuel Palmer, J. Tenniel, George H. Thomas, Lorenz 
Frolich, W. H. Millais, G. DuMaurier, W. P. Burton, 
J.D. Watson, Charles Keene, L. M. Carrick, M. E. Ed- 
wards, T. Morten. Small 4to. London: Bell & Daldy, 186, 
Fleet Street. 1866. 


With the original covers preserved. 


Tue Cuarves Dickens Dinner. An Authentic 
Record of The Public Banquet given to Mr. Charles 
Dickens, at the Freemasons’ Hall, London, on Saturday, 
November 2, 1867. Prior to his Departure for the United 
States. With a report of the speeches from special short- 
hand notes. 8vo. London: Chapman & Hall, 198, Picca- 
dilly; Ticknor and Fields, Boston. 1867. 


Se ge AO ee ee ae ee oe eR eS ot ene 


Inreticia. By Adah Isaacs Menken. Portrait, 
and wood-engravings. Dedicated to Charles Dickens. 
Square 16mo. London, Paris, New York. 1868. 


i heal iia ea 


Tur Mystery oF Epwin Droop. By Charles 
Dickens. With 12 Illustrations by S. L. Fildes, and a 
portrait. [Vignette.] 8vo. London: Chapman & Hall, 
193, Piccadilly. 1870. 


Bound from the original 6 monthly parts, commencing in April, 
1870, and ending in September following, 12 parts having been 


ag SS RT ae Po adh De tee 


ran —— = aS ha ae, 
Peete ae Ni a eg iPr nee 


[193 Continued | 


intended. With all the green covers and advertisements preserved. 
Engraved extra title. 

Extra-Inuustratrep, by the insertion of 6 original drawings 
in water-color by Kyd. 


Huntep Down: A Story. By Charles Dickens. 
With some Account of Thomas Griffiths Wainewright, the 
Poisoner. 16mo. London: John Camden Hotten, 74 and 
75, Piccadilly. [1870.] 

With the original green wrapper and all advertisements pre- 
served. 


SPEECHES: LITERARY AND SociAL. By Charles 
Dickens. [Portrait as Vignette.] Now First Collected. 
With chapters on “Charles Dickens as a Letter Writer, 
Poet, and Public Reader.” 8vo. London: John Camden 
Hotten, Piccadilly. [1870.] 


A portrait is inserted, and the original covers preserved. 


Tue Brest or Att Goop Company. Edited by 
Blanchard Jerrold. A Day With Charles Dickens. 8vo. 
London. 1871. : 

With facsimile MSS. of Charles Dickens, and with the original 


paper wrappers and advertisements preserved. 


Tue Live or CuHarues Dickens. By John 
Forster. With Portraits, Facsimiles of Letters, MSS., 
etc., and other Illustrations. 8vo. London: Chapman & 
Hall, 198, Piccadilly. 1872-1873-1874. 

Three Volumes. 


With the original brown cloth covers preserved. 

Exrra-Inuustratep, by the insertion of 78 portraits, of 
which 4 are proofs before letters, and 5 proofs on India paper, 2 
photographs; and 58 other illustrations, 5 of which are proof im- 
pressions; including portraits of Dickens, and of his famous con- 
temporaries, his illustrators, his biographer, pictures of Old Lon- 
don, and English scenery, photographs of his study, many illustra- 
tions to his works, etc., etc. 


[193 Continued] 
Is Sue His Wire? or, Something Singular. A 
Comic Burletta in one Act. By Charles Dickens. 382mo. 
Boston: James R. Osgood and Company. 1877. 

With the original cloth covers preserved. 

Written and possibly first printed in 1837, although no copy 
bearing that date is known to exist. 


Mr. NicgHTINGALE’s Diary: A Farce in One 
Act. By Charles Dickens. 32mo. Boston: James R. Os- 
good and Company. 1877. 

With the original cloth covers preserved. 

Of the first edition of 1851, only one copy, that in the South 


Kensington Museum, is known to exist. 


THe LampuicHtTer: A Farce. By Charles 
Dickens. (1838.) Now first printed from a manuscript 
in the Forster Collection at the South Kensington Museum. 
16mo. London. 1879. 

No. 57 of 250 copies printed. With the original wrappers 
preserved. 


Tuer Muproe Papers, etc. By Charles Dickens, 
author of “The Pickwick Papers,” etc. Now First Col- 
lected. 16mo. London. 1880. 


With the original covers preserved. 


Tue LETTERS oF CHARLES Dickens. Edited by 
His Sister-in-law, and His Eldest Daughter. 8vo. Lon- 
don: Chapman and Hall, 193, Piccadilly. 1880-1882. 


Three Volumes. 


Extra-ILLustraTED, by the insertion of 75 portraits, 12 of 
which are India proof impressions, 3 being proofs before letters ; 
and 40 illustrations; including portraits of Dickens, his contem- 
poraries, literary and social celebrities, pictures of places visited by 
Dickens, illustrations to his works, etc., etc. Also, the covers of | 
“Sketches by Boz” and “Our Mutual Friend,” inserted. 


[193 Continued | 

THE PLays AND PoEMS OF CHARLES DICKENS. 
With a Few Miscellanies in Prose. Now First Collected. 
Edited, Prefaced, and Annotated by Richard Herne Shep- 
herd. 8vo. London: W.H. Allen & Co. 1882. 


Two Volumes. 


With the original covers preserved. 

This collection contained copyright matter, and was almost 
immediately suppressed. Very few copies, especially of the Large- 
paper edition, were sold. A new edition, in 1885, omitted the copy- 
right play, “No Thoroughfare.” 

Extra-ILiustratep, by the insertion of 2 portraits of Dickens, 
both India proofs before letters. 


THE CHILDHOOD AND YOUTH OF CHARLES DicxK- 
ENS. [| Portrait Vignette.| With Retrospective Notes, and 
Elucidations, from his Books and Letters. By Robert 
Langton, IF’. R. Hist. Soc. Square 8vo. Manchester: 
Published by the Author at Albert Chambers. 1883. 


With the original covers preserved, and numerous illustrations. 
No. 97 of the Subscribers’ Edition on Large-paper. 


CHARLES DICKENS BY PEN AND PENCIL: and A 
Supplement to Charles Dickens by Pen and Pencil. By 
Frederic G. Kitton. [Vignette.] Folio. London: Frank 
T. Sabin. 1890. 


Two Volumes. 


With the original wrappers to the 15 parts, as issued, preserved, 

This volume contains $1 engraved portraits, many being proof 
impressions, 30 illustrations, and 78 portraits, facsimiles and other 
illustrations in the text. 


A COLLECTION OF NEWSPAPER CLIPPINGS relat- 
ing to the Death of Charles Dickens. Comprising extracts 
from 84 papers, 12 Portraits and Views, and a Catalogue 
of the Collection of Pictures belonging to Charles Dickens, 
sold at auction, July 9, 1870. ‘The whole neatly mounted 
and inlaid on 92 leaves, and bound in one volume. Ato. 


[193 Continued] 


194 


A TyYPpEwritrTeN List of the contents of this 
set of Dickens is included. 8vo. 

Together, 92 volumes. London, Manchester, and Bos- 
ton. v. d., 0. 8. 


The great value of this set lies in the unrquE character of the 
documents, letters, manuscripts, and the numerous original drawings 
for the illustrations. The solving of the mystery regarding the 
publication of “A Curious Dance Round a Curious Tree,” is of the 
utmost value. This work was attributed to Mr. W. H. Wills by 
such an authority in Dickensiana as Charles Plumptre Johnson, but 
now the manuscript in Dickens’s handwriting in this collection 
proves to the satisfaction of all that Dickens was the author. 

Other MSS and letters, together with the profuse collection of 
original drawings and the numerous extra plates, make this UNIQUE 
set as complete a collection of first editions as has ever been gathered 
together in America. 

Full green crushed levant morocco, gilt top, uncut, with the 
original covers, wrappers, advertisements, etc. preserved, by 
Riviere. 


DICKENS, CuHartes. 

Memorrs oF JosEPH Grimapi. Edited by “Boz.” With 
Illustrations by George Cruikshank. A New Edition, with 
Notes and Additions, revised by Charles Whitehead. 12mo. 
London: Richard Bentley, New Burlington Street. 1846. 


Two Volumes. 


Uniave Copy. Extra-Iuitustratep, and extended to 2 vol- — 


umes, the whole inlaid in folio size, by the insertion of over 125 
rare plates. Included are the following: 

Five original drawings by F. W. Pailthorpe. 

Original pencil drawing by Woodward. “Angling at Sadler’s 
Wells.” 

Also: with colored “proof before letter” impressions of all the 
above plates; an extremely rare portrait of “Grimaldi” presented 
to one in the audience at Grimaldi’s benefit and last appearance; 
an AuTOGRAPH LETTER SicNneEp of Sir Astley Cooper; colored prints 
by George Cruikshank, H. Brown, Pugin, Rowlandson, De Wilde, 
and Heath, picturing “Sadler’s Wells,” “Grimaldi,” ‘“Grimaldi’s 
Tandem,” “Grim Joey,” “Mr. Kean,” “Gaby Grin,” “Leap Frog,” 


[194 Continued | 


195 


“Mr. Melbourn,” titles to “Dashing,” and “Laughable Song Book,” 
“The Comic Dueit,” etc., etc., mostly in color; a portrait of George 
Cruikshank, by Pailthorpe, with a duplicate impression, proof be- 
fore letters; numerous newspaper notices and announcements of 
performances at Sadler’s Wells, 1736; folios of contemporary music 
sung at Sadler’s Wells; old play bills, numerous prints and en- 
gravings of Sadler’s Wells, etc.; also portraits of Dibdin, Grimaldi, 
Sheridan, Mr. Harley, Mr. Cooke, Miss Wilkinson, Miss Farren, 
Mr. Dowton, Geo. Bartley, Faucett, Kemble, Reeve, Coates, Ban- 
nister, Knight, Catalini, Mrs. Siddons, Mr. Taylor, Miss Mellon, 
Mrs. Liston, Miss Paton, Mrs. Yates, etc., etc., by Reynolds, Wage- 
man, Owen, Prout, and others. 
Full red crushed levant morocco, gilt edges, by Riviére. 


DOBSON, Austin. 


A COLLECTED SET OF THE WoRKS, IN First Epitions, of 
Henry Austin Dobson. Including Original MSS., Auto- 
graph Letters, Presentation Copies, etc., as follows: 


THe AUTHENTIC History oF CAPTAIN Cas- 
TAGNETTE: nephew of the “Man with the Wooden Head.” 
From the French of Manuel. LTlustrated with 43 Pictures 
by Gustave Doré. 4to. London: S. O. Beeton, 248, Strand, 
W.C. [1866.] 


With the original picture covers preserved, also an extra-il- 
lustrated title. 


Tue Civit Service History or ENGLAND: being 

a Fact-Book of English History. Arranged Especially for 

Examination Candidates, Public Schools, and Students 

Generally. By F. A. White, B.A. Revised throughout 

and Enlarged by H. A. Dobson. With 4 Maps and a 

General Index. 12mo. London: Lockwood & Co. 1870. 
With the original cloth covers preserved. 


VIGNETTES IN RHYME AND VERS DE SOCIETE. 
(Now First Collected.) By Austin Dobson. 12mo. 
Henry S. King & Co., London. 1873. 


[195 Continued | | | 
Tue Crvi Service Hanpspook or ENGLIsH 
LITERATURE: for the Use of Candidates for Examinations, 
Public Schools, and Students Generally. By H. A. Dob- 
son. 12mo. London. 1874. 

With the original red cloth covers preserved. 


PROVERBS IN PORCELAIN AND OTHER VERSES. 
By Austin Dobson. 8vo. London. 1877. 
With the author’s portrait. 


Latter-Day Lyrics: being Poems of Sentiment 
and Reflection. By Living Writers. Selected and Ar- 
ranged, with Notes, by W. Davenport Adams. With a 
Note on some Foreign Forms of Verse, by Austin Dobson. 
8vo. London. 1878. | 

With the original green cloth covers preserved. 


HocartH. By Austin Dobson. 12mo. Lon- 
don. 1879. 
Illustrated. With the original blue cloth covers preserved. 


VIGNETTES IN RHYME AND OTHER VERSES. By 
Austin Dobson. 12mo. New York. 1880. 


With the original blue cloth covers preserved. Also an auto- 
graph poem, one stanza, entitled “Persicos Odi,” dated “June 
14, 1882,” inserted. 


Fasres. By Mr. John Gay. With a Memoir by 
Austin Dobson. 16mo. London. 1882. 


“Parchment Library,” with portrait, etched by Willis, and 
with the original vellum covers preserved. 


EIGHTEENTH CENTURY Essays. Selected and 
Annotated by Austin Dobson. 16mo. London. 1882. 
“Parchment Library,” with a frontispiece by R. C[ aldecott ]. 


Ouv-WoritD Inyiis AND OTHER VERSES. By 
Austin Dobson. 16mo. London. 1883. 


[195 Continued | 

THE Vicak OF WAKEFIELD. By Oliver Gold- 
smith. With a Preface and Notes by Austin Dobson. 
16mo. London. 1883. 


Fretpine. By Austin Dobson. 12mo. London. 
18838. 


With the original white cloth covers preserved. 


Tue Lire aND STRANGE SURPRISING ADVEN- 
TURES OF ROBINSON CRUSOE OF YORK, Mariner, as Re- 
lated by Himself. By Daniel De Foe. Being a Facsimile 
Reprint of the First Edition published in 1719. With an 
Introduction by Austin Dobson. 12mo. 1883. 


With the original brown cloth covers preserved. 


BEAuUMARCHAIS LE BARBIER DE SEVILLE. Ed- 
ited, with Introduction and Notes, by Austin Dobson. 
12mo. Ozford. 1884. 


With the original gray cloth covers preserved. 


Tuomas Bewicx anp His Purus. By Austin 
Dobson. With 95 Illustrations. Small 4to. London. 
1884. 


With the criginal green cloth covers preserved. 


AT THE SIGN OF THE Lyre. By Austin Dob- 
son. 12mo. New York. 1885. 


With the original red cloth covers preserved. 


AT THE SIGN OF THE Lyre. By Austin Dobson. 
8vo. London. 1885. 


Larce-parer Cory, No. 36 of 75 printed, signed by the 
author. 


STEELE. Selections from the Tatler, Spectator, 
and Guardian. Edited with Introduction and Notes by 
Austin Dobson. 12mo. Oaford. 1885. 


With the original vellum paper covers preserved. 


[195 Continued | 
STEELE, RicHarp. By Austin Dobson. 8vo. 
London. 1886. 

With the original gray cloth covers preserved. 


GotpsmitH. Selected Poems. Edited, with In- 
troduction and Notes, by Austin Dobson. 12mo. Ovford. 
1887. 


With the original vellum paper covers preserved. 


LiFe oF OxtvER GoupsmMiTH. By Austin Dob- 
son. 8vo. London. 1888. 
With the original blue cloth covers preserved. 


Port COMMEMORATION. 1888. Loan Museum. 
Catalogue of the Books, Autographs, Paintings, Drawings, 
Engravings, and Personal Relics, exhibited in the ‘Town 
Hall, Twickenham, July 31st to August 6th. Small 4to. 
1888. Portrait, after Jervas. Richmond. 1888. 

With original paper wrappers preserved. 

One of 100 Larcr-parer copies. A Presentation Cory from 
Austin Dobson, with autograph inscription, the admission card, an 
A. L. S., and the Original Manuscript, 5 pages, of “A Dialogue to 
the Memory of Mr. Alexander Pope,” inserted, which was Dobson’s 
contribution to the volume and its first appearance. 


SELECTED PoEMs oF MATTHEW Prior. With an 
Introduction and Notes by Austin Dobson. 8vo. London. 
1889. 

LarcE-PAPER copy, No. 11 of 50 copies. With a portrait. 
A Presentation Copy from Austin Dobson, with autograph in- 
scription, and an A. L. S. to Mr. Foote dated “Nov. 23, 1889”; 
also, THE ORIGINAL MANUSCRIPT of Dobson’s sketch of Prior in 
Ward’s “English Poets,” with annotations by Locker, inserted. 


AT THE SIGN OF THE Lyre. By Austin Dobson. 
16mo. London. 1889. 


A Presentation Copy, with autograph inscription. With 
the original green cloth covers preserved. 


[195 Continued | 
| Tur Vicar oF WAKEFIELD. By Oliver Gold- 

smith. With a Preface by Austin Dobson, and Illustra- 

tions by Hugh Thomson. Large 8vo. London. 1890. 
Larce-Parer Copy, with autograph signatures of Dobson 


and Hugh Thomson, dated “Dec. 2, 1890,” and with the original 
red cloth covers preserved. 


Horace Wapote: A Memoir. With an Ap- 
pendix of Books Printed at the Strawberry Hill Press. 
By Austin Dobson. With Illustrations by Percy and Léon 
Moran. 8vo. New York. 1890. 


No. 123 of 425 copies on Dickinson paper, and with the 
original blue and white cloth covers preserved. 


Witi1am HoceartH. By Austin Dobson. II- 
lustrated. Square 8vo0. London. 1891. 


LarcE-PpaPeR Copy. No. 49 of 150 copies, the plates being 
on Japanese paper, and with the original cloth covers preserved. 


. A Boox or Drawines. By A. Bryan, L. Davis, 
A. T. Elwes, Harry Furniss, J. Jellicoe, Louise Jopling, 
J. B. Partridge, Jo. Pennell, R. H. Moore, H. Railton, 
Hugh Thomsen, L. Wain, C. Wilkinson, & W. Wilson. 
With Prefatory Poem by Austin Dobson. Small 4to. 
London: Privately printed for Mr. and Mrs. F. T. Davies. 
[1891.] 


With the original covers preserved. 


THE BauitaD oF BEAU BROCADE AND OTHER 
Poems oF THE XVIIItH Century. By Austin Dobson. 
With 50 Illustrations by Hugh Thomson. 8vo. London. 
1892. 


No. 2 of 450 copies on Larcr-paperR, the plates being on 
Japan paper, and with the original white cloth covers preserved. 


THe Dance or DeatH. By Hans Holbein. 
With an Introductory Note by Austin Dobson. 8vo. Lon- 
don. 1892. 


[195 Continued | 


No. 40 of 100 copies on Japan paper, with the original 
paper covers preserved. 


THE JOURNAL OF A VoyaGE To Lisson. By 

Henry Fielding. With Introduction and Notes by Austin 
Dobson. 8vo. London. 1892. 

No. 1 of 25 copies on Japan paper, a PRESENTATION COPY, 

with an Autograph Poem, one stanza, by Dobson, on fly leaf, and 


an A. L. S. to Mr. Foote, dated “May XXIII, ’92,” inserted. 
With a portrait. 


SELECTED Porms. By Austin Dobson. 16mo. 
Leipzig; London. 1892. 
A Presentation Copy, with autograph inscription by Dob- 


son on front cover, an A. L. S. to Mr. Foote, dated “3, #, ’92,” 
inserted, and with the original brown paper covers preserved. 


EIGHTEENTH CENTURY VIGNETTES. By Austin 
Dobson. Large 8vo: London. 1892. 


No. 1 of 250 Large-paper copies, with the original blue and 
white cloth covers preserved. 


Proverns iN Porcenain. By Austin Dobson. 
To which is Added “Au Revoir, A Dramatic Vignette.” 
Illustrated. 8vo. London. 1898. 


With the original decorative green cloth covers preserved. 


PROVERBS IN PORCELAIN, ete. Another copy. 
8vo. London. 1893. 


No. 3 of 225 copies on Large-paper, with plates on Japan ~ 
paper, and with the original white cloth covers preserved. 


— Horace Watpote: A Memoir. With an Ap- 
pendix of Books Printed at the Strawberry Hill Press. 
By Austin Dobson. 8vo. London. 1893. 

With extra title. No. 26 of 50 Large-paper copies. Prexs- 
-ENTATION Cory from Dobson, with autograph inscription, an 8- 
line verse, dated “May xa, ’93,” and an A. L. S. 1 page, dated 
“May vi, °93,” inserted. With the original covers preserved. 


[195 Continued] 
THE LitTLE Passion or ALBERT Diner. With 
an Introduction by Austin Dobson. Illustrated. 8vo. 
London. 1894. 


No. 11 of 75 copies on Japan paper, with the original paper 
covers preserved. 


Cormon’s SONG, AND OTHER VERsEs, from Vari- 
ous Sources. With Illustrations by Hugh Thomson, and 
an Introduction by Austin Dobson. Large 8vo. London: 
1894. 


One of 152 copies on Large-paper, with the original red cloth 
covers preserved. 


° 


EIGHTEENTH CENTURY VIGNETTES. Second 
Series. By Austin Dobson. 12mo. New York. 1894. 
With a portrait, and the original red and white cloth covers 
preserved. 
EIGHTEENTH CENTURY VIGNETTES. Second 
Series. Another copy. Large 8vo. London. 1894. 


No. 11 of 200 copies on Large-paper, a Presentation Copy, 
with autograph inscription by Austin Dobson, an A. L. 8S. from 
Mr. Dobson to Mr. Foote, dated “10. X. 94,” and with the 


original green and white cloth covers preserved. 


THE Memorrs oF A PROTESTANT CONDEMNED 
TO THE GALLEYS OF FRANCE FOR His REtIGION. Written 
by himself. Translated by Oliver Goldsmith. With an 
Introduction by Austin Dobson. 12mo. London. 1895. 
Two Volumes. 
With the original gray cloth covers preserved. 


PorMs ON SEVERAL Occasions. By Austin 
Dobson. New Edition, Revised and Enlarged. With 
Illustrations. 8vo. New York. 1895. 
Two Volumes. 
No. 1 of 50 copies on Japan paper, with a portrait by W. 


Strang, with proofs of each plate and one of the 7 original 
drawings by Ad. Lalauze, in addition to the two states of each 


[195 Continued] 
plate which were issued with each of the Japan paper copies, and 
with A. L. S. of Dobson, Brander Matthews, Lalauze (2) and an 
autograph poem by Austin Dobson, entitled “T'o° ‘one Who Bids 
Me Sing,” inserted. 


PrRmwE AND PregupicE. By Jane Austen. I- 
lustrated by Charles E. Brock. With an Introduction by 
Austin Dobson. 8vo. London. 1895. 

With the original red cloth covers preserved. 


Tue Story oF Rosina AND OTHER VERSES. By 
Austin Dobson. Illustrated by Hugh Thomson. Large 
8vo. London. 1895. 

No. 3 of 250 copies printed on Large-paper, with illustrations 
on Japan paper, an A. L. S. of Mr. Dobson to Mr. Foote, dated 
“Dec. VII, ?95” inserted, and with the original white cloth covers 
preserved. 


THE StTory.oF Rosina. Advance trade dummy, 
with presentation inscription, in Dobson’s autograph, on 
fly leaf. 12mo. 


With the original green cloth covers preserved. 


RowFrant Ruymes. By Frederick Toe 
With an Introduction by Austin Dobson. 16mo. Cleve- 


land: The Rowfant Club. 1895. 


No. 110 of 127 copies on Japan paper, with the original vel- 
lum covers preserved. 


A Postscript To Dr. GoLpsmitH’s RETALIA- 
TION, Being an Epitaph on Samuel Johnson, LL.D. 
Small 4to. [London:]|] Printed in June. 1896. 


One of 52 copies printed, with autograph signature of Austin - 
Dobson, an A. L. S. of Mr. Dobson to Mr. Foote, dated “1 vit, 96” 
inserted, and with the original paper covers preserved. This poem 
was first read at a dinner of the “Johnson Society,” June, 1896. 


Ra Re ee ee a ee ee ee ee ee ee ee ae 


EIGHTEENTH CENTURY VIGNETTES. Third 
Series. By Austin Dobson. 12mo. London. 1896. 

A Presentation Copy, with an autograph inscription by Dob- 
son, and with the original blue cloth covers preserved. 


[195 Continued | 
A BALLAD OF THE QUEEN’s Masssty, June 22, 
189% [By Austin Dobson.|] 12mo. 

Printed for private circulation only. Being 2 pages, and 
signed by Austin Dobson. 


CoLLECTED Porms. By Austin Dobson. With 
a Portrait. 12mo. London. 1897. 


With the original red cloth covers preserved, and a photo- 
gravure portrait of the author. 


A Hanpsoox or ENneiisH Lirerature. Orig- 
inally compiled by Austin Dobson. New Kdition, Re- 
vised. 12mo. New York. 1897. 


With the original blue cloth covers preserved. 


VerRsES READ AT THE DINNER OF THE OMAR 
KuayyAm Cuup, on Thursday, 25th March, 1897. By 
Austin Dobson. 8vo. London: Printed at the Chiswick 
Press. 1897. 

Privately printed for Edmund Gosse to be presented to the 
members of the Omar Khayydém Club. No. 94 of 100 copies print- 
ed, a presentation copy, with slip “TJ'’o His Friend, C. B. Foote, 
With the President’s Kind Regards,” inserted, and with the original 
paper covers preserved. 


MiscELLANnies. By Austin Dobson. 16mo. New 
York. 1898. 


With an A. L. S. of Mr. Dobson to Mr. Foote, dated “7, 1, 
99,” inserted, and with the original green cloth covers preserved. 


A DepartmMEntTAL Ditty. (To T. H. W. P.) 
By Austin Dobson. Idem Latine Redditum. By F. T. 
Griffith. 12mo. [London:] (Printed for private circu- 
lation only.) 

With the autograph signature of Dobson, and an A. L. S. 
of Eamund Gosse, inserted. 


[195 Continued | 
A PALADIN OF PHILANTHROPY, and Other 
Papers. By Austin Dobson. Frontispiece. 12mo. Lon- 
don. 1899. 


A Presentation Copy, with an autograph inscription by Dob- 
son, and with the original red cloth covers preserved. 


A WuitEHALL Ectoeur. [By Austin Dob- 
son.| (4 pages.) 50 copies printed at the Chiswick Press. 
Small 4to. [1899.] 


KATHERINE CuiivE, Davin GARRICK, AND Mar- 
GARET WoFFINGTON. Proof Sheets from Matthews’ and 
Hutton’s “Actors and Actresses,” with some manuscript. 
With the following inscription in Brander Matthews’ Au- 
tograph, signed by him and also by Laurence Hutton, on 
the fly leaf: “The following pages contain a full set of the 
first proofs of all Mr. Austin Dobson’s contributions to 
Actors and Actresses.” 8vo. 


Four SKETCHES, the printer’s proof sheets, with 
alterations by Dobson, and with the preliminary leaves, 
title, half-title, dedication, prefatory note, contents, etc., 
in his autograph, being apparently the original manuscript 
of “Four French Women,’ as printed in the United 
States. Small 4to. 


AUTOGRAPH Manuscript oF “Motiy TREFu- 
sis’ (3 pages), dated “June 5, 1878,” and signed by Dob- 
son. Small 4to. 


Honor Nor Honors. By Mrs. Austin Dob- 
son. Illustrated. 12mo. London. n. d. 
With the original red cloth covers preserved. ; 


CARMINA Vortiva; and other Occasional Verses. 
By Austin Dobson. “Enter a Song, singing,”—Old Play. 
12mo. London: Printed for Private Circulation. 1901. 


No. 43 of 125 copies printed for England and America, signed 
“Austin Dobson.” 


[195 Continued | 


196 


197 


With the gray paper wrappers which bear the title pre- 
served. 


SIDE- WALK Srtupies. By Austin Dobson. 
12mo. London. 1902. 


With 4 illustrations. 


Fanny Burney. (Madame D’Arblay.) Eng- 
lish Men of Letters. By Austin Dobson. 12mo. Lon- 
don. 1903. 


Together, 67 volumes. London and New York. v. p., 
v. d., V. 8. 


Full blue crushed levant moroéco, gold-tooled back and in- 


side edges, gilt top, uncut, with the original covers preserved, by 
Macdonald. 


DONNE, Joun. 


LETTERS TO SEVERAL PERSONS OF Honour. Written by 
John Donne, Sometime Dean of St. Pauls, London. Pub- 
lished by John Donne, Dr. of the Civill Law. 12mo. 
London: Printed by J. Flesher for Richard Marriot, and 
are to be sold at his shop in St. Dunstans Church-yard 
under the Dyall. 1651. 

First Epirion, with a rare frontispiece portrait of John 
Donne, engraved by Lombart. 

Full dark blue crushed levant morocco, with corners and 
center-pieces inlaid in red levant, in an antique pattern, with grace- 
ful Aldine traceries, gilt edges, by Riviére. 


DONNHE, Joun. 

Poems or JOHN Donne. Edited by E. K. Chambers. 
With an Introduction by George Saintsbury. 16mo. 
London. 1896. 

Two Volumes. 


Full blue crushed levant morocco, with daisy and leaf, and 
pointillé tooling in gold on the backs, gilt edges, by the Doves 
Bindery. 


198 DORAN, Dr. Joun. 


199 


“Their Majesties Servants.” ANNALS OF THE ENGLISH 
STaGE, from Thomas Betterton to Edmund Kean. By 
Dr. Doran. Edited and Revised by Robert W. Lowe. 
With 50 Copperplate Portraits and 80 Wood Engray- 
ings. 8vo. London. 1888. 

Six Volumes. 


No. 101 of 300 copies on Larcer-paper, with the 50 portraits 
in duplicate, one on Japanese, and the other India proofs on plate 
paper. 

Extra-ILuustraTED, and extended to 6 volumes, by the 
addition of 350 rare and beautiful plates, including: the Droes- 
hout engraved portrait of Shakespeare from the second folio; 
Goldar’s “Ben Jonson” after a painting by J. Oliver; Scriven’s 
“Nell Gwynn”; Bartolozzi’s “Cowper” in two states; Anker Smith’s 
“Samuel Johnson”; Carden’s “Madame Catalani,” in color; an 
engraved Bartolozzi title to Shield’s “Rosina”; Cruikshank’s col- 
ored engravings of Mr. Kean; Rowlandson’s colored caricature 
“Tragedy in London”; the print “Spirit of Shakespeare appear- 
ing to his detractors, designed and engraved by William Hogarth, 
and found by somebody in an old chest”; also rare engravings 
and prints, including portraits of Pope, Wycherley, Shirley, Con- 
greve, Garrick, John Home, Tate, Wilkinson, Mrs. Yates, Mrs. 
Pritchard, Mrs. Siddons, Mrs. Robinson, Thomas Otway, Foote, 
Kemble, Kean, etc.; pictures of Drury-Lane, Adelphi, Astley’s 
Amphitheatre, Sadler’s Wells, etc.; also, an admittance box-check 
written and signed by Robert W. Elliston; besides numerous rare 
prints, etchings, and engravings of Old London, play-houses, 
actors, scenes from plays, playwriters, and rare play-bills. 

Full red crushed levant morocco, with filleted lines on the 
sides, gilt backs and inside edges, gilt top, uncut, by Morrell. 


DOYLE, RicHarp. 

THE ForEeEIGN Tour oF Messrs. Brown, JONES AND 
Roginson. Being the History of what they Saw, and Did, 
in Belgium, Germany, Switzerland, and Italy. By Rich- 
ard Doyle. 4to. London. 1855. 

With an engraved picture title. 


[199 Continued | 


200 


Full green crushed levant morocco, with borders of filleted 
lines, gold-tooled inside edges, gilt edges, by Zaehnsdorf. 


DRAMA. 

A COLLECTED SET OF THE Dramatic Works or Ros- 
ERT GREENE, CHRISTOPHER MARLOWE, GEORGE PEELE, 
AND JOHN WesstER. Edited by The Rev. Alexander 
Dyce, and known as the “Dyce Dramatists,” as follows: 


GREENE, Rospert. THE Dramatic Works OF 
RoBERT GREENE; To which are Added his Poems. With 
Some Account of the Author, and Notes. By the Rev. 
Alexander Dyce, B.A. London: William Pickering. 
1831. 


Two Volumes. 


MariowrE, CuHrisTtoPpHER. THE Works oF 
CHRISTOPHER MaritowrE. London: William Pickering. 
1826. 


Three Volumes. 


PEELE, GrEoRGE. THE Works OF GEORGE 
PEELE: Collected and Edited, with Some Account of His 
Life and Writings, by the Rev. Alexander Dyce, B.A. 
Second Edition, with Additions in two volumes. London: 
William Pickering. 1829-1889. 

Three Volumes. 


WEeEssTER, JOHN. THE Works oF JOHN WEB- 
ster: Now First Collected, with Some Account of the Au- 
thor, and Notes, by the Rev. Alexander Dyce, B.A. Lon- 
don: William Pickering. 1830. 


Four Volumes. 
Together, 12 volumes. 8vo. London. v. d. 


Full green crushed levant morocco, with gold-tooled back, 
gilt top, uncut, by Riviére. 


201 


202 


203 


DRAYTON, MicHaett. 


NIMPHIDIA AND THE Muses Exizrum. [Colophon. ] 
Here ends this edition of Nymphidia & the Muses Elizium, 
by Michael Drayton, Esquire. Edited from the earliest 
editions by John Gray. Decorated with woodcut frontis- 
piece, and border done by Charles Ricketts. 8vo. Lon- 
don. 1896. 

“Vale Press” publication. 

Full blue crushed levant morocco, on the back and sides a 
landscape design is gold-tooled, with trees, mushrooms, water with 
lilies and lily-pads, grasses, etc., gilt top, uncut, by Riviére. 


[DRYDEN, Joun. | 


THe HIND AND THE PANTHER. A Poem, In Three 
Parts. [Quotation. Virgil.] Small 4to. London: 
Printed for Jacob Tonson, at the Judges Head in Chancery 
Lane near Fleetstreet, 1687. 


Tue First Epirion. This copy is in splendid condition and 
contains the License Leaf, preceding the title, which is generally 
missing. 

Full blue crushed levant morocco, with a trellis tooled in 
blind in the background, and a rose-vine inlaid in light green 
morocco climbing on the trellis, with rosebuds and leaves inlaid 
in red and green morocco, and with a small tablet with letter- 
ing inlaid in brown morocco, gilt edges, by Riviére. 


DUMAS, ALEXANDRE. 


CELEBRATED Crimes. By Alexandre Dumas. Translated 
by I. G. Burnham. Illustrated with Photogravures after 
Original Drawings by De Los Rios, Prudhomme, Wag- | 
rez, etc. Square 8vo. Philadelphia. [1895.] 

: Hight Volumes. 
No. 286 of 500 copies on Japanese paper with a duplicate set 
of plates on Whatman paper, inserted. 
Full red crushed levant morocco, with filleted borders, gilt top, 
uncut, by Stikeman. 


204 


205 


206 


DUPLESSIS, Grorces. 

HUisToirE DE LA GRAVURE. En Italie, en Espagne, en 
Allemagne, dans les Pays-Bas, en Angleterre, et en France. 
Suivie d'indications pour former une collection d’estampes. 
Par Georges Duplessis. Contenant 73 reproductions de 
Gravures Anciennes, exécutées pour la plupart par le 
procédé de M. Amand Durand. 4to. Paris. 1880. 

Exemplaire No. 8 de 20 exemplaires numérotés, sur papier de 
Chine. 

Extra-InLustratep, by the insertion of over 100 beautiful 
plates, including very rare engravings by Moreau, Le Mire, 
Antonio, and Veintien; also rare examples of engravings by Fla- 
meng, Schmidt, Chodowiecki, Everdingen, Hollar, Kilian, de 
Leyden, Edelinck, Surugue, Fragonard, Berghem, Eisen, Jacque, 
Picart, Lépicié, Rowlandson, Dupont, etc., etc. : 

Full red crushed levant morocco, with border of filleted lines, 
and inside borders of blind tooling, doublure and flies of dark blue 
watered-silk, gilt edges, by Lovtic. 


DURER, Axsrecut. 

THE History oF THE LIFE oF ALBRECHT DUrReER of 
Nirnberg. With a Translation of his Letters and Jour- 
nal, and Some Account of his Works. By Mrs. Charles 
Heaton. With 32 autotype, lithographic, and woodcut 
illustrations. 8vo. London. 1870. 

Two Volumes. 
Extra-ILLusTRATED, and extended to 2 volumes, by the in- 
sertion of 75 reproductions of the principal works of Albrecht 
Diirer, most of them being large folding plates. 
Full dark red crushed levant morocco, Janseniste, doublure of 
green crushed levant morocco, with Diirer’s monogram in mosaic 
covering the whole panel, gilt top, uncut, by Canapé. 


DURUY, Victor. 
History or GREECE AND OF THE GREEK PEOPLE. From 


the Earliest Times to the Roman Conquest. By Victor 
Duruy. Translated and Edited by M. M. Ripley. With 


[206 Continued | 


207 


208 


an Introduction by J. P. Mahaffy. Containing over Two 
Thousand Engravings, including numerous Maps, Plans, 
and Colored Plates. Large 8vo. London. 1898. 

Eight Volumes. 


Half dark green crushed levant morocco, gilt top, uncut, by 
Morrell. 


DURUY, Vicror. 

History oF RoME AND THE ROMAN PEOPLE, from its 
Origin to the Establishment of the Christian Empire, by 
Victor Duruy. Edited by the Rev. J. P. Mahaffy, Pro- 
fessor of Ancient History, Trinity College, Dublin. ITlus- 
trated with about 2500 engravings, 100 colored maps, and 
numerous chromo-lithographs. Large 8vo. London. 18838- 
1886. 3 

Twelve Volumes. 
Half brown crushed levant morocco, gilt top, uncut, by Morrell. 


DU SOMMERARD, ALEXANDRE. 

Lres Arts Au MoyEN AGE, EN CE QUI CONCERNE PRINCI- 
PALEMENT LE Patats ROMAIN DE Paris, L) HOTEL DE 
CLuNy, issu de ses ruines et les Objets d’Art de la Collec- 
tion classée dans cet Hotel.. Par A>®® du Sommerard: 
Paris: 4 Hétel de Cluny. 1836-1846. 11 volumes imperial 
folio, bound in 6, of plates; and 5 volumes royal 8vo of 
text—together, 16 vols. bound in 11. 

An unusually choice copy. The folio volumes contain 511 
large and finely executed plates, most of which are beautifully il- 
luminated in gold, silver and colors after the originals. 

A great many of the plates have been colored by hand. 

This is undoubtedly one of the most interesting as well as 
splendid works of art ever published in any country at a period 
when it was possible to find subscribers large-minded enough to 
enable their production. It is a perfect Encyclopedia of the Arts 
of the Middle Age, taken from existing authorities, end exhibits 
choice specimens of Architecture (views of churches and castles as 
actually existing), Sculpture, Paintings, Furniture, Stained Glass, 


[208 Continued] 


209 


Arms and Armor, Illuminated Manuscripts, Missals, etc., Enamels, 
Tapestry, Costumes, Gold and Silver Work, and articles of vertu. 

Full green crushed levant morocco, with a gold-tooled border 
around the edges of the covers, gilt edges. 


EGAN, PIERceE. 
A. COLLECTED SET OF THE SPORTING Works OF PIERCE 


Kean, in First Editions, with Autograph Letters, etc., as 
follows: 


Lire 1n Lonpon; or, The Day and Night 
Scenes of Jerry Hawthorn, Esq., and his elegant friend 
Corinthian Tom, accompanied by Bob Logic, the Oxonian, 
in their Rambles and Sprees through the Metropolis. Em- 
bellished with 36 Scenes from real life, Designed and 
Etched by I. R. and G. Cruikshank, and enriched also with 
numerous original Designs on Wood, by the same Artists. 
Large 8vo. London: Printed for Sherwood, Neely, and 
Jones, Paternoster Row. 1821. 


This book took London by storm and provoked innumerable 
imitations. Inserted is a series of A. L. S. [10] of George and 
Mrs. Cruikshank in reference to his etchings and _ pecuniary 
troubles; also'an A. L. S. of Crawford J. Pocock to Cruikshank; 
an A. L. S. of Pierce Egan; and a check indorsed by Cruikshank. 


ReEau Lire 1n Lonpon; or, The Rambles and 
Adventures of Bob Tallyho, Esq., and his cousin The Hon. 
Tom Dashall, through the Metropolis; exhibiting a Liv- 
ing Picture of Fashionable Characters, Manners, and 
Amusements in High and Low Life. By An Amateur. 
Embellished and Illustrated with a Series of Colored 
Prints, designed and engraved by Messrs. Alken, Dighton, 
Brooke, Rowlandson, ete. 8vo. London: Printed for 
Jones & Co., Oxford Arms Passage, Warwick Lane. 1821- 
1822. 


Two Volumes. 
With A. L. S. from Pierce Egan to Mrs. R. Barnett, and 
another to the editor of “The Town” [Leigh Hunt] inserted. 
Bound from the original 14 parts as issued, with engraved extra 


[209 Continued | 


210 


titles, 19 colored plates in Vol. I, and 13 colored plates in Vol. IL. 
It is very doubtful whether this work, which is clearly an imitation 
of the “Life in London,” was written by Egan, but it is attributed 
to him. 


Pierce EcGAn’s FINISH TO THE ADVENTURES OF 
Tom, JERRY, AND Loaic, in their pursuits through Life in 
and out of London. Illustrated by the Pencil of Mr. Rob- 
ert Cruikshank, in 86 Scenes from Real Life, and enriched 
with several Designs on Wood by the same Artist. 8vo. 
London: Printed by C. Baynes, For G. Virtue, 26, Ivy 
Lane, Paternoster Row. 1830. 


This is a sequel to “Life in London.” Bound from the original 
wrappers, with etched extra titles. 


Together, 4 volumes. A Unique Set. London. v. p., 
v. d. 


To this day Pierce Egan has not been equalled in his racy 
descriptions of prize-fights, cock-fights, and the career of men about 
town. His reputation became established with the publication of 
‘““Boxiana” in 1812, and all his books are extremely scarce. 

Full green crushed levant morocco, with gold-tooled backs and 
inside edges, gilt top, uncut, with all the original covers, wrappers, 
descriptions, and advertisements preserved, by Riviére. 


EGAN, PIERCE. 


PrercE Eean’s ANECDOTES (ORIGINAL AND SELECTED) 
OF THE TURF, THE CHASE, THE RING, AND THE STAGE; the 
whole forming a Complete Panorama of the Sporting 
World. Embellished with thirteen colored plates, designed 
from Nature, and etched by Theodore Lane. 8vo. Lon- 
don: Printed for Knight & Lacey, Paternoster-row, and 
Pierce Egan, 113, Strand. 1827. | 

First Eprrion. A very tall copy, in splendid condition. With 
the thirteen full-page etched plates depicting various sporting 
scenes, colored by hand, and all in fine condition, and with many 
smaller wood-engravings in the text. 

Full yellow straight-grained morocco, with symbols of various 
sports tooled in the corners of the covers and on the back, edges 
gilt on the rough, by Lloyd. 


ps 
5 
i 
: 


211 


212 


EGAN, PIERCE. 


~Reat Lire 1n Lonpon; or, The Rambles and Adven- 
tures of Bob Tallyho, Eisq., and his cousin, The Hon. Tom. 
Dashall, through the Metropolis; Exhibiting a Living Pic- 
ture of Fashionable Characters, Manners, and Amuse- 
ments in High and Low Life. By an Amateur. [Pierce 
Egan.| Embellished and Illustrated with a Series of Col- 
ored Prints, Designed and Engraved by Messrs. Heath, 
Alken, Dighton, Rowlandson, etc. 8vo. London: Printed 
for Jones and Co., Warwick Square, Newgate Street. 
1827. : 

Two Volumes. 


With extra engraved and colored titles, and 30 full-page il- 
lustrations in color. 


Half dark green crushed levant morocco, gilt top, uncut, by 
All6. 
ELIOT, Georce. 


A ComMPLETE COLLECTED SET OF THE WorKS OF GEORGE 
EiotT In THE First EncuisH Epitions, as follows: 
oY 


THE Lire or JEsus, Critically Examined by Dr. 
David: Friedrich Strauss. Translated from the Fourth 
German Edition. 8vo. London. 1846. 


Three Volumes. 


Tue EssENcE oF CHRISTIANITY. By Ludwig 
Feuerbach. Translated from the Second German Edition, 
by Marian Evans, translator of “Strauss’s Life of Jesus.” 
8vo. London. 1854. 


The only book published by Miss Evans under her own name. 


Scengs or CrericaL Lire. By George Eliot. 
12mo. Edinburgh and London. 1858. 


Two Volumes. 


[212 Continued | 
Apam Berpre. By George Eliot, author of 
“Scenes of Clerical Life.” 12mo. Edinburgh and Lon- 
don. 1859. 


Three Volumes. 


THE Mitt on THE Foss. By George Eliot, au- 
thor of “Scenes of Clerical Life” and “Adam Bede.” 
12mo. Edinburgh and London. 1860. 


Smas Marner: The Weaver of Raveloe. By 
George Eliot, author of ““Adam Bede,” ete. 12mo. Edin- 
burgh and London. 1861. 


Romo.ia. By George Eliot, author of “Adam 
Bede,” ete. 12mo. London. 1863. 
Three Volumes. 


Frvix Hout, tHe Rapicat. By George Eliot, 
author of “Adam Bede,” ete. 12mo. Hdinburgh and Lon- 
don. 1866. 

Three Volumes. 


Tue SpanisH Gypsy. A Poem. By George 
Eliot. 8vo. Edinburgh and London. 1868. 


MippremarcH. A Study of Provincial Life. 
By George Eliot. 12mo. Edinburgh and London. 1861- 
1862. | 


Four Volumes. 


THE LEGEND or JUBAL, and Other Poems. By 
George Eliot. 16mo. Edinburgh and London. 1864. 


DaniEL DrEronps. By George Eliot. 12mo. 
Edinburgh and London. 1866. 
Four Volumes. 


IMPRESSIONS OF THEOPHRASTUS SucH. By 
George Eliot. 8vo. Edinburgh and London. 1879. 


[212 Continued] 


213 


214 


215 


Essays AND LEAvEs From A Note-Boox. By 
George Eliot. 8vo. Hdinburgh and London. 1884. 


GerorcE Ex.iot’s Lire as RELATED in Her LeEt- 
TERS AND JOURNALS. Arranged and Edited by her hus- 
band, J. W. Cross. 8vo. Edinburgh and London. 1885. 
Three Volumes. 


With etched and engraved portraits, and wood-engraved illus- 
trations. 


GEORGE Exi0oT. ENGLISH MEN or LETTERS. By 
Leslie Stephen. 12mo. London. 1902. 


Together, 35 volumes. v. p., v. d., 0. 8. 


Full blue crushed levant morocco, with filleted lines around 
edges of covers, decorated inside edges, gilt top, uncut, by Zaehns- 
dorf. 


ENGLEHEART, Georce. 

GrorcE ENGLEHEART, 1750-1829. Miniature Painter 
to George III. By George C. Williamson, Litt.D., and 
Henry L. D. Engleheart, M.A. 4to. London. 1902. 

Edition limited to 112 copies, of which 100 only are for sale. 
This copy is No. 44. With numerous illustrations, mostly collo- 
type, from photographs taken especially for this volume. 

Full dark green crushed levant morocco, with five beautiful 
miniatures (reproductions of famous miniatures by Engleheart) 
inset in the front cover, and five similar miniatures inset in the back 
cover, the intervening space filled with gold-tooled roses and leaf- 
sprays, gilt top, uncut, by Riviere. 

ENGLISH LYRICS From Spenser to Minton. 

ILLUSTRATIONS BY ROBERT ANNING BELL, and Introduc- 
tion by John Dennis. 8vo. London. 1898. 

Full brown crushed levant morocco, covered with gold-tooled 
conventionalized flowers, decorated inside edges, doublure and flies 
of light-brown silk, gilt edges, by Zaehnsdorf. 


ESQUEMELING, Jonn. 
BUCANIERS OF AMERICA: or, a true Account of the Moft 
Remarkable Affaults Committed of late years upon the 


[215 Continued | 


216 


Coafts of the Weft-Indies. By the Bucaniers of Jamaica 
and Tortuga Both English and French. Wherein are con- 
tained more efpecially, The unparallel’d Exploits of Sir 
Henry Morgan, our Englifh Jamaican Hero, who fack’d 
Puerto Velo, burnt Panama, Etc. Written originally in 
Dutch, by John Efquemeling, one of the Bucaniers, who 
was prefent at thofe Tragedies; and thence tranflated into 
Spanifh, by Alonfo de Bonne-maifon, Doctor of Phyfick, 
and Practitioner at Amfterdam. Now faithfully rendred 
into Englifh. London: Printed for William Crooke, at 
the Green Dragon with-out Temple-bar. 1684. 


Bucaniers OF AmeEricA. The Second Volume. 
Containing The Dangerous Voyage and Bold Attempts of 
Captain Bartholomew Sharp, and others; performed upon 
the Coafts of the South Sea, for the {pace of two years, etc. 
From the Original Journal of the faid Voyage. Written 
By Mr. Basil Ringrose, Gent. Who was all along prefent 
at thofe Transactions. London: Printed for William 
Crooke, at the Sign of the Green Dragon without Temple- 
bar. 1685. 


Together, 2 volumes bound in one. 4to. 


Tue First Enpirion, very rare. In excellent condition. 
Inserted is an ORIGINAL WATER-COLOR DRAWING by G. H. 


Boughton, illustrating a passage on page 29, Part II: “Pirates 


came on shore to rob, and these carried away the Images, the Pic- 
tures, the Bells of the great church, on board the Fleet.” 

Full dark brown crushed levant morocco, with blind and gold- 
tooling, gilt edges, by Zaehnsdorf. 


EVANGILES. 


Les EvANGILEs DEs DiMANCHEs ET Fires DE L’ ANNEE. 
Suivis de Priéres 4 la Sainte Vierge et aux Saints. ‘Texte 
revu par M. Abbé Delaunay. Désigné par Monseigneur 
l Archevéque de Paris. Volume I:—Sumptuously illus- 
trated, and decorated with colored borders, plates, initials 


ie 


[216 Continued] 


217 


and titles, reproductions in color of MSS., missals, ete.; 
with copies of numerous illustrations of biblical scenes in 
color. Vol. I1:—With platinotype reproduction of paint- 
ings, engraved title-pages, reproductions of ancient wood- 
cuts, including Holbein’s Dance of Death; borders, and 
decorative pieces. 4to. Paris. [1864.] 

Two Volumes. 


Full dark brown crushed levant morocco, blind-tooled, inside 
edges tooled with filleted lines, doublure and flies of dark red 
watered-silk, gilt edges, by Rousselle. 


EX-LIBRIS SERIES. 
EpirEep By GLEESON WuitTE. A Complete Collected Set 
of the Edition-de-luxe on Japanese vellum, as follows: 


FreNcH Boox-Puates: A Handbook for Ex- 
Libris Collectors. By Walter Hamilton, Hon. Treas. of 
the Ex-Libris Society. 8vo. London. 1892. 


No. 15 of 36 copies. With a frontispiece and some of the 
plates in color.  * 


ENcGuisH Boox-Puates: An Illustrated Hand- 
book for Students of Ex-Libris. By Egerton Castle. 
8vo. London. 1892. 


No. 43 of 65 copies. With a frontispiece and some of the 
plates in color. 


THe Dance oF DeEatH, BY Hans HOovseEIn. 
With an introductory note by Austin Dobson. 8vo. Lon- 
don. 1892. 

No. 36 of 100 copies on Japanese vellum. 


Printers’ Marks: A Chapter in the History of 
Typography. By W. Roberts. 8vo. London. 1898. 
No. 59 of '75 copies. With a frontispiece in color. 


American Boox-Puiates: A Guide to their — 
Study. By Charles Dexter Allen. With a Bibliography 
by E. N. Hewins. 8vo. London. 1895. 

No. 3 of 78 copies. With a frontispiece in color. 


[217 Continued | 
Laviss’ Boox-Puates: An Illustrated Hand- 


book for Collectors and Book-lovers. By Norna Labou- 
chere. 8vo. London. 1895. 

No. 35 of 75 copies. With a frontispiece and some of the 
plates in color. 


BooxkBINDINGS, OLD AND NEw: Notes of a 
Book-lover. With an Account of the Grolier Club of New 
York. By Brander Matthews. Illustrated. 8vo. New 
York. 1895. 

No. 58 of 75 copies. 
ALPHABETS: A, Handbook of Lettering with 
Historical, Critical, and Practical Descriptions. By kd- 
ward F.. Strange. 8vo. London. 1895. 

No. 39 of '75 copies. With a frontispiece in color. 


Mopern Ixvuustration. By Joseph Pennell. 
8vo. London. 1895. 

No. 47 of 125 copies. 
Or THE DECORATIVE ILLUSTRATION OF Books: 
Old and New. By Walter Crane. 8vo. London. 1896. 


No. 37 of 130 copies. With a frontispiece and some of the 
plates in color. 


FReNcH Boox-Puates. By Walter Hamilton. 
8vo. London. 1896. 


No. 12 of 35 copies. With a frontispiece and some of the 
plates in color. 


DecorATIvE Heraupry: A Practical Handbook 
of its Artistic Treatment. By G. W. Eve. 8vo. Lon- 
don. 1897. 

No. 25 of 130 copies. With a frontispiece and some of the 
plates in color. 


THE Bayeux Tapestry: A History and De- 
scription. By Frank Rede Fowke. 8vo. London. 1898. 
No. 6. With a frontispiece in color. 


[217 Continued] 


218 


219 


: GERMAN Boox-PuatEs: An Illustrated Hand- 
book of German and Austrian Ex-Libris. By Karl 
Kmich Count zu Leiningen-Westerburg. Translated by 
G. Ravenscroft Dennis. 8vo. London. 1901. 

No. 66 of 5 copies. With a frontispiece and some of the 
plates in color. | 

Together, 14 volumes. London: George Bell & Sons. 
Gels 0, 8. 

All limited and numbered copies on Japanese paper, sumptu- 
ously illustrated, with hundreds of text illustrations, and many 
colored plates. 

Full red crushed levant morocco, gilt top, uncut, by Macdonald. 


FABLES. 

THE F'ABLEs oF Alsop. Witha Life of the Author; and 
Embellished with 112 Plates. [Vignette.] London. 4th 
June, 1793. 


” 


Two Volumes. 


Fasies: By John Gay. With a Life of the Au- 
thor; and Embellished with 70 Plates. [Vignette.] Lon- 
don. 1798. 


Two Volumes. 


Together, 4 volumes. 4to. London: Printed for John 
Stockdale, Piccadilly. 1793. 

Stockdale’s Fine Editions, with 182 beautiful engravings by 
Blake, Stothard, Wilson, Audinet, Skelton, Landseer, Bromley, 
Smith, Chapman, and others. 

Full calf, edges gilt on the rough, by Zaehnsdorf. 


FENELON, M. pr. 

Les AVENTURES DE T&LEMAQUE, Fils d’Ulysse. Par M. 
de Fénelon. Avec Figures en Taille-Douce, dessinées par 
MM. Cochin et Moreau le Jeune. Deux Tomes. 8vo. 
A Paris, de L’Imprimerie de Monsieur. 1790. 

| Two Volumes. 


[219 Continued ] 


220 


This beautiful set contains a frontispiece and 6 plates, 3 by 
Moreau. The plates by Cochin had already been used in the edition 
of 1781. 

Extra-ILtustratep, by the insertion of a set of 24 illustrative 
engravings by Marillier, and an engraved portrait of Fénelon by 
Vivien. 

Full brown crushed levant morocco, with filleted borders, doub- 
lure of blue levant, with a gold-tooled border, light brown watered- 
silk flies, gilt edges, by Rousselle. 


FERGUSSON, JAmEs. 
A CoLLECTED SET OF THE ARCHITECTURAL WORKS OF 
JAMES F’ERGUsson, as follows: 


History oF THE MopERN STYLES OF ARCHITEC- 
TURE. By James Fergusson. Third Edition, Revised. 
By Robert Kerr, Architect. With illustrations. London. 
1891. 


Two Volumes. 


History oF INDIAN AND EASTERN ARCHITEC- 
TURE. By James Fergusson. Forming the third volume of 
the new edition of the “History of Architecture.” London. 
1891. 


Illustrated with maps, plans, and numerous woodcuts. 


- A History or ARCHITECTURE IN ALL CouNn- 
TRIES: From the Earliest Times to the Present Day. By 
James Fergusson. Third Edition. Edited by R. Phené 
Spiers, F.S.A. London. 18938. 


Two Volumes. 


Together, 5 volumes. Profusely illustrated with maps, 
plans, woodcuts, and text illustrations. 8vo. London: 
John Murray, Albemarle Street. v. d. 

Full maroon straight-grained morocco, gold-tooled inside 
edges, gilt top, uncut. 


221 


222 


FIELD, MicHaet. | 
Farr Rosamunp. By Michael Field. [Colophon. ] 

Here ends Fair Rosamund, by Michael Field. The deco- 
rations are designed and cut on the wood by Charles Rick- 
etts. 8vo. London. 1897. 

“Vale Press” publication. One of 210 copies printed. 
Tue Wort at Auction. [Colophon.] Here 
ends the World at Auction, A Play, by Michael Field. 
The decorations are designed and cut on the wood by 
Charles Ricketts. 8vo. London. 1898. 

“Vale Press” publication. One of 210 copies printed. 


Tue Race or Leaves. [Colophon.] Here ends 
The Race of Leaves, A Play, by Michael Field. The 
decorations are designed and cut on the wood by Charles 
Ricketts. 8vo. London. 1901. 
“Vale Press” publication. One of 210 copies printed. 
Together, 3 volumes. 8vo. London and New York, 
v. d. 


Full crushed levant morocco (the first two in red, the last in 
green), decorated with filleted and mitred lines, which enclose a 
design of poppies, tooled in gold, the flowers in the last volume 
being inlaid in red crushed levant morocco, edges gilt on the rough, 


by Miss Prideaux. 


FITZGERALD, Sysit. 
Napies. Painted by Augustine Fitzgerald. Described 
by Sybil Fitzgerald. Square 8vo. London. [1904.] 

EpITION-DE-LUXE, limited to 250 copies, of which this is No. 
66. Signed by the artist, and with 80 full-page illustrations re- 
produced in colors. 

Full green crushed levant morocco, with a wide border of in- 
terlacing bands inlaid in purple levant, and with small ornaments 
inlaid in pink, brown, and red levant, and with a picture in the 
central panel of Vesuvius and the Bay of Naples inlaid in brown, 
green, blue, red, and light brown levant, doublure of red crushed 
levant with a wide border of interlacing bands of inlaid purple levant 
and conventional ornaments inlaid in green and brown levant and 
gold-tooled, flies of red crushed levant, gilt top, uncut, by Morrell. 


223 


224 


225 


FLETCHER, W. Y. 


EINGLIsH BooKBINDINGs IN THE British Museum. I1- 
lustrations of 63 Examples, Selected on Account of their 
Beauty or Historical Interest, with Introduction and De- 
scriptions by William Younger Fletcher. London. 1895. 


ForEIGN BooKBINDINGS IN THE British Mv- 
sEUM. Illustrations of 63 Examples, Selected on Account 
of their Beauty or Historical Interest, with Introduction 
and Descriptions by William Younger Fletcher. London. 
1896. 


Together, 2 volumes. Folio. The plates printed in fac- 
simile by W. Griggs. 


The edition consisted of only 500 copies. 

Full dark green crushed levant morocco, with borders of filleted 
lines, tooled in gold, doublure and flies of green silk, gilt top, un- 
cut, by Zaehnsdorf. 


FLORY, M. A. 


A Boox asout Fans. The History of Fans and Fan 
Painting. By M. A. Flory. With a Chapter on Fan- 


Collecting by Mary Cadwalader Jones. 29 Illustrations. 


8vo. New York. 1895. 


Extra-ILtustratep, by the insertion of 24 folding and other 
plates of fans, and portraits, many on India paper and some in 
color. 

Full blue crushed levant morocco, with ornamental fans in 
green, yellow, blue, and red levant, inlaid at each angle of the fil- 


leted borders, gold-tooled inside edges, gilt top, uncut, by Canapé. 


[FORD, EmanvubEt. | 


Tue Most Famous, DELECTABLE, AND PLEASANT His- 
TORY OF Parismus, the Most Renowned Prince of Bo- 
hemia. The First Part. Containing his most noble 
Atchievements, and triumphant Battles Fought against 
the Persians. . . . His Love to the beautiful Princess 
Laurana, the King’s daughter of Thessaly; the Great 


5 ee 


[225 Continued] 


226 


227 


Dangers he passed in the island of Rocks; and of his 
Strange Adventures in the Desolate Island, etc., ete. Lon- 
don. 1671.—The Second Part. Containing the Adventur- 
ous Travels, and Noble Chivalry of Parismenos, the Knight 
of Fame, with his love to the beautiful and fair Princess 
Angelica, the Lady of the Golden Tower, etc., ete. Small 
4to. London. 1672. 
Two Volumes bound in One. 

With four woodcuts and two titles, and a frontispiece repre- 
senting Parismus and Laurana. 

Buack Lerrer. This is a splendid copy of a rare book. The 
volume is a beautiful prose romance of chivalry. 


Full red crushed levant morocco, with a border of three-line 
fillets, edges gilt on the rough, by Bedford. 


[FORD, EmaAnuvueEt. | 


Tue Famous History or MonTELION, KNIGHT OF THE 
ORACLE, Son to the true Mirrour of Princes, The Most Re- 
nowned Persicles, King of Assyria: shewing His Strange 
Birth, Unfortunate Love, Perilous Adventures in Arms; 
and how he came to the knowledge of his Royal Parents. 
Interlaced with Variety of Pleasant and Delitful Discourse. 
Small 4to. London: Printed by W. O. for E. Tracy, at 
the Three Bibles, on London-bridge, and C. Bates, at the 
Sun and Bible in Pye-corner. n. d. 

With a woodcut frontispiece and a border around title. An 
excellent copy in fine condition. 

Full red crushed levant morocco, with double three-line border 
on sides, edges gilt on the rough, by Bedford. 


FOSTER, J. J. 


MINIATURE PAINTERS, BRITISH AND ForEIGN. With 
some Account of "Those who Practised in America in the 
Kighteenth Century. By J. J. Foster, author of “British 
Miniature Painters and their Works.” Illustrated by 


[227 Continued | 


228 


229 


Numerous Examples selected from Celebrated Collections. 
4to. London: Dickinsons. 1908. 
Two Volumes. 

EpiTion-pE-LuxE. No. 117 of an edition limited to 175 copies. 
With the frontispieces colored by hand, and with the plates on 
Japan paper. 

Full red crushed levant morocco, with an oval miniature set 
in the center of the front cover of each volume and surrounded by 
eight slightly smaller oval miniatures, and with the enclosing levant 
gold-tooled with ivy-leaves, doublure and flies of dark green watered- 
silk, gilt top, uncut, by Riviere. 

The miniatures on the cover of Volume I are reproductions of 
the following subjects taken from pictures in the book:—The 
Countess of Aldeburgh, Mrs. Fitzherbert, Miss Sutherland, “A 
Lady” (by Plimer), Madame Cail (as a Bacchante), “A Lady” 
(by. Mansion), “A Girl with Garland,” “A Young Lady” (by 
Hall), and Mrs. Damer. 

The following subjects are pictured in the miniatures on the 
cover of the second volume:—“A Lady” (by Isabey), Lady Man- 
ners, “A Lady” (by Mansion), Mrs. Johnstone, “A Lady” (by 
Collins), “A Lady” (by Fiiger), Mrs. Montague, Lady Carlisle, 
and “A Young Lady” (by Hall). 


FOURNEL, Victor. 


Les ARTISTES FRANCAIS CONTEMPORAINS.  Peintres, © 


Sculpteurs. [llustré de 10 Kaux-fortes et de 176 gravures 
dans le texte. 8vo. Tours. 1884. 


Extra-ILLustraTeD, by the insertion of 50 etchings and 
portraits, illustrative of the works of French painters, including 
some after paintings by Scheffer, Ingres, Vernet, Diaz, Gleyre, 
Delacroix, Troyon, Delaroche, Couture, Rousseau, Regnault, 
Gavarni, Decamps, etc. 

Full red crushed levant morocco, gilt top, uncut, by Rousselle. 


FRANKAU, Jutta. 

EIGHTEENTH CENTURY CoLouR Prints: an Essay on 
certain Stipple Engravers and their Work in Colour. Com- 
piled, arranged and written, by Julia Frankau. Illustrated 
with Fifty-two Characteristic Pictures printed in Mono- 
chrome, and one in Colours. Folio. London. 1900. 


[229 Continued | 


230 


Firry InpIA Parer Proors oF PLATES To ILLus- 
TRATE HIGHTEENTH CENTURY CoLouR Prints: An Essay 
on certain Stipple Engravers and their Work in Colour. 
Compiled, arranged, and written, by Julia Frankau. Folio. 
London. 1900. 


Together, 2 volumes. 


This edition is limited to sixty copies, with each of which is 
issued a portfolio containing fifty proof impressions of the plates 
printed in colors on India paper. 

Full dark blue crushed levant morocco, with an elaborate 
design containing roses, lilies, hearts, with scrolls and traceries, 
gold-tooled inside borders, doublure and flies of lavender watered- 
silk, gilt top, uncut, by Morrell. 


FRANKAU, Juia. 


AN EIGHTEENTH CENTURY ARTIST AND ENGRAVER, 
JOHN RAPHAEL SmiTH. His Life and Works. By Julia 
Frankau, author of “Eighteenth Century Colour Prints.” 
With thirty photogravures. 8vo. London. 1902. 


— AN EHIcHTEENTH CENTURY ARTIST AND EN- 
GRAVER. JOHN RapHaAEL SmiTH. His Life and Works. 
Compiled, Arranged, and Written by Julia Frankau. A 
Portfolio containing Fifty Examples of Stipple, Mezzo- 
tints, Paintings, and Drawings. Printed in Colours and 
Monochrome. Folio. London. 1902. 

Together, 2 volumes; one of text, and one of plates by 
J. R. Smith reproduced in photogravure, and in colored 
facsimile. 

Full red crushed levant morocco, with the most elaborate and 
beautiful inlaid decoration, the designs for front and back covers 
and for both doublures being different; the front cover with a 
central panel containing conventionalized flowers inlaid in brown 
morocco, with leaves in green, and elaborate gold-tooling, with a 
broad border of oak leaves and acorns inlaid in green and brown 
levant on a dotted ground; the back cover with a central panel 
containing bunches of grapes inlaid in purple morocco and with 
grape-leaves in green, with a broad outside border containing con- 


[230 Continued] 


231 


232 


ventionalized iris inlaid in white morocco, with gold-tooled sprays 
on a dotted ground; the doublure of light brown crushed levant, 
with a flowing design of lilies inlaid in white morocco, with curving 
leaves inlaid in green morocco, the back doublure being a similar 
design inlaid in the same colored leathers, flies of dark green 
watered-silk, gilt top, uncut, by Morrell. 


FRANKAU, Jutta. 

EIGHTEENTH CENTURY ARTISTS AND ENGRAVERS. WIL- 
LIAM Warp, A.R.A., James Warp, R.A. Their Lives 
and Works. By Julia Frankau, author of “Eighteenth 
Century Colour-Prints.” With thirty photogravures. 
8vo. London. 1904. 

EIGHTEENTH CENTURY ARTISTS AND EINGRAV- 
ERS. WuataAm Warp, A.R.A., James Warp, R.A. 
Their Lives and Works. By Julia Frankau. A Portfolio 
containing Forty Engravings in Mezzotint and Stipple; 
Printed in Monochrome and Colours. Folio. London. 
1904. 

Together, two volumes; one of text and one of plates, 
by James and William Ward, reproduced in mezzotint and 
stipple, and printed in monochrome and colors. 


Full red crushed levant morocco, with an elaborate conven- 
tional design of interlacing arabesques inlaid in green, blue, purple, 


-and orange levant on the covers, doublure of olive green levant with 


a decoration of curving bands of inlaid red levant, with a center 
panel of inlaid blue levant, flies of green crushed levant, gilt top, 
uncut, by Morrell. 
FRANKLIN, Brensamin. 
Lire AND TIMES OF BENJAMIN FRANKLIN. By James 
Parton. 4to. New York. 1865. 
Four Volumes. 


One of 100 copies on LarcE-PAPeR, printed for E. French, 


126 Nassau Street. 


Extra-ILLustTRATED, and extended to 4 nee by the in- 
sertion of over 150 prints, many of them rare, being views and 
portraits of all the revolutionary celebrities, French and English 


[232 Continued | 


233 


234 


statesmen and court personages, etc., who were connected with 
Franklin’s life; engraved after West, Sauvage, Vanderburgh, 
Chappel, Copley, Reynolds, Longacre, Lawrence, Peale, Stuart, 
Trumbull, and others; by Varin, Halpin, Heath, Robinson, Possel- 
white, Finden, Baudrain, Woodman, Holl, Rahn, Scriven, St. Aubin, 
Julien, Picart, Edwiiu, Worthington, Colin, Geoffroy, Bollinger, 
etc. etc. Also a series of portraits of Franklin, engraved by Hall, 
Levy, Ferdinand, Weber, Gross, Dekenino, Bertonnier, Bisi, 
Bonneville, and Longacre. 

Full red crushed levant morocco, decorated back and borders 
on sides, inside edges tooled in gold, gilt top, uncut, by Ritter. 


FROISSART, Sir Jown. 

CHRONICLES OF ENGLAND, FRANCE, SPAIN, AND THE 
ADJOINING CountTriEs, from the latter part of the reign 
of Edward II to the coronation of Henry IV. By Sir 
John Froissart. Translated from the French Editions, 
with Variations and Additions from many celebrated MSS., 
by Thomas Johnes, Esq. With 116 woodcuts, and 72 col- 
ored plates, being Illuminations from the Froissart MS. in 
the Bibliothéque Royale, Paris, the British Museum, and 
other sources, also a colored extra title. 4to. London. 
1839. 

Two Volumes. 


Full green crushed levant morocco, decorated on corners and 
backs with clusters of roses, leaves, and morning-glories inlaid with 
red and white leathers, doublure and flies of vellum, gilt edges. 


FULLEYLOVE, Joun 
Tue Hoty Lanp. Painted by John Fulleylove, R.I. 
Described by John Kelman, M.A. Square 8vo. London. 


1902. 

LarcE-paPer Cory. No. 244 of 500 copies, and signed by the 
publishers. With 92 colored illustrations. 

Full dark blue crushed levant morocco, with an elaborate de- 
sign on the covers of curving rose-sprays, with roses tooled in gold, 
and a large cluster of lilies inlaid in white morocco on a dotted 
background, doublure of red crushed levant, with a border of fil- 
leted lines, flies of red watered-silk, gilt top, uncut, by Morrell. 


235 


FUR, FEATHER, ann FIN SERIES. 
EpiTtED By ALFRED E. T. Watson. <A Collected Set, 


as follows: 


Rep Drer, THE. Natural History, by the Rev. 
H. A. Macpherson.—DEER STALKING, by Cameron of 
Lochiel. — Stac-Huntine, by Viscount Ebrington. — 
Cookery, by Alexander Innes Shand. Illustrations. Lon- 
don. 1896. 


Grousk, THE. Natural History, by the Rev. ~ 
H. A. Macpherson.—SHoottne, by A. J. Stuart-Wortley. 
—Cooxery, by George Saintsbury. With Illustrations. 
London, 1894. 


— Harr, THe. Natural History, by the Rev. 
H. A. Macpherson.—Suootine, by the Hon. Gerald 
Lascelles—Coursine, by Charles Richardson.—HunrtTINnNe, 
by J. S. Gibbons and G. H. Longman.—Cooxery, by 
Col. Kenney Herbert. Illustrations. London. 1896. 


PartripGE, THE. Natural History, by the Rev. 
H. A. Macpherson.—SHootTine, by A. J. Stuart-Wortley. 
—Cookery, by George Saintsbury. With Illustrations. 
London. 1893. 


PHEASANT, THE. Naturai History, by the Rev. 
H. A. Macpherson.—SHootine, by A. J. Stuart-Wortley. 
—CookEry, by Alexander Innes Shand. With Illustra- 
tions. London. 1895. 


Rapssit, THe. By James Edmund Harting. 
With a Chapter on Cookery, by Alexander Innes Shand. 
Illustrations. London. 1898. 


SALMON, THE. By the Hon. A. E. Gathorne- 
Hardy. With Chapters on The Law of Salmon-Fishing, 
by Claud Douglas Pennant. Cooxrry, by Alexander 
Innes Shand. Llustrated. London. 1898. 


[235 Continued | 


236 


237 


Trout, Ture. By the Marquess of Granby. 
With Chapters on Breepine, by Colonel F. H. Custance; 
Cookery, by Alexander Innes Shand. Illustrated. Lon- 
don. 1898. 


Together, 8 volumes, splendidly illustrated. 8vo. Lon- 
don: Longmans, Green and Co. v. d. 
Larce-parer Copy. No. 143 of 157 sets printed on Large- 
paper. 
Full red straight-grained morocco, decorated with filleted lines, 
gilt top, uncut. 


GAINSBOROUGH, TxHomas. 


GaINsBoroUGH: and His Place in English Art. By 
Walter Armstrong, Director of the National Gallery, Ire- 
land. With 62 photogravures and 10 lithographic fac- 
similes in color. Folio. London. 1898. 

First Epirion. Epirion-pE-LvuxE, with a duplicate set of the 
illustrations on India paper, inserted. 

Full red crushed levant morocco, with a scroll border dec- 
orated with flowers, tooled in gold, doublure and flies of blue 
watered-silk, gilt edges, by Stikeman. 


GAINSBOROUGH, Tuomas. 


GAINSBOROUGH: and His Place in English Art, Etc. 
Another copy. Folio. London. 1899. 
Two Volumes. 


This is the second edition, of which 250 copies were printed. 

Extra-ILLustTraTED, and extended to 2 volumes, by the in- 
sertion of over 50 choice plates, including portraits of Rembrandt, 
Raphael (rare proof impressions before letters), Henry VIII, 
Charles I, Cellini, Van Dyck, Hoppner, Fox, Holbein, Rubens, 
Hogarth, and others; 3 lithographs by Mauraisse and Hesse; 
numerous portraits of engravers by Varin; beautiful etchings and 
engravings after Gainsborough; and engravings by Pannier, Valck, 
Audran, Houbraken, Vertue, Rajon, and Massé; after Léon, Riche- 
ton, Sandoz, Vander Werff, Harding, Latour, Corot, Fleury, Heil- 
man, Sir Joshua Reynolds, and Murillo. 

Full red crushed levant morocco, Janseniste, gilt top, uncut, 


by Canapé. 


238 


239 


GALERIE pu Pauats-Royau. 

GRAVEE D’APRES TABLEAUX des différentes Ecoles qui la 
Composent: Avec un abrégé de la Vie des Peintres et une 
description historique de chaque tableau par M. L’ Abbé 
de Fontenai. Dédiée 4 S. A. S. Monseigneur Le Duc 
D’Orléans, Premier Prince du Sang. Par J. Couché, 
Graveur de son Cabinet. Folio. A Paris: Chez J. Couché, 


Graveur. 1786-1808. 
Three Volumes. 


A valuable work, with the beautiful plates in a perfect state 
of preservation. The Galerie du Palais Royal was dispersed dur- 
ing the French Revolution, and the pictures sold in England. . 

The title was written by Aubert, the dedication by Niquet, and 
all the tail-pieces were drawn by Choffard and engraved by Gut- 
tenberg. The 355 engravings taken from paintings and executed 
after the designs of Wicker and others, were engraved by all the 
principal French engravers at the end of the eighteenth century. 

Full dark blue crushed levant morocco, with titles on the sides, 
enclosed by a filleted border with corner-pieces, inside edges in 


dentelle, gilt edges, by Morrell. 


GARDINER, Samvuet Rawson. 
A COLLECTED SET OF THE WRITINGS OF SAMUEL Raw- 
soN GARDINER, in the First English Editions, as follows: 


History oF ENGLAND FROM THE ACCESSION OF 
JAMES I. TO THE DISGRACE OF CHIEF-J USTICE COKE, 1603- 


1616. London. 1863. 


Two Volumes. 


PRINCE CHARLES AND THE SPANISH MARRIAGE, 
1617-1623. A Chapter of English History, Founded 
Principally upon Unpublished Documents in this Coun- 
try, and in the Archives of Simancas, Venice, and Brus- 


sels. London. 1869. 


Two Volumes. 


[239 Continued] 


240 


A History oF ENGLAND UNDER THE DUKE OF 
BUCKINGHAM AND CHARLES I, 1624-1628. London. 1875. 


Two Volumes. 
With two maps. 


THE PERsONAL GOVERNMENT OF CHarEs I. A 
History of England from the Assassination of the Duke of 
Buckingham to the Declaration of the Judges on Ship- 
money. 1628-1637. London. 1877. 

Two Volumes. 


THE FALL oF THE MoNARCHY OF CHARLES I. 
1637-1649. London. 1882. 


7 Two Volumes. — 
With a folding map. 


History OF THE GREAT Civi, War. 1642-1649. 


' London. 1886, 1889, 1891. 


Three Volumes. 


History OF THE COMMONWEALTH AND PrRo- 
TECTORATE. 1649-1660. London. 1894, 1897, 1901. 


| Three Volumes. 
Together, 16 volumes. 8vo. 


Full calf, decorated backs, with titles on leather labels, gilt 


_ top, uncut. 


GAUTIER, THEoprHite. 


Emavux ET Camis. Par Théophile Gautier. Seconde 
Edition Augmentée. 12mo. Paris. 1858. 


With an engraved frontispiece. From the library of Henri 
Beraldi. 

Full blue crushed levant morocco, Janseniste, doublure of brown 
levant, brocaded-silk flies, gilt edges, by Noulhac. 


241 


24:2 


243 


GAUTIER, THerorutte. 


Emavux et Camées. Par Théophile Gautier. Cent 
douze Dessins de Gustave Fraipont. Préface par Maxime 
du Camp. 12mo. Paris: Conquet. 1887. 

Curva Paper Copy. Exemplaire No. 181 de 200 sur chine 
ou japon. ! 

Full red crushed levant morocco, with a cameo inset in the 
front cover, with clusters of flowers in inlaid leathers, inside borders 
of inlaid blue morocco richly tooled, doublure and flies of crimson 
watered-silk, edges gilt on the rough, by Ruban. 


GAY, JouNn. 
Fasirs. By Mr. Gay. [Vignette.] London: Printed 
for J. Tonson and J. Watts. 1777. 


Fasires. By the Late Mr. Gay. Volume the 
Second. [Vignette portrait.] London: Printed for J. and 
P. Knapton, in Ludgate-Street; and F. Cox, under the 
Royal-Eachange. 1788. 

Together, 2 volumes. 4to. London. 


First Epition. Large-paper, one of only 25 copies printed, 
containing in Volume I the 51 illustrations by J. Wotton, William 
Kent, and H. Gravelot, engraved by Scotin and Van Gucht; and 
in Volume II, a frontispiece, and a vignette on title, by Gravelot, 
and 16 designs by the same artist, engraved by Scotin. 

Full brown crushed levant morocco, with borders and bands in 
gold and blind-tooling, gilt edges, by Riviere. 


GERARD, Frances A. 
SoME CELEBRATED IRisH Beauties of the Last Century. 


By Frances Gerard. With numerous Portraits and II- 
lustrations. London. 1895. 


Somer Farr HiserniAns: being A Supplement- 

ary Volume to “Some Celebrated Irish Beauties of the 

Last Century.” By Frances A. Gerard. London. 1897. 
Together, 4 volumes. 8vo. London. 1895-1897. 


Extra-ILLustraTep, and extended from 2 to 4 volumes, by 
the insertion of 151 plates, many being proof impressions. ‘These 


[243 Continued ] 


244 


include rare portraits of Peg Woffington, Letitia Bushe, Garrick, 
O’Connell, Ann Granville, Mrs. Piozzi, Maria Gunning, John Camp- 
bell, Lady Hamilton, Moore, Boswell, Quin, Lady Blessington, Mr. 
Charles Mathews, Cibber, Mrs. Delany, Burke, Cumberland, etc., 
etc. ; engraved by Picart, Holl, Ridley, Harding, Heath, Mackenzie, 
Collyer, Ryall, Sharp, Scriven, Cooper, Freeman, etc., etc.; after 
paintings by Richardson, Stewardson, Reynolds, Gainsborough, 
Zoffany, David, and others. Also, many portraits of famous Irish 
Actors and Actresses; including Dighton’s drawings in color of 
Kemble as “Charles Surface,”’ and Farren as “Sir Peter Teazle”; 
also portraits of the Misses Kelly, Farren, O’Neil, Mrs. Jordan, 
Delany, Siddons, Hunter, and others. Also many views by Owen 
and others, beautiful and interesting prints, etc. With extra title- 
pages added. 

Full green crushed levant morocco, gold-tooled with the sham- 
rock, heart, and harp, inside borders of green morocco, doublure and 
flies of vellum, gilt top, uncut. 


GERM, THe. 


THE Germ: Thoughts towards Nature in Poetry, Liter- 
ature and Art. 8vo. London: Aylott & Jones. [No’s 8-4. 
Dickinson & Co.| 1850. 


First Enrtion. Four numbers bound in one volume, with etched 
frontispieces by William Holman Hunt, James Collinson, Ford 
Madox Brown, and W. H. Deverell, and contributions by W. M. 
Rossetti, D. G. Rossetti, Ford Madox Brown, Christina Rossetti 
and others. 

This publication was issued by the Pre-Raphaelite Brother- 
hood, a company of seven, formed in September, 1848, and consist- 
ing of five painters—William H. Hunt, Dante Gabriel Rossetti, 
John E. Millais, James Collinson, and Frederick G. Stephens; one 
sculptor—Thomas Woolner; and William M. Rossetti. The maga- 
zine received its main support from the three Rossettis, Christina 
Rossetti being a frequent contributor. In the four numbers, out 
of 51 contributions, 23 are by the Rossettis, of which the greater 
number are poems. 

Full green crushed levant morocco, with tulips in a conven- 
tionalized design, gold-tooled on the back and sides, edges gilt on 
the rough, with all the original covers and advertisements pre- 
served, by the Doves Bindery. 


245 


246 


247 


GEROME, Jean Lion. 


Tue Lire AND Works oF JEAN LEon GEROME. By 
Fanny Field Hering. From Autobiographical Notes and 
Letters by the Artist himself, with an Introduction by Au- 
gustus St. Gaudens. Including a Portrait of Gérome, 19 
full-page Photogravures, and 25 full-page Photo-process 
Reproductions of his Paintings and Sculptures, together 
with 50 Pencil-Drawings, made especially for this book by 
Géréme, and executed by Boussod, Valadon & Co. Folio. 
New York. [1892.] 

Exrra-Iniustratep, by the insertion of 45 reproductions of 
the masterpieces of Gérdme. 

Full red crushed levant morocco, with floriated borders and 
filleted lines, with an artist’s palette, feather, and brushes, on 
corners and back, doublure of dark blue crushed levant morocco, 
covered with palettes tooled in gold, flies of brocaded-silk, gilt top, 
uncut, by Ritter. 


GILBERT, Witu1aAmM ScHWENKE. 


The “Bab” Ballads. Much Sound and Little Sense. 
London: John Camden Hotten, Piccadilly. 1869.—More 
“Bab” Ballads. By W.S. Gilbert. With Illustrations by 
the Author. London: George Routledge and Sons. n. d. 

Together, 2 volumes. Square 12mo. 

First Eprrrons of both volumes, with numerous woodcut illus- 
trations. 

Full green crushed levant morocco, with a floriated design 
tooled on sides and backs, gilt edges, with the original covers 
preserved, by Zaehnsdorf. 


GOETHE, JoHann WOLFGANG VON. 

GorETHE’s Faust. From the German by John Anster, 
LL.D. With an Introduction by Burdett Mason. Il- 
lustrated by Frank M. Gregory. 8vo. London. [1894.] 


Exrra-IntustratTep, by the insertion of 2 A. L. S. of the 
translator, a portrait of Goethe, and the covers and advertisement 


[247 Continued | 


248 


for “Retzsch’s Outlines to Goethe’s Faust. London, 1827.” Also, 
40 plates, 26 by Retzsch, the remaining plates being photogravures, 
after A. Kreling. 

Full blue crushed levant morocco, decorated with roses in red 
and white inlaid morocco, doublure and flies of red watered-silk, 


gilt top, uncut, by Kelly. 
GOLDSMITH, O.iver. 


A CouiEctep SET, In First Epitions, or THE Works 
OF OLIVER GOLDSMITH, as follows: 


THe Mystery REvEALED; Containing a Series 
of Transactions and Authentic Testimonials, Respecting 
the Supposed Cock Lane Ghost; which have hitherto been 
concealed from the Public. [Quotation.] Dryden. [Vign- 
ette.]| 12mo. London: Printed for W. Bristow, in St. 
Paul’s Church-yard; and C. Ethrington, York. 1742. 


This pamphlet, Goldsmith’s first literary undertaking, brought 
him three guineas. 


- THe Memorrs oF A PROTESTANT, CONDEMNED 
TO THE GALLEYS OF FRANCE For His ReEuicion, Written 
by Himself. Comprehending an Account of the various 
Distresses he suffered in Slavery; and his constancy in sup- 
porting almost every Cruelty that bigotted zeal could inflict 
or Human Nature sustain; also a Description of the Gal- 
leys and the Service in which they are employed. Trans- 
lated from the Original, just published at the Hague. By 
James Willington. 16mo. London: Printed for R. Grif- 
fiths, at the Dunciad, in Paternoster-row. 1758. 


Two Volumes. 


AN ENQUIRY INTO THE PRESENT STATE OF Po- 
LITE LEARNING IN Europe. [Vignette.] 16mo. London: 
Printed for R. and J. Dodsley, in Pall-Mall. 1759. 


Tuer Ber. Being Essays on the most interest- 
ing Subjects. [Latin Quotation.] 12mo. Printed for J. 
Wilkie, at the Bible, in St. Paul’s Church-yard. 1759. 


[248 Continued] 
Tue Art oF Porrry on A NEw Puan: Il- 
lustrated with a great Variety of Examples from the best 
English Poets; and of Translations from the Ancients. 
16mo. London: Printed for J. Newbery, at the Bible and 
Sun in St. Paul’s Church-yard. 1761-1762. 

Two Volumes. 


With an engraved frontispiece by Walker. 


THE CIrTizEN OF THE Wor LD; or, Letters from a 
Chinese Philosopher, Residing in London, to his Friends in 
the East. 16mo. London: Printed for the Author; and 
Sold by J. Newbery and W. Bristow, in St. Paul’s Church- — 
yard. 1762. | 


' Two Volumes. 


Tre Lire or Ricuarp NasH, oF Batu, Esa.; 
Extracted principally from His Original Papers. [ Quota- 
tion.] Horace. [Vignette.] 8vo. London: Printed for 
J. Newbery, in St. Paul’s Church-yard; and W. Frederick, 
at Bath. 1762. 

With a frontispiece portrait of Nash, engraved by Walker, 


after Hoare. 


An History or ENGLAND, in a Series of Letters 
from a Nobleman to his Son. [Quotation.] Horace. 
16mo. London: Printed for J. Newbery, at the Bible and 
Sun, in St. Paul's Church-yard. 1764. 


Two Volumes. 


Essays. By Mr. Goldsmith. Collecta revires- 
cunt. [Vignette, by Isaac Taylor.] 16mo. London: 
Printed for W. Griffin, in Fetter Lane. 1765. 


Tur BEAUTIES OF ENGLISH Porsy. Selected 
by Oliver Goldsmith. 16mo. London: Printed for Wil- 
liam Griffin, in Catherine Street, in the Strand. 1767. 
Two Volumes. 


[248 Continued] - 

THE Goop Natur’p Man: A Comedy. As Per- 
formed at the Theatre-Royal in Covent-Garden. By Mr. 
Goldsmith. 8vo. London: Printed for W. Griffin, in 
Catherine-Street, Strand. 1768. 


THE Roman History; from the Foundation of 
the City of Rome, to the Destruction of the Western Em- 
pire. By Dr. Goldsmith. 8vo. London: Printed for S. 
Baker and G. Leigh. 1769. 


Two Volumes. 


THE DEserTED VitLAcE, A Poem. By Dr. 
Goldsmith. [Vignette, by Isaac Taylor. ‘The sad his- 
torian of the pensive plain.’] 4to. London: Printed for 
W. Griffin, at Garrick’s Head, in Catherine-street, Strand. 
1770. 


This is a late issue of the first edition. 


THE Lift oF Henry St. Joun, Lorp Viscount 
Bouinesroke. [Vignette.] 8vo. London: Printed for 
T'. Davies, in Russel-Street, Covent-Garden. 1770. 


Tue Lire or Tuomas Parnetyi, D.D., Arch- 
deacon of Glogher. Compiled from Original Papers and 
Memoirs: in which are included Several Letters of Mr. 
Pope, Mr. Gay, Dr. Arbuthnot, etc., ete. By Dr. Gold- 
smith. 8vo. London: Printed for T.. Davies, in Russel- 
Street, Covent-Garden. 1770. 


THe Purim or Nature: A ‘True History. 
Found amongst the Papers of Father Quesnel. ‘Translated 
from the original French of Mons. de Voltaire. 16mo. 
London: Printed for T. Carnan, at No. 65, in St. Paul’s 
Church-yard. 1771. 

Tur History oF ENGLAND, from the Earliest 
times to the Death of George II. By Dr. Goldsmith. 8vo. 
London: Printed for T. Davies, in Russel-Street. 1771. 
Four Volumes. 


[248 Continued | 


Dr. GoLpsmMITH’s Roman History. Abridged 
by Himself for the Use of Schools. [Vignette.] 16mu. 
London: Printed for S. Baker and G. Leigh, in York- 
Street. A772. 


SHE Srooprs TO CONQUER: oR, THE MISTAKES 
oF A Nicot. A Comedy. As it is Acted at the Theatre- 
Royal in Covent-Garden. Written by Doctor Goldsmith. 
8vo. London: Printed for F. Newbery, in St. Pauls 
Church-yard. 1773. 


RETALIATION: A Poem. By Doctor Goldsmith. 
Including Epitaphs on the Most Distinguished Wits of this 
Metropolis. [Vignette portrait of Goldsmith.] 4to. Lon- 
don: Printed for G. Kearsly, at No. 46, in Fleet-Street. 
1774. 


AN History oF THE EARTH, AND ANIMATED 
Nature. By Oliver Goldsmith. 8vo. London: Printed 
for J. Nourse, in the Strand, Bookseller to His Majesty. 
1774. 


Hight Volumes. 


THE GRECIAN History, from The Earliest State 
to the Death of Alexander the Great. By Dr. Goldsmith. 
8vo. London. 1774. 

Two Volumes. 


THE Comic RoMANCE OF MONSIEUR SCARRON. 
Translated by Oliver Goldsmith. 16mo. London: Printed 
W. Griffin, in Catherine Street, Strand. 1775. 


Two Volumes. 


Tue Hauncu or VENISON. A Poetical Epistle 
to Lord Clare. By the late Dr. Goldsmith. With a Head 
of the Author. 4to. London: Printed for G. Kearsly, in 
Fleet Street; and J. Ridley, in St. James's Street. 1776. 


oa ae ae eee 


[248 Continued | 


249 


A SURVEY OF EXPERIMENTAL PHILOSOPHY, con- 
sidered in its Present State of Improvement. Illustrated 
with cuts. By Oliver Goldsmith, M.B. 8vo. London: 
Printed for T'. Carnan and F'. Newbery, jun., at Number 
65, in St. Paul’s Church-yard. 1776. — 


Two Volumes. 


Tue Vicar oF WAKEFIELD. A Tale. By Oliver 
Goldsmith, M.D. A New Edition. Six Illustrations by 


‘Lafitte, engraved by L’Epine. 12mo. London. 1793. 


First Illustrated Edition. 


THE PoreticaL Works OF OLIVER GOLDSMITH, 
containing his Deserted Village, Traveller, Hermit, Retalia- 
tion, Miscellanies, Prologues, E;pilogues, Songs, Elegies, 
Epitaphs, etc., etc., ete.; with the Life of the Author. 
12mo. Paris: Printed for Theophilus Barrios, junior; 
Bookseller; Quay Voltare, No. 8. 1803. 


Tue Lire AND ADVENTURES OF OLIVER GOLD- 
smMITH. A Biography in Four Books. By John Forster. 
With 40 Illustrations and an engraved extra title. 8vo. 
London. 1848. 

Together, 44 volumes. London. v. p.,v.d., 0. 8. 


Full green crushed levant morocco, with gold-tooling on 
back and inside edges, gilt edges, by Riviere. 


GOLDSMITH, Ontver. 


THE DESERTED VILLAGE, A Poem. By Dr. Goldsmith. 
Small 8vo. London: Printed for W. Griffin, at Garrick’s 
Head, in Catherine-street, Strand. 1770. 


The Earutsst Issuz of the First Epirion, published on May 
26, 1770, and extremely rare. This issue has the typographical 
errors which were corrected in later reprints. 

Full green crushed levant morocco, with borders of filleted 
lines, gilt edges, by Leighton. 


250 GOLDSMITH, Ouiver. 


251 


252 


THE TRAVELLER; or, A Prospect of Society. A Poem. 
Inscribed to the Rev. Mr. Henry Goldsmith, by Oliver 
Goldsmith, M.B. 4to. London: Printed for J. Newbery, 
in St. Paul’s Church-yard. 1765. 

First Eprrion. 

This copy includes the half-title preceding the title, and the 
two pages of advertisements at the back listing Newbery’s publica- 
tions. 

Full green crushed levant morocco, gilt edges, by Riviere. 


GOLDSMITH, Oxtrver. 

THE Vicar OF WAKEFIELD: A Tale. Supposed to be 
written by Himself. Sperate miseri, cavete felices. 16mo. 
Salisbury: Printed by B. Collins, for F. Newbery, in Pater- 
Noster-Row, London. 1766. 

Two Volumes. 

First Eprrion. A beautiful copy of this rare book. 

Full olive-green crushed levant morocco, with a gold-tooled 
design on the covers in the style of Roger Payne, edges gilt on 
the rough, by Riviére. 

GOLDSMITH, Ontver. 

THE VicAR OF WAKEFIELD. By Oliver Goldsmith. With 
32 illustrations by William Mulready, R.A. 8vo. Lon- 
don. 1843. 

Six Volumes. 


Extra-ILLustraTepD Copy, one volume extended to six by the 
insertion of $29 extra-illustrations. The illustrations include a 
complete set of the wood-engravings after Mulready’s designs, 
proofs on India paper, without text, which are very rare; the fine 
series of colored plates after Rowlandson; sets by Johannot and 
Stothard, proofs before letters, Pinwell’s wood-engraved illustra- 
tions, the series by Hammond, the illustrations by Hugh Thomson, 
the plates by Cruikshank, proofs of the frontispiece and vignette 
to Walker’s small edition, an original drawing by Tony Johannot, 
the set of etchings by Lalauze, and many other illustrations. 

Full dark brown crushed levant morocco; on the front cover of 
each volume is inlaid a figure in various colored moroccos, the fig- 


[252 Continued] 


253 


254 


255 


ure being taken in each instance from one of Rowlandson’s illus- 
trations, that on Volume I being a portrait of the “Vicar”; doub- 
lure and flies of silver-gray watered-silk, gilt top, uncut, by Kelly. 


GOLDSMITH, Ottver. 


THE Vicar oF WAKEFIELD. By Oliver Goldsmith. With 
32 Illustrations by William Mulready, R.A. 8vo. Lon- 
don: John van V oorst, Paternoster Row. 1848. 

Four Volumes. 
Extra-Iniustratep, with special title-pages, and extended to 
4 volumes, by the insertion of 270 plates; including the title to 
the Ogilvy and Speare edition of 1792; a portrait of Goldsmith, 
engraved by Freeman after Sir Joshua Reynolds; and illustrations 
to the story drawn by George Cruikshank, Meissonier, T. Johannot, 
G. J. Pinwell, T. Stothard, and Hugh Thomson; and the colored 
etchings of 'T. Rowlandson. 
Full green crushed levant morocco, with yellow flowers and 
scattered petals, in inlaid leathers, on sides, backs, and inside 
corners, dotblure and flies of vellum, gilt top, uncut, by Kelly. 


GONCOURT, Epmonp ET JULES DE. 

RENEE Mavurerin. Par Edmond et Jules de Goncourt. 
Edition ornée de dix compositions a |’eau-forte par James 
Tissot. 8vo. Paris. 1884. 


Exemplaire No. 44 de 50 sur papier impérial du Japon, avec 
les épreuves des eaux-fortes tirées avant la lettre sur papier du 
Japon, et signées par l’artiste, et une seconde épreuve sur papier 
de Hollande. 

Full dark blue crushed levant morocco, decorated with bands 
of filleted lines and mitered corners, gilt top, uncut, by Affolter. 


GONCOURT, Epmonp ET JULES DE. 

La Femme av Drx-Hutirieme Strcrte. Par Edmond et 
Jules de Goncourt. Nouvelle édition, revue, augmentée et 
illustrée de soixante-quatre reproductions sur cuivre, par 
Dujardin, d’aprés des originaux de l’époque. 4to. Paris. 
1887. 


No. 9 de soixante-quinze exemplaires sur papier du Japon. 
Full brown crushed levant morocco, with a silk panel on front 


[255 Continued | 


256 


257 


cover, with a female figure with two cupids painted in water-colors, 
with decorative corners, doublure and flies of pink watered-silk, gilt 


edges, by Stikeman. 


GONTAUT, JosEPHINE, DUCHESSE DE. 

Memoirs OF THE DUCHESSE DE GontTAUT, Gouvernante 
to the Children of France during the Restoration, 1773- 
1836. Translated from the French by Mrs. J. W. Davis. 
With 14 illustrations, including 2 mezzotint proof frontis- 
pieces on India paper, signed, found in this edition only. 
8vo. New York. 1894. 

Two Volumes. 
Exrra-Initustratep, by the insertion of 54 plates, some in 
color, including numerous Degobert lithograph portraits, and en- 
gravings by Montaut, Murillon, Bosselman, and others. 
Full dark blue crushed levant morocco, with filleted borders, 
and the arms of Navarre and of France in center, gilt edges, by 
Rousselle. 


GOULD, Jon. 
Tue ComMpLeTE SET OF THE ORNITHOLOGICAL AND 
OTHER Works by John Gould, F.R.S., F.Z.S., etc., ete. 


Uniformly printed on heavy laid paper. The magnificent series 
of plates were drawn from nature, and on stone, by E. Gould, 
J. Gould, W. Hart, and J. Wolf, printed by C. Hullmandel, 
Walter, Walton, Cohn, and Mintern Bros., and colored by E. Lear, 
H. C. Richter, and W. Hart. All the plates were drawn from the 
original specimens collected by Mr. Gould, and these models were 
afterwards deposited by him in the Museum of the Zodlogical So- 
ciety at London, England. 


These superb volumes are as follows: 


A CENTURY OF BIRDS FROM THE HIMALAYA 


Mountains. By John Gould, A.L.S. Illustrated with 80 
full-page colored plates. London. [Privately Printed for, 
and Published by the Author.] 1881. 


[257 Continued | 
Tue Birps or Europe. By John Gould, F.L.S., 
etc. Illustrated with 449 full-page colored plates. Lon- 
don. 1887. 


_. Five Volumes. 


Tue Birps or Austratia. By John Gould, 
F.R.S., F.R.Geog.S., ete., etc. Illustrated with 681 full- 
page colored plates. London. 1848 

Seven Volumes. 


A MonocraPH OF THE ODONTOPHORINA; OR, 
PaRTRIDGES OF AmeERICA. By John Gould, F.R.S., 
M.Rays., ete., etc. Lllustrated with 32 full-page colored 
plates. London. 1850. 


TueE Birps oF Asta. By John Gould, F.R.S., 
F’.R.Geogr.S., etc., ete. Illustrated with 530 full-page 
colored plates. London. 1850-1883. 


Seven Volumes. 


A MoNOGRAPH OF THE RAMPHASTIDA, or, F's- 
MILy OF Toucans. By John Gould, F.R.S., M.Rays., etc., 
ete. Illustrated with 51 full-page colored plates. London. 
1854. 


A MonocraPH OF THE TROCHILIDA; OR, F'A- 
MILY OF Humminc-Birps. By John Gould, F.R.S., of 
the Soc. of the Museum of Nat. Hist. of Strasbourg, etc., 
etc. Illustrated with 416 full-page colored plates. Lon- 
don. 1861. 

Five Volumes. 


Tue MamMats or Austrauisa. By John Gould, 
F.R.S., Hon. Memb. of the Royal Academy of Sciences of 
Turin, ete., etc. Illustrated with 182 full-page colored 
plates. London. 1863. 


Three Volumes. 


THE Brirps oF Austrauia. By John Gould, 
F.R.S., of the Tasmanian Society of Van Diemen’s Land, 


[257 Continued | 
etc., etc. SUPPLEMENT. Illustrated with 81 full-page col- 
ored plates. London. 1869. 


THE Birps oF GREAT Britain. By John Gould, 
F.R.S., ete. Illustrated with 367 full-page colored plates. 
London. 1873. 


Five Volumes. 


A MonoGRAPH OF THE TROGONIDA; OR, FAMILY 
oF Trocons. By John Gould, F.R.S., etc. Illustrated 
with 47 full-page colored plates. London. 1875. 


Tue Birps or NEw GUINEA AND THE ADJACENT 
Papuan Isianps, including many New Species recently 
discovered in Australia. By John Gould, F.R.S. Com- 
pleted after the Author’s death by R. Bowdler Sharpe, 
F.L.S., etc., Zoological Department, British Museum. I1- 
lustrated with 320 full-page colored plates. London. 1875- 
1888. | 


Five Volumes. 


A MonocGrapH oF THE TROCHILIDA, OR, FAMILY 
oF Hummine-Birps. By John Gould, F.R.S. Completed 
after the Author’s death by R. Bowdler Sharpe, F.L.S., 
etc., Zoological Department, British Museum. SuPpiE- 
MENT. Illustrated with 122 full-page colored plates, Lon- 
don. 1887. 

Together, 43 volumes. Folio. London. v. d. Contain- 
ing over 3000 exquisite full-page colored plates. 


All in Firsr Epirion. These volumes were originally issued 
in parts to the subscribers, and the complete series forms a monu- 
mental life-work, and of the greatest scientific value. , 
“The Works of Mr. Gould constitute a new epoch in the } 
history of Ornithology, from the boldness of the plan on which | 
they were executed, the number of new species added to science, 
and of doubtful species cleared away from previous obscurity; the 
unadorned fidelity of the descriptions; and the exquisite accuracy | 
of the plates, in which the utmost adherence to nature is united with 


[257 Continued | 


258 


259 


that felicitous effect which stamps the artist, and proves that grace 
and truthfulness may meet together. Again, Mr. Gould’s Works 
form in themselves an Ornithological Museum, pictorial it is true, 
but of such a character as to obviate the necessity of a collection 
of mounted specimens obtained at no trifling cost, and preserved, 
even where room can be afforded for them, not without the greatest 
trouble.”—London Times. 

Full crimson crushed levant morocco, with a gold-tooled panel 
on the covers, gilt edges, by Zaehnsdorf. 


GOUPIL BIOGRAPHICAL SERIES. 


A SET oF THIS MAGNIFICENT SERIES, all on Japan paper 
and in sumptuous bindings. 


The highest artistic skill has been secured for the publication 
of this magnificent series. The authors of the different volumes 
were selected because of their being authorities on the subject upon 
which they were to write; while the plates have been reproduced 
by the unique Goupil process from the rarest prints and paintings, 
many hitherto inaccessible, making these volumes and the accom- 
panying illustrations of great permanent and historical value. 


The volumes are as follows [sold separately |: 


GOUPIL BIOGRAPHICAL SERIES. 
QUEEN ANNE. By Herbert Paul. 4to. Paris: Goupil 
et C*. 1906. 

JAPAN-PAPER Copy. No. 98 of 200 copies on Japanese paper. 
With a frontispiece in colors and a duplicate set of the plates 
inserted. 

Full brown crushed levant morocco, with a gold-tooled border 
on the covers, doublure of dark green crushed levant with a gold- 


tooled border, flies of brown ribbed silk, edges gilt on the rough, by 
Chambolle-Duru. 


GOUPIL BIOGRAPHICAL SERIES. 
CATHERINE DE Meépicis. Par Henri Bouchot. Ato. 
Paris: Goupil et C’e. 1899. 
JAPAN-PAPER Copy. No. 55 de 1,000 exemplaires. Contain- 
ing a colored frontispiece, and 48 full-page plates, with a dupli- 
cate set inserted. 


[259 Continued | 


260 


261 


Full dark green crushed levant morocco, with the royal mono- 
gram of Catherine de Medicis, surrounded with entwined bands of 
inlaid brown morocco, doublure of brown morocco with dentelle 
borders, flies of green brocaded-silk, edges gilt on the rough, by 
Chambolle-Duru. 


GOUPIL BIOGRAPHICAL SERIES. 


Cuartes I. By Sir John Skelton, K.C.B. 4to. Lon- 
don: Goupil & Co. 1898. 


No. 4 of 500 copies on Japanese paper, containing a colored 
frontispiece, and 41 full-page plates, and with a duplicate set of 
the plates inserted. 

Full dark brown crushed levant morocco, gold-tooled, doub- 
lure of dark blue crushed levant morocco, with a dentelle border in 
gold, and a hand-painted miniature of Charles I inserted under 
glass, flies of brown ribbed silk, edges gilt on the rough, by Cham- 
bolle-Duru. 


GOUPIL BIOGRAPHICAL SERIES. 


Cuartes II. By Osmund Airy, M.A., LL.D. 4to. 
Paris: Goupil & Co. 1901. 


JAPAN-PAPER Copy. No. 74 of 300 copies on Japanese paper, 
with a frontispiece in colors, and a duplicate set of the plates 
inserted. : 

Full brown crushed levant morocco, with a gold-tooled panel 
on the covers, doublure of bright green crushed levant with simple 
gold-tooling, flies of brown ribbed-silk, edges gilt on the rough, 
by Chambolle-Duru. 


GOUPIL BIOGRAPHICAL SERIES. 


Prince CHartes Epwarp. By Andrew Lang. Ato. 
Paris: Goupil & Co. 1900. 


No. 114 of 350 copies on Japanese paper, containing a col- 
ored frontispiece, and 47 full-page illustrations, and with a dup- 
licate set of the plates inserted. 

Full brown crushed levant morocco, doublure of dark brown 
morocco, the whole tooled in gold with decorative borders of scrolls, 
floriated figures and filleted lines, flies of steel-gray brocaded silk, 
edges gilt on the rough, by Chambolle-Duru. 


263 


264 


265 


266 


GOUPIL BIOGRAPHICAL SERIES. 
OLIVER CromweELL. By Samuel Rawson Gardiner. 
4to. Paris: Goupil & Co. 1899. 


No. 62 of 350 copies on Japanese paper, containing a colored 
frontispiece, and 45 full-page illustrations, and with a duplicate 
set of the plates inserted. 

Full dark blue crushed levant morocco, with borders and 
bands deeply tooled in gold, doublure and flies of red and blue 
brocaded-silk, gilt top, uncut, by Ruban. 


GOUPIL BIOGRAPHICAL SERIES. 

QUEEN EnizapeTH. By the Right Rev. Mandell 
Creighton, D.D. 4to. Paris: Boussod, Valadon, & C’. 
1896. 

No. 26 of 100 copies on Japanese paper, containing a frontis- 
piece in color, 9 full-page plates, and 39 text illustrations, and 
with a duplicate set of the plates inserted. 

Full wine-colored crushed levant morocco, with the Eliza- 
bethan coat-of-arms in center, surrounded with compartments deco- 
rated with Aldine tooling, and with crowns and Tudor roses in 
inlaid leathers in corners, doublure of brown crushed levant morocco, 
with Tudor roses in mosaic, flies of brocaded-silk, gilt top, uncut, 
by Ritter. 


GOUPIL BIOGRAPHICAL SERIES. 
Henry VIII. By A. F. Pollard, M.A. 4to. London: 
Goupil & Co. 1902. 
JAPAN-PAPER Copy. No. 74 of 250 copies on Japanese paper, 
with a frontispiece in colors and a duplicate set of the plates in- 


serted. 

Full dark brown crushed levant morocco, with a gold-tooled 
border on the edges of the covers, doublure of brown crushed 
levant, with a blind-tooled border, flies of brown silk, edges gilt on 
the rough, by Chambolle-Duru. 


GOUPIL BIOGRAPHICAL SERIES. 
JamMEs I anp VI. By T. F. Henderson. 4to. Lon- 
don: Goupil & Co. 1904. 


[266 Continued | 


267 


268 


269 


JAPAN-PAPER Copy. No. 94 of 200 copies on Japanese paper, 
with a frontispiece in colors and a duplicate set of the plates in- 
serted. 

Full dark brown crushed levant morocco, with a blind-tooled 
border and gold-tooled filleted lines on the covers, doublure of red 
crushed levant morocco with a gold-tooled border, flies of brown 
ribbed silk, edges gilt on the rough, by Chambolle-Duru. 


GOUPIL BIOGRAPHICAL SERIES. 


JOSEPHINE: Impératrice et Reine. Par Frédéric Mas- 
son. 4to. Paris: Goupil et C’’, 1899. 


No. 113 de 150 exemplaires sur papier des manufactures im- 
périals du Japon. Containing a colored frontispiece, and 41 full- 
page plates; and with a duplicate set of the illustrations inserted. 

Full green crushed levant morocco, with decorations in gold 
of conventional designs, doublure of wine-colored morocco, with 
the royal initial “J’’ surmounted by a crown, and with wreaths 
in corners, flies of green and orange brocaded-silk, edges gilt on 


the rough, by Chambolle-Duru. 


GOUPIL BIOGRAPHICAL SERIES. 


Louis XV Et MapAME DE Pompapour. Par Pierre de 
Nolhac. 4to. Paris: Goupil & C’e. 1908. 


JAPAN-PAPER Copy. No. 13 of 100 copies on Imperial Jap- 
anese paper, with a frontispiece and a portrait of Louis XV in 
colors, and a duplicate set of the 50 photogravure plates inserted. 

Full lilac crushed levant morocco, with a panel on the covers 
of three filleted lines, with outside gold-tooled decorations in the 
French eighteenth-century manner, doublure of light green crushed 
levant, with gold-tooled corner-pieces and filleted lines, flies of 
brocaded-silk, edges gilt on the rough, by Chambolle-Duru. 


GOUPIL BIOGRAPHICAL SERIES. 


Louis XV ev Marie Leczinsxa. Par Pierre de Nolhac. 
4to. Paris: Gouptl & C*e. 1900. 
JAPAN-PAPER Cory. No. 16 of 100 copies on Imperial Jap- 


anese paper, with a frontispiece in colors, and a duplicate set of 
the 48 photogravure plates inserted. 


en eer 


ee A ee a a es 


- 


a re ee ee ee 


[269 Continued | 


270 


271 


272 


Full blue crushed levant morocco, with a gold-tooled panel in 
the French eighteenth-century manner on the covers, doublure of 
pink crushed levant, with a gold-tooled border, flies of brocaded- 
silk, edges gilt on the rough, by Chambolle-Duru. 


GOUPIL BIOGRAPHICAL SERIKS. 


La DavwPHINE Mariz-ANTOINETTE. Par Pierre de Nol- 
hac. 4to. Paris: Boussod, Valadon et C’’. [1896.] 


JAPAN-PAPER Copy. Exceedingly scarce. 

No. 59 of 75 copies on Imperial Japanese paper, containing 
a frontispiece portrait reproduced in color, and 38 photogravure 
plates, and with a duplicate set of the plates inserted. 

Full royal blue crushed levant morocco, with gold-tooled 
borders on sides of filleted lines, doublure of red crushed levant 
morocco with gold-tooled borders, gray brocaded-silk flies, edges 
gilt on the rough, by Chambolle-Duru. 


GOUPIL BIOGRAPHICAL SERIES. 


La REINE Marie-ANTOINETTE. Par Pierre de Nolhac. 
4to. Paris: Boussod, Valadon et C'*. 1890. 

Excessively scarce and valuable. 

JAPAN-PAPER Copy. No. 42 of 50 examples on Japan paper, 
with a frontispiece in colors, and a duplicate set of the plates in 
tint. 

Full dark blue crushed levant morocco, with a gold-tooled 
panel in the French manner on the covers, doublure of blue levant, 
flies of white brocaded-silk, edges gilt on the rough, by Chambolle- 
Duru. 


GOUPIL BIOGRAPHICAL SERIES. 


Marie-CarouingE, DucHESsSE DE BERRY. 1816-1830. 
Par Vicomte de Reiset. 4to. Paris: Goupil & C'’. 1906. 


JAPAN-PAPER Copy. No. 89 of 130 examples on Imperial 
Japanese paper, with a frontispiece in colors, and a duplicate set 
of the plates inserted. | 

Full blue crushed levant morocco, with a gold-tooled border on 
the covers, doublure of red crushed levant with a gold-tooled border, 
flies of blue ribbed silk, gilt edges, by Chambolle-Duru. 


273 


275 


GOUPIL BIOGRAPHICAL SERIES. 
L’Impéiratrice Marie-Louise. Par Frédéric Masson. 
4to. Paris: Goupil & C'’. 1902. 

Japan-parer Copy. No. 31 of 150 copies on Imperial Jap- 
anese paper. With a colored frontispiece portrait, and 50 full- 
page illustrations, and with an extra set of the plates inserted. 

Full green crushed levant morocco, with an outside border of 
a Grecian pattern, tooled in gold, and an inner decorative border 
in the Empire style on the front cover, with inlays of pink mor- 
occo; doublure of mulberry crushed levant, with a border in the 
Empire style, flies of brocaded-silk, edges gilt on the rough, by 
Chambolle-Duru. 


GOUPIL BIOGRAPHICAL SERIES. 
Mary Stuart. By John Skelton. 4to. London. 1893. 


No. 213 of 300 copies on Japanese paper, containing a col- 
ored frontispiece, and 40 full-page plates, and with a duplicate set 
of the plates inserted. 


Full blue crushed levant morocco, with the arms of England | 


tooled in gold in center, surrounded with borders decorated with 
a crown and the royal initial “M,” fleur-de-lis, and the rampant 
Scottish lion, doublure of cream-colored morocco, studded with the 
royal initial and crown, rampant lion, and flower of France, in 
mosaic, flies of blue and gray brocaded-silk, gilt top, uncut, by 
Ritter. 3 


GOUPIL BIOGRAPHICAL SERIES. 
CAVALIERS DE NAPOLEON. Par Frédéric Masson. I[I]- 


lustrations d’aprés les tableaux et aquarelles d’Edouard 
Detaille. 4to. Paris. [1895.] 


Exemplaire No. 11 de 75 sur papier du Japon, d’une suite 
des [82] planches tirées en bistre avant la lettre, chaque exem- 
plaire porte la signature autographe de M. Edouard Detaille. 

Full dark blue crushed levant morocco, with an Empire border 
gold-tooled on the sides, doublure of red crushed levant morocco, 
with a Greek border in gold, flies of brocaded-silk, edges gilt on 
the rough, by Chambolle-Duru. 


276 GOUPIL BIOGRAPHICAL SERIES. 
NaPoLEON ET son Firs. Par Frédéric Masson. 4to. 
Paris: Goupil & C'’. 1904. 

JAPAN-PAPER Copy. No. 71 of 130 copies on Japanese paper, 
with a duplicate frontispiece in colors, and a duplicate set of the 
plates inserted. 

Full yellow crushed levant morocco, with a gold-tooled border 
in the Empire style on the covers, doublure of dark green crushed 
levant, with an Empire border, flies of light green brocaded-silk, 
gilt edges, by Chambolle-Duru. 


277 GOUPIL BIOGRAPHICAL SERIES. 


THE Exectress SopHi4A AND THE HANOVERIAN Suc- 
CESsION. By Adolphus William Ward, Litt. D., Hon. 
LL.D., Master of Peterhouse, Cambridge. 4to. London: 
Goupil & Co. 1903. 

JAPAN-PAPER Copy. No. 98 of 250 copies on Japanese paper, 
with a duplicate frontispiece in colors, and a duplicate set of the 
plates inserted. 

Full olive green crushed levant morocco, with a gold-tooled 

panel on the covers, doublure of dark red crushed levant with a 
gold-tooled border, flies of dark green silk, gilt edges, by Cham- 
bolle-Duru. 


278 GOUPIL BIOGRAPHICAL SERIES. 
QUEEN Victoria. By Richard R. Holmes, F.S.A. Ato. 
New York. 1897. 

No. 57 of 100 copies on Japan paper, containing a colored 
frontispiece portrait, and 40 illustrations, and with a duplicate 
set of the plates inserted. 

Full red crushed levant morocco, with flowers in inlaid leathers 
on back and front cover, doublure of dark green crushed levant 
morocco with a filleted border, flies of heavy brocaded-silk, edges 
gilt on the rough, by Chambolle-Duru. 


279 GOWER, Jon. 
Jo. GOWER, DE CONFESSIONE AMANTIS. 4to. Imprinted 


at London in Flete-strete, by Thomas Berthelette, the XII. 
daie of Marche. An. M.D.LIIII. Cum Privilegio. 


[279 Continued | 


280 


281 


282 


Berthelette’s famous edition, which is dedicated to King Henry 
Vill. 

Printed in Biracx Lrerrer, two columns to the page, of 48 
lines each, with the title in a woodcut border. A large and sound 
copy, with headlines, catchwords, and side-notes intact; containing 
both the preface and table of contents, frequently wanting. 

Full brown crushed levant morocco, with filleted lines and 
blind-tooling on sides and back, edges gilt on the rough, by Riviére. 


GOWER, Lorp Rona xp. 


Sir JosHua Reynoups. His Life and Art. By Lord 
Ronald Sutherland Gower, F.S.A. 12mo. London. 1902. 


With 89 illustrations after Sir Joshua Reynolds’s paintings. 

Full green crushed levant morocco, Janseniste, with an oval 
miniature portrait of the Countess Spencer after Reynolds’s paint- 
ing inserted in the front cover, gilt edges, by Riviére. 


GRAMMONT, Count. 


Memorrs or Count Grammont. By Anthony Hamil- 
ton. A New Edition, to which are Prefixed, A Bio- 
graphical Sketch of Count Hamilton, and a Translation 
of the Epistle to Count Grammont. Illustrated with 64 
portraits, engraved by Edward Scriven, being proof im- 
pressions, etc. 8vo. London. 1811. 

Two Volumes. 


This is the most valued edition of Grammont’s “Memoirs,” 
and contains notes by Sir Walter Scott. 

Extra-ILLusTRaTeED, by the insertion of numerous porate 
of the celebrities mentioned in the “Memoirs”; engraved by Van- 
denburg, Gardiner, Clamp, Le Goux, Birrell, Sheneker, Schiavo- 
netti, etc., etc.; after paintings by Harding, Lely, Van Dyck, 
Kneller, etc., etc. 

Full wine-colored crushed levant morocco, with gold-tooled 
borders and back in the style of Roger Payne, gilt edges, by 


Riviére. 
GRAMMONT, Count. 


Memoirs oF Count Grammont. By Anthony Hamil- 
ton. Edited, with Notes, by Sir Walter Scott. With a 


[282 Continued | 
portrait of the Author and 33 etchings by L. Boisson on 
India-paper, from Original Compositions by C. Delort. 
4to. Philadelphia and London. 1889. 


Two Volumes. 

No. 447 of '780 copies, numbered as issued. 

Extra-ILLustTrRATED, and extended to 2 volumes, by the in- 
sertion of a set of etchings by Chauret, proofs before letters, 
another set of the same in “Kawa-fortes pures”’; a complete set of 
the “Court Beauties of Charles II,” by Mrs. Jameson; a set of 
proofs by Chaquet, and a number of rare portraits engraved by 

“St. Aubin, Scriven, Harding, Roy, Marcenay, and others. 

Full dark blue crushed levant morocco, with a gold-tooled 

border on the sides, gold-tooled inside edges, gilt edges, by Lortic. 


288 GRANT, GENERAL ULyssEs SIMPSON. 


A COLLECTION OF ORIGINAL DISPATCHES 
AND LETTERS OF GENERAL U. S. GRANT; 
chiefly in His Handwriting. | 

Vol. I, July 9, 1864—April 7, 1865. With an engraved 
frontispiece portrait of Grant, by Hall. Vol. II, August 
26-28, 1867. ‘Together, 2 volumes, as follows: 

Volume I of this EXTREMELY VALUABLE COLLECTION contains 
295 letters of General Grant, in his handwriting, being dispatches 
addressed from City Point, Gravely Run, Dabney Mills, and Suth- 
erland Station, in Virgina. Also: 


A. L. S. from Grant to President Andrew Johnson. 

A. L. S. from Grant to Congress. 

A. L. S. from General Joseph E. Johnston to Grant. 

A. L. S. from Mrs. P. D. White to Grant. 

A. L. S. from Mr. D. McIntyre to General John Adams Dix. 

A. L. S. from Robert T. Lincoln to Grant, and to Major 
Leeh. (2) 


2 
A. L. S. from Gen. George G. Meade to Col. Joseph K. 
Barnes, and to Major Leeh. (2) 

A. L. S. from Gen. John Pope. 

A: L. S. from Charles Colfax to Grant. 

And the Roster of the officers in the Rebel Army in Virginia 
under General Robert E. Lee, at the time of Lee’s surrender to 
Grant at Appomattox Court House. 


[283 Continued] 


284 


285 


Vol. II contains the original MS. Correspondence between 
President Andrew Johnson and General U. S. Grant, which was 
not permitted to be preserved in the Government archives, regard- 
ing the famous dispute between them in respect to the transfer of 
General George H. Thomas, General Winfield S. Hancock, and 
General P. H. Sheridan from their respective commands, to satisfy 
the personal and political whim of President Johnson in his quarrel 
with Stanton, when Secretary of War, just previous to the Presi- 
dent’s attempted impeachment by Congress, and while Grant was 
Secretary of War, ad interim. The volume contains: 

A. L. S. of Andrew Johnson to Grant (1 page) in his hand, 
dated “Executive Mansion, Washington, D. C., Aug. 28, 1867.” 
Signed “Andrew Johnson.” 

L. S. of General U. S. Grant to President Andrew Johnson, 
in the autograph of his Secretary, dated “Head-Quarters Armies 
of the United States, Washington, D. C., Aug. 26, 1867 (4 
pages). Signed “U.S. Grant, Sec. of War, ad int.” 

Together, 2 volumes. Ato. 

Full dark blue crushed levant morocco, with borders of deco- 

rative lines with laurel wreaths in corners, gilt edges, by Bradstreet. 


GRAY, Tuomas. 

Tuer PorticaL Works or THomas Gray, LL.B. With 
Some Account of His Life and Writings. The Whole 
Carefully Revised, and Illustrated by Notes. To which 
are annexed, Poems, addressed to, and in memory of, Mr. 
Gray. Second Edition. 12mo. London: Printed by C. 
Whittingham. 1800. 

Illustrated with a portrait and 6 engravings. 


Full dark blue crushed levant morocco, gold-tooled inside 
edges, gilt edges, by David. 


GREEN, Joun Ricwarp. 


A SHort History oF THE EnGuisH PEopLe. By J. R. 
Green, M.A. Illustrated Edition. Edited by Mrs. J. R. 
Green and Miss Kate Norgate. 8vo. London. 1892. 


Eight Volumes. 


[285 Continued | 


286 


287 


Extra-ILLustTRATED, and extended to 8 volumes, by the inser- 
tion of 640 plates, many being proof impressions, of rare, in- 
teresting, and choice portraits of all the English and Scotch kings 
and queens, statesmen, royalty, celebrities, and foreign personages ; 
historic scenes, battles, and places, rare prints showing the manners 
and customs of England for all times, etc., etc. Also, colored 
satirical drawings, by Gillray, Rowlandson, etc.; passes to the 
coronations of George IV and Queen Victoria; letterpress of the 
Commonwealth Mercury for September, 1658, giving an account 
of the death of Cromwell, inserted. The portraits are after paint- 
ings by Holbein, Raphael, Vertue, Chasselat, Hamilton, Stothard, 
Lely, Vandyke, Walker, Hoppner, Sir Thomas Lawrence, West, 
Reynolds, Ramsay, etc., etc., and are engraved by Hassell, Gri- 
gnion, Ridley, Cooke, Chapman, Hulsbergh, Mackenzie, Worthing- 
ton, Vanderbanck, Harding, Goldar, White, Scriven, Gaillard, Holl, 
Hollar, Posselwhite, Schiavonetti, Bromley, Gucht, Stainer, Wool- 
noth, Bonneville, Picart, Hall, Collyer, Condé, Finden, Freeman, 
Heath, Moncornet, etc., etc. Also, a set of engravings illustrating 
English historical scenes, by David. 

Full red crushed levant morocco, with clusters of roses, thistles, 
and clover leaves, inlaid in green, yellow, and blue morocco, doub- 
lure and flies of vellum, gilt top, uncut. 


GREGO, JosEryH. 

THE REMINISCENCES AND RECOLLECTIONS OF CAPTAIN 
Gronow. Being Anecdotes of the Camp, Court, Clubs, 
and Society, 1810-1860. With Portrait, 4 Woodcuts, and 
20 Etched and Aquatint Illustrations from Contemporary 
Sources. By Joseph Grego. 8vo. London. 1889. 

Two Volumes. 
No. 597 of 870 copies on Whatman paper, with 25 illustra- 
tions in duplicate inserted. 
Full brown crushed levant morocco, with filleted borders on 
sides, gold-tooled inside edges, silk flies, gilt top, uncut, by Mac- 
donald. 


GREY, Lapy JANE. 

Memorrs AND REMAINS oF Lapy JANE Grey. By Nich- 
olas Harris Nicolas, Esq. New Edition. 8vo. London. 
1831. 


[287 Continued | 


288 


289 


Exrra-Iutustratep, by the insertion of 6 choice portraits, 
after Holbein and others, some proofs on India paper, with a fold- 
ing plate showing the pedigree of Lady Jane Grey. 


Full purple straight-grained morocco, with blind-tooled borders 


and gold center-pieces, gilt top, uncut. 


GRIMM, Jaxozs and WILHELM. 


HovusEHoup Stories; from the Collection of the Bros. 
Grimm. Translated from the German by Lucy Crane; 
and done into pictures by Walter Crane. 8vo. London. 
1882. 


Larce-paPer Copy. With a pictured title. From the Library 
of Sir Frederick Leighton, with his autograph signature, “Fred. 
Leighton, Jan., 1885,” on fly-leaf. 

Full cherry crushed levant morocco, with borders of Tudor 
roses and leaves, and corners in pointillé, with rose-vines on inside 


borders, and gilt and gauffered edges, by Cobden-Sanderson. 


GROLIER, Jean. 


Hieronymi Carpani Mepic1 MEDIOLANENSIS DE SUB- 
TILITATE Libri X-XI. Ad illustriss. Principem Ferrandum 
Gonzagam, Mediolanensis provincize Praefectum. [ De- 
vice.]| Norimbergae apud Ioh. Petreium, iam primo im- 
pressum. Folio. Anno M. D. L. 


Grouier’s Copy with a binding of characteristic design and 
treatment, and the words “Io. Grotiern er AmicoruM” in the 
border at the bottom of the front cover. A beautifully printed 
volume with woodcut illustrations. 

A superb book in perfect preservation and with the sides of 
great beauty and freshness. This copy first appeared in the 
MacCarthy Collection, and can be traced down through the De 
Bure, Yemeniz, Techener, Guyot, and Villeneuve collections. The 
last named was the well-known President of the Société des Biblio- 
philes Francaise. 

Old brown calf with arabesques of painted black bands forming 
compartments, some of which are filled in with gold pointillé, with 
the title lettered in the central compartment and the words “Io. 
Grouiern ET Amicorum” at the bottom of the front cover, and 
with Aldine gold-tooling, gilt edges. [See Frontispiece, Vol. II.] 


| 
| 
i 
| 
; 


239A GROLIER, JrEan. 


290 


PoNTANI Opera. YVrania, sine de Stellis; Meteororum; 
De Hortis hesperidum; Lepidina sine postorales pompe 
septem-Item-Meliseus-Mzon Acon; Hendeat syllaborum; 
Tumulorum; Neniz; Epigrammata. Quz uero in toto 
opere habeantur in Indice qui in calce est, licet nidere. 
[ Aldine device.] [Colophon.| Small 8vo. Venetiis in 
Aedibus Aldi, et Andree Asulan Soceri. M.D.XITI. 


: GrouieR’s Copy. On the title appears, Jo. Grolierius Copi- 


arum Gallica Rum Quaestor Eaureniio Raboto D.D., written with 
ink. This rare Aldine contains 258 pages, and an index, and 58 
initial letters in red and gold drawn in by hand. 

Full black morocco, a contemporary binding, with borders 
and designs in the Grolier fashion, title on front cover, with “Gro- 
LIERI ET AmIcoRUM” stamped on back cover, gilt edges. 


GROLIER CLUB PUBLICATIONS. 


A SET OF THE RARER PUBLICATIONS OF THE GROLIER 
CLUB OF THE City oF NEw YORK, MOSTLY ON VELLUM. 
Arranged in order of publication, as follows [sold sepa- 
rately |: 


GROLIER CLUB PUBLICATIONS. 


A DecrEE or STarR CHAMBER CONCERNING 
Printinc. Made July 11, 1637. 8vo. Reprinted by the 
Grolier Club, from the First Edition by Robert Barker, 
1637. [New York. 1884. ] 


Vettum Cory. The first book issued by the Grolier Club, this 
being copy No. 1 of 2 copies on vellum privately printed for the 
Grolier Club. This copy came from the Péne Du Bois collection; 
the other vellum copy being in the possession of the Grolier Club. 

Full dark brown crushed levant morocco, decorated after the 
style of Aldus, with parallel filleted lines, a border in blind tooling, 
the center panel containing the Grolier Club seal inlaid in colored 
leathers and finished in gold, doublure of red crushed levant 
morocco, with dentelle border, flies of red watered-silk, edges gilt on 
the rough, with the original covers preserved, by Lortic. 


291 


292 


293 


GROLIER CLUB PUBLICATIONS. 

A Decree or Star CHAMBER CONCERNING 
Printing. Made July 11, 1637. 8vo. Reprinted by the 
Grolier Club, from the First Edition by Robert Barker, 
1637. [New York. 1884. ] 


Hoxianp-parer Cory. No. 101 of 148 copies. 

Full dark green crushed levant morocco, elaborately decorated 
in mosaic in an antique design, with compartments of inlaid blue 
crushed levant, gold-tooled and surrounded by bands of yellow 
morocco, with conventional designs inlaid in red levant, doublure 
of yellow levant with a border of entwining bands of dark green 
levant, flies of dark green watered-silk, gilt edges, with the original 
covers preserved, by the Club Bindery. 


GROLIER CLUB PUBLICATIONS. 

RuBaAryvAt oF OmaR KuayyAm, The Astron- 
omer-Poet of Persia. Rendered into English verse by Ed- 
ward FitzGerald. 8vo. The Grolier Club of New York. 
1885. : 


Vettum Cory. One of 2 copies printed on vellum, with the 
head-pieces from examples in Owen Jones’s “Grammar of Orna- 
ment,” and the cover from an Oriental design in Audsley’s “Out- 
lines of Ornament.” 

Full red crushed levant morocco, with an elaborate Persian 
geometrical design on the covers inlaid in blue, green, white, and 
red levant, and gold-tooled, doublure of red crushed levant with 
a Persian design inlaid in green and blue levant, and gold-tooled 
in pointillé, vellum flies, edges gilt on the rough, with the original 
wrappers preserved, by Riviere. 


GROLIER CLUB PUBLICATIONS. 


RuBAIYAT OF Omar KuayyAm, The Astron- 
omer-Poet of Persia. Rendered into English verse by Ed- 
ward FitzGerald. 8vo. The Grolier Club of New York. 
1885. | 
JAPAN-PAPER Copy. No. 26 of 150 copies on Japan paper. 


Full dark blue crushed levant morocco, with the covers inlaid 
in an elaborate mosaic of olive, brown, yellow, maroon, white, and 


[298 Continued | 


294 


295 


red levant in a Persian design, all delicately gold-tooled, the back 
similarly inlaid and -gold-tooled, ;doublure of white crushed levant 
exquisitely gold-tooled with delicate flower and leaf-sprays, flies 
of pink brocaded-silk, edges gilt on the rough, by the Club Bindery. 


GROLIER CLUB PUBLICATIONS. 


(IRVING, WasHINGTON. | 

A History or New-York FROM THE BEGINNING OF THE 
WORLD To THE END oF THE Dutcu Dynasty; Containing, 
among many Surprising and Curious Matters, the Unutter- 
able Ponderings of Walter the Doubter, the Disastrous 
Projects of William the Testy, and the Chivalric Achieve- 
ments of Peter the Headstrong. By Diedrich Knicker- 
bocker. A New Edition, containing unpublished 
corrections of the Author, with illustrations by Geo. H. 
Boughton, Will H. Drake, and Howard Pyle, and Etch- 
ings by Henry C. Eno and F.. Raubicheck. 8vo. New 
York: Printed for the Grolier Club. 1886. 


Two Volumes. 


The edition consisted of 175 copies on Holland paper. With 
the etchings, forming frontispieces to each volume, in three states, 
and with the head and tail-pieces printed in brown. 

Full light brown crushed levant morocco, with the covers 
divided into geometrical compartments, inlaid in blue, maroon, and 
olive morocco, and tooled with tulips and leaf-sprays in gold, and 
with an outside border of an inlaid band of green morocco delicately 
gold-tooled, doublure of dark blue crushed levant, flies of dark red 
watered-silk, edges gilt on the rough, by the Club Bindery. 


GROLIER CLUB PUBLICATIONS. 


Pre WorFineton. By Charles Reade. In two 
volumes. 12mo. New-York: Printed for the Grolier Club. 
1888. 
VreutLum Copy, one of two copies printed on vellum. The head- 
bands, initials, and tail-pieces are from designs by C. M. Jencks. 
Full dark red crushed levant morocco, elaborately decorated 
with a trellis inlaid in gray, brown, green, and black levant with 


[295 Continued | 


296 


297 


flowers inlaid in blue and green, with an inlaid lyre at the top with 
branches of laurel and oak leaves tooled in gold, at the bottom a 
mask of comedy in gold, doublure of green crushed levant with 
borders of inlaid red morocco, with gold-tooling, flies of brocaded- 
silk, edges gilt on the rough, by Taffin. 


GROLIER CLUB PUBLICATIONS. 


DE VINNE, THeoporE. CHRISTOPHER PLAN- 
TIN AND THE PLantIN-Moretus Museum aT ANTWERP. 
By Theo. L. De Vinne. With Illustrations by Joseph 
Pennell, and others. 4to. Printed for the Grolier Club, 
New-York. 1888. 

Vextum Copy, 1 of 3 copies printed on vellum, one being in the 
Grolier Club Library. With a frontispiece portrait of Christopher 
Plantin reproduced from an engraving by Henri Goltzius, and 
illustrations printed in tints. 

Full red crushed levant morocco, with a conventionalized de- 
sign of grapes and grape-leaves gold-tooled on the covers, doublure 
of cream-colored pigskin with a bold gold-tooled design of grapes 
and grape-leaves, flies of pale pink brocaded-silk, edges gilt on the 
rough, by Miss. Prideaux. 


GROLIER CLUB PUBLICATIONS. 


BURY, Ricuarp DE. RicarpDI DE Bury PHILO- 
BIBLON EX Optimis Copicrsus ReEcreNsuiT. Versione 
Anglica necnon et Prolegomenis Adnotationibusque Auxit 
Andreas Fleming West in Collegio Princetoniz Professor. 
Pars Prima. Textus. Novi Eboraci: Typis et Impensis 
Societatis Grolieriane. 1889. . | 


THE PHILOBIBLON oF RicHAaRD DE Bury. Ed- 
ited from the best Manuscripts and Translated into Eng- 
lish, with an Introduction and Notes, by Andrew Fleming 
West, Professor in Princeton College. Part Second. 
English version. New York: Printed for the Grolier Club. 
1889. 


THE PHILOBIBLON OF RICHARD DE Bury. Ed- 
ited from the best Manuscripts and Translated into Eng- 


[297 Continued | 


298 


299 


lish, with an Introduction and Notes, by Andrew Fleming 
West. Part Third. Introductory Matter and Notes. New 
York: Printed for the Grolier Club. 1889. 
Together, 8 volumes. Small 4to. [New York.] 1889. 

Vetium Copy, one of three copies printed on vellum. The first 
part printed from Buiacx Lerrer types specially cast, with head- 
pieces, chapter ornaments, and initials from designs by James West, 
Charles M. Jencks, and George Wharton Edwards. The text 
profusely rubricated and the large capitals illuminated in gold. 
The Third Part is illustrated with facsimiles of the manuscript and 
early printed texts, and of the various seals used by de Bury. 

Full dark blue crushed levant morocco, with the covers deco- 
rated in a Grolieresque design of interlacing bands of inlaid brown 
levant, and with Aldine gold-tooling, doublure of brown crushed 
levant with Aldine tooling, flies of dark blue ribbed silk, edges gilt 
on the rough, by Chambolle-Duru. 


GROLIER CLUB PUBLICATIONS. 


MATTHEWS, Wruii1am. Mopern Boox- 
BINDING PRACTICALLY CONSIDERED. A Lecture read before 
the Grolier Club of New York, March 25, 1885, with addi- 
tions and new illustrations. By William Matthews. 4to. 
New York: The Grolier Club. 1889. 


VeLLuM Copy, one of three copies printed on vellum, with 8 
full-page illustrations reproducing examples of the different styles 
of binding. 

Full brown crushed levant morocco, richly decorated in a 
Maioli pattern, with a lattice-work border, floriated figures, etc., 


and with the Grolier Club seal inlaid in colored morocco in the 


center, doublure of dark brown crushed levant morocco, elaborately 
gold-tooled in the manner of Le Gascon, flies of crimson watered- 
silk, gilt top, uncut, by Zaehnsdorf. 


GROLIER CLUB PUBLICATIONS. 

MILTON, Joun. Areopaaitica. A speech of 
Mr. John Milton for The Liberty of Unlicensed Printing, 
to the Parliament of England. With an Introduction by 


[299 Continued | 


300 


301 


James Russell Lowell. 12mo. New York: The Grolier 
Club. 1890. ) 

One of 325 copies printed on Holland paper, with a frontis- 
piece portrait of Milton etched by G. Mercier after an engraving 
by Faithorne. 

Full brown crushed levant morocco, with panels of inlaid 
yellow and brown morocco, surrounded by bands of filleted lines 
and wreaths of laurel, doublure of wine-colored morocco, with 
filleted borders, flies of maroon ribbed silk, edges gilt on the rough, 
by the Club Bindery. 


GROLIER CLUB PUBLICATIONS. 

CONWAY, Moncure Daniet. Barons OF 
THE PoroMACK AND THE RappaHaNnock. By Moncure 
Daniel Conway. 8vo. New York: The Groher Club. 
1892. 


Vettum Cory, one of three copies printed on vellum, with 
three sets of the ten plates, one on vellum, one on Japan paper, 
and one on India paper. 

Full brown crushed levant morocco, with the seal of the Grolier 
Club tooled in gold on sides, a device of tobacco leaves and pipes 
inlaid in green morocco on corners, vellum doublure on which is 
stamped in gold the Fairfax coat-of-arms, vellum flies, gilt top, 
uncut, by Stikeman. 


GROLIER CLUB PUBLICATIONS. 

Tur CATALOGUE OF Books FROM THE LIBRARIES 
oR COLLECTIONS OF CELEBRATED BIBLIOPHILES AND ILLUs- 
TRIOUS PERSONS OF THE Past wiTH ARMS OR DEVICES UPON 
vue Brnpines. Exhibited at the Grolier Club in the month 
of January, 1895. 4to. New York: Published by the 
Grolier Club. 1895. 

VetLum Copy, one of three copies printed on vellum, with 24 
reproductions in black and white of book covers bearing the rarer 
historic arms. 

Full brown crushed levant morocco, decorated with a border 
of filleted lines and little circles, back tooled with a leaf design, 
doublure of brown crushed levant morocco, beautifully tooled with 
graceful scrolls of a leaf pattern which entirely covers the surface, 
vellum flies, edges gilt on the rough, by the Doves Bindery. 


802 


803 


304 


GROLIER CLUB PUBLICATIONS. 


DONNE, Jonun. THE Porems or JoHN DoNNE. 
From the text of the Edition of 1633. Revised by James 
Russell Lowell. With the various readings of the other 
editions of the seventeenth century, and with a preface, and 
introduction, and notes, by Charles Eliot Norton. 12mo. 
New-York: The Grolier Club. 1895. 


Two Volumes. 
VELLUM Copy, one of three copies printed on vellum. 
_ Full light brown crushed levant morocco, with honeysuckle 
blossoms inlaid in white levant, with curving lines, gold-tooled, on 
the covers, doublure and fijes of red crushed levant, gilt top, uncut, 


by Morrell. 


GROLIER CLUB PUBLICATIONS. 


CARLYLE, Tuomas. Two Nore Books of 
Thomas Carlyle. From 234 March, 1822, to 16" May, 
1832. Edited by Charles Eliot Norton. 8vo. New York: 
The Grolier Club. 1898. 


VeLtum Copy, one of three copies printed on vellum, with 
portraits of Carlyle in 1846 and 1876, etched by Alfred 
Jones. Inserted is an autograph note, “First Choice, Grolier Club, 
Jan. 26, 1899. Theo. L. De Vinne, Thomas G. Evans, Samuel P. 
Avery. Bought for Tiffany & Co., George F. Kunz.” 

_ Bound in covers of highly polished shark bone, bearing inlaid 
borders of the shark vertebre, the back a beautifully mottled snake- 
skin, flies of gray watered-silk, gilt top, uncut, by Tiffany. 


GROLIER CLUB PUBLICATIONS. 


Tue Lire or CHartes Henry, Count Hoy, 
Ambassador from Saxony-Poland to France, and Eminent 
French Bibliophile, 1694-1736. Written by Baron Jérome 
Pichon for the Society of French Bibliophiles, and Trans- 
lated into English for the Grolier Club. With a Sketch 
of the Life of the late Baron Pichon. Large 8vo. The 
Grolier Club. New York. 1899. 


Vetium Copy, one of three copies printed on vellum. There 
were also printed 303 copies on hand-made paper. Containing 2 


[304 Continued | 


305 


306 


etched portraits, 4 reproductions from bindings in Count Hoym’s 
collection, and 4 illustrations. 

Full dark blue crushed levant morocco, decorated with floriated 
designs in dentelle and pointillé, enclosed in compartments formed 
by bands of inlaid maroon levant morocco, doublure of wine-colored 
crushed levant morocco with borders of filleted and mitered lines, and 
flower clusters, and dentelle border, vellum flies, edges gilt on the 
rough, by the Club Bindery. 


GROLIER CLUB PUBLICATIONS. 

RESEARCHES CONCERNING JEAN GRoLiER, His 
Life and His Library. With a Partial Catalogue of His 
Books by A.-J.-V. Le Roux de Lincy. Edited by Baron 
Roger Portalis. Translated and Revised by Carolyn Ship- 
man, M.A. Large 8vo. The Grolier Club of the City of 
New York. 1907. 


With 14 plates in color, twelve being reproductions of bindings 
from Grolier’s library. 


Full. brown crushed levant morocco, with a Grolieresque de- 


sign on the front and back covers, inlaid in interlacing bands of 
dark green, brown, and white levant and gold-tooled, doublure of 
brown crushed levant with a Grolieresque design inlaid in inter- 
lacing bands of dark green, brown, and white levant and gold- 
tooled, with the background filled-in with pointillé, flies of brown 
watered-silk, gilt top, uncut, by the Club Bindery. 


GROTE, GErorGE. 
A CoLLECTED SET OF THE Hstror1icAL WoRrKS OF 
GEORGE GROTE, as follows: 


History oF Greece. London. 1854. 
Twelve Volumes. 


Puato, and the Other Companions of Sokrates. 
London. 1865. 

Three Volumes. 
ARISTOTLE. Edited by Alexander Bain and G. 
Croom Robertson. London. 1872. 


Two Volumes. 


Se nn eee a, ee ee 


[306 Continued | 


307 


308 


THE PeErsonaL Lire or Grorce Grote. Com- 
piled from Family Documents, Private Memoranda, and 
Original Letters to and from Various Friends. By Mrs. 
Grote. London. 1873. 

Together, 18 volumes. 8vo. With Portraits, Maps, and 
Index. London: John Murray.  v. d. 


Half blue crushed levant morocco, gilt top, uncut, by Zaehns- 
dorf. 


GRUEL, Lion. 

MANUEL HistoriquE:rT BIBLIOGRAPHIQUE DE L’ AMA- 
TEUR DE RE.IuREs. Par Léon Gruel, Relieur. 4to. Paris. 
1887. i 

JAPAN-PAPER Copy. No. 38 of 50 copies on Imperial Japan 
paper. , 

With 68 full-page plates m color and in tint, showing ex- 
amples of the bindings executed during the various periods, and 
numerous text illustrations. 

Full brown calf, with an elaborate carved decoration on the 
front cover, with a panel framed by a border of inlaid red, green, 
blue, black, and brown levant, the panel containing a design em- 
blematic of binding in cwir ciselé, doublure of blue crushed levant 
morocco, with a border of filleted lines, flies of brocaded-silk, gilt 
edges, by Gruel. 


GRUEL, Le&on. 

MANUEL HisToriquE ET BIBLIOGRAPHIQUE DE L’AMA- 
TEUR DE RELIURES. Par Léon Gruel, Relieur. Deuxiéme 
Partie. 4to. Paris. 1905. 

JAPAN-PAPER Copy. No. 2 of 50 copies on Imperial Japan 
paper. 

With 9 full-page plates in color, and 59 full-page plates in 
tint, reproducing bindings of various periods, and numerous text 
illustrations. 

Full brown calf, with an elaborate carved decoration on the 
front cover, with a panel framed by a border of inlaid red, green, 
blue, black, and brown levant, the panel containing a design em- 
blematic of binding in cuir ciselé, doublure of blue crushed levant 
morocco, with a border of filleted lines, flies of light brown watered- 


silk, gilt edges, by Gruel. 


309 


310 


311 


HALEVY, Lupvoic. . 

L’ Appi Constantin. Par Ludovic Halévy. Llustre 
par Madame Madeleine Lemaire. 4to. Paris: Boussod, 
Valadon & C%’. 1887. 


No. 92 of 250 copies on Japan paper, with the 18 plates in 
three states, and with an A. L. S. of Ludovic Halévy inserted. 

Full gray-blue crushed levant morocco, with title on ribbons 
of inlaid leather, with a scroll containing the flags of France and 
the United States, beneath a festoon of entwined white and pink 
roses, with branches of laurel, flying birds and butterflies, doublure 
of pink leather with borders of filleted lines and climbing rose 
branches, blue silk flies, gilt top, marbled under gold, uncut. 


HALL, Joun. 


Poems, sy JouHN Hau. [Vignette.] 12mo. Cam- 
bridge: Printed by Roger Daniel, Printer to the Univer- 
sitie. 1646. For J. Rothwell at the Sun in Paul’s Church- 
yard. 


First Eprrron, 2 volumes bound in one, with a rare frontispiece 
portrait of the author, aged 19, surrounded by a wreath of laurel, 
engraved by W. Marshall, which is seldom found in the book. At 
page 68, where the Divine Poems begin, occurs a second title— 
“Ti¢ SeconDE Booxe or Divine Poems. By J. H. [Latin Quo- 
tation.] London: Printed by E. G. for J. Rothwell. 1647.” This 
part is now extremely rare. 

Full yellow crushed levant morocco, with a series of inlaid 
panels in green and red morocco, richly tooled, with flowers, 
squares, circles, and stars in mosaic, in a 17th century design, gilt 
edges, by Riviére. 


HALL, SAMUEL CARTER. 


THE BARONIAL HALLS AND ANCIENT PICTURESQUE EDI- 
FICES OF ENGLAND. From Drawings by J. D. Harding, G. 
Cattermole, S. Prout, W. Miiller, J. Holland, and Other 
Eminent Artists. Executed in colored lithotints. ‘The 


[311 Continued] 


312 


313 


Text by S. C. Hall, F.S.A. Embellished with numerous 
engravings on wood. Folio. London. 1881. 
Two Volumes. 
Full dark green morocco, with filleted borders and corner 

pieces, gilt edges. ; 
HALLAM, Henry. 

A COLLECTED SET OF THE Works OF Henry Hatuam, 
as follows: 


VIEW OF THE STATE OF EUROPE DURING THE 
MipptE Aces. Tenth Edition, including supplemental 
notes. London. 18538. é 

Three Volumes. 


THE CONSTITUTIONAL History oF ENGLAND: 
From the Accession of Henry VII to the Death of George 
II. Eighth Edition. London. 1867. 


Three Volumes. 


INTRODUCTION TO THE LITERATURE OF EUROPE 
IN THE FIFTEENTH, SIXTEENTH, AND SEVENTEENTH CEN- 
TuRIES. Fifth Edition. With portrait. London. 1873. 


Three Volumes. 


Together, 9 volumes. 8vo. London. v. d. 


Full maroon straight-grained morocco, inside edges in dentelle, 
gilt top, uncut. 


HALLER, Gustave. 

Nos Granps Perntres. Par Gustave Haller. Cata- 
logue de leurs Giuvres et Opinions de la Presse. Gérome, 
—Henner,—Detaille,—Lefebvre. With portraits and il- 
lustrations. 8vo. Paris: Goupil & C'’. 1899. 


JAPAN-PAPER COPY. 

Exrra-ILiustrarep, by the insertion of 20 choice prints taken 
from the artists’ principal pictures, and 4 fine A. L. S. of Gérome, 
Henner, Detaille, and Lefebvre, inserted. 

Full wine-colored crushed levant morocco, with artist’s palette 
and brushes in mosaic on the front cover, gilt top, uncut, by Canapé. 


314 


315 


HALS, Frans. 

Frans Hats. 1580(?)-1666. Par Joséphin Peladan. 
With 60 photogravure illustrations. 4to. Paris: Goupil 
& Cie, 1912. 

JAPAN-PAPER Cory. No. 10 of '75 copies on Japanese vellum, 
with the frontispiece and 3 other plates in colors and the plates in 


three states. 
Full wine-colored crushed levant morocco, with a gold-tooled 
panel on covers, gilt top, uncut, by Durvand. 


HAMERTON, Puiip GILBERT. 
A CoLLECTED SET OF THE Works OF PHILIP GILBERT 
Hamenrton, as follows: 


Tur Sytvan YeEaAR. Leaves from the Note- 
Book of Raoul Dubois. With 8 etchings. Fourth Edition. 
London. 1887. 


Frencu anp EneuisH: A Comparison. Lon- 
don. 1889. 


Tuoucuts Apout Art. New Edition, Revised, 
with Notes and an Introduction. London. 1889. 


—_—_—_ Ffuman Intercourse. London. 1893. 


THE INTELLECTUAL Lire. Etched frontispiece. 
London. 1895. 


Tre Lire or J. M. W. Turner, R.A. New 
Edition. Illustrated. London. 1895. 


IMAGINATION IN LANDSCAPE Parntine. With 
many Illustrations. New Edition. London. 1896. 
Together, 7 volumes. 12mo. London. v. d. 
Full calf, gilt edges, by Zaehnsdorf. 


an ———— 
—" h pelcait an ‘ ey pe aa > - 
Fe a en a nee a ae ee ee re ee en ene ee eh Ba te 


316 


317 


318 


319 


HAMERTON, Puuire Guert. 


ETCHING AND Ercuers. A New Edition. Illustrated. 
Ato. London. 1876. 


Exrra-ILtustratep, by the insertion of 68 etchings, by 
Meissonier, Seymour Haden, Jongkind, Veyrasset, Appian, Unger, 
Israel, Meryon, Lalauze, and others. 

Full dark blue crushed levant morocco, Janseniste, with inside 
borders of filleted lines, gilt top, uncut, by Taffin. 


HAMERTON, Pup GitBerr. 


E:TCHING AND Etcuers. ‘Another Copy. Third Edition. 
4to. London. 1880. | 
Three Volumes. 

Extra-ILLusTRATED, and extended to 3 volumes, with extra- 
titles, by the insertion of 130 rare prints, by and after Diirer, 
Rembrandt, Vandervelde, Ostade, Waterlo, Claude, Lalauze, 
Meyron, Millet, Corot, Meissonier, Jacquemart, Jongkind, Sey- 
mour Haden, Gravesande, Legros, Hamerton, Potter, Detaille, 
Chiffart, Appian, Jacque, Callot, Gilli, Ruysdael, Cruikshank, 
Turner, Palmer, and Van S’Gravesande. 

Full dark green crushed levant morocco, Janseniste, gold- 
tooled inside edges, gilt top, uncut, by Taffin. 


HAMERTON, Puivir GitBeErt. 


LanpscaPe. By Philip Gilbert Hamerton. With Orig- 
inal Etchings and many Illustrations from Pictures and 
Drawings. Folio. London. 1885. 

No. 295 of 500 copies on LARGE-PAPER. 

Full dark blue crushed levant morocco, with gold-tooled sides 
and back after the manner of Déréme, gold-tooled inside eo 
gilt top, uncut, by Stikeman. 


HAMERTON, Pxuuiuip GiBERT. 


Man in Arr. Studies in Religious and Historical Art, 
Portrait, and Genre. By Philip Gilbert Hamerton. With 
46 Plates in Line-Engraving, Mezzotint, Photogravure, 


[819 Continued | 


- 820 


Hyalography, Etching, and Wood- Engraving. Folio. 
London. 1892. 

Full blue crushed levant morocco, with borders and panels of 
filleted lines, and rose clusters, gold-tooled inside edges, gilt top, 
uncut, by Stikeman. | 
HARDY, THOMAS. 

A CoLLECTED SET, IN First EDITIONS, OF THE Works OF 
Tuomas Harpy, as follows: 


DESPERATE RemeEpies. A Novel. 12mo. Lon- 
don. 1871. 


Three Volumes. 


UNDER THE GREENWOOD TREE. A Rural Paint- 
ing of the Dutch School. By the Author of “Desperate 
Remedies.” 12mo. London. 1872. 


Two Volumes. 


A Parr or Buus Eves. A Novel. By Thomas 
Hardy, Author of “Under the Greenwood Tree,” “Des- 
perate Remedies,” etc. 12mo. London. 1873. 

Three Volumes. 


Far FRoM THE Mappine Crowp. By Thomas 
Hardy, Author of “A Pair of Blue Eyes.” With 12 il- 

lustrations. 8vo. London. 1874. i 
Two Volumes. 


Tur Hanp oF Erueiperta. A Comedy in 
Chapters. By Thomas Hardy, Author of “Far from the 
Madding Crowd,” etc. With 11 illustrations. 8vo. Lon- 
don. 1876. 


Two Volumes. 


Tur Rerurn oF THE Native. By Thomas 
Hardy, Author of “Far from the Madding Crowd.” 8vo. 
London. 1878. 

Three Volumes. 


[3820 Continued | 
THe TRrumPet-Masor. A Tale. By Thomas 
Hardy. 12mo. London. 1880. 


Three Volumes. 


A. LAODICEAN; or, THE CASTLE OF THE DE 
Stancys. A Story of To-day. By Thomas Hardy. 
12mo. London. 1881. 

Three Volumes. 


Two on A Tower: A Romance. By Thomas 
Hardy, Author of “Far from the Madding Crowd,” “The 
Trumpet-Major,” etc. 12mo.' London. 1882. 


Three Volumes. 


Tue Mayor or CASTERBRIDGE: The Life and 
Death of a Man of Character. By Thomas Hardy. 
12mo. London. 1886. 


Two Volumes. 


THE Woop.anvers, By Thomas Hardy. 12mo. 
London. 1887. 


Three Volumes. 


WEssEX TALEs: Strange, Lively, and Common- 
place. By Thomas Hardy, Author of “The Woodlanders,” 
etc. 12mo. London. 1888. 


Two Volumes. 


— A Grour or Nosiet Dames. By Thomas 
Hardy. 12mo. London. 1891. 


| Tress oF THE D’UrpErvitiEs: A Pure Woman 
Faithfully Presented. By Thomas Hardy. 12mo. Lon- 


don. 1891. 
Three Volumes. 


Lirre’s Lirrtze Ironirs: A Set of Tales with 
Some Colloquial Sketches, Entitled A Few Crusted Char- 
acters. By Thomas Hardy. 12mo. London. 1894. 


[820 Continued | 


321 


JUDE THE OxrscurE. By Thomas Hardy. With 
an Etching by H. Macbeth-Raeburn, and a Map of Wes- 
sex. 12mo. London. 1896. 


WeEssEx Porms; and Other Verses. By Thomas 
Hardy. With 380 illustrations by the Author. 8vo. Lon- 
don. 1898. 
Together, 38 volumes. London. v. d., v. 8. 
Half light green calf, gilt top, uncut, by Zaehnsdorf. 


HARE, Aveustus J. C. 
A CouLEcTED SET OF THE Works or Avucustus J. C. 
Hake, as follows: 


Two Volumes. 


SKETCHES IN HOLLAND AND SCANDINAVIA. 
London. [1884.] 


— Days Near Rome. London. [1884.] 
Two Volumes. 


—— SouTH-WEsTERN France. London. 1890. 
—— NorrtrH-EAsTERN FRANCE. London. 1890. 
— SouTH-EAsTeErRN FrANcE. London. 1890. 


— Mewmoriats oF A Quiet Lire. London. 1890. 
Two Volumes. 


With a supplementary volume added, containing 57 photo- 
graphs, including family portraits, and scenes connected with Hare’s 
life, mostly after drawings and paintings by the author. 


THe Story or Two Nosie Lives: being 
Memorials of Charlotte, Countess Canning, and Louisa, 
Marchioness of Waterford. London. 1893. 


Three Volumes. 


Crries or NorTHERN Itaty. London. [1883.] 


Cre, a 


ope hee = 


re aie ae ee Re ee Re ee ene ee 


[821 Continued | 


THe Lirk AnD LETTERS oF FRANCES, BARONESS 
Bunsen. London. 1894. 


Two Volumes. 


— Watrxks IN Lonpon. London. 1894. 


Two Volumes. 


THE GURNEYS OF EARLHAM. London. 1895. 


Two Volumes. 


BioGRAPHICAL SKETCHES: being Memorials of 
Arthur Penrhyn Stanley, Dean of Westminster; Henry 
Alford, Dean of Canterbury; Mrs. Duncan Stewart, etc. 
London. 1895. 


NortH-WEsTERN FRANCE. (Normandy and 
Brittany.) London. 1895. 


THe Story oF My Lire. London. 1896-1900. 
Six Volumes. 


Sussex. London. 1896. 


Venice. With map and 23 woodcuts. Lon- 
don. 1896. 


FiLorENcE. With map and 22 woodcuts. Lon- 
don. 1896. 


WaANDERINGS IN SPAIN. London. 1896. 


Tue Riviera. With 67 woodcuts. London. 


1897. 
WaLxks IN Rome. London. 1897. 
Two Volumes. 
Crrres oF SOUTHERN ITALY AND Sicity. Lon- 
don. n. d. 


Crrigs oF CENTRAL Iraty. London. n. d. 
Two Volumes. 


[321 Continued | 


322 


DAYS NEAR Paris. London. n. d. 


STUDIES IN Russia. London. n. d. 


Paris. London. n. d. 

Together, 41 volumes. Profusely Illustrated. Some 
of the volumes 16mo, but all bound in 12mo. London: 
George Allen. v. d. 


Half red crushed levant morocco, with decorations of roses, 
leaves and filleted lines, gilt edges, by Worsfold. 


HAYWARD, ABRAHAM. 
A CoLLEcTeD SET OF THE Works oF ABRAHAM Hay- 
WARD, as follows: 


—__—— BrocGrarHicaL AND CriticaL Essays. Reprinted 
from Reviews, with Additions and Corrections. 8vo. Lon- 
don. 1858. 

Two Volumes. 


AUTOBIOGRAPHY, LETTERS, AND LiTERARY RE- 
MAINS OF Mrs. Prozzi (THrALE). Edited with Notes and 
an Introductory Account of her Life and Writings by A. 
Hayward, Esq., Q. C. Portrait. 12mo. Second Edition. 
London. 1861. 


Two Volumes. 


BIoGRAPHICAL AND Critica Essays. Re- 
printed from Reviews, with Additions and Corrections. A 
New Series. 8vo. Second Edition. London. 1873. 


Two Volumes. 


BIOGRAPHICAL AND CriticaL Essays. Reprinted 
from Reviews, with Additions and Corrections. Third 
Series. 8vo. London. 1874. 


SKETCHES OF EMINENT STATESMEN AND WRIT- 
ERS; With Other Essays. 8vo. London. 1880. 


Two Volumes. 


Se ae ee a 


[3822 Continued | 


323 


324 


325 


A SELECTION FROM THE CORRESPONDENCE OF 
ABRAHAM Haywarp, Q.C. From 1834 to 1884. With an 
Account of his Karly Life. Edited by Henry E. Car- 
lisle. 12mo. London. 1886. 
? Two Volumes. 
Together, 11 volumes. London. v. d., v. s. 
Full polished calf, gilt top, uncut, by Zaehnsdorf. 


HENRY IV. 


Tue History or Henry IV.,(Surnamed “The Great’), 
King of France and Navarre. Translated from the French. 
8vo. London. 1896. 

One of 5 extra copies printed on Japanese vellum, and not 
offered for sale. 

Full blue crushed levant morocco, with sprays of laurel and 
fleur-de-lis in gold, doublure and flies of red silk, gilt top, uncut. 


“HERRICK, Rosert. 


POEMS CHOSEN OUT OF THE Works OF ROBERT HERRICK. 
[Colophon.] Edited by F. S. Ellis from the text of the 
edition put forth by the Author in 1648. 8vo. Printed by 
William Morris, at the Kelmscott Press, Upper Mall, 
Hammersmith, London, W., and finished on the 21st day 
of November, 1895. Sold by William Morris at the Kelm- 
scott Press. 

Full blue crushed levant morocco, with an exquisite Tudor 
rose and leaf design tooled in gold on sides, back, and inside corners, 
doublure and flies of vellum, edges gilt on the rough, by the Doves 
Bindery. 


HERRICK, Rosert. 
Tue HesPermes AND NosteE Numsers. Edited by Al- 


fred Pollard, with a Preface by A. C. Swinburne. 16mo. 


London. 1897. 
Two Volumes. 


Full green crushed levant morocco, with borders of filleted 
lines, tooled in gold, gilt edges, by Mercier. 


826 [HEYWOOD, Tuomas.] 


327 


THe Lire or Meriin, SrrNAMED Amprosius. His 
Prophesies and Predictions Interpreted; and their truth 
made good by our English Annalls. Being a Chrono- 
graphicall History of all the Kings, and memorable pass- 
ages of this Kingdome, from Brute to the Reigne of our 
Royall Soveraigne, King Charles. A Subject never pub- 
lished in this kind before, and deserves to be knowne and 
observed by all men. [Latin quotation.] Small 4to. 
London: Printed by J. Okes, and are to be sold by Jasper 
Emery in Paul’s Church-yard, at the signe of the Eagle 
and Child, neare St. Austins Gate. 1641. 

First Epition, with a frontispiece engraved by Hollar, con- 
taining a portrait, with verses below. 

Full dark brown crushed levant morocco, the sides and back 
covered with inlaid leather and gold-tooling, on the extreme edges 
is a narrow border of inlaid black leather, and another of inlaid 
white morocco; the center consists of elaborate scrolls inlaid in black 
morocco, issuing from demon heads inlaid in brown morocco, edges 
gilt on the rough, by Riviére. 


HOGARTH, Wim. 


THE Works oF Witu1AmM HocartH. An Extraordinary 
Assemblage of the Graphic Works of this famous Painter 
and Satirist, showing him in different Artistic Phases. In 
all over 850 Plates, a large portion being proofs in the 
earlier impressions, and in the many different states. All 
either mounted or inlaid on heavy hand-made paper. 


Together, 10 volumes. Folio, and atlas folio. 


A UNIQUE COLLECTION, and, without doubt, the most complete 
Hogarth collection m America. . 

The more prominent engravings include: 

Numerous portraits of Hogarth: Hogarth with a dog, profile 
to left; the same, by A. Smith, profile to right, in 2 states; Hogarth 
painting Comedy, first and fifth states, with a fine mezzotint of the 
same in folio size, by Townley; Hogarth, by himself, etched by 
Ireland; and a large collection of curious portraits of Hogarth; 


[827 Continued | 

portraits of John Wilkes, Esq.; Daniel Locke, Esq., etched by 
McArdell; Capt. Coram; John Broughton; Mr. Pine, 4 states ; Mar- 
tin Folkes; H. Fielding, 2 states; Lady Byron; Samuel Butler; Dr. 
Thomas Herring; Jacobus Gibbs, 2 states; etc.; Hogarth’s 
book-plate, invitation cards, etc. ; Five Orders of Periwigs, 2 
states ; A Series of 19 Illustrations, after the manner of Callot; 
A Series of 12 Illustrations to Hudibras, 2 states; The 
Apostate Parson; Beggar’s Opera; The Bruiser, 3 states; 


Undertaker’s ; The Lottery; Puggs Graces; 
France, 2 plates ; Shrimps, Whey, and Pies; The Weighing 
House; Lovat’s Ghost ;——Illustrations to “Don Juan” and 


“Don Quixote” ;—Analysis of Beauty,’3 states;——The Political 
Clyster, the Gulliver suppressed plates in 2 states; Mystery of 
Masonry, 2 states; Harlot’s Progress, 6 plates in 2 states, with 

the rare-series of the same, engraved by Cooper; The Rake’s 
Progress, 2 states, plate I in 3 states, and another set of the same 

with the design reversed, published by Bakewell; Marriage a-la- 
; Mode, Ist and 2d states, with a series of very large etchings of the 
same ;——Industry and Idleness, 12 plates in 2 states;——Four 

_ Stages of Cruelty, with a duplicate set engraved on wood; 
Beer Street, 4 states; Gin Lane, 2 states; Woman Swear- 

ing Her Child on a Grave Citizen, a mezzotint in 2 states ; Taste 

in High Life, 3 states;——-Midnight Modern Conversation, 4 

states ; Distressed Poet, 3. states; Enraged Musician, 2 

states ; Four Times of the Day, 2 states; Election Enter- 
tainment, etc., 2d and 3d states; Paul Before Felix, 5 states; 
Moses Before Pharoah’s Daughter, 4 states ; Good Samari- 
_ tan, 2 states; Pool of Bethesda, 2 states; Henry VIII, 2 
states ;——Royal Masquerade, 2 states; Garrick in the Green 
Room, a very rare mezzotint; Sigismonda, 4 different plate 
etchings ; No Old Baby, 2 states ; Sarah Malcolm, 5 states; 
and includes the proof before “etc., sculpsit” was introduced, which 
is very fine and excessively rare; The Indian Emperor, 2 states ; 
March of the Guards, 2 states ; Roast Beef of Old England, 
3 states; The Politician ; A Medley, a copy of a unique 
print ; The Lady’s Last Stake;——-Garrick as Richard III; 
——Sancho, an original print; The Bench; Sleepy Con- 
gregation, one of the plates being very rare; Satan, Sin, and 
Death; etched by Rowlandson, with proof of the same; 
The Discovery of a Black Woman in Bed, a very rare and fine 
print ; Strolling Actresses Dressing in a Barn; Letter-press 


[3827 Continued | 


328 


of “Five Days’ Peregrination,” 1782; “Sketches from Hogarth, by 
Mr. Livesay,” 23 reproductions, 1788; “Hogarth’s Tour,” en- 
gravings by Livesay; and the titles for “Analysis of Beauty,” 1753; 
etc., etc. ;———Also, many caricatures, views, sketches, etc., etc. 
Full dark green crushed levant morocco, with gold-tooled 
corners, decorated back and inside edges, gilt top, uncut, by Taffin. 


HOGARTH, Wi1u1aM. 


Wiui1AmM HocartH. By Austin Dobson. With an In- 
troduction on Hogarth’s Workmanship by Sir Walter 
Armstrong. With plates in photogravure and facsimile. 
4to. London. 1902. 

Three Volumes. 


Epirion-pE-LUxE, with a duplicate set of the plates in photo- 
gravure on India paper, limited to 110 sets, and with a triplicate 
set of plates in photogravure on Japanese paper, limited to 30 sets, 
each bound in a separate volume. The illustrations number 70 in 
all; sixty in photogravure and ten in lithographic facsimile. 

Full red crushed levant morocco, with an elaborate flowing pat- 
tern tooled in gold on the covers, with flowers and buds inlaid in 
purple morocco, doublure of green crushed levant morocco, with a 
border of conventionalized lilies tooled in gold, flies of green watered- 
silk, gilt top, uncut, by Morrell. . 


328A HOLE, S. Rreynoxps. 


329 


Our Garpvens. By S. Reynolds Hole, Author of “A 
Book about Roses.” 8vo. London. 1899. 


Larce-PaPer Copy, No. 27 of 150 copies on hand-made paper, 
and signed by the author. With 10 illustrations in photogravure 
and half-tone, and a frontispiece in colors. 

Full olive green crushed levant morocco, with a lily inlaid in 
white levant, and gold-tooled lily leaves in the lower part of the 
front cover, and with roses inlaid in red levant and gold-tooled leaves 
in the upper corners of the front cover, doublure and flies of green 
silk, gilt top, uncut, by Zaehnsdorf. 


HOLINSHED [or, HoiurmesHean], RAPHAELL. 


THE CHRONICLES OF ENGLAND, SCOTLANDE, AND IRE- 
LANDE. Conteyning:—The Description and Chronicles of 


[3829 Continued | 


330 


331 


England, from the First Inhabiting unto the Conquest.— 
The Description and Chronicles of Scotland, from the First 
Originall of the Scottes Nation, till the yeare of our Lord 
1571.—The Description and Chronicles of Yrelande, like- 
wise from the First Originall of that Nation, untill the 
yeare 1547. Faithfully gathered and set forth, by Raphaell 
Holinshed. Folio. At London: Imprinted for George 
Bishop [and John Hartson]. 1577. God Save the Queene. 


Two Volumes. 


First Epirion, and a remarkably fine copy. Llustrated with 
many fine woodcut engravings; portraits of the various monarchs; 
and containing a large foldmg map of Edinburgh, which is very 
rarely found, on pp. 1868-1869; also 4 separate titles, with wood- 
cut borders. This volume, although bearing the date 1577, was 
not licensed till July 1, 1578, and then printed.. Some copies bear 
the imprint of John Harison, others, Luke or Lucas Harison, or 
John Hunne, or George Bishop. But all the copies were printed 
by Henry Bynneman. This is sometimes called the “Shakespeare” 
edition, because it was used by the poet. 

Full olive crushed levant morocco, with gold and blind tooling, 
edges gilt on the rough, by Riviere. 


HOLMES, C. J. 


CoNSTABLE AND His INFLUENCE on LANDSCAPE PAINT- 
inc. By C. J. Holmes. With Seventy-seven Photograv- 
ure Plates. 4to. Westminster. 1902. 

JAPAN-PAPER Copy. No. XV of 50 copies, with a duplicate set 
of the photogravure plates. 

Full red crushed levant morocco, with the covers elaborately 
gold-tooled in the Eve style with an open central panel, doublure 
of green crushed levant, inside borders of red crushed levant with 
simple gold-tooled lines, flies of green watered-silk, gilt top, uncut, 
by Morrell. 


HOMER. 


Homeri OprrA, GR«&cE. Editio Princeps. Florentie: 
sumptibus Bernardi et Neru Nerliorum. 1488. Folio. 
Two Volumes. 


[331 Continued | 


332 


333 


First Epirion or THe I11ap anp Opyssey. From the Peel 
library. A remarkably large, sound, and clean copy, with a few 
blank margins repaired, the paper and presswork being of the most 
beautiful description. ‘This work contains two prefaces, one in 
Latin by Bernardus Nerlius, the other by Chalcondyles, in Greek, 
the biography of Homer by Herodotus, and the prefix of Plutarch’s 
Life of the poet. The Iliad begins on the recto of the 43d leaf, 
ending on the verso of the 206th ledf. The second volume contains 
the Odyssey, without a preface, in 161 leaves, and is followed by 
the Batrachomyomachia, occupying four leaves, the Hymns fol- 
lowing, and then the colophon. 

Full russia, extra, gold-tooled back, edges gilt on the rough. 


HOMER. 


THE Iviapds oF Homer, Prince of Poets. Neuer before 
in any language truely translated. With a Coment uppon 
some of his chiefe places; Donne according to the Greeke. 
By Geo. Chapman. At London, printed for Nathaniell 
Butter. n.d. [1611, or early in 1612.] Folio. 


First CompLete Encuisn Epirion or tor 24 Books or THE 
In1aps, printed by Richard Field. This copy is in perfect condition, 
with the engraved title by William Hole, the “Errata,” and the six 
leaves of additional poems at the end. 

Full dark green crushed levant morocco, decorated with a 
border of fuchsia buds inlaid in red morocco, corners of water-lilies 
and lily-pads in white and green leathers, with a dotted back- 
ground; in the center panel a tree with a large laurel wreath inlaid 
in brown, blue, and green moroccos, enclosing a wreath of red 
fuchsias, all surrounding a bust of Homer inlaid in white on a light 
blue ground, below a ribbon with the title on green morocco, gilt 
edges, by Riviere. 


HOMER. 


THE WuHo.e Works oF Homer; Prince of Poetts, In 
his Iliads, and Odysses. Translated according to the 
Greeke, by Geo. Chapman. [Quotation in Latin.] Folio. 
At London, printed for Nathaniell Butter. [1616.] 


First CoMpLeTEe EpITIon oF THE ENGLISH TRANSLATION OF 
Homer; a clean, sound, and beautiful copy. Two parts bound in one 
volume. With fine impressions of the engraved title-pages to both 


[383 Continued | 


334 


parts, that to the Iliad bearing the portrait of Chapman, etat. 57, 
on the reverse, also the engraved plate in memory of Prince Henry. 
The engraved title-page to the Odyssey found in this copy is of 
excessive rarity, for when the two parts were issued together in 
this form it was usually suppressed, the first title serving for the 
whole book. 

Full dark red crushed levant morocco, gold-tooled sides and 
back, gilt edges, by Lleyd and Wallis. 


HOOD, Tuomas. 


A CoLLECTED SET OF THE Works oF THOMAS Hoop In 
THE First Epirions, as follows: ° 


OpEsS AND ADDRESSES TO GREAT PEOPLE. 16mo. 
London: Printed for Baldwin, Cradock, & Joy. 1825. 


WHuHIMs AND OppiTiIEs, In Prose and Verse, with 
Forty Original Designs. By Thomas Hood, one of the 
Authors of Addresses to Great People, and the Designer 
of the Progress of Cant. 12mo. London: Lupton Relfe, 
13, Cornhill. 1826. 

With woodcuts. 


The Same. Second Series. 12mo. London: 
Charles Tilt, 86, Fleet Street. With woodcuts. 1827. 


Nationa Tartes. By Thomas Hood, Author 
of “Whims and Oddities.” 8vo. London: William H. 
Ainsworth, Old Bond Street. 1827. 


Two Volumes. 
With illustrations by T. Dighton. 


THe PLEA oF THE MipsuMMER FarniEs, Hero 
and Leander, Lycus the Centaur, and Other Poems. By 
Thomas Hood. 12mo. London. 1827. 


Tue Comic ANNUAL. By Thomas Hood, Esq. 
16mo. London. 1830-1842. 
Together, 11 volumes. 
With the original covers preserved. These volumes contain 


illustrations and vignettes by Cruikshank, Branston, Harvey, Hood, 
Hewitt, Scott, Gilbert, Leech, and others. 


[334 Continued | 

THe Dream oF EUGENE ARAM, THE Mur- 
DERER. By Thomas Hood, Esq. With designs by W. 
Harvey. 12mo. London. 1831. 


With the original covers preserved, and with 5 full-page wood- 
cut illustrations. 


Tuer Comic Scrap Boox. With 5 full-page 
woodcut illustrations. 32mo. London. 1834, 


Tytnrty Harti. By Thomas Hood. 8vo. Lon- 
don. 1834. 


Three Volumes. 


Ur tHE RuINE. By Thomas Hood. 12mo. 
London. 1840. 


With illustrations, and the original covers preserved. 


WuimsiIcauitTies: A PERIODICAL GATHERING. 
By Thomas Hood, Author of “The Comic Annual,” 
“Whims and Oddities,” etc. With Numerous Illustra- 
tions, from Designs by Leech. 12mo. London. 1844. | 
Two Volumes. 

With the original covers preserved. 


Porms. By Thomas Hood. 16mo. London: 
Edward Mowon, Dover Street. 1846. ; 
Two Volumes. ; 

With the original cover titles preserved. 


Poems oF Wit AND Humor. By Thomas Hood. 
16mo. London: Edward Moxon, Dover Street. 1847. 


With the original covers preserved. 


MermoriAts oF THomas Hoop. Collected, Ar- 
ranged, and Edited by his Daughter. With a Preface 
and Notes by his Son. Llustrated with Copies from his 
own sketches. 12mo. London, 1860. 

| Two Volumes. 
With the original covers preserved. 


[334 Continued] 


335 


336 


337 


Together, 80 volumes. London. v. p., v. d., v. 8. 

Hood was an editor of the “London Magazine,” the “New 
Monthly Magazine,” the “Gem,” and a frequent contributor to 
“Punch.” He possessed more wit, fun, and humor than any man 
of his time. 

Full red crushed levant morocco, with gold-tooled backs, gilt 
top, uncut, with the original covers preserved, by Riviere. 


HOOD, Tuomas. 


Miss KinMANsEGG AND. HER Precious Lec; A Golden 
Legend. By Thomas Hood. With 60 Illustrations by 
Thomas S. Seccombe, R.A. Engraved by F. Joubert. 
4to. London. 1870. 

Full blue crushed levant morocco, with decorative panels, 
borders, and inside edges gold-tooled, gilt edges, with the original 
blue picture covers preserved, by Riviére. 


HORACE. 

THe Works oF Quintus. Horatius Fuaccus.  Lllus- 
trated chiefly from the remains of Ancient Art. With a 
Life. By the Rev. Henry Hart Milman. 8vo. London. 
1849. | 

First Eprrion, illustrated by 300 beautiful woodcuts of coins, 
gems, bas-reliefs, statues, views, etc., taken from the antique, and 
drawn on wood by George Scharf, Jr., with the ornaments and 
borders designed by Owen Jones, in color. 

Full yellow crushed levant morocco, with gold-tooled borders 
on sides of lilies and leaves, gilt edges, by Riviere. 


HORA BEATA Mari# Vircinis, cum CALENDARIO. 


A Fifteenth-Century Manuscript on Vellum; the 
“Hours” in Latin, with the Calendar in Old French, and 
of Flemish workmanship. Finely written on 170 leaves 
comprising 340 pages, in large Gothic characters, in black. 
Containing 6 Full-page Miniatures, 20 Smaller Miniatures, 
258 Large Initials, and 1264 Small Initials, besides nu- 


[337 Continued | 


338 


merous borders, bands, and finials; all in colors with the 
backgrounds in burnished and heavy gold. 8vo. 


UnigvE fifteenth century MS. of “Heures” on vellum, the text 
beautifully executed by a Flemish scribe in Latin and French. 

This fine Gothic MS. contains, besides the numerous minia- 
tures, many pages surrounded by broad illuminated borders with 
birds, fruit, flowers, scrolls, grotesque animals, and conventional 
Gothic foliage, some of which is worked into geometrical orna- 
mentations, squares, triangles, etc. This copy is in a splendid 
state of preservation. 

Among the miniatures, which have delicately-painted land- 
scapes for their backgrounds, may be mentioned: “St. Mark Read- 
ing the Gospel’; ““Madonna and Child with Angels”; “Virgin and 
Christ”; ““The Annunciation”; “The Visitation”; “The Nativity” ; 
‘Adoration of the Wise Men’’; ‘‘Presentation in the Temple”; “The 
Flight into Egypt”; “The Crucifixion,” and “The Trinity.” 


Full brown crushed levant morocco, on the covers of which are ~ 


inlaid the panels of a fine old Italian calf binding, with well-pre- 
served borders and center-pieces of scrolls in gold, a beautiful ex- 
ample of Venetian sixteenth century binding, edges gilt on the 
rough, with golden clasps of a Venetian design. 


HOURS. 


UFFIzI0 DELLA B. V. Maria. Secondo la Volgata Edi- 
zione. Glossa Latina. Parafrasi Italiana, e Dissertazione 
Liturgica di Saverio Mattei. 12mo. Siena. [1777.] 
Presso Pazzim Carli. Con Approvazione. 


With an engraved title-page, and 8 beautifully engraved illus- 
trations. | 

Elaborately bound in a contemporary Italian mosaic binding, 
with inlays of colored mica, held in place by bands of black leather, 
on a ground of white morocco with gold pointillé, with an oval 
miniature in the center of each cover, that on the front cover con- 
taining a representation of a fortress and a ship riding at anchor 
with motto; on the back. cover, a picture of a ship lying alongside 
a wharf, gilt edges. 


oad eS ee ee ee, ee ee nT SS en ee ae 


ee. ee ee ee ee Oe 


PO ee Sl ee ee 


338A—HOUSMAN, Laurence. 


339 


340 


ALL-FELLOWs. Seven Legends of Lower Redemption, 
with insets in verse. By Laurence Housman. With 8 
illustrations. 8vo. London. 1896. | 

Full red crushed levant morocco, with back and sides covered 
with a graceful design of bellflowers, gilt edges, by Miss Le 
Lacheur. 

HUGHES, Wiu1aM. 

THE AMERICAN PuysiITIAN; or, A Treatise of the Roots, 
Plants, Trees, Shrubs, Fruit, Herbs, etc., Growing in the 
English Plantations in America. Describing the Place, 
Time, Names, Kindes, Temperature, Vertues, and Uses of 
them, either for Diet, Physick, etc. Whereunto is added 
A. Discourse of the Cacao-Nut-Tree, and the Use of its 


Fruit; with all the ways of making Chocolate. The like 


never extant before. By W. Hughes. 12mo. London: 
Printed by J. C. for William Crook, at the Green Dragon 
without Temple-Bar. 1672. 

First Enpirion, and exceedingly rare, the volume not being 
mentioned in Stevens’ Nuggets. 

Full brown crushed levant morocco, with wide inlaid borders of 
green morocco, and with flowers in yellow and red inlaid leathers 
with gold pointillé, title on side, gilt edges, by Riviére. 

HUNT, Leicu. 

A CoLLEcCTED SET OF THE Works oF JAMES HENRY 
LricgH HUNT, IN THE First Enitions, as follows: 
JUVENILIA: or, a Collection of Poems. Writ- 
ten between the ages of twelve and sixteen, by J. H. L. 
Hunt, Late of the Grammar School of Christ’s Hospital. 
And dedicated, by permission, to the Hon. J. H. Leigh. 
Containing Miscellanies, Translations, Sonnets, Pastorals, 
Elegies, Odes, Hymns, and Anthems. 8vo. London: 
Printed by J. Whiting, Finsbury Place. 1801. 


- With an engraved frontispiece by Bartolozzi. This book of 
verse, collected by his father, was published when the author was 
but sixteen years of age. 


[840 Continued | 

Cuassic Tates: Serious and Lively. With 
Critical Essays on the Merits and Reputation of the Au- 
thors. 16mo. London. 1806-7. 


Five Volumes. 


CriticaL Essays ON THE PERFORMERS OF THE 
Lonpon THEATRES; including General Observations on 
the Practice and Genius of the Stage. By the Author of 
the Theatrical Criticisms in the weekly paper called the 
News. 12mo. London. 1807. 


THE REFORMIST’s ANSWER TO THE ARTICLE EN- 
TITLED “STATE OF Parties,” in the last Edinburgh Review. 
(No. 30.) By the Editor of The Examiner, in which paper 
it first appeared. 8vo. London. 1810. 


PRESENTATION Copy. With “Mr Barron Field, with the Au- 
thor’s Regards,” written on title. 


THE PRINCE on St. Patricx’s Day. Re- 
printed from The Examiner Weekly Newspaper, of Sun-— 
day, March 22, 1812. 8vo. London. [1812.] 


“The Examiner” was a Sunday paper edited by Hunt for 13 
years, and to which he contributed largely. This article, and the | 
previous attack on the Prince, resulted in the Hunt brothers im- | 
prisonment. 


Tue Kine v. JOHN AND LEicH Hunt. A Re- 
port of the Trial, “The King v. John and Leigh Hunt,” 
for a Libel on the Prince Regent, before Lord Ellenbor- 
ough and a Special Jury, at the Sittings in the Court of 
King’s Bench, Westminster, on Wednesday, December 9, 
1812. ‘Taken in Short Hand by an eminent Barrister. 
8vo. London: Printed and Sold by M. Jones, No. 5, New- 
gate Street. 1812. 


[340 Continued | 

THE FrEAst oF THE PoETs; with Notes, and 
Other Pieces in Verse. By the Editor of The Examiner. 
16mo. London. Prinied for James Cawthorn, Cockspur 
Street. 1814. 


With the original wrappers and advertisements preserved. 


The Same. Another copy. 16mo. London. 
1814. 


THe Descent or Liserty, A Mask. By Leigh 
Hunt. 12mo. London: Printed for Gale, Curtis, and 
Fenner, Paternoster Row. 1815. 


THE Story oF Rimini, A Poem. By Leigh 
Hunt. 16mo. London: Printed by T. Davison, White- 
friars. 1816. 


AN ADDRESS TO THAT QUARTERLY REVIEWER 
who touched upon Mr. Leigh Hunt's “Srory or RI- 
MINI.” 8vo. London: Published by R. Jennings, No. 2, 
Poultry. 1816. 


FouiacGE; or, Poems Original and Translated. 
By Leigh Hunt. 16mo. London: Printed for C. and J. 
Ollier, Welbeck Street. 1818. 


AMYNTAS, a Tale of the Woods; from the L[tal- 
ian of Torquato Tasso. By Leigh Hunt. 16mo. Lon- 
don: Printed for T. and J. Allman, Prince’s Street, Han- 
over-Square. 1820. 

With a frontispiece portrait. 


Tur Montus: Descriptive of the Successive 
Beauties of the Year. By Leigh Hunt. 16mo. London. 


1821. 
With the original wrappers preserved. 


[840 Continued | | 

Tue Inpicator. By Leigh Hunt. 8vo. Lon- 

don. 1822. 

This volume contains Vol. 1, Nos. 1-51, October 13, 1819-Sep- 

tember 27, 1820. Vol. II, Nos. 1-76, October 11, 1820-March 21, a 

1821, which is complete as far as Leigh Hunt’s connection with it | 
went. 


Tue LIBERAL. Verse and Prose from the South. ) 
8vo. London. 1822-38. 
Two Volumes. 


With the original brown wrappers preserved. 


Uxtra-CrEPIDARIUS: a Satire on William Gif- 
ford. By Leigh Hunt. 8vo. London. 1823. 


Tur Lirerary Examiner: Consisting of The 
Indicator, a Review of Books, and Miscellaneous Pieces in 
Prose and Verse. 8vo. London. 18238. 

This volume contains Vol. I, Nos. 1-26, July 5, 1823-Decem- 
ber 27, 1823. 


Baccuus In Tuscany. A Dithyrambic Poem, 


from the Italian of Francesco Redi, with Notes Original 
and Select. By Leigh Hunt. 16mo. London. 1825. 


Ture Companion. By Leigh Hunt. 8vo. Lon- 
don. 1828. 


This volume contains Vol. I, Nos. 1-29, January 9, 1828-July 
23, 1828. 


Lorp Byron AND SoME OF His CONTEMPOR- 
ARIES: With Recollections of the Author’s Life, and of his 
Visit to Italy. By Leigh Hunt. Second Edition. 8vo. 
London. 1828. 


Two Volumes. 
With portraits, and with the original covers preserved. 
CHRISTIANISM; OR, BELIEF AND UNBELIEF REc- 


ONCILED; being Exercises and Meditations. 8vo. Not for 
sale: Only 75 Copies Printed. (London. 1882.] 


[340 Continued] 


Sir RaupH EsHer: or, Adventures of a Gen- 
tleman of the Court of Charles II. 12mo. London. 
18382.” 


Three Volumes. 


Tue Porrican Works or LEIGH Hunt. 12mo. 
London: Edward Moxon. 1882. 


THE INpicatorn; AND THE CompPaANIonN. A 
Miscellany for the Fields and the Fire-side. By Leigh 
Hunt. 12mo. London. .1834. > 

Two Volumes. 


Leigh Hunt’s Lonnon Journat. To assist 
the inquiring, animate the struggling, and sympathize with 
all. Vol. I. Wednesday, April 2, to Tuesday, December 
30, 1834. Vol. II. LoNpon JOURNAL AND THE PRINTING 
MacuHine. From Wednesday, January 7, to Thursday, 
December 31, 1835. Folio. London. 1884-1835. 


Two Volumes. 


CAPTAIN SwoORD AND CAPTAIN PEN. A. Poem. 
By Leigh Hunt. With some remarks on War and Muili- 
tary Statesmen. Square 12mo. London. 1835. 


Illustrated with 7 plates, and with the original covers pre- 
served. 


Tue Montuiy Repostrory for 1837. Edited 
by Leigh Hunt. Enlarged Series. 8vo. London. 1887. 


Two Volumes. 


THe SEER; oR, CoMMON-PLACES REFRESHED. 
By Leigh Hunt. In 2 parts. 8vo. London. 1840. 


With the original wrappers preserved. 


Tuer Dramatic Works oF RicHarD BRINSLEY 
SHERIDAN. With a Biographical and Critical Sketch. By 
Leigh Hunt. Large 8vo. London. 1840. 


With the original wrappers preserved. 


[840 Continued | 
A LrEGEND oF FLorENcE: A Play. In Five 
Acts. By Leigh Hunt. 8vo. London. 1840. 


With the original wrappers preserved. 


Tue Porems oF GEOFFREY CHAUCER, MopERN- 
IZED. 12mo. London. 1841. 


Tue Pautrrey: A Love-Story of Old Times. 
By Leigh Hunt. 8vo. London. 1842. 
With 6 illustrations, and with the original wrappers preserved. 


OnE Hunprep Romances oF Rest LiFe. Se- 
jean and Annotated by Leigh Hunt. Comprising Re- 
markable Historical and Domestic Facts, Illustrative of 
Human Nature. Large 8vo. London. 1843. 


Illustrated with 7 woodcuts, and with the original covers pre- 
served. 


IMAGINATION AND Fancy; or, Selections from 
the English Poets, Illustrative of those First Requisites of 
their Art. With Markings of the Best Passages, Critical 
Notices of the Writers, and an Essay in answer to the ques- 
tion, ‘““What is Poetry?” By Leigh Hunt. 12mo. Lon- 
don. 1844. 


With the original wrappers preserved. 


TALES FRom Boccaccio, with Modern Illustra- 
tions; and Other Poems. 12mo. London. 1846. 


STORIES FROM THE ITALIAN Poets: With the 
Lives of the Writers. By Leigh Hunt. 12mo. London. 
1846. . 


Two Volumes. 


Wit anv Humour, Selected from the English 
Poets. With an Illustrative Essay, and Critical Com- 
ments. By Leigh Hunt. 12mo. London. 1846. 


[340 Continued | 
Men, Women, AND Booxs; A Selection of 
Sketches, Essays, and Critical Memoirs, from his Uncol- 
lected Prose Writings. By Leigh Hunt. 12mo. Lon- 
don. 1847. 


Two Volumes. 


With a frontispiece portrait, engraved by Armytage after a 
miniature by Severn, and with the advertisements preserved. 


Tue Town; Its MemorastE CHARACTERS AND 
Events. By Leigh Hunt. St. Paul’s to St. James’s. 
With 45 Illustrations. 12mo. London. 1848. 
Two Volumes. 
With the original advertisements preserved. 


Reapines For Raiways; or, Anecdotes and 
Other Short Stories, Reflections, Maxims, Characteristics, 
Passages of Wit, Humour, and Poetry, etc. By Leigh 
Hunt. 16mo. London. [1849. | 


With the original covers preserved. 


A Book For A CorNER; or, Selections in Prose 
and Verse from Authors the Best Suited to that Mode of 
Enjoyment. By Leigh Hunt. Illustrated with 80 wood- 
engravings. Square 16mo. London. 1849. 

Two Volumes. 


Tuer AUTOBIOGRAPHY OF LEIGH Hunt; with 
Reminiscences of Friends and Contemporaries. 12mo. 
London. 1850. 


Three Volumes. 


TABLE-TALK. ‘To which are added, Imaginary 
Conversations of Pope and Swift. By Leigh Hunt. 
Square 12mo. London. 1851. 


THE RELIGION OF THE Heart: A Manual of 
Faith and Duty. By Leigh Hunt. 16mo. London. 
18538. 


[340 Continued | 
STORIES IN Verse. By Leigh Hunt. Now First 
Collected. With Illustrations. 16mo. London. 1855. 


THE Oxtp Court Suspurs: or, Memorials of 
Kensington, Regal, Critical, and Anecdotical. By Leigh 
Hunt. 12mo. London. 1855. 

Two Volumes. 


A SAUNTER THROUGH THE West Env. By 
Leigh Hunt. 12mo. London. 1861. 


THE CORRESPONDENCE OF LEIGH Hunt. Edited 
by his Eldest Son. With a Portrait. 12mo. London. 
1862. 


Two Volumes. 


THE Book oF THE SONNET. Edited by Leigh 
Hunt and S. Adams Lee. 12mo. London. 1867. 


Two Volumes. 
A. Day By THE FIRE; and Other Papers, Hith- 


erto Uncollected. By Leigh Hunt. 12mo. London. . 
1870. 


CHARACTERISTICS OF LEIGH Hunt, as Exhibited 
in that Typical Literary Periodical, “Leigh Hunt’s Lon- 
don Journal” (1834-35). With Illustrative Notes. By 
Launcelot Cross. 12mo. London. 1878. 


Essays spy Leigh Hunt. Edited with Intro- 
duction and Notes, by Arthur Symons. 16mo. London. 
1887. 


A TALE For A CHIMNEY CorNER, and Other 

Kssays. By Leigh Hunt. From the “Indicator,” 1819- 

1821. Edited (With Introduction and Notes), by Ed- 

mund Ollier. With a frontispiece. 16mo. London. n. d. 
Together, 73 volumes. London. v. d., v. s. 


Full red crushed levant morocco, with gold-tooled back, gilt 
top, uncut, by Riviére. 


341 


342 


HUNT, LeicuH. 


Tue Town; its Memorable Characters and Events. By 
Leigh Hunt. St. Paul’s to St. James’s. . With 45 Illustra- 
tions. Folio. London. 1848. 


Two Volumes. 


First Epition. Inlaid to folio size. These volumes contain 
an account of London, but chiefly a history of remarkable charac- 
ters and events associated with its streets, between St. Paul’s and 
St. James’s. . 

ExtTra-ILLustTraTED, by the insertion of 200 plates, of which 
53 are proofs on India paper; including portraits, after Kneller, 
Skelton, Walker, Oliver, Lely, Reynolds, Van Dyck, etc. ; 3 original 
drawings; views, by Mackenzie, Boydell, Smirke, and Smith; 15 
plates, printed in color, by Sutherland, Geo. Cruikshank, Macken- 
zie, Pugin, Bowles, and Rowlandson; choice and rare portraits of 
the English Sovereigns and nobility; also portraits of Holbein, 
Fischer, Bacon, Van Dyck, Dudley, Newton, Mrs. Piozzi, Catherine 
Hastings, Lady Jane Grey, Marie Stuart, Mozart, Cranmer, Cook, 
Gower, Inigo Jones, Milton, Hannah More, etc., etc., engraved after 
paintings by famous artists by Cecchi, Valck, Vertue, Harding, 
Trotter, Picart, Lombart, Englehart, 4 Gunst, Cooper, Vermeulen, 
Freeman, Gucht, Bartolozzi, Cathelin, etc., etc. Also, folding 
plates, rare prints, and text illustrations. 

Full red crushed levant morocco, with gold-tooled inside edges, 
gilt edges, by Riviere. 


HUNT, Leicu. 


THE AUTOBIOGRAPHY OF LEIGH Hunt; with Reminis- 
cences of Friends and Contemporaries. 12mo. London. 
1850. 

Three Volumes. 


First Epirion. With a frontispiece in each volume. 

Inserted in Volume I is an A. L. S. (3 pages) of Leigh Hunt 
to William Tait, Esq., 78, Prince’s Street, Edinburgh, dated 
“March 17, 1832,” which mentions his gratification for a certain 
Scotch gentleman’s appreciation of “my fictitious bit of biog- 
raphy,’ and makes arrangements to contribute a series of “Indi- 
cator” articles to an Edinburgh magazine. 


Full red calf, gilt edges, by Zaehnsdorf. 


343 


344 


345 


ICONOPHILES SOCIETY. 


WASHINGTON’s RECEPTION BY THE LADIES OF TRENTON. 
Together with the Chorus sung as he passed under the Tri- 
umphal Arch raised on the bridge over the Assunpink, 
April 21st, 1789. 4to. Published by the Society of Icono- 
philes, New York. 1908. 


Edition limited to 104 copies. With 4 illustrations. 

Full dark blue crushed levant morocco, with a wide gold-tooled 
border on the covers, doublure of dark blue crushed levant with a 
gold-tooled border, flies of dark blue silk, edges gilt on the rough, 
by the Club Bindery. 


IRELAND, ALEXANDER. | 
THE Boox-Lovers’ ENcuirmion: A Treasury of 
Thoughts on the Solace and Companionship of Books. 
Gathered from the writings of the greatest thinkers, from 
Cicero, Petrarch, and Montaigne, to Carlyle, Emerson, and 
Ruskin. Square 8vo. London. 1888. 
Two Volumes. 

LarcEr-PAPER Copy. Extra-ILiustraTED, and extended to two 
volumes, by the insertion of over 70 portraits of authors, book- 
lovers, and famous collectors, some being proof impressions; en- 
gravd by Vertu, Flameng, Leroux, Pannier, Colin, Sorbonne, 
Scriven, Delpech, Posselwhite, Wagstaff, Holl, Woolnoth, and 
others. 

Full wine-colored crushed levant morocco, Janseniste, gilt top, 
uncut, by Taffin. 


[IRVING, WasHINcTON. | 

A. History or New York, from the Beginning of the 
World to the End of the Dutch Dynasty. Containing 
Among many Surprising and Curious Matters, the Un- 
utterable Ponderings of Walter the Doubter, the Disas- 
trous Projects of William the Testy, and the Chivalric 
Achievements of Peter the Headstrong, the three Dutch 
Governors of New Amsterdam; being the only Authentic 


[3845 Continued] 


346 


347 


History of the Times that ever hath been, or ever will be 
Published. By Diedrich Knickerbocker. 16mo. Published 
by Inskeep & Bradford, New York. 1809. 


Two Volumes. 
Tue First Epirion, a fine, clean copy. With the folding 
frontispiece’ (View of New Amsterdam, 1640) which is seldom 
found, slightly torn, but neatly mended and mounted. 
Full orange crushed levant morocco, Janseniste, with the seal 
of the City of New York in the center of the covers, doublure of 
bright green crushed levant, gilt top, uncut, by Canapé. 


IRVING, WaAsHINGTON. 


VOYAGES AND DISCOVERIES OF THE COMPANIONS OF Co- 
LumMBus. 8vo. Philadelphia. 1881. 


First Epirion. Exrra-Iniustratep, by the insertion of 20 
plates; including an engraved portrait of Irving by Leslie; an 
original portrait of Columbus by Deveria; portraits of Columbus 
by Perine, Maudlinson, Scriven, Mercuri, Mauvin, Fontaine, and 
others. 

Full cherry crushed levant morocco, Janseniste, inside border 
of filleted lines, gilt top, uncut, by Canapé. 


IRVING, WaAsHINGTON. 


LirE oF GEORGE WASHINGTON. Illustrated with por- 
traits and maps. 4to. New York. 1855-1856. 


Six Volumes. 

First Enpirion. No. 12 of 110 copies. 

Unteave. Exrra-Ittustratep, and extended to 6 volumes, by 
the insertion of over 250 rare prints, engraved title-pages, engrav- 
ings, etchings, lithographs, etc.; Portraits of famous statesmen, 
generals, soldiers, and others connected with the American Revolu- 
tion; battle scenes, views, etc., etc., among which are 'Thomson’s 
engraving of “Franklin” after Duplessis; Halpin’s “Washington 
Irving”; Gimbrede’s engraving of “Bunker Hill,” after Trumbull; 
the Chappel portraits; “Washington” by Stuart, Trumbull, Hou- 
don, Peale, and many others; an engraving of Washington at the 
age of 25 years, after an ivory miniature; a rare print of General 
St. Clair; a contemporary perpetual Calendar containing a repro- 
duction of the original American flag in colors, and an engraving 


[347 Continued | 


348 


of Washington; Kearny’s engraving of “John Marshall” after 
Wood; Smirke’s “Cornwallis Surrendering to Washington”; a rare 
French engraving of “Franklin”; Sharp’s engraving of “Thomas 
Paine” after Romney; Desnoyers “Jefferson”; and an artist’s 
proof drawing in color of “Napoleon I’ with the royal eagle 
stamped on the corner. 

VOLUME 6: AN ALBUM, containing: A. L. S. of Wash- 
ington Irving; of Washington to Arthur Lee; of Thos. Jefferson, 
Franklin, Samuel Adams, Hamilton, Nathaniel Green, Robert 
Morris, Charles Carroll, Howe, Burr, and Carleton. Also a cir- 
cular letter of Robert Livingston and A. L. S. of Knox, John Jay, 
Vergennes, Comte de Rochambeau, Lee, de Lavalette, Schuyler, 
Comte d’Estaing, Monroe; a letter of Lafayette in English dated 
“Malvern Hill, July 27th, 1781,” a letter of Lafayette in French, 
and many others. Also Tur Oritcinan Document or a Councin 
or War held by Washington, and signed by George Washington, 
Gates, Morgan, Kosciusko, and others. 

Also WasuineTon Irvine’s Ornicinat MS. for Chapter 32 of 
the “Life of Washington,” with the corrections and marginal notes. 
Also a rare emblematical plate (August, 11778) issued in commemo- 
ration of the naval battle of Brest, with a contemporary news- 
paper clipping giving an explanation. Also, rare prints of Wash- 
ington, Jefferson, Franklin, Adams, Hancock, Lafayette, Louis 
XVI, d’Estaing, Green, Lee, Cornwallis, etc., etc., forming a unique, 
and extremely valuable collection. 

Full red crushed levant morocco, with filleted lines on pe 
gold-tooled back, gilt top, uncut, by Taffin. 


IRVING, WaAsHINGTON. 


A. NoTE-Book BELONGING TO AND IN THE HANDWRITING 
OF WaAsHINGTON Irvine. It contains Extracts and Notes 
from numerous books, in prose and verse, but deals prin- 
cipally with the Arthurian and Charlemagne Romances, 
Legends, and Folk-lore. Original half-leather binding 
with blue-paper sides. With a protecting cover. 


In a brown morocco solander case. 


meee nT En Re eee 


Oe ae ee eee | 


349 IRVING, WaAsHINGTON. 


Rip VAN WINKLE AND THE LEGEND oF SLEEPY HOL- 
Low. With 53 Illustrations by George Boughton, A.R.A. 
8vo. London. 1893. 


LarcE-PAPER Copy, one of 250 copies. With proofs of all the 
53 illustrations by George H. Boughton on India paper, and with 
a large OriciInan Water-Cotor Drawine of Katrina Van Tassel, 
by G. H. Boughton, inserted. 

Full red crushed levant morocco, with a rococo panel tooled in 
gold on the sides, doublure and flies of scarlet silk, gilt top, uncut, 
by Zaehnsdorf. 


850 IRVING, WaAsHINGTON. 


THe Works oF WasHINGTON IRVING, in the Joseph 
Jefferson Edition, as follows: 


Tue SxKetcH-Book oF GEOFFREY CRAYON, 
GENT. 


Two Volumes. 


KNICKERBOCKER’S History oF NEw YorK. 


Two Volumes. 


THE ALHAMBRA. 
Two Volumes. 


CHRONICLE OF THE CONQUEST OF GRANADA. 


Two Volumes. 


LIFE AND VOYAGES OF CHRISTOPHER COLUMBUS; 
and the Voyages and Discoveries of the Companions of Co- 
lumbus. 


Five Volumes. 


SPANISH PAPERS. 


Astoria, or, Anecdotes of an Enterprise beyond 
the Rocky Mountains. 
Two Volumes. 


[350 Continued | 
THE Crayon MISCELLANY. 


OE 


Two Volumes. 


THE ADVENTURES OF CAPTAIN BONNEVILLE, and 
Wolfert’s Roost. 
Two Volumes. 


LiFrE oF GEORGE WASHINGTON. 
Eight Volumes. 


MAHOMET AND His SUCCESSORS. 
Three Volumes. 


REVIEWS AND MISCELLANIES. 


SALMAGUNDI, or, The Whimwhams and Opinions 
of Launcelot Langstaff, Esq., and Others. By William 
Irving, James Kirke Paulding, and Washington Irving. 


Two Volumes. 


TALES OF A TRAVELER. 
Two Volumes. 


-—— BRrRAcEBRIDGE Hatt, or, The Humourists. 


OLIvER GoutpsmitH. A Biography. 
Two Volumes. 


Together, 40 volumes. 8vo. G. P. Putnam’s Sons, New 
York and London. n. d. 


JOSEPH JEFFERSON Epition. No. 144 of 250 numbered sets, 
autographed by Joseph Jefferson. 

Each volume has an illuminated title-page, a frontispiece in , 
water-colors and photogravure and etched illustrations (about 800 i 
illustrations in all). ach page is surrounded by an emblematic | 
border. 

Full wine-colored crushed levant morocco, with roses inlaid in 
blue and white morocco, tooled in gold, on the front cover, gilt top, 
uncut, by Macdonald. 


351 


352 


ITALIAN NOVELISTS. 


THE ITatian Nove ists In ENGLISH TRANSLATION, as 
follows: 


Master FRANcis RApetais. Five Books of the 
Lives, Heroic Deeds, and Sayings of Gargantua and His 
Son Pantagruel. Translated into English by Sir Thomas 
Urquhart of Cromarty and Peter Anthony Motteux. 
With an Introduction by Anatole de Montaiglon. Illustra- 
tions by Louis Chalon. London. 1892. 


Two Volumes. 


THE NIGHTS OF STRAPAROLA. Now first trans- 
lated into English by W. G. Waiters. Illustrated by E. R. 
Hughes, A.R.W.S. London. 1894. 
Two Volumes. 
No. 109 of an edition limited to 1000 copies. 


THE NOVELLINO OF Masuccio. Now first trans- 
lated into English by W. G. Waters. Illustrated by E. R. 
Hughes, R.W.S. London. 1895. 


Two Volumes. 
No. 275 of an edition limited to 1000 copies. 


THE PECORONE OF SER GiovANNI. Now first 
translated into English by W. G. Waters. Illustrated by 
E. R. Hughes, R.W.S. London. 1897. 
No. 81 of an edition limited to 600 copies. 
Together, 7 volumes, v. d. Large 8vo. 


Half dark green crushed levant morocco, gilt top, uncut, by 
Stikeman. 


JACKSON, CaTHERINE CHARLOTTE, Lapy. 


A CoMPLETE COLLECTED SET OF HER WORKS IN THE 
ENGLISH EDITIONS, as follows: 


[352 Continued | 


Oxp Paris; Irs Court AND LITERARY SALONS. 
By Catherine Charlotte, Lady Jackson. 12mo. London. 
1878. 
Six Volumes. 


Exrra-Intustratep Copy, two volumes extended to six, by the 
addition of 360 extra-illustrations including old views and rare 
engraved portraits of Anne of Austria, Louis XIV, Louis XII, 
Marie Stuart, Jacques Amyot, Marie de Medicis, Marguerite de 
France, Duke of Sully, Louis XIII, Racine, Moliére, Lully, Boileau, 
La Fontaine, Gaston d’Orléans, Poussin, Rubens, Henry II, Duc de 
Montmorency, Richelieu, Marie de Hautefort, La Rochefoucauld, 
de Scudery, St. Evremond, Scarron, Corneille, Prince de Condé, 
Cinq Mars, De Thou, Count Grammont, Marshal de Turenne, 
Bossuet, Ninon de |’Enclos, Christine de Sweden, Mlle. de Mont- 


pensier, Duc de St. Simon, Princesse de Condé, St. Vincent de Paul, 


Henrietta, Duchess of Orléans, Charles de Lorraine, Duc d’Orléans, 
Mme. de Montespan, Duchess de Montausier, Mme. de Sévigné, 
Nicholas Foucquet, Jean Petitot, Rabelais, Duchesse de la Valliére, 
Colbert, Christopher Wren, Moliére, Fénelon, Fléchier, Bourdaloue, 
Victoire de Baviére, La Bruyére, Rousseau, de la Mothe. 

Full light blue crushed levant morocco, with the arms of Paris 
inlaid in red on the front and back covers, and surrounded by oak 
leaves gold-tooled in outline and arabesques with lettering, doublure 
of light blue levant, inlaid with oak leaves in dark green and acorns 
in brown, flies of green watered-silk, gilt top, uncut, by Kelly. 


THE Op REGIME. Court, SALONS, AND THEA- 
TRES. By Catherine Charlotte, Lady Jackson. 12mo. 
London. 1880. 
Six Volumes. 


Exrra-IttustraTep Copy, 2 volumes extended to 6 by the 
addition of 269 extra-illustrations including old engraved views, 
and rare engraved portraits including Louis XIV, Louis XV, 
Madame de Maintenon, Cardinal Dubois, Louis XVI, Maréchal de 
Villars, Racine, Bossuet, Mazarin, Richelieu, Le Sage, Montesquieu, 
Mme. de Sévigné, John Law, Peter the Great, Cardinal de Fleury, 
Philip V, Stanislas, King of Poland, Rousseau, Marie Leczinska, 
D’Alembert, Mirabeau, Diderot, Mme. de Montespan, Henault, 
-Mme. de Pompadour, Marie Antoinette, Marmontel, Marshal de 


[852 Continued | 

Saxe, Count Grammont, Prince Charles Edward, Charles, Duc de 
Lorraine, Lord Chesterfield, Beaumarchais, Michelangelo, Goldoni, 
Benedict XIV, Clement XIII, Sophie Arnould, Buffon, Mme. du 
Barry, Catherine II, Voltaire. 

Full light green crushed levant morocco, with the arms of 
Madame de Pompadour and Madame de Rambouillet inlaid on the 
covers in blue, black, red, and white levant, and surrounded by 
arabesques and leaves gold-tooled in outline, with lettering, doublure 
of bright green crushed levant with leaves inlaid in dark green, flies 


of light blue watered-silk, gilt top, uncut, by Kelly. 


Tue Frencu Court anp Society. Reign of 
Louis XVI and First Empire. By Catherine Charlotte, 
Lady Jackson, Author of “Old Paris,” “The Old Régime.” 
12mo. London. 1881. 


Six Volumes. 

Extra-InLustratep Copy, 2 volumes extended to 6 by the 
addition of 329 extra-illustrations, including old views and rare 
engraved portraits of Louis XVI, Necker, Fléchier, Louis XV, 
Madame du Barry, Marie Antoinette, Henry IV, Marie Theresa, 
Madame de Pompadour, Marie Leczinska, Madame Campan, 
Boucher, Gluck, Rousseau, Duc de Lauzan, Madame Elisabeth, 
Robespierre, Desmoulins, Madame de Staél, Pascal, Joseph Bona- 
parte, Lucien Bonaparte, Laetitia Bonaparte, Junot, Napoleon, 
Carnot, Josephine, Madame Royal, Talleyrand, Louis Bonaparte, 
Fouché, Louis XVIII, Admiral Keppel, Duke de Chartres, Louis 
XVII, Madame de Genlis, Beaumarchais, Washington, Vanloo, 
Charlotte Corday, Madame Adelaide, Princess de Lamballe, Mira- 
beau, Duc de Angouléme, Malesherbes, Franklin, Madame Victoire, 
Madame Récamier, Cardinal Fesch, Pius VII, Moreau, Lord Nelson, 
Eugénie Beauharnais, Louis Bonaparte, Le Roi de Rome. 

Full brown crushed levant morocco, with the arms of Marie 
Antoinette, Marie Louise, Napoleon, Josephine, and Louis XVI, 
inlaid in red, blue, white, and yellow on the covers and surrounded 
by gold-tooling and arabesques of leaves and berries, doublure of 
dark brown crushed levant with leaves inlaid in light green and 
berries inlaid in dark blue, flies of orange watered-silk, gilt top, un- 


cut, by Kelly. 


[852 Continued | 


THE CouRT OF THE TUILERIES from the Restora- 
tion to the Flight of Louis Philippe. By Catherine Char- 
lotte, Lady Jackson. 12mo. London. 1883. 

Six Volumes. 

Extra-InLustratep Copy, 2 volumes extended to 6, by the 
addition of 268 extra-illustrations including old engraved views and 
rare engraved portraits including Louis XVIII, Duchesse d’Angou- 
léme, Talleyrand, Napoleon, Joseph Napoleon, Marie Louise, Mar- 
mont, Alexander I, Bernadotte, Chateaubriand, Metternich, Ney, 
Duc d’Angouléme, Henry IV, Murat, Marie Thérése, Wellington, 
Marie de Savoie, Duchess d’Abrantes, Eugene, Pius VIII, Madame 
de Staél, Benjamin Constant, Madame Récamier, Mdlle. Mars, 
Duchess de Berri, Fouché, Marshal von Blucher, Madame Lavalette, 
Byron, Vernet, Mdlle. Rachel, Foy, Mirabeau, Duc de Bordeaux, 
Voltaire, Ferdinand VII, Lafayette, Charles X, Louis Napoleon, 
Condé, Victor Hugo, Moliére, Alexander I, Laplace, Marshal Saxe, 
Gluck, Auber, Marmont, Grétry, Cuvier, Duchesse d’Orléans. 

Full dark red crushed levant morocco, with the arms of the 
Duchesse d’Angouléme, Madame Royal, Louise Adelaide de Bour- 
bon, and the Duchesse d’Orléans inlaid in blue, yellow, and red 
levant and surrounded by maple leaves gold-tooled in outline, and 
arabesques, doublure of red crushed levant with maple leaves inlaid 
in light green and berries in brown, doublure of bright green 
watered-silk, gilt top, uncut, by Kelly. 


THE Court oF FRANCE IN THE SIXTEENTH 
CENTURY. 1514-1559. By Catherine Charlotte, Lady 
Jackson. 12mo. London. 1886. 

Six Volumes. 

Exrra-Intustratep Copy, 2 volumes extended to 6, by the 
addition of 258 extra-illustrations including many old engraved 
views and rare engraved portraits of Francis I, Anne of Brittany, 
Charles VIII, Bossuet, Louis XI, Louis XII, Clement Marot, 
Cardinal d’Amboise, Gaston de Foix, Bayard, Anne Bullen, Cardinal 
Wolsey, Cardinal Ximenes, Diana de Poitiers, John Hus, Duc 
d’Alencon, Henry VIII, Charles V, Queen Eleanor, Leonardo da 
Vinci, Queen Mary, Duke of Somerset, Henri II, Henry d’Albret, 
Coligny, Edward VI, Henry VIII, Jeanne d’Albret, Jacques Amyot, 


ee ee es gan 


a lh Saeed cng). Tm 


[3852 Continued | 
Paul III, Melancthon, Loyola, Duc de Montmorency, Raffaello, 
Erasmus, Voltaire, Luther, Palissy, Lady Jane Grey, Mary Stuart. 
Full reddish brown crushed levant morocco, with the arms of 
Louise of Savoy and Charles de Bourbon on the front and back 
covers, inlaid in blue, red, and white, with gold-tooled arabesques 
and lettering, doublure of brown crushed levant with ivy leaves 
inlaid in light green with dark green berries, flies of pale yellow 
watered-silk, gilt top, uncut, by Kelly. 


TuHeE Last oF THE VALoIs, and Accession of 
Henry of Navarre. 1559-1589. By Catherine Charlotte, 
Lady Jackson. 12mo. London. 1888. 
Six Volumes. 


Extra-ItLtustratepD Copy, 2 volumes extended to 6, by the 
addition of 248 extra-illustrations, including old engraved views 
and rare engraved portraits of Duc de Montmorency, Francois II, 
Mary Queen of Scots, Fran¢ois I, Coligny, Philippe II, Charles IX, 
Charles V, Queen Mary, Louis XI, Nostradamus, Charlemagne, 
Calvin, Catherine de Medicis, Théodore de Béze, Henry III, Am- 
broise Paré, Jeanne d’Albret, Queen Elizabeth, Cardinal d’Amboise, 
Michel de l’Hopital, Henry IV, Gregory XIII, Henry III, Henri de 
Lorraine, Catherine de Bourbon, Diana de Poitiers, Louise de Lor- 
raine, Prince of Orange, Sixtus V, Charles de Bourbon, Drake, 
Marie de Bourbon, Gabrielle d’Estrées, Pius V, Gregory XIV, 
Marguerite de Valois, Duc de Biron, Duc de Guise, Catherine de 
Lorraine, Duc de Brissac. 

Full dark blue crushed levant morocco, with the arms of Mary 
Queen of Scots, Catherine de Medicis, and the arms of France inlaid 
with blue, yellow, and red levant and gold-tooled with laurel leaves 
in outline and arabesques, doublure of dark blue crushed levant, with 
leaves inlaid in light green levant, flies of red watered-silk, gilt top, 
uncut, by Kelly. 


— THE First or THE Boursons, 1589-1595. By 
Catherine Charlotte, Lady Jackson. 12mo. London. 
1890. 
| Six Volumes. 
Exrra-Intustratep Copy, 2 volumes extended to 6, by the 


addition of 240 extra-illustrations, including old engraved por- 
traits, maps, and views, including portraits of Louise de Lorraine, 


[852 Continued ] 


358 


Henry IV, Henri de Lorraine, Philippe le Bel, Louis de Lorraine, 
Charles de Bourbon, Philip the Second, Gaspard de Coligny, Cath- 
erine de Medicis, Duke d’Alva, Henry IV, Duc de Savoy, Louis de 
Bourbon, Henry V, Charles de Lorraine, Henry d’Orléans, Gabrielle 
d’Estrées, Urbain VII, Marguerite de Valois, Madame de Sully, 
Charles de Lorraine, Earl of Essex, Innocent IX, Cardinal de 
Bourbon, Henry de Bourbon, Duc de Sully, Théodore de Béze, 
Clement VIII, Charlemagne, Duchesse de Montpensier, Mary de 
Medicis, Francois de Bonne, Charles de Valois, Queen Elizabeth, Duc 
de Nevers, Charles IX, Duc de Vendome, Jacques I, Jeanne d’Albret, 
Leo XI, Paul V, Madame Royale, Princess de Condé, Prince de 
Condé. 

Full dark green crushed levant morocco, with the arms of 
Henry of Navarre, First of the Bourbons, Marie de Medicis, the 
Dukes of Bourbon, and Marguerite de Valois, inlaid in blue, red, 
and yellow levant, and surrounded by arabesques of gold-tooling, 
doublure of dark green levant with leaves and berries inlaid in light 
green, flies of light green watered-silk, gilt top, uncut, by Kelly. 


Together, 14 volumes extended to 42, by the addition of 
nearly 2000 extra plates, etc. Superbly bound in varying 
designs but in the same general style, and with each work 
(of 6 volumes) in a different color. 3 


JACKSON, CatTHERINE CHARLOTTE, Lapy. 


A SET oF THE HistoricaAL Works or Lapy JACKSON. 
Another set, titles as above, but in American Editions. 

Together, 14 volumes. 8vo. Illustrated with 56 etched 
portraits on Japan paper. Boston. 1895, 1896, 1897. 


LarcE-PaPeR Epition. No. 64 of 250 copies. 

Extra-ItLustratep, by the insertion of 305 plates, litho- 
graphs, etchings, engravings, and some rare old prints; including 
numerous Delpech lithographic portraits, engravings by St. Aubin, 
Scriven, Moncornet, Walker, Ceroni, Schmidt, Leclere, Woolnoth, 
Boucher, etc., etc. 

Full red, green, blue, and brown crushed levant morocco, with 
inside edges of filleted lines, and the arms of Louis XVI, of Marie 
Antoinette, and of Napoleon I, gold-tooled on the sides, gilt top, 
uncut, by Taffin. 


EE ee ne Se ne eat a ee re a ee ee ae 


354 


355 


356 


JACKSON, Rev. WituraM. 


THE CONSTITUTIONS OF THE SEVERAL INDEPENDENT 
STATES OF AMERICA; THE DECLARATION OF INDEPEN- 
DENCE; AND THE ARTICLES OF CONFEDERATION BETWEEN 
THE SAID STATES. To which are now added, the Declara- 
tion of Rights; the Non-Importation Agreement; and the - 
Petition of Congress to the King delivered by Mr. Penn. 
With An Appendix, containing treaties, etc., etc. The 
whole arranged with a Preface and Dedication, by the 
Rev. William Jackson. :Second Edition. 8vo. London: 
Printed for J. Stockdale, in Piccadilly. 1783. 

With an etched frontispiece portrait of Washington, by Sharp, 
surrounded by a border of the original American flag and laurel 
crowns, etc. 


Full cherry crushed levant morocco, Janseniste, gold-tooled 
inside edges, by David. 


JACQUEMART, ALBErr. 

History oF THE Ceramic Art. A Descriptive and 
Philosophical Study of the Pottery of All Ages and All 
Nations. By Albert Jacquemart. Containing 200 Wood- 
cuts by H. Catenacci and Jules Jacquemart, 12 engravings 
in aquafortis by Jules Jacquemart, and 1000 Marks and 
Monograms. ‘Translated by Mrs. Bury Palliser. Ato. 
London. 1877. 

Full tree calf, gilt edges. 


JAMESON, Mrs. Anna. 


A CoLLEcTED SET, IN First EDITIONS, OF THE WORKS 
oF Mrs. Jameson, as follows: 


SACRED AND LEGENDARY ART. London. 1848. 
Two Volumes. 


LEGENDS OF THE Monastic ORDERS, as Repre- 
sented in the Fine Arts. London. 1850. 


[856 Continued] 


357 


LEGENDS oF THE Maponna, as Represented in 


the Fine Arts. Illustrated by Drawings and Woodcuts. 


London, 1852. 


Tue History or Our Lorp: as Exemplified in 
Works of Art. With that of his Types; St. John the 
Baptist; and other persons of the Old and New Testament. 
London. 1864. 


Two Volumes. 


Together, 6 volumes. 8vo. Profusely illustrated with 
engravings and woodcuts. London. v. d. 


Full dark green crushed levant morocco, with covers, back and 
inside edges gold-tooled with bands of filleted lines, gilt top, uncut, 
by Zaehnsdorf. 


JAMESON, Mrs. ANNA. 


SHAKESPEARE’S HEROINES. With 26 Portraits of Fa- 
mous Players in Character. Square 8vo. London. 1897. 


Two Volumes. 


Extra-ILLustrATED, and extended to 2 volumes, by the inser- 
tion of 82 plates; including engravings by Scriven, Swaine, and 
“W. M.,” of the 5 authentic portraits of Shakespeare, taken, as 
follows, from the originals by (1) Cornelius Jansen, (2) Martin 
Droeshout in the First Folio, (3) engraved portrait in the Poems, 
1640, from Marshall’s copy of Droeshout’s engraving, (4) Duke of 
Chandos, (5) Stratford Bust, by Gerard Johnson; and four 
rare engravings by Harding and Gardiner, in brown stipple, 
of La Pucelle d’Orléans, Margaret, Queen Katharine, and Anne 
Bullen; the “Shakespeare Gallery” of portraits, by Corbould, 
Wright, Meadows, Johnston, Frith, Hayter, Egg, and others; 
portraits of numerous Shakespearian actors and actresses; also 
illustrations to the Shakespeare plays and proof impressions by 
Thurston, Harding, and Singleton. 

Full green crushed levant morocco, with gold-tooling on back 
and inside edges, gilt top, uncut, by Riviére. 


ee ao, ae fin tt ai 


358 


359 


360 


JEFFERSON, Joseru. 


THE AUTOBIOGRAPHY OF JOSEPH JEFFERSON. With 77 
Illustrations; mostly portraits. 8vo. New York. [1890.] 


Two Volumes. 

Extra-ILtLustratTep, and extended to two volumes, by the in- 
sertion of 140 plates; including: a signed etched portrait of Jeffer- 
son by Hollyer; portraits of Fanny Kemble, Laura Keene, John 
Payne, Charles Keene, John J. (Lester) Wallack, John Gilbert, 
J. B. Booth, Augustin Daly, Anna Ritchie, John Brougham, Paul 
Bedford, W. E. Burton, William Warren, Colley Cibber, E. A. 
Sothern, Henry Compton, James H. Hackett, James E. Murdock, 
Edwin Forrest, Charlotte Cushman, John McCullough, John Drew, 
etc., etc. Also numerous views of places and theaters connected with 
Jefferson’s life, and portraits of Ben Jonson, Cooper, Poe, Shake- 
speare, and many other literary celebrities; besides 6 fine portraits 
of Joseph Jefferson. 

Half green crushed levant morocco, gilt top, uncut, by 
Stikeman. 


JEKYLL, GErtrrupe. 


Woop AND GARDEN. Notes and Thoughts, Practical 
and Critical, of a Working Amateur. With Illustrations 
from Photographs by the Author. 8vo. London. 1899. 

First Epirion. 

Full dark green crushed levant morocco, decorated with roses 
inlaid in red morocco, with a gold-tooled center panel of leaves, 
hearts, and pointillé, gilt edges, by Riviére. 


JESSE, Captain. 

Tue Lire or GeorcE BrRuMMELL, Esa. Commonly 
called Beau Brummell. By Captain Jesse, Unattached. 
Revised and Annotated Edition from the Author’s own 
Interleaved Copy. With 40 Portraits in Color of Brum- 
mell and his Contemporaries. Large 8vo. London. 1886. 

Two Volumes. 


No. 21 of 150 copies printed on LarcE-PAPER. 
Full brown crushed levant morocco, with filleted borders, gold- 
tooled inside edges, silk flies, gilt top, uncut, by Macdonald. 


861 JESSE, Jonn HENEAGE. 


A COLLECTED SET IN First EDITIONS OF THE HISTORICAL 
Memoirs oF JOHN HENEAGE JEssE, as follows: 


Memoirs OF THE CourRT OF ENGLAND DURING 
THE REIGN OF THE STUARTS, including the Protectorate. 
London. 1840. 
Four Volumes. 


MEMOIRS OF THE CouRT OF ENGLAND FROM THE 
REVOLUTION IN 1688 TO THE DEATH OF GEORGE THE SEC- 
oND. London. 1843. 

Three Volumes. 


GEORGE SELWYN AND His CONTEMPORARIES; 
with Memoirs and Notes. London. 1848. 


Four Volumes. 


MEMOIRS OF THE PRETENDERS AND THEIR AD- 
HERENTS. London. 1845. 
Two Volumes. 


LITERARY AND HistortcAL MEMORIALS OF LON- 
DON. London. 1847. 
Two Volumes. 


LONDON AND ITs CELEBRITIES. A Second Series 
of Literary and Historical Memorials of London. London. 
1850. 


Two Volumes. 


Memoirs oF Kine Ricuarp THE Turrp; and 
some of His Contemporaries. With an Historical Drama 
on the Battle of Bosworth. London. 1862. 


Memoirs oF THE LIFE AND REIGN or KING 
GEORGE THE THIRD. London. 1867. 
Three Volumes. 


[361 Continued | 


362 


363 


Memoirs oF CELEBRATED Evronrans; including 
Henry Fielding, the Earl of Chatham, Henry Tooke, 
Horace Walpole, George Grenville, Thomas Gray, George 
Selwyn, Lord North, Earl of Bute, Karl Temple, etc., ete. 


London. 1875. ~ 


Two Volumes. 
Together, 23 volumes. 8vo. Illustrated with numerous 
and valuable historical portraits. London: Richard Bent- 
ley. v.d. | 


Full calf, gilt top, uncut, by Riviere. 


JOHNSON, Cart. CHARLES. 


A GENERAL History oF THE LivEs AND ADVENTURES 
oF THE Most Famous HiGHwAYMEN, MURDERERS, STREET- 
Rossers, ETc. ‘To which is added, A Genuine Account of 
the Voyages and Plunders of the Most Notorious Pyrates. 
Interspersed with several diverting Tales, and pleasant 
Songs. And Adorned with the Heads of the most Re- 
markable Villains, Curiously Engraven on Copper. By 
Capt. Charles Johnson. Folio. London: Printed for and 
Sold by J. Janeway, in White-Fryers; and by the Book- 
sellers of London and Westminster. 1784. 

First Epirion. This work, which contains 100 biographies of 
notorious characters, is seldom found in as good condition as this 


copy. It is illustrated with 26 engraved full-page plates. 
Full paneled calf, gilt top, uncut, by Riviere. 


JOHNSON, R. U.; and BUEL, C. C. 


BATTLES AND LEADERS OF THE Civi Wark. Being for 
the most part, Contributions by Union and Confederate 
Officers. Based upon the “Century War Series.” Ed- 
ited by Robert Underwood Johnson and Clarence Clough 


[363 Continued] 
Buel. 4to. Profusely Illustrated. New York: The 
Century Co. [1887.] 
Twenty-five Volumes. 


Unievr. Extra-Iniustratep for Augustin Daly, and extended 
from 4 to 25 volumes (including Index), by the insertion of 2500 
portraits and 420 Aurocraru Lerrers Sienep, including A. L. S. 
of General Winfield Scott, Abraham Lincoln (3), James Buchanan, 
Caleb Cushing, General David E. Twiggs (5), Samuel Houston, 
Lewis Cass, Robert Anderson, Stephen A. Douglas, General U. S. 
Grant (6), General George B. McClellan, Alexander H. Stevens 
(4), General Robert E. Lee (5), Reverdy Johnson, Colonel E. E. 
Ellsworth, General B. F. Butler, Jefferson Davis (3), General 
James Longstreet, General Pierre G. T. Beauregard (4), General 
Joseph KE. Johnston (2), James K. Polk, Albert Pike, General John 
C. Frémont, Judah P. Benjamin, Andrew Jackson, Henry Clay, 
General Henry W. Halleck, General Richard S. Ewell, General 
George H. Thomas, General Braxton Bragg, James A. Garfield, 
Admiral Andrew H. Foote, General John C. Breckenridge, Charles 
A. Dana, Edwin McM. Stanton, Gideon Welles, George Bancroft 
(2), Admiral George H. Preble, Admiral David D. Porter, General 
Joseph Hooker, George W. Childs, John Ericsson, Horace Greeley, 
William Henry Seward, Le Comte de Paris, General John A. Dix, 
Salmon P. Chase, Commodore M. C. Perry, John Slidell, James M. 
Mason, Charles Sumner, John C. Calhoun, Joshua R. Giddings, 
General Thomas J. (Stonewall) Jackson, Colonel Robert G. Inger- 
soll, General William T. Sherman, William M. Evarts, Thomas 
Jefferson, Franklin Pierce, John Tyler, etc., etc., in fact, A. L. S. 
of nearly every civil, military, or naval leader who became prominent 
during the Civil War. 

Also numerous rare and choice portraits of American historical 
personages active during the Civil War; engraved by Hall, Hicks, 
Perine, Buttré, Sartin, Ritchie, O’Neil, Stuart, Hollyer, Wood, 
Brady, Doney, Gimbrede, Longacre, Butler, Desnoyers, Jackman, 
Wagstaff, Girardet, etc., etc., many being proofs on India paper. 
Also photographs, original drawn portraits, woodcuts, newspaper 
clippings, and portraits; views by Darley and others of all the 
battles of the war, photogravures, etc. Also the Bonnieu “Wash- 


ington,” engraved by Chevillet from a picture furnished by Lafay- 


[363 Continued | 


364 


ette; a Confederate Muster Roll; a Quartermaster’s Commission, 
signed by Lincoln and Stanton; a Confederate dollar-bill, etc., etc. 

Also portraits of nearly every civil, military, or naval leader 
who became prominent during the Civil War; all the war Governors, 
Senators, Congressmen, Secretaries, etc.; views of historic places, 
scenes of naval and military actions, etc., etc., in great number. 

A Mosr VauvaBsLe anp Unieve Coutection. A great many 
of the inserted plates are proof impressions, and where no engrav- 


ing was procurable, an original portrait drawing has been in- 
serted. 


Half blue crushed levant morocco, gilt top, uncut, by Smith. 


ROHNSON. Dr. Sauce. 


THE LIFE oF SAMUEL JOHNSON, LL.D., and The Jour- 
nal of his Tour to the Hebrides. By James Boswell. II- 
lustrated with fine steel Portraits by Sir Joshua Reynolds. 
Edited by Henry Morley. 8vo. London. 1885. 


Ten Volumes. 

No. 30 of 500 copies printed on LarcE-PAPER. 

Unievre. Exrra-ILLustraten, and extended to 10 volumes by 
the insertion of 816 plates, 111 of which are India proofs. This is 
a most beautiful set of books, and makes a comprehensive gallery 
of Johnsoniana, the majority of the portraits being scarce, and the 
views and prints of places rare. Among the rarer portraits may be 
mentioned those of Boswell, J. W. Croker, Catherine II, Bossuet, 
La Bruyére, Rousseau, Hogarth, D’Israeli, Smollett, Burns, George 
III, Grey, Boydell, a beautiful etching of Reynolds, Dryden, Vol- 
taire, Temple, Elizabeth, Walpole, Montague, and Mme. de Sévigné. 
The portraits are after paintings by Van Dyke, Jervais, Lawrence, 
Reynolds, Vertue, Deveria, Nasmyth, Browne, Kneller, Dance, 
Stuart, Eckhard, Lely, Ramsay, Marckl, Gainsborough, Hoppner, 
Northcote, Trotter, etc., etc.; and engraved by Finden, Harding, 
Graves, de Gucht, Evans, Chapman, Hall, Dean, Fry, Raffet, Jar- 
dien, Scriven, Adlard, Heath, Mote, Collyer, Freeman, Ridley, Holl, 
St. Aubin, Ravenet, Goldar, Audinet, Eckardt, Pailthorpe, Barto- 
lozzi, Bertsonnier, Prévost, Stodart, Pass, etc., etc. Also: Illustra- 
tions by Cruikshank, Sharpe, Smirke, Stothard, and others; and 
Views, after paintings by Marshall, Schnebbelie, Vernet, Allon, 
Nash, Bartlett, Shepherd, Harvey, Mackenzie, Chambers, Turner, 


[364 Continued | 


365 


366 


Neale, Winkles, Storer, Westall, Prout, Hawkins, Metz, Daniell, 
etc. eas 

Also, numerous rare prints, and mezzotints, engravings, scenes 
of literary and contemporary interest, actors and actresses, carica- 
tures, etc., etc. 

Full brown crushed levant morocco, with gold-tooled designs on 
back and sides, with a bust of Johnson, gilt top, uncut, by Riviere. 


JONES, Mrs. HERBERT. 
Tue Princess CHARLOTTE OF WateEs. An Illustrated 
Monograph. 4to. London. 1885. 
Two Volumes. 


First Eprrion. No. 161 of 250 copies printed for subscribers 
only. With extra-titles. . 

Unique. Extra-ILiustraTep, and extended to 2 volumes, by 
the insertion of 120 plates, being rare portraits of the Lady Char- 
lotte, Duke of Kent, Canning, Princess Amelia, the Four Georges, 
Pitt, Fox, Wellington, Napoleon, Victoria, Princess Mary, Sophia, 
etc., etc.; engraved by Beechery, Fry, Hicks, Jones, Collyer, 
Scriven, Delpech, Heath, Adlard, Mackenzie, Chapman, and Finden ; 
after paintings by Hopwood, Lawrence, Cosway, Russell, Hoppner, 
Girardet, etc. Also many drawings and views in color, by Alken, 
Wild, Pugin, Sutherland, Heath, Craig, Cruikshank, Nash, etc., 
many being proof impressions of the plates, Ackermann’s plates in 
color, and two A. L. S. of the Princess Charlotte inserted. 

Also the letter-press of “The Princess. The Death of Our 
Lady, in Child-bed. A Ballad Effusion. London: 1817.” (6 pp.) ; 
and 16 contemporary letter-press odes, monodies, elegies, stanzas, 
and tributes, to the Princess Charlotte, on her death, inlaid. 

Full lilac crushed levant morocco, decorated with the Tudor 
rose in clusters and in mosaic, inlaid in red levant morocco, with 
wreaths and clusters of rose-leaves in gold, a crown in the center in 
mosaic inlaid in maroon morocco, the same motive on the inside 
borders, doublure and flies of red watered-silk, gilt top, uncut. 


JOURNAL 


JOURNAL OF THE PROCEEDINGS OF THE CONGRESS, HELD 
AT PHILADELPHIA, September 5, 1774. [Vignette.] 8vo. 


[866 Continued | 


367 


New York: Printed by Hugh Gaine, Bookseller and Sta- 
tioner, in Hanover-Square. 1774. 


Full red crushed levant morocco, with filleted borders, edges 
gilt on the rough, by Chambolle-Duru. 


JUNGMAN, Nico. 


Hoiiann. By Nico Jungman. Text by Beatrix Jung- 
man. Square 8vo. London. 1904. 


EDIrion-DE-LUXE, limited to 300 copies, of which this is No. 
122. Signed by the artist. With 75 full-page illustrations re- 
produced in colors. 

Full orange crushed cae morocco, with a wide border in a 
conventional pattern inlaid in green, brown, light blue, and red 
levant, with a doublure of green levant with a frame inlaid in red 


levant and gold-tooled, flies of green crushed levant, gilt top, uncut, 
by Morrell. 


Se ee, ee ee ee 


THE GETTY CENTER 
LIBRARY 


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